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Mack Wilberg The Prodigal

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for SATB and organ or orchestra With a text by David Warner on the parable of The Prodigal Son from St Luke's Gospel, this dramatic choral work brings to life the ancient, universal story of reconciliation and belonging. The closely woven text and music feature an expansive range of expression-plaintive, exuberant, and resolute-before concluding with a transcendent coda that gives way to reverberating 'Amen's. With echoes of some of the minimalist elements of Wilberg's Requiem, as well as Arvo Pärt, Henryk Górecki, and John Tavener, the work is scored for mixed voices without soloists, allowing the choir to function like a Greek chorus-sometimes narrating, sometimes participating in the action, sometimes reflecting on it-all underpinned by organ, or orchestra, or chamber ensemble

MACK WILBERG the

MACK WILBERG the prodigal for online perusal only for SATB choir and organ, full orchestra, or chamber orchestra text by David Warner A

Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2016 Mack Wilberg has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the Composer of this Work for online perusal only First published in 2016 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press Permission to perform this work in public (except in the course of divine worship) should normally be obtained from a local performing right licensing organization, unless the owner or the occupier of the premises being used already holds a licence from such an organization. Likewise, permission to make and exploit a recording of this work should be obtained from a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–341337–5 Music origination by Enigma Music Production Services, Amersham, Bucks Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks

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