Rospigliosiana, ovvero Gli equivoci innocenti - Music

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Margaret Murata RESEARCH PUBLICATIONS AND PRINCIPAL REVIEWS, 1975-2012 1999 2 “Music History in the Musurgia universalis of Athanasius Kircher,” in The Jesuits: Culture, Sciences, and the Arts, 1540-1773, J. O’Malley, T. F. Kennedy, S. Harriss, et al., eds (Toronto: University of Toronto Press), pp. 190-207. 2003 1 “‘Singing,’ ‘Acting,’ and ‘Dancing’ in Vocal Chamber Music of the Early Seicento,” Journal of Seventeenth-Century Music 9/1, http://sscm-jscm.press.uiuc.edu/jscm/v9/no1/Murata.html. 2003 2 “Pasqualini riconosciuto,” in "Et facciam dolçi canti." Studi in onore di Agostino Ziino in occasione del suo 65° compleanno, B. M. Antolini, T. M. Gialdroni, and A. Pugliese, eds, 2 vols (Lucca: LIM), 1: 655-86. 2004 1 “Student Music in Italian Colleges, ca. 1675-1720,” in Music Observed: Studies in Memory of William C. Holmes, S. Parisi and C. Reardon, eds Detroit Monographs in Musicology (Warren: Harmonie Park Press), pp. 353-60. 2004 2 “‘Wo di Zitronen blühn’: Re-Versions of Arie antiche,” in Historical Musicology: Sources, Methods, Interpretations (Festschrift for Robert L. Marshall), S. Crist and R. Marvin, eds (Rochester, NY: University of Rochester Press), pp. 330-55. 2005 1 “More Observations on Italian Florid Song,” Analecta Musicologica 36: 329-54 (Festschrift for Wolfgang Witzenmann) 2005 2 Review of Paola Besutti, ed., L'oratorio musicale italiano e i suoi contesti (sec. xvii-xviii). Atti del convegno internazionale (Perugia, 18-20 settembre 1997). Quaderni della Rivista Italiana di Musicologia, 35 (Florence 2002) and Saverio Franchi, ed., Percorsi dell’oratorio (Rome 2002), Journal of Seventeenth-Century Music 11, http://sscm-jscm.press.uiuc.edu/jscm/v11/no1/murata.html. 2005 3 “Rospigliosi, poeta per musica,” in Lo spettacolo del sacro, la morale del profano, D. Romei, ed., Beni Culturali, Provincia di Pistoia, vol. 37 (Florence: Edizioni Polistampa), pp. 113-31. 2005 4 “Image and Eloquence: Secular Song,” in The Cambridge History of Seventeenth-Century Music, T. Carter and J. Butt, eds (Cambridge: Cambridge University Press), pp. 378-425. 2007 1 “Guitar Passacagli and Vocal Arie,” in La monodia in Toscana alle soglie del XVII secolo. Atti del convegno internazionale di studi (Pisa, 17-18 dicembre 2004), Fr. Menchelli-Buttini, ed. (Pisa: ETS), pp. 81-116. 2007 2 “A Topography of the Barberini Music Manuscripts,” in I Barberini e la cultura europea del Seicento, Fr. Solinas, L. Mochi Onori, S. Schütze, eds (Rome: De Luca Editori d’Arte), pp. 375-80. 2008 1 “From Il Cortigiano to The Spectator, or Weighing the Unintended Transformations of Monody,” in Vom Preis des Fortschritts. Gewinn und Verlust in der Musikgeschichte, A. Dorschel and A. Haug, eds, Studien zur Wertungsforschung, vol. 49 (Vienna: Universal Edition), pp. 232-52. 2008 2 “Gems, Glories, and Capolavori of Early Italian Opera,” in D’une scene à l’autre. L’opéra italien en l’Europe,” D. Colas and A. Di Profio, eds, 2 vols. (Liège: Mardaga), 1: 279-301. 2011. “Tactus, Poetic Meter and Melisma” in Basler Jahrbuch für Historische Musikpraxis 35 (2011), in press 2
Margaret Murata RESEARCH PUBLICATIONS AND PRINCIPAL REVIEWS, 1975-2012 2012 1 “Theatri intra theatrum, or The Church and the Stage in 17th-Century Rome,” in Sleuthing the Muse: Essays in Honor of William F. Prizer, K. Forney and J. Smith, eds (Hillsdale, NY: Pendragon Press, 2012), pp. 181-200. 2012 2 “Dal ridicolo al diletto signorile. Rospigliosi and the Intermedio in Rome,” in Musica a Roma nel Seicento, A.-M. Goulet and C. Giron-Panel, eds (Rome: École française de Rome), in press [2013] “Cantar ottave – Cantar storie,” in Word, Image and Song, R. Cypess, B. Glixon, N. Link, eds, 2 vols. (Rochester, NY: University of Rochester Press), in press [2013] “Musical Encounters Public and Private,” in Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century, D. Fabris and M. Murata, eds (Turnhout: Brepols), forthcoming [2013] “The Score on the Shelf: Valuing the Anonymous and the Unheard,” in Musical Text as Ritual Object, H. Schulze, ed. (Turnhout: Brepols) [2014] “Opera as Spectacle, Opera as Drama” in The Cambridge Companion to Early Opera, M. Adams and J. Waeber, eds (Cambridge: Cambridge University Press) Books and Editions Operas for the Papal Court, 1631-1668 (Ann Arbor 1981) Cantatas by Marc’Antonio Pasqualini, 1614-1691. The Italian Cantata in the Seventeenth Century, vol. 3. (New York 1985) Strunk’s Source Readings in Music History, rev. ed., vol. 4: The Baroque Era (New York 1998) Two Spiritual Monodies by G. G. Kapsperger, ed. with David Dolata, Web Library of Seventeenth-Century Music, no. 21, http://www.sscm-wlscm.org/Kapsperger/Index.html (2011) Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century, ed. with Dinko Fabris (Turnhout: Brepols, [2013]) Thematic Catalogue of Chamber Cantatas by Marc’Antonio Pasqualini Instrumenta series, Journal of Seventeenth-Century Music, forthcoming, 2013/14. 3
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