Mozart: Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee OLD
Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre. Scores and performance materials are available through Ondine Press.
Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str
This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre. Scores and performance materials are available through Ondine Press.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
PERUSAL SCORE
ONLY
NOT FOR SALE
Change language