Smyth-Dee - March Fantasy -Full Score
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Violin 1<br />
Violin 2<br />
Violin 3 (Viola &)<br />
Viola<br />
Cello<br />
Double Bass<br />
Piano (optional)<br />
Grade 2<br />
Duration: ca. 2’15”<br />
Ethel <strong>Smyth</strong>'s <strong>March</strong> of the Women was composed in 1910 and premiered by the Suffrage Choir on January<br />
21, 1911 at a ceremony celebrating the release of activists from prison. It was dedicated to the Women's<br />
Social and Political Union (WSPU), who used it as their official anthem. <strong>Smyth</strong> based the melody on a<br />
traditional tune she heard in Abruzzo, Italy, and the lyrics, which begin "Shout, shout, up with your song!<br />
Cry with the wind, for the dawn is breaking. <strong>March</strong>, march, swing you along, wide blows our banner and<br />
hope is waking," were by Cicely Hamilton. It was performed not only at rallies, but also by imprisoned<br />
activists, including during <strong>Smyth</strong>'s own imprisonment. Conductor Thomas Beecham reported that, when<br />
visiting <strong>Smyth</strong> in prison, he found the suffragettes in the courtyard "marching round it and singing lustily<br />
their war-chant while the composer, beaming approbation from an overlooking upper window, beat time<br />
[...] with a toothbrush." This piece begins with a transcription of <strong>Smyth</strong>’s original march before proceeding<br />
into a brief fantasy based on its themes. It ends with a return of the complete march.<br />
Dame Ethel Mary <strong>Smyth</strong> was a British composer, conductor, author, and<br />
suffragette who lived from 1858-1944. Despite Victorian-age societal<br />
restrictions, <strong>Smyth</strong> insisted on an education and fought to have a career,<br />
including performances and publication of her works. She studied at the<br />
Leipzig Conservatory and came to know Brahms and Dvorak, who<br />
encouraged her composition. She wrote in a variety of genres: lieder,<br />
chamber music, opera, solo organ and piano, choral, and symphonic, and<br />
her 1906 opera, The Wreckers, was the most-admired British opera of its<br />
time. She was heavily involved with the English suffragette movement<br />
from 1911-1913, even spending two months in prison after being arrested<br />
with more than 100 feminists for breaking windows. During World War I<br />
she worked in a French military hospital as an assistant radiologist, but she<br />
became increasingly deaf and spent the remainder of her life focused on<br />
writing, authoring eight volumes of memoirs.<br />
Alexandra <strong>Dee</strong> is the Director of Orchestral Studies and Assistant Professor of<br />
violin and viola at Indiana University of Pennsylvania. Her previous positions<br />
include Director of Orchestral Activities at the University of St. Francis in Joliet,<br />
Illinois, cover conductor for the Joffrey Ballet, and a high school orchestra teacher<br />
in Florida and Connecticut. She holds a Doctor of Musical Arts degree in orchestral<br />
conducting from Northwestern University, where she studied with Victor<br />
Yampolsky. She also attended Florida State University, where she earned a Master<br />
of Music in orchestral conducting and a Bachelor of Music Education. At FSU, she<br />
studied conducting with Dr. Alexander Jiménez. A consistent advocate for<br />
contemporary music, she has performed and premiered numerous works by living<br />
composers.