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2 years ago

William Walton - The Bear (Chamber Version)

The Bear (1967), by William Walton, is a dramatic 'extravaganza in one act' based on a short story of Chekhov, with a libretto by Paul Dehn. This new chamber version, by Jonathan Lyness, is scored for three singers and five players (pf, vln/vla, bsn, hp, perc), and is sensitively adapted from the original score as found in the William Walton Edition. The arrangement skilfully preserves the essence of Walton's orchestration while being practical and portable. The full score and parts available on hire are compatible with the OUP vocal score.

Vln. Bsn. { Hp. LUKA 8

Vln. Bsn. { Hp. LUKA 8 80 ° ¢ & U " ww pp meno mosso ° ? U " ∑ ¢ 4 ∑ ? w U " w ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ? slow spread U www w mp ? > a piacere, espress. " 3 œ œ œ œ ‰ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J J J 4 œ œ œ œ œ J J œ " 4 ˙˙ ˙ 4 4 ˙˙ ˙˙˙ Ó Ó Ó 13 for online perusal only Ah! dear la- dy! You’re young, pret- ty, bloom-ing with health— all you need is to live your life to the full. You know, beau-ty won’t last for Pno. { 8 meno mosso ? U " ∑ 4 Ó & ˙ pp ? U " ∑ 4 Ó ˙ = Vln. Bsn. 82 ° 3 ¢ & ∑ 4 ∑ ° ? ∑ 3 ¢ 4 ∑ bœ 4 4 - III mf Œ bœ 3 œ bœ bœ- mf bœ 3 bœ- bœ j ‰ œ bœ ‰ Hp. LUKA { ? ∑ 3 4 ∑ 4 ∑ ? ∑ 3 4 ∑ 4 Ó Œ b bœ j ‰ œ J ? # œ # œ ‰ bœ j nœ 3 3 œ œ bœ œ œ 3 4 bœ 3 bœ œ nœ 4 b˙ ev - er! There may come a time when you’ll want to show off to the of - fi - cers too— 3 bœ bœ bœ 3 œ œ p Œ Pno. & { ? # œœ j ‰ Œ j #œ # œ bnœœ ‰ Œ ‰ ‰ b bœ œ bœ ‰ ‰ 3 4 ‰ bœ n 3 4 ‰ b bœ j ‰ ‰ 4 b b bœ œœj J ‰ nœ œ œ œ J j bœ ‰ j œ œ b œ 4 b ‰ Ó œ ‰ Ó

14 Vln. Bsn. Perc. POPOVA = { Hp. LUKA Pno. 85 molto vivace cut from b. 48 ° 2 6 ¢ & U e=e ∑ 4 œ œ ‰ œ œ ‰ 8 > ##˙˙ æ f > œ œ fp ° ? U ∑ 2 6 > ¢ 4 8 > œ ‰ f œ > œ œ ‰ bœ J ‰ ‰ Œ ° 2 6 / U S.D. ∑ 4 œ œ œ œ œ œ œ œ 8 > œ ‰ Œ 2 6 ¢ / U Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ 4 ∑ Tambourine 8 ˙ ppp ? U ##œœ ∑ 2 6 4 ∑ & 8 ‰ ‰ ff ? U ##œœ F♯ G♯ A♮ B♮ C♮ D♮ E♭ ∑ 2 6 4 ∑ ##œœ & 8 Œ 2 6 & U ∑ 4 ∑ 8 Œ ‰ bœ meno mosso, a piacere p espress. U - ff - ? - - - - > > bœ œ bœ bœ œ bœ œbœ œ bœ œ œ J J œ 2 6 > Œ nœnœ œ nœ œ 4 J ≈ nœ J ≈ # œ 8 ‰ Œ flaunt - ing your tail like a pea - cock— but it will be too molto vivace e=e > 2 6 & U œ œ œ œ bœ œ ∑ 4 œ œ œ œ Œ { 8 mf ? U ff ∑ 2 4 & œ œ œ œ p late 9 9 trem. f then! gliss. cut from b. 48 b bœœ J ‰ ‰ bbœœ pp f agitato I must Œ ‰ bbœœ œœ ## œœ nnœœ bbœœ œ for online perusal only 6 8 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Vln. Perc. Hp. POPOVA Pno. ° ¢ & ##˙˙ æ 3 (S.D.) ° / ∑ ∑ ∑ œ œ œ œ ‰ Œ < Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¢ / ˙ ˙ ˙ œ ‰ Œ & ∑ ∑ bœ # œ bœ bœ # œ bœ ? bœ # œ bœ # œ bœ ‰ ff bœ # b œ & ∑ ∑ bœ # œ bœ ? bœ # œ bœ # œ bœ bœ bœ # œ b œ ‰ # bœ & > > > bœ œ ‰ œ œ ‰ œ r œ œ bœ œ b œ œ ‰ j bœ b œ > > > ‰ Œ ∑ { { 88 & ask you ne ver to speak to me a-gain like this! ∑ ##˙˙ æ & ## ˙˙ n ˙˙ ## ˙˙ n˙˙ Œ Œ bœ ff bœbœ ##˙˙ æ b > œbœ œ bœ > 3 bœbœ œ bœ bœbœ œ > bœ 3 b > œ bœ œ > bœ ? bœbœ bœbœ œ œ bœ > bœ 3 3 3 3 3 ? ##˙˙ æ bœ bœ bœ bœ bœ b œ ‰ ‰ j bœ ‰ ‰ . p j ‰ ‰ bœ.

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