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La Sextine. - Fonds Queneau

La Sextine. - Fonds Queneau

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Raymond <strong>Queneau</strong>," pp. 329-331"; Evert van der Starre, Curiosités deRaymond <strong>Queneau</strong>. De «L'Encyclopédie des Sciences inexactes» aux jeuxde la création romanesque, pp. 112-113 and 131. There are some sort ofmanuscript notes available at the CDRQ under the titles "Echecs" and"Gruel."déchets (cf. "Balayer"): <strong>Queneau</strong>: Courir les rues and "Loin des Tropiques."Stanley BartonFertig, "Une Ecriture encyclopoétique: Formation et transformation chezRay-mond <strong>Queneau</strong>," pp. 19; Paul Gayot and Philippe Van den Broeck, "DesDéchets (et surtout des Colombins) chez <strong>Queneau</strong>"; Jacques Guicharnaud,Raymond <strong>Queneau</strong>, p. 9; John Sturrock, The Word from Paris: Essays onModern French Thinkers and Writers, p. 186.demons: <strong>Queneau</strong>: Bébé Toutout and Purpulan in Le Chiendent and Enfants duLimon.Jacques Guicharnaud, Raymond <strong>Queneau</strong>, p. 42; Claude Simonnet,<strong>Queneau</strong> déchiffré.detective novel: <strong>Queneau</strong>: Pierrot mon ami, "Rouletabille, sujet brûlantd'actualité," and"Sur 'Le Double assassinat dans la rue Morgue' et autres contes d'EdgarPoe." The "prière d'insérer" for Pierrot mon ami would seem to indicate that<strong>Queneau</strong> wanted it to be taken for one at least superficially. Le Chiendentand Zazie dans le métro both also seem to fit at least partly into this mold.Mary-Lise Billot, "En quête d'énigmes dans Pierrot mon ami"; Paul Gayot,"Disparitions, escamotages, et prestidigitations dans Le Chiendent," "<strong>La</strong> Morten ce jardin," and "Pierrot mon ami et le roman poli-cier"; Frank Kermode,Essays on Fiction; Kubo, Akihiro. “Raymond <strong>Queneau</strong> et la question desgenres”; Stephen Noreiko, "Pierrot mon ami. Themes and an Enigma"; RenéNohr, "Les Eléments policiers dans les romans de Raymond <strong>Queneau</strong>";Gilbert Pestureau, "Les Modèles anglo-saxons et le renouvellement desstyles dans la littéra-ture française (1940-1960)" and "Les Techniques anglosaxonset l'art romanesque de Raymond <strong>Queneau</strong>"; <strong>La</strong>ura Prindle Rice-Sayre, "Abra-cadaver: The Anti-detective Story in Post-modern Fiction";Christopher Shorley, A Time of Transition in the French Novel: "Les Annéestournantes 1928-1934," p. 229; Jeanine Vanier, "Pierrot mon ami et lastructure multiple"; Boris Vian, "Lettre à Raymond <strong>Queneau</strong>"; CahiersRaymond <strong>Queneau</strong> #12-13 (janvier 1990), p. 22; Monitoires du cymbalumpataphysi- cum #26 (15 décembre 1991); Amis de Valentin Brû #18 (février2000), pp. 42-43.dogs: <strong>Queneau</strong>: "Le Chien boche," "Dino," "A la limite de la forêt," "Nicolas, chiend'expérience,""Pour mon chien," Cher Monsieur-Jean-Marie-mon fils: Lettres 1938-1971, Jupiter in Le Chiendent, Bébé Toutout in Le Chiendent and Les

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