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The Oxford Book of Organ Music by W
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Great Clarendon Street, Oxford OX2
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CONTENTS IN GRADED ORDER Composer T
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for online perusal only
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8 13 n ˙˙ ˙ ‰ œ œ œ n ˙
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10 Perpetuum Mobile KRISTINA ARAKEL
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12 39 & { 2 4 (Gt.) più f . . . .
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14 Prelude on an Old Folk Tune Sw.:
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16 { { & bb b b b b œ œ œ œ b˙
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18 Pastorale sur un vieil air vend
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20 35 & bb œœ œ œ { œ œ œ ?
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22 68 & bb { œ ? b b œ œ œ œ
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24 16 & # . { 21 & # # { 27 ? { C &
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26 Slower 69 - Sw. to Gt. ˙œ œ C
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28 128 & b { & b ? b 135 & b { & b
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30 177 Fast 6 8 6 8 6 8 > œ œ j
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32 16 & # # # # { 21 & # # # > # #
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34 Andante grazioso Sw.: Principal
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36 { 33 & bb close box + Sw. Fl. 4'
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38 24 & # { ? ˙œ œ œ œ œ œ
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40 Sw.: Flutes 8', 2' Gt.: Flutes 8
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42 23 nw w œ # œ ˙˙ œ ˙ œ œ
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44 Sw.: Principals 8', 4', Flute 8'
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46 48 & # # # # { ? # # # Ó Ó nœ
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48 99 & # # # { ? # # # ˙œ œ œ
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50 19 & bb b b œ. œ œ nœ# œ
- Page 53 and 54: 52 60 & bb b b . { nœ œ # œ œ
- Page 55 and 56: 54 - Gt. Prin. 4' & bb b b œ nœ #
- Page 57 and 58: 56 { 151 & bb b b œ > ? b b b b œ
- Page 59 and 60: 58 20 & bb b b { ? b b b b œ œ Ó
- Page 61 and 62: 60 Sw.: Full to Mixtures, box open
- Page 63 and 64: 62 30 ‰ n # œ & bb { cresc. poco
- Page 65 and 66: 64 Sw.: Flute 8', Strings 8', box o
- Page 67 and 68: 66 { 32 & # # # & # # # Gt. œ œœ
- Page 69 and 70: 68 66 & { Sw. + Prin. 2' # œ œ œ
- Page 71 and 72: 70 97 & # # # { & # # # œ œ œ œ
- Page 73 and 74: 72 { { { { 21 & # # # # œ˙ œ œ
- Page 75 and 76: 74 62 & # # # # œ ˙ œ œ œ œ
- Page 77 and 78: 76 98 œ œ Œ œ œ œ˙ Œ œ œ
- Page 79 and 80: 78 13 & { ? œ # œ œ œ œ œ œ
- Page 81 and 82: 80 27 & # # { ? # œ œ œ œ œ œ
- Page 83 and 84: 82 Communion Sw.: Flute 8', Strings
- Page 85 and 86: 84 Sw.: Flute 8', Principal 4' Gt.:
- Page 87 and 88: 86 & # #6 { 8 6 8 Spiritoso Gt. Tpt
- Page 89 and 90: 88 Gen. 1 { { Sw.: Full, box open G
- Page 91 and 92: 90 34 . & bb . . . . . . . . { ? b
- Page 93 and 94: 92 75 & # # { ? # ‰ œ œ œ œ
- Page 95 and 96: 94 13 & # { ? œ w # œ œ # œ œ
- Page 97 and 98: 96 Sw.: Flute 8', Strings 8', box c
- Page 99 and 100: 98 & bb b { & bb b { &b b b b { { 4
- Page 101 and 102: 100 Sw.: Principal 8' or 4', Flute
- Page 103: 102 Sw.: Principals 8', 4' Gt.: Pri
- Page 107 and 108: 106 63 & # { ? # ≈ œ œ# œ ≈#
- Page 109 and 110: 108 Celebration Sw.: Principals 8',
- Page 111 and 112: 110 { œ & . . . . . . . . . œ œ#
- Page 113 and 114: 112 { 3 & . . . > . . > . > > . . .
- Page 115 and 116: 114 101 & { & ? 105 & { & ? œ . .
- Page 117 and 118: 116 Introduction and Fugue ANN MOUN
- Page 119 and 120: 118 16 œ œ œ œ œ œ œ ˙œ œ
- Page 121 and 122: 120 48 & b { œbœ ? b b œ ˙ bœ
- Page 123 and 124: 122 Variation 1 5 & { Più moto h =
- Page 125 and 126: 124 Variation 3 5 & # . { ? # & # .
- Page 127 and 128: 126 Variation 5 & # # # # { Sw. Str
- Page 129 and 130: 128 & # { & # close box { Gt. mf Pr
- Page 131 and 132: 130 46 & # . { ? # b . . . . . bœ
- Page 133 and 134: 132 11 & # # # # { œ œ ˙ œ œ
- Page 135 and 136: 134 19 rit. & # # # { ? # ‰ œ œ
- Page 137 and 138: 136 62 & # # { & # # rit. ˙ ˙ ˙
- Page 139 and 140: 138 Sw.: Flute 8', String 8', box o
- Page 141 and 142: 140 Sonata Seconda I: Flute 8' II:
- Page 143 and 144: 142 (7) & b { œ j œ œ œ œ œ
- Page 145 and 146: 144 I: Principals 8', 4' II: Princi
- Page 147 and 148: 146 Sw.: Principals 8', 4', 2', Flu
- Page 149 and 150: 148 38 & # { nœ œ œnœ œ œ nœ
- Page 151 and 152: 150 77 & bb { 81 Ch. [ mf ] & bb &
- Page 153 and 154: 152 for Kunal Mixolydiance Sw.: Pri
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154 31 & bb b b b b { ? b b b b b b
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156 71 & bb b b b b { mf ? b b b b
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158 Sw.: Principal 8', Flutes 8', 4
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160 & b # { & b { Gt. &b n n n n #
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162 51 & b { ? b ˙ œ œ ˙ œ œ
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164 17 & bb b b Gt. { poco animato
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166 Bell Toccata Sw.: Principals 8'
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168 32 & # # # n n n œ n# n œ nœ
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170 54 & bb b b b { & bb b b b { &b
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172 4b 8 œ b œ b bœ b œ œ b œ
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174 Sw.: Principal 8', Flute 8' Gt.
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176 m œ œ œ œ œ œ œnœ œ
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178 Moderato Sw.: Principal 8', Flu
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180 35 & bb b { Sw. œ w œ œ œ
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182 Intermezzo AMY SUMMERS (b. 1996
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184 26 & bb b b { ˙ ˙ ‰ œ œ
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186 > . > > . . # > n# œ # œ # ˙
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188 34 3 3 œ œ # œ œ œ œ œ
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190 58 & { 3 4 + Gt. 2' + Sw. Reeds
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192 Polonaise from 18 Dances in Dif
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194 Overture to Talestri Sw.: Reed
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196 29 & # { & # ? # œ J œ œ œ
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198 61 & # { Œ œ J ‰ œ J ‰
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200 Sw.: Principal 8', Flute 8', bo
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202 Andante and Fugue in C minor Sw
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204 Sw.: Principals 8', 4', Flute 8
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206 36 & bb b { ? b b b p Sw. ˙ œ
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208 72 & bb b n œ { œ œ j œ n b
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210 outset becomes a charming, lilt
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212 organ playing with Marcel Dupr
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214 Hermann Zenta. Holmès defied s
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216 Mrs Philarmonica: Sonata Second
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218 directly evolved from the first
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