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Vito Žuraj - Fanfare da caccia

for brass and percussion ©2021 by Edicije DSS

for brass and percussion
©2021 by Edicije DSS

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Setup of 15 drums<br />

Any combination of 15 drums of various types (tom-toms, roto-toms, congas, bongos, any other type of<br />

drums) and of 15 different approx. pitches can be individually chosen for the setup. The size of drums<br />

for the setup may vary according to available drums and/or according to space available on stage. It is<br />

important to include at least one drum with low sound and large resonance (for instance: low tom-tom).<br />

Notation for 15 different approx.<br />

pitches (no precisely defined pitches<br />

since no treble or bass clef is used)<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

8<br />

7<br />

9<br />

10<br />

11<br />

12<br />

14<br />

13<br />

15<br />

If drums can be arranged in two rows, the<br />

line-up in the figure on the left may help to<br />

optimize the practicality (1=lowest pitch,<br />

15=highest pitch).<br />

Notation for waterphone<br />

The waterphone should either be held in the hand (“suspended”) or placed on a piece of acoustic foam.<br />

A bow and hard plastic mallet should be used to play the metal rods, which should be allowed to vibrate<br />

freely (if not indicated otherwise). Three different contact points for striking these rods are specified in the<br />

score:<br />

- approx. 3 cm from the base: contact point for the bow when generating low [ ] frequencies<br />

- approx. 2 cm from the base: contact point for the mallets and brush<br />

- approx. 1 cm from the base: contact point for the bow when generating high [ ] frequencies<br />

- at the base of the rod<br />

Hold the waterphone in the hand (“suspended”) and shake it slowly<br />

(shaking causes the instrument to produce a vibrating, ethereal sound).<br />

Place the waterphone on a piece of acoustic foam<br />

(the pitch remains stable, because the water inside the bowl is stationary).<br />

glockenspiel mallet (hard plastic)<br />

bow<br />

Stan<strong>da</strong>rd noteheads within the wide two-line staff: with each note the player should strike a different<br />

rod or pair of rods (individual choice)<br />

Bow/slide rapidly across any series of neighbouring rods of ascending pitch (longer<br />

Bow/slide rapidly across any series of neighbouring rods of descending pitch (shorter<br />

shorter)<br />

longer)<br />

Bow/slide rapidly across any series of neighbouring rods of mixed pitch (variable length)

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