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for SATB and piano four-hands or orchestra
This dramatic choral work sets a text by David Warner that artfully weaves together multiple witnessing stories of Christ's Resurrection into a single narrative. Wilberg employs an effective array of musical techniques to depict the protagonists' experiences: from rapid figurations that move through the orchestra creating a sense of momentum and breathless astonishment to pairings of voicings to convey an act of collective witnessing and declamatory exclamations of praise. The work is scored for mixed voices without soloists, conveying a universal perspective on this story, and accompaniment is by piano four-hands or orchestra.
633 # & # # ? # # #
633 # & # # ? # # # slightly more relaxed h = 60 (The Savior) P tenderly ∑ œ œ œ œ P Œ œ œ œ ˙. Their Ma - ster asked. And three times Pe - ter re - as Œ w (Peter) œ Œ œ œ Œ œ œ œ w œ œ œ œ ˙ Œ œ 71 - ‘Pe - ter, lov’st thou me?’ ‘Yea, Lord, I do.’ ‘Thou # & # # # & # # slightly more relaxed h = 60 ww ww P ∑ ∑ ww ∑ ww ∑ ww ∑ # # & # ? # # # w P w w w w w w w w w Ped. # & # # 638 w w ˙ Œ œ œ œ œ œ 2 3 ? # # # - sured, œ - œ J œ ‰ œ œ - œ J œ ‰ œ œ - œ ˙ Then came the Sa - vior’s w 2 3 know’st I do! Thou for online perusal only know’st I do! Thou know’st I do!’ # & # # ww ww ww ww 2 3 # & # # ∑ ∑ ∑ ∑ 2 3 # & # # w w w w 2 3 ? # # # w w w w 2 3
72 642 # & # # ? # # # 2 3 2 3 w. plea: ˙ Œ (The Savior) p œ œ œ 2 2 Œ w (The Savior) p œ œ œ ‘Go feed my w sheep! Œ œ œ œ Œ w œ œ œ Go feed my ˙ sheep! Œ Œ œ Go œ œ œ ‘Go feed my lambs, go feed my lambs, go feed my # & # # # & # # 2 3 2 3 ww . ∑ 2 2 ww p ∑ ww ∑ ww ∑ ww ∑ # & # # ? # # # 2 3 2 3 . w . w . w ˙ 2 2 w p w w w w w w w # & # # 647 œ œ j œ ‰ œ 2 3 w ˙ Slightly faster h = 69 2 w w w ? # # # feed w my lambs, Go 2 3 feed my Ó ˙ ˙ 2 sheep!’ w w w lambs, Feed my for online perusal only sheep!’ # & # # ww 2 3 ˙ ˙ w w Slightly faster h = 69 2 w ẇ Ó w wœ œ œ œ ˙ w ẇ Ó # & # # ∑ 2 3 ∑ 2 P œ œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ # & # # ? # # # w w 2 3 2 3 ˙ w . w ? 2 2 w P w w w w w w
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