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Phyllis Tate - The Lodger

  • Text
  • Franklin
  • Ripper
  • Opera
  • Oxford
  • Oup
  • Lodger
  • Tate
Opera for soli, SATB chorus, and full orchestra (pub. 1969) The Lodger is based on the novel of the same name by Marie Belloc Lowndes and tells the story of the Jack the Ripper murders of 1888, with the mysterious murderer's landlady being the main character of the opera. We see 'Jack' as a psychopath - one moment kind and gentle, the next a maniac. Tate describes the opera as 'bridging the opposed worlds of more advanced contemporary music and that of popular entertainment'. The libretto is by David Franklin, who was also a well-known soloist at the Royal Opera House and Glyndebourne. The work was commissioned by the Royal Academy of Music, and as such, is suitable for the capabilities of student performers.

Phyllis Tate - The

2 Orchestral Score Phyllis Tate The Lodger

  • Page 2 and 3: OXFORD The Lodger Phyllis Tate Oper
  • Page 4 and 5: 2 Fl. 1 25 ° & ∑ ∑ ∑ ∑ ∑
  • Page 6 and 7: 4 Fl. 1 47 (Curtain rises) ° & ∑
  • Page 8 and 9: 6 Fl. 1 65 ° bœ 3 2 & J ‰ œ J
  • Page 10 and 11: 8 Fl. 1 84 ° & ∑ ∑ Œ (e = e)
  • Page 12 and 13: 10 Fl. 1 Picc. a tempo 102 ° // 6
  • Page 14 and 15: 12 Ob. 1 Cl. 2 in A Hn. 1 & 2 in F
  • Page 16 and 17: 14 Ob. 1 Bsn. 1 Bsn. 2 Hn. 1 & 2 in
  • Page 18 and 19: 16 Fl. 1 Ob. 1 & 2 Cl. 1 in A B. Cl
  • Page 20 and 21: 18 Fl. 1 199 poco string. ° & ∑
  • Page 22 and 23: 20 Fl. 1 & 2 Ob. 1 & 2 Cl. 1 & 2 in
  • Page 24 and 25: 22 Fl. 1 243 poco accel. ° ˙ 3 ˙
  • Page 26 and 27: 24 Tpt. 1 & 2 in C 259 ° ¢ & nnœ
  • Page 28 and 29: 26 Fl. 1 271 ° & 19 Poco agitato (
  • Page 30 and 31: 28 Fl. 1 allarg. 20 Tempo I° 283
  • Page 32 and 33: 30 Fl. 1 299 Tempo I° ° & ∑ ∑
  • Page 34 and 35: 32 Bsn. 1 & 2 325 22 ° ? ∑ ∑
  • Page 36 and 37: 34 Fl. 1 345 ° & œ œ œ œ œ
  • Page 38 and 39: 36 Fl. 1 Fl. 2 Ob. 1 & 2 Cl. 1 & 2
  • Page 40 and 41: 38 Ob. 1 Bsn. 1 & 2 Hn. 1 & 2 in F
  • Page 42 and 43: 40 Fl. 1 accel. 29 Più mosso alla
  • Page 44 and 45: 42 Fl. 1 accel. Più mosso alla fan
  • Page 46 and 47: 44 Fl. 1 436 Poco meno mosso ° &
  • Page 48 and 49: 46 Fl. 1 33 449 nœ ° # œ nœ #
  • Page 50 and 51: 48 Ob. 1 Cl. 1 in A Bsn. 1 & 2 Hn.
  • Page 52 and 53:

    50 Fl. 1 501 ° & w bw bw œ j ‰

  • Page 54 and 55:

    52 Cl. 1 in A 522 poco rall. ° &

  • Page 56 and 57:

    54 Fl. 1 Fl. 2 550 ° 2 & ∑ ∑

  • Page 58 and 59:

    56 Hn. 1 & 2 in F 593 ° & Œ f 42

  • Page 60 and 61:

    58 Hn. 1 & 2 in F 609 ° + j & ‰

  • Page 62 and 63:

    60 Hn. 1 & 2 in F 624 ° & ∑ ∑

  • Page 64 and 65:

    62 Fl. 1 Picc. [this bar for radio

  • Page 66 and 67:

    64 Hn. 1 & 2 in F Hn. 3 & 4 in F 64

  • Page 68 and 69:

    66 Fl. 1 Fl. 2 676 poco rall. Moder

  • Page 70 and 71:

    68 Fl. 1 // 693 ° nœ œ œ œ #

  • Page 72 and 73:

    70 Fl. 1 707 ° & ∑ ˙ œ œ œ

  • Page 74 and 75:

    72 Fl. 1 Fl. 2 Ob. 1 & 2 Cl. 1 in A

  • Page 76 and 77:

    74 Fl. 1 763 56 ° & ∑ ∑ ∑

  • Page 78 and 79:

    76 Fl. 1 776 ° œ & ∑ ∑ ∑ #

  • Page 80 and 81:

    78 Fl. 1 809 ° 3 2 3 2 & 4 ∑ ∑

  • Page 82 and 83:

    80 Fl. 1 Picc. Ob. 1 & 2 Cl. 1 & 2

  • Page 84 and 85:

    82 C. A. 850 ° & (The gradual dawn

  • Page 86 and 87:

    84 Fl. 1 allarg. 63 Molto marcato 2

  • Page 88 and 89:

    86 Ob. 1 42 ° & œ ∑ ∑ ∑ ∑

  • Page 90 and 91:

    88 Picc. Bsn. 1 & 2 Tpt. 1 & 2 in C

  • Page 92 and 93:

    90 Fl. 1 102 ° œ œ & ∑ Ó Œ J

  • Page 94 and 95:

    92 Fl. 1 Picc. Ob. 1 & 2 116 ° &

  • Page 96 and 97:

    94 Bsn. 1 & 2 Hn. 1 & 2 in F 72 132

  • Page 98 and 99:

    96 Fl. 1 Picc. Ob. 1 Ob. 2 150 ° &

  • Page 100 and 101:

    98 Fl. 1 Picc. Ob. 1 Ob. 2 Cl. 1 in

  • Page 102 and 103:

    100 Fl. 1 Picc. Ob. 1 & 2 75 181 Me

  • Page 104 and 105:

    102 Fl. 1 Picc. Meno mosso 192 °

  • Page 106 and 107:

    104 Fl. 1 Ob. 1 Cl. 1 in A Ch. Vln.

  • Page 108 and 109:

    106 Fl. 1 235 Moderato e liberament

  • Page 110 and 111:

    108 Ob. 1 & 2 Cl. 1 in A Cl. 2 in A

  • Page 112 and 113:

    110 Ob. 1 289 82 ° 3 & ∑ ∑ 4

  • Page 114 and 115:

    112 Ob. 1 302 ° 2 bœ œ & bœ 4 b

  • Page 116 and 117:

    114 Ob. 1 & 2 315 > ° # œ œ 2 2

  • Page 118 and 119:

    116 Ob. 1 & 2 Cl. 1 & 2 in A Bsn. 1

  • Page 120 and 121:

    118 Fl. 1 Ob. 1 & 2 Cl. 1 & 2 in A

  • Page 122 and 123:

    120 Fl. 1 386 ° & Ó # ˙ # ˙ ˙

  • Page 124 and 125:

    122 Fl. 1 399 ° œ œ 2 # œ œ 5

  • Page 126 and 127:

    124 Fl. 1 411 ° & ‰ bœ J bœ œ

  • Page 128 and 129:

    126 G. 424 94 Allegro con brio f pa

  • Page 130 and 131:

    128 Picc. 446 96 ° & ∑ œ æ æ

  • Page 132 and 133:

    130 Fl. 1 Picc. Ob. 1 & 2 Cl. 1 & 2

  • Page 134 and 135:

    132 Hn. 1 & 2 in F Hn. 3 & 4 in F E

  • Page 136 and 137:

    134 Cl. 1 & 2 in A 562 ° 3 3 3 &

  • Page 138 and 139:

    136 Ob. 1 590 ° & ∑ 4 ∑ L’is

  • Page 140 and 141:

    138 Fl. 1 604 ° bœ œ bœ œ bœ

  • Page 142 and 143:

    140 Fl. 1 Ob. 1 620 108 L’istesso

  • Page 144 and 145:

    142 Fl. 1 Fl. 2 Andante con espress

  • Page 146 and 147:

    144 Fl. 1 Picc. Cl. 1 in A Cl. 2 in

  • Page 148 and 149:

    146 Fl. 1 664 ° & ∑ Œ œ ≈ œ

  • Page 150 and 151:

    148 Ob. 1 ° & ∑ ∑ 112 [this ba

  • Page 152 and 153:

    150 Fl. 1 Picc. Ob. 1 & 2 Cl. 1 in

  • Page 154 and 155:

    152 Fl. 1 Picc. Ob. 1 & 2 Cl. 1 & 2

  • Page 156 and 157:

    154 Fl. 1 114 708 Più mosso ° 3 2

  • Page 158 and 159:

    156 115 Andante Più mosso Ob. 1 &

  • Page 160 and 161:

    158 Fl. 1 741 ° & ∑ ∑ ∑ ∑

  • Page 162 and 163:

    160 Ob. 1 & 2 756 ° ˙ & ˙ œ w

  • Page 164 and 165:

    162 Perc. 779 ° ¢ / Œ (B.D.) 120

  • Page 166 and 167:

    164 Fl. 1 Fl. 2 Ob. 1 Ob. 2 792 122

  • Page 168 and 169:

    166 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 &

  • Page 170 and 171:

    168 Fl. 1 Fl. 2 Ob. 1 & 2 Cl. 1 & 2

  • Page 172 and 173:

    170 Fl. 1 Fl. 2 Ob. 1 & 2 Cl. 1 & 2

  • Page 174 and 175:

    172 Ob. 1 Bsn. 1 & 2 Hn. 1 & 2 in F

  • Page 176 and 177:

    174 Ob. 1 Cl. 2 in A Bsn. 1 & 2 45

  • Page 178 and 179:

    176 Fl. 1 79 poco rall. ° & ∑

  • Page 180 and 181:

    178 Fl. 1 97 ° & . . . . . . # œ

  • Page 182 and 183:

    180 Fl. 1 Fl. 2 114 ° & & ∑ ∑

  • Page 184 and 185:

    182 Cl. 1 in A Cl. 2 in A Bsn. 1 Bs

  • Page 186 and 187:

    184 Fl. 1 Ob. 2 Cl. 2 in A Bsn. 2 T

  • Page 188 and 189:

    186 Ob. 1 186 141 ° & nœ j ‰ Œ

  • Page 190 and 191:

    188 Fl. 1 Fl. 2 Cl. 1 in A Cl. 2 in

  • Page 192 and 193:

    190 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 194 and 195:

    F 192 Cl. 1 in A Cl. 2 in A Bsn. 1

  • Page 196 and 197:

    194 Ob. 1 Cl. 1 in A Cl. 2 in A Bsn

  • Page 198 and 199:

    196 Ob. 1 poco rall. 327 U ° & #

  • Page 200 and 201:

    198 Fl. 1 & 2 Hn. 1 & 2 in F Hn. 3

  • Page 202 and 203:

    200 Fl. 1 406 ° œ œ # œ bœ œ

  • Page 204 and 205:

    202 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 206 and 207:

    204 Cl. 1 in A Cl. 2 in A Bsn. 1 Bs

  • Page 208 and 209:

    206 E. G. Solo Vla. Solo Vc. Vln. I

  • Page 210 and 211:

    208 (George reaches out his hands t

  • Page 212 and 213:

    210 Perc. { Pno. = Ob. 1 Ob. 2 Cl.

  • Page 214 and 215:

    212 Perc. = E. Fl. 1 Picc. Ob. 1 Ob

  • Page 216 and 217:

    214 ACT II Scene 2 Flute 1 Violin I

  • Page 218 and 219:

    216 Vln. I Vln. II Vla. 58 Allegro

  • Page 220 and 221:

    218 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 222 and 223:

    220 Fl. 1 Picc. Bsn. 1 Bsn. 2 D. E.

  • Page 224 and 225:

    222 Ob. 1 164 3 ° & . . . . . . .

  • Page 226 and 227:

    224 177 Fl. 1 & 2 Cl. 1 in A Cl. 2

  • Page 228 and 229:

    226 Bsn. 2 Hn. 3 & 4 in F Tpt. 1 in

  • Page 230 and 231:

    228 Ob. 1 233 Moderato 181 ° œ &

  • Page 232 and 233:

    230 Ob. 1 Cl. 1 in A Cl. 2 in A Hn.

  • Page 234 and 235:

    232 Ob. 1 284 poco rall. ° & # ˙

  • Page 236 and 237:

    234 Ob. 1 Ob. 2 Tpt. 1 in C Tpt. 2

  • Page 238 and 239:

    236 Fl. 1 340 ° & ∑ ∑ ∑ ∑

  • Page 240 and 241:

    238 Fl. 1 357 ° & 188 poco rall. a

  • Page 242 and 243:

    240 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 244 and 245:

    242 Fl. 1 Picc. Ob. 1& 2 Hn. 1 & 2

  • Page 246 and 247:

    244 Ob. 1 Cl. 1 in A Bsn. 1 { Pno.

  • Page 248 and 249:

    246 Fl. 1 Picc. 481 ° bœ & œbœ

  • Page 250 and 251:

    248 Ob. 1 Andante con espressione 4

  • Page 252 and 253:

    250 Fl. 1 Fl. 2 508 ° œ œ œ #

  • Page 254 and 255:

    252 Fl. 1 Picc. Ob. 1 Cl. 1 in A Cl

  • Page 256 and 257:

    254 Ob. 1 Moderato con fuoco 201 56

  • Page 258 and 259:

    256 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 260 and 261:

    258 Fl. 1 Picc. Ob. 1 Ob. 2 Cl. 1 i

  • Page 262 and 263:

    260 Fl. 1 Picc. Ob. 1 Ob. 2 Cl. 1 i

  • Page 264 and 265:

    262 C. A. Cl. 1 in A Cl. 2 in A Bsn

  • Page 266 and 267:

    264 Fl. 1 Picc. 665 ° & ∑ ∑

  • Page 268 and 269:

    266 Fl. 1 Picc. rall. a tempo Moder

  • Page 270 and 271:

    268 Fl. 1 704 ° & . . . . . Œ œ

  • Page 272 and 273:

    270 Fl. 1 725 Moderato deciso ° &

  • Page 274 and 275:

    272 Ob. 1 Perc. 759 ° 3 ¢ & ∑ b

  • Page 276 and 277:

    274 C. A. B. Cl. G. Vln. I Vln. II

  • Page 278 and 279:

    276 Cl. 1 in A Hn. 1 & 2 in F Hn. 3

  • Page 280 and 281:

    278 Ob. 1 Ob. 2 Bsn. 2 Hn. 1 & 2 in

  • Page 282 and 283:

    280 Fl. 1 Ob. 2 Cl. 2 in A Bsn. 1 B

  • Page 284 and 285:

    282 Fl. 1 Picc. Ob. 1& 2 Cl. 1 in A

  • Page 286 and 287:

    284 Fl. 1 Picc. Ob. 1 Ob. 2 Cl. 1 i

  • Page 288 and 289:

    286 Ob. 1 Ob. 2 Bsn. 1 Bsn. 2 Hn. 1

  • Page 290 and 291:

    288 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

  • Page 292 and 293:

    290 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 i

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