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4 years ago

David Bednall Make We Merry SATB version

for SATB and organ, and optional brass ensemble and timpani Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depicted, from quiet expectance and gentle wonder to boisterous jubilation, and the different movements provide a wonderfully paced journey through these moods. The final movement brings back motifs from the opening and grows to a thrillingly climactic ending to this exciting Christmas concert work. This piece was originally commissioned in a version for upper voices by Benenden School.

48 ° ¢ { Vb 47 Vb V b

48 ° ¢ { Vb 47 Vb V b ‹ Bb Vb Bb lul lul poco f œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ ‰ - la, lul - la - by, lul - la, lul - la - by. ‘Sweet - la, lul - la, ‘Sweet mf babe,’ quoth she, And poco f mf ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ - la, lul - la, lul - la - by, lul - la, lul - la - by. ‘Sweet babe,’ quoth she, And poco f mf ‰ œ œ ‰ ‰ œ œ œ œ œ ‰ ‰ lul poco f œ œ ‰ œ œ ‰ ‰ œ - la - by, lul - la - by, ‘Sweet œ‰ œ œ œ œ œ œ œ‰ œ œ ‰ œ œ œ œ ‰ ‰ œ œ babe,’ quoth she, And mf babe,’ quoth she, And mf ‰œ œ œ ‰ œ ‰ œ œ œ œ œ ‰ œ œ ‰ œ ‰ ‰ œ œ ‰ œ œ œ œ‰ œ œ œ œJ ‰ w ‰ for online perusal only ° ¢ { Vb 51 mp p œ œ œ œ œ œ Œ b‰ œ w rocked him sweet - ly on her knee. Vb V ‹ b Bb mp p œ œ œ œ œ Œ b‰ œ w rocked him sweet - ly on her knee. mp œ œ ‰ œ rocked him sweet - ly on her knee. mp ‰ œ b ‰ b‰ rocked him on her p œ œ œ œ w p knee. Vb œ ‰ œ œ œ œ œœ bw‰ = ‰ œ œ ‰ œ œ œ œ œ mp dolce œ Bb œ‰ ‰ œ bœ‰ œ b ‰œ œ œ ‰ œ = œ = œ w pp pp pp pp rit. pp œ œ ‰ ∑ ∑ ∑ ∑ rit. F œ ‰ œ œ œ œ bœœ w b œ œ ‰œ œ œ œ ppp w Ew Yetminster and Clifton Village, 31 December 2017 ∑ F ∑ F ∑ F ∑ F

7. Let others look for pearl and gold 49 Robert Herrick (1591–1674) SOPRANO ALTO TENOR BASS for rehearsal only* ° ¢ { V # # V # # V ‹ ## B## Slowly and with great warmth q = c.48 poco p 3 4 3 4 3 4 3 4 3 4 œ j Let p œ j Let p œ J Let p œ J Let = œ œ = œ J bœ œ ‰ 4 œ œ œ œ ‰ o - thers look for pearl and gold, for pearl and gold, poco = œ œ œ œ = œ œ œ œ # œ œ œ œ œ œ 4 œ œ ‰ o - thers look for pearl and gold, for pearl and gold, poco œ œ = œ œ œ œ œ œ ‰ œ œ œ œ 4 ‰ = œ œ bœ œ J œ œ œ œ œ o - thers look for pearl and gold, for pearl and gold, poco o - thers look for pearl and gold, for pearl and gold, V # Slowly and with great warmth q = c.48 # 3 4 = b œ #‰ B ## b = = œ œ œ œ ‰ œ j œ = œ œœ œ œ = j œ œ œ œ œ œ œ œ œ 4 œœ œ œ œ ‰‰ poco p t = œ œ œ œ œ œ œ œ J œ œœ œ œ œ j œ œ ‰ 4 4 5 4 5 4 5 4 5 4 5 4 5 4 for online perusal only S. A. T. B. ° ¢ { 4 V # # V # # V ‹ ## B## V # # B ## 5 4 5 4 5 4 5 4 5 4 5 4 mp œ J mf œ œ œ œ œ œ œ J œ 4 w œ œ œ œ œ œ œ Tis- sues, or tab mp mf † - bies ma - ni - fold: One p œ œ œ œ œ œ œ œ œ 4 œ œ œ ‰ œ œ œ œ œ œ œ œ Tis mp † † - sues, or tab - bies ma - ni - fold: One mf p œ œ œ œ œ œ J 4 œ œ œ ‰ œ œ œ œ œ œ œ Tis mp - sues, or tab - bies ma - ni - fold: One œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ 4 Tis j œ œ mf - sues, or † tab - bies ma - ni-fold: One j œ œ œ œ œ œ œ œ 4 œ w œ œ ‰ œ œœ œ œ œœ œ œ œ mp mf p œ œ œœ œ œ œ j œ œ œœ œ œ œ œ œ ‰ ‰ œ œ œ 4 œ œ œ œ œ œ œ p p on on on on - ly lock of that sweet - ly lock of that sweet - ly lock of that sweet - ly lock of that sweet 3 2 3 2 3 2 3 2 3 2 3 2 * May be used in performance if necessary † tabbies = silk taffetas © Oxford University Press 2019 and 2020. Photocopying this copyright material is ILLEGAL.

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