Cecilia McDowall - Mixed Voices Secular Choral Sampler

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49 ° & mf Œ. ‰ ‰ bœ J 109 œ. Œ. œ bœ œ œ œ. œ. b œ. J J œ > œ J ∑ 7 hot, hot and hast - - y, & mf Œ. ‰ ‰ œ j b œ. Œ. bœ œ j œ j œ œ. œ. œ. œ œ j > hot, hot and hast - - y, ∑ & mf œ œ J œ œ j œ œ j bœ œ œ œ œ j bœ j ‰ j œ œ. œ j ‰ œ œ œ J J œ œ j bœ œ j œ œ j hast - y like a Scotch,a jig - ga-dy jig, and hot and hast - y like a Scotch jig, a for online perusal only & ‹ ∑ ∑ f mf Œ. œ > œ œ œ. œ j ‰ œ œ œ J J œ œ j bœ œ j œ œ j hast-y and hot and hast - y like a Scotch jig, a ? ¢ mf œ œ J œ œ œ œ bœ œ œ J J œ œ bœ ∑ ∑ J J ‰ ‰ Œ. ‰ ‰ œ J hast - y like a Scotch,a jig - ga-dy jig, a mf 55 ° & Œ. ‰ ‰ œ J f swagger like œ œ b > œ J J œ a Scotch bœ œ J œ j ‰ œ J jig, a jig, like a jig, œ œ b> œ > J J ‰ ¿ J ¿ J ‰ œ J (clap)* œ œ b > œ J J œ like a Scotch 9 8 9 8 9 8 9 8 9 8 6 8 6 8 6 8 6 8 6 8 & Œ. ‰ ‰ œ J f swagger like œ œ b > œ J J œ a Scotch bœ œ J œ j ‰ œ J œ œ b> œ > J J ‰ ¿ J ¿ J ‰ œ J œ œ b > œ J J œ jig, a jig, like a jig, (clap)* like a Scotch & bœ œ œ > œ j ‰ j œ jig, f swagger like f swagger f swagger œ j bœ j > œ ? > > bœ œ œ ¢ œ j ‰ œ œ œ bœ J J J œ a Scotch œ b > œ J J œ a Scotch jig, like a Scotch œ & œ b œ. J ‰ œ œ J ‹ jig, like bœ œ j œ j ‰ œ j jig, a jig, like a jig, bœ œ J œ j ‰ œ J jig, a jig, like a jig, jig, a jig, like a jig, œ œ œ j b > œ j ‰ j j ‰ j ¿ > ¿ œ (clap)* œ b> œ > J J ‰ ¿ J ¿ J ‰ œ J (clap)* œ j bœ j > œ like a Scotch œ b > œ J J œ like a Scotch > > > bœ œ j œ j ‰ œ œ œ bœ J J J ‰ ¿ ¿ J J ‰ œ œ œ bœ J J J œ (clap)* œ œ like a Scotch *if the singers lack music stands and are therefore unable to clap, they could stamp their feet, or the conductor could clap
8 60 ° & bœ œ J œ œ j b œ. œ œ j bœ œ J œ œ j œ & & b œ. jig, a jig, like a Scotch jig, a jig, and bœ œ J œ œ j b œ. œ œ j bœ œ J œ œ j œ jig, a jig, like and Scotch jig, a jig, and œ œ j jig, a Scotch jig, a jig, a Scotch jig, and mp resonant 2 b . ‰ œ j ˙. ˙. full mp resonant 2 full mp resonant 2 & b œ. œ œ j bœ œ J œ œ j b œ. œ œ j bœ œ J œ œ ˙. ˙. ‹ jig, a Scotch jig, a jig, a Scotch jig, and full 110 bœ œ J œ œ j b œ. œ œ j œ b . ‰ œ j b ˙. ˙. b œ J œ œ ˙. ˙. full mp resonant 2 ? ¢ b œ. œ œ J jig, a Scotch jig, a jig, a Scotch jig, and mp resonant 2 bœ œ J œ œ b œ J . œ œ bœ œ J J œ œ ˙. ˙. full 66 ° & mf 2 2 ˙. œ. ‰ œ j œ œ j œ j - - œ œ - . œ j œ. ˙. œ. ‰ œ b œ. J œ J œ as fan - ta - sti - cal; the wed - ding, & ˙. œ. ‰ mf 2 bœ j as bœ œ j - - œ. œ. œ j œ. ˙. œ. ‰ œ j œ. œ œ J fan - ta - sti - cal; the wed - ding, 2 & ˙. œ. ‰ for online perusal only mf 2 2 œ j œ- bœ j - œ. bœ. œ j ‰ œ. ˙. œ. bœ j œ. œ j œ as fan - ta - sti - cal; the wed - ding, & ‹ ? ¢ mf 2 2 . ˙. œ. ‰ œ j ˙. œ œ œ. ˙. œ. J ‰ œ œ. œ œ J J as fan - - ta - sti - cal; the wed - ding, mf 2 2 - - . ˙. œ. ‰ œ j œ- œ œ bœ œ œ œ. ˙. œ. J J J ‰ œ œ. œ œ J J as fan - ta - sti - cal; the wed - ding,
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Cecilia McDowall Secular Choral Sam
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Photo 51* SSATB unaccompanied More
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for online perusal only 4
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12 Secular Soprano solo, SSATB, and
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. ? ∑ ∑ ∑ Œ œ œ J œ 3 8 p
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16 5 24 & ° & ˙ . ˙. Œ ∑ p
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18 7 & ° & & & ‹ ? ¢ { 37 & ? S
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20 9 53 ° & & œ ˙ œ œ ˙ œ ˙
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69 ° & ? ¢ ∑ ∑ ∑ & { 72 °
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13 SOPRANOS 1 & 2 82 f 3 3 3 3 3 3
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26 15 94 SOPRANO 1 poco mf 3 3 3 3
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NEW HORIZONS 28 2 Secular SSATB una
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4 & ¡ & & ? ¢ & { 4 4 4 & 4 ú Ï
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14 ¡ & & & ú Ïª Ï ú bú ú Î
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34 7 27 ¡ & & & & Ü ? ¢ & { Ï
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NEW HORIZONS 36 2 Secular SSATB a c
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4 38 12
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6 40 32 mp
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Percy Bysshe Shelley (1792-1822) SO
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21 ° & & & mf œ Œ œ ˙ # œ 2 3
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42 ° & & & kiss hea hea hea mf œ
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¢ 62 ° 3 & 4 & & & ‹ & { 3 4 3
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NEW HORIZONS 50 2 Secular SSATB (wi
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52 4 24 & œ. œ ? 3 œ j ˙. 4 ˙.
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54 6 44 ? ∑ ∑ ∑ ∑ ∑ 6 8 6
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56 8 66 ? ∑ ∑ ∑ ∑ ∑ ° &
Page 59 and 60: 58 10 90 B b œ. œ œ œ # œ b œ
Page 61 and 62: 60 12 114 ? ∑ ∑ ° bœ œ œ.
Page 63 and 64: 62 14 130 ? # œ œ œ œ œ œ œ
Page 65 and 66: 16 148 meno mosso, mysterious q. =
Page 67 and 68: 66 18 2. Crow, landing CELLO SOPRAN
Page 69 and 70: 68 20 21 & ° & œ œ b ˙. œ ˙.
Page 71 and 72: 70 22 41 ? 3 4 ° 3 & 4 & 3 4 ff f
Page 73 and 74: 72 24 61 & 3 4 œ œ # œ 7 œ nœ
Page 75 and 76: 74 26 CELLO SOPRANO 1 SOPRANO 2 ALT
Page 77 and 78: 76 28 22 ? ˙ ˙ ˙ ˙ œ j ‰ œ
Page 79 and 80: 78 30 37 B ‰ œ œ œ œ œ. œ J
Page 81 and 82: 32 52 B ° & & & & ‹ foot foot œ
Page 83 and 84: 82 Gifted to Simon Wood for ‘Requ
Page 85 and 86: 17 a-ny of us, a-ny of u
Page 87 and 88: 86 7 36 and that
Page 89 and 90: 54 feared, it is on - ly to be un
Page 91 and 92: 69 less. less.
Page 93 and 94: 92 Secular SSATB unaccompanied for
Page 95 and 96: 4 94 11 ° & b ˙. ˙. œ. œ j ‰
Page 97 and 98: 6 96 31 e = e ° & 2 4 #˙ e = e 2
Page 99 and 100: 8 98 50 ° & ∑ ∑ ∑ & ∑ ∑
Page 101 and 102: 10 100 70 ° & & & œ. œ ‰ ∑
Page 103 and 104: 12 102 90 ° & # ˙. œ # œ œ œ
Page 105 and 106: NEW HORIZONS 104 2 Secular SSATB un
Page 107 and 108: 4 10 ° & Playful (quasi Scottish f
Page 109: 6 34 ° > > - - - & # œ # œ ‰
Page 113 and 114: 10 89 ° & & & œ. # œ j ‰ œ j
Page 115 and 116: 12 112 ° & & œ œ # œ > > # œ J
Page 117 and 118: 14 140 ° & œ p mp comes, 116 ‰
Page 119 and 120: 16 168 ° & & mp ˙. ˙. œ. œ -
Page 121 and 122: 18 Extract from Sonnet VIII 2. Mark
Page 123 and 124: G G G G G G G G 20 17 ° 3 & 4 p ˙
Page 125 and 126: 22 37 ° & mp mf 124 ˙ Ó Œ œ b
Page 127 and 128: 24 7 ° & mp keep f > > > œ bœ œ
Page 129 and 130: 26 27 ° & 128 > œ j œ > œ œ œ
Page 131 and 132: 28 48 ° & ‰ ‰ nœ j # œ œ œ
Page 133 and 134: 30 62 ° & 132 œ j œ. œ # œ œ.
Page 135 and 136: 32 79 ° & p legato e leggiero œ
Page 137 and 138: G 34 99 ° & œ. 136 poco mf 2 2 2
Page 139 and 140: 138 Secular SSATB unaccompanied for
Page 141 and 142: for online perusal only
Page 155 and 156: 154 Sigh no more, ladies William Sh
Page 157 and 158: 3 Sigh no more, ladies
Page 159 and 160: 5 Sigh no more, ladies
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7 Sigh no more, ladies
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9 Sigh no more, ladies
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Cecilia McDowall - Mixed Voices Secular Choral Sampler

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