30 in fond memory of 30 in fond memory of John McCabe (1939–2015) Be not afeard William Shakespeare (1564–1616) from The Tempest (Act 3, Scene 2 and Act 5, Scene 1) CECILIA McDOWALL Expressive, always flowing q = c.48 SOPRANO SOLO & 4 mf sempre dolce Ï J Ϫ Ï # Ï w 3 Ï 4 mp Î mf bÏ 4 ah ah SOPRANO 1 ¡ & 4 mp dolce úª Ï Ï w 3 ú 4 Ï mp 4 Be not a - feard; the SOPRANO 2 & 4 mp dolce úª Ï Ï w 3 ú 4 Ï mp 4 Be not a - feard; the ALTO & 4 mp dolce Ï Ï bÏ ú w 3 4 ú Ï Ï mp 4 Be not a - feard; the TENOR & Ü 4 mp dolce úª Ï Ï b Ϫ Ï 3 J Ï Ï bú 4 mp Ï Ï 4 Be not a - feard, a - feard; the BASS ? ¢ for online perusal only mp dolce b Ϫ Ï Ïª 4 J Be Ï J Ï Ï bÏ Ï Ï J Ï # Ï 3 J 4 Ï Ï Ï Ï not a - feard, be not a- feard; the mp 4 & Expressive, always flowing q = c.48 4 Ï j Ϫ Ï bÏ Ï # Ï ú w 3 4 Ïú Î bÏ Ï 4 for rehearsal only {? 4 mp dolce búª Ϫ Ï b Ï Ïª Ï b Ϫ j J 3 J Ï Ï bÏ Ï Ï J Ï Ï ú # Ï Ï J 4 Ï Ï Ï Ï mp 4 Duration: c.3 mins First performed by the City of Canterbury Chamber Choir, conducted by George Vass, at St Mary of Charity, Faversham, Kent, on 28 June 2015. © Oxford University Press 2018 Printed in Great Britain OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
4 & ¡ & & ? ¢ & { 4 4 4 & 4 ú Ï Ï Ï Ï Ï # Ï Ï ú Ï ú Ï Ï Ï Ü isle is full of noi - ses, Sounds and 4 4 4 b ú Ï Ï Ï Ï Ï Ï Ï Ï bÏ Ï Ï Ï Ï Ï # Ï Ï ú Ï 3 mp Ï ú nÏ úª Î · ú Ï Ï bÏ Ï Ï ú Ï úª Ï Ï isle is full of noi - ses, Sounds and ú Ï Ï bÏ Ï Ï ú bÏ Ï Ï ú Ï isle is full of noi - ses, Sounds and Ï isle is full of noi - ses, Sounds and Ï bÏ Ï Ï Ï Ï ÏbÏ Ï Ï ú Ï Ï Ï Ï Ï Ï Ï isle is full of noi - ses, Sounds and ú n Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï bÏ Ï bÏÏ ú ª ú ÏÏ Ï & 4 bÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï b úª ? b for online perusal only ú Ï Ï Ï 31
Page 1 and 2: Cecilia McDowall Secular Choral Sam Page 3 and 4: Photo 51 SSATB unaccompanied More i Page 5 and 6: for online perusal only 5 Page 7 and 8: for online perusal only 7 Page 9 and 10: for online perusal only 9 Page 11 and 12: for online perusal only 11 Page 13 and 14: 13 Secular Soprano solo, SSATB, and Page 15 and 16: . ? ∑ ∑ ∑ Œ œ œ J œ 3 8 p Page 17 and 18: 17 5 24 & ° & ˙ . ˙. Œ ∑ p Page 19 and 20: 19 7 & ° & & & ‹ ? ¢ { 37 & ? S Page 21 and 22: 21 9 53 ° & & œ ˙ œ œ ˙ œ ˙ Page 23 and 24: 69 ° & ? ¢ ∑ ∑ ∑ & { 72 ° Page 25 and 26: 13 SOPRANOS 1 & 2 82 f 3 3 3 3 3 3 Page 27 and 28: 27 15 94 SOPRANO 1 poco mf 3 3 3 3 Page 29: NEW HORIZONS 29 2 Secular SSATB una Page 33 and 34: 14 ¡ & & & ah ah 33 ú Ϫ Ï ú Page 35 and 36: 35 7 27 ¡ & & & & Ü ? ¢ & { Ï Page 37 and 38: 37 NEW HORIZONS 2 Secular SSATB a c Page 39 and 40: 4 12 Page 41 and 42: 6 32 mp Page 43 and 44: Percy Bysshe Shelley (1792-1822) SO Page 45 and 46: 45 21 ° & & & mf œ Œ œ ˙ # œ Page 47 and 48: 47 42 ° & & & kiss hea hea hea mf Page 49 and 50: ¢ 62 ° 3 & 4 & & & ‹ & { 3 4 3 Page 51 and 52: 51 NEW HORIZONS 2 Secular SSATB (wi Page 53 and 54: 53 4 24 & œ. œ ? 3 œ j ˙. 4 ˙. Page 55 and 56: 55 6 44 ? ∑ ∑ ∑ ∑ ∑ 6 8 6 Page 57 and 58: 57 8 66 ? ∑ ∑ ∑ ∑ ∑ ° & Page 59 and 60: 59 10 90 B b œ. œ œ œ # œ b œ Page 61 and 62: 61 12 114 ? ∑ ∑ ° bœ œ œ. Page 63 and 64: 63 14 130 ? # œ œ œ œ œ œ œ Page 65 and 66: 65 16 148 meno mosso, mysterious q. Page 67 and 68: 67 18 2. Crow, landing CELLO SOPRAN Page 69 and 70: 69 20 21 & ° & œ œ b ˙. œ ˙. Page 71 and 72: 71 22 41 ? 3 4 ° 3 & 4 & 3 4 ff f Page 73 and 74: 73 24 61 & 3 4 œ œ # œ 7 œ nœ Page 75 and 76: 75 26 CELLO SOPRANO 1 SOPRANO 2 ALT Page 77 and 78: 77 28 22 ? ˙ ˙ ˙ ˙ œ j ‰ œ Page 79 and 80: 79 30 37 B ‰ œ œ œ œ œ. œ J Page 81 and 82: 81 32 52 B ° & & & & ‹ foot foot
Page 83 and 84: 83 Gifted to Simon Wood for ‘Requ
Page 85 and 86: 85 17 a-ny of us, a-ny o
Page 87 and 88: 87 7 36 and that
Page 89 and 90: 89 54 feared, it is on - ly to be
Page 91 and 92: 91 11 69 less. less.
Page 93 and 94: 93 Secular SSATB unaccompanied for
Page 95 and 96: 4 95 11 ° & b ˙. ˙. œ. œ j ‰
Page 97 and 98: 6 97 31 e = e ° & 2 4 #˙ e = e 2
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Page 105 and 106: NEW HORIZONS 105 2 Secular SSATB un
Page 107 and 108: 4 10 ° & 107 Playful (quasi Scotti
Page 109 and 110: 6 109 34 ° > > - - - & # œ # œ
Page 111 and 112: 8 111 60 ° & bœ œ J œ œ j b œ
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Page 121 and 122: 18 Extract from Sonnet VIII 121 2.
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Page 155 and 156: 154 155 Sigh no more, ladies Willia
Page 157 and 158: 157 3 Sigh no more, ladies
Page 159 and 160: 159 5 Sigh no more, ladies
Page 161 and 162: 7 Sigh no more, ladies
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