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3 years ago

Becky McGlade choral sampler

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Becky McGlade studied music at Royal Holloway, University of London, and now leads a busy musical life as a cellist, composer, and piano and cello teacher. She has a unique compositional style that is both engaging and accessible, with fluid vocal lines and unexpected harmonic twists.

22 I saw a new heaven

22 I saw a new heaven Revelation 21:1–5 BECKY McGLADE SOPRANO Andante espressivo e = 112 e = e V # mp t ∑ ∑ ∑ Œ t œ œ œ œ œ œ œ ‰ œ œ ° For the first heav’n and the 5 8 5 8 5 8 5 8 5 8 5 8 3 4 3 4 3 4 3 4 3 4 3 4 5 8 5 8 5 8 5 8 5 8 5 8 for online perusal only ALTO TENOR V # mp t ∑ ∑ ∑ Œ t œ œ œ œ œ V ‹ # mp I = j œ œ œ For the first heav’n and the œ j œ œ œ œ t œ œ œ œ œ œ t œ œ œ œ œ œ œ œ saw a new heav’n and a new earth: for the first heav’n and the BASS ¢ B# mp œ J I œ œ œ œ t œ œ œ œ œ œ t œ œ œ œ ‰ œ œ saw a new heav’n and a new earth: for the first heav’n and the for rehearsal only { Andante espressivo e = 112 e = e V # t ∑ ∑ ∑ Œ t œ œ œ = mp B # œ œ œ œ t œ œ œ œ œ œ œ t œ œ œ œ ‰ œ J œ œ œ œ œ ‰ œJ œ œ œœ œ œ œ Duration: 3.5 mins © Oxford University Press 2021 Printed in Great Britain OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

23 3 7 ° V # œ œ œ œ first earth were passed a way, œ œ œ j œ œ œ œ j œ œ t œ j œ œ œ œ j œ œ j œ œ œ œ - were passed a - way; and there was 5 8 5 8 5 8 5 8 5 8 5 8 3 4 3 4 3 4 3 4 3 4 3 4 5 8 5 8 5 8 5 8 5 8 5 8 9 8 9 8 9 8 9 8 9 8 9 8 5 8 5 8 5 8 5 8 5 8 5 8 ¢ { V # first earth were passed a - way, were passed a way; V # œ œ œ œ œ œ j œ ‹ B# V # B # = œ œ œ œ œ œ j œ œ œ œ j œ œ t œ j œ œ œ œ œ œ œ œ œ œ - and there was œ œ œ œ j œ œ t œ j œ œ œ œ œ œ œ œ œ œ first earth were passed a - way, were passed a - way; and there was = œ œ œ œ œJ œ œ œ œ œ œ J t œ œ œ œ œ œ œ J J œ œ œ first earth were passed a - way, were passed a - way; and there was t œ œ œ œ œ œ œ œ œ j œ œ œ œ j œ œ œ j œ œ œ j œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œœ j œ J œ œ œ œ J œ œ t œ J œ œ œ œ œœ J œ œ œ œ œ for online perusal only ° ¢ { V # p no more sea, and 13 5 8 œ œ œ œ j 3 4 œ 5 3 5 2 œ j 8 œ œ œ œ œ œ j 4 ‰ Œ 8 ∑ 4 there was no more sea. 5 3 5 3 5 2 8 œ œ œ j 4 œ œ j œ œ 8 œ œ j œ 4 Œ ‰ 8 ∑ œ œ œ 4 there was no more sea. p mp 5 3 5 3 5 2 8 œ œ œ œ j 4 œ œ j 8 œ œ œ œ œ œ J 4 ‰ t œ j 8 œ œ œ 4 no more sea, and there was no more sea. And I John p mp 5 3 5 3 5 2 8 œ œ œ 4 œ œ œ œ 8 œ œ œ J J J 4 ‰ t œ 8 œ œ œ J 4 no more sea, and there was no more sea. And I John 5 3 5 3 5 2 8 œ œ œ œœ j 4 œœ œ œ j œ œ 8 œ œ œJ 4 ‰ œ œj œ œ œ Œ 8 ∑ 4 œ 5 œ 3 5 3 5 2 8 œ œ œJ 4 œ œ œ 8 œ œ œ œ œJ 4 ‰ t œ 8 œ J œ œ 4 V # p no more sea, and V # ‹ B# V # p mp B # œ J

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