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William Walton - The Bear (Chamber Version)

The Bear (1967), by William Walton, is a dramatic 'extravaganza in one act' based on a short story of Chekhov, with a libretto by Paul Dehn. This new chamber version, by Jonathan Lyness, is scored for three singers and five players (pf, vln/vla, bsn, hp, perc), and is sensitively adapted from the original score as found in the William Walton Edition. The arrangement skilfully preserves the essence of Walton's orchestration while being practical and portable. The full score and parts available on hire are compatible with the OUP vocal score.

Vln. Bsn. Perc. { Hp. 11

Vln. Bsn. Perc. { Hp. 11 a tempo movendo 112 > > > > ° ¢ & ‰ # œœ - œœ j ‰ . œœ - œœ j ‰ . # œœ - œœ j ‰ . œœ - œœ j œ Œ œ œ œ œ‰ Œ œ œ œ œ œ œ œ œ œ‰ Œ Œ . mf f > ° ? . > .> .> .> > > œ œ œ œ œ œ œ œ œ œ > œ œ ¢ Œ Œ Œ Œ Œ ‰ Œ ‰ Œ ‰ ‰ Œ ° / ∑ ∑ ∑ ¢ mf f ff Whip Sus. cym. (wooden sticks) / ∑ ∑ Œ œ j ‰ Œ œ j ‰ & # œ . # œ.œ # œ.œ ∑ #œ.œ ∑ ∑ ∑ & Œ Œ Œ Œ ∑ ∑ ∑ œ.> œ œ .> > . œ.> f Œ œ j ‰ œ j ‰ Œ ff ∑ ∑ ∑ ∑ ∑ 17 3 2 3 2 3 2 3 2 3 2 3 2 POPOVA Pno. { & mp cresc. Yes, I know it was no > > > p 3 3 3 3 ‰ # œ- œ j œ œ œ œ -œ # œ œ œ j ‰ œ œ œ œ œ œ œ Œ œ Œ œ œ œ œ Œ Ó Œ œ œ œ œ se-cret to you that he was of-ten un- just, mean, bru-tal and > “ > ” 11 a tempo movendo & ∑ ∑ œ œ œ Œ #œœ ‰ Œ ∑ J œ ‰ Œ ∏∏∏∏∏œ œ ∏∏∏∏∏œ œ J J J Œ ff & ∑ ∑ Œ # œœ œ j ‰ Œ œ j ‰ Œ œ j ‰ œ œJ ‰ Œ ∑ ∏∏∏∏∏ ∏∏∏∏∏ ∏∏∏∏∏∏ ∏∏∏∏∏∏ ∏∏ ∏∏∏∏∏ ∏∏ ∏∏∏∏∏ e-ven un 3 2 3 2 3 2 Vln. Bsn. Hp. ° ? 3 ¢ 2 ∑ ∑ B { ♭ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p & 3 2 ∑ ∑ & 3 2 ∑ ∑ D maj. ? > 3 117 ° 3 ¢ & 2 Œ œ w w œ Œ œœ œ# ˙ ˙ f f 3 3 > œœ œ ˙ 3 f 3 3 # ˙ ˙ Œ Œ Ó Ó Ó mp œ Ó Ó Œ œ # œ bœœ Ó ∑ ∑ # bœ Œ Ó œœ Ó 4 2 4 2 4 2 4 2 Ó wæ b p Ú Ú Ú œæ j ‰ Œ POPOVA & 3 2 ˙ bœ bœ œ ˙ bœ for online perusal only = f œ # œ # ˙ œ œ nœ b˙ mp bœ œ œ 4 ˙ bœ 2 -œ bœ œ œ œbœ faith - ful to me. But I’ll be faith - ful un - to death, and let him see how well I can Pno. & { 3 2 > Œ ∑ 4 bbœ w w œ Œ nœœnœ # ˙˙ ˙˙ Œ 2 Ó p 3 f & 3 2 ∑ ∑ ? > œœ œ˙˙ ˙ œ j 3 3 3 ˙ ˙˙ Œ ∑ 4 2 b w b p Ú œ j ‰ Œ

18 Vln. Bsn. Timp. Perc. POPOVA = ° ¢ & ° ¢ & { Hp. Pno. Vln. Bsn. Timp. Perc. Perc. Hp. ° B Ú ¢ Ó Œ ? ≈ - # œ œ# œ œ œ B˙ Ó Œ œœbœnœbœ n-œ œ Ó p p 5 Ÿ~~~~~~~~~~~~ medium sticks ? Ó b˙ Œ Ó Ó bœ Œ œ Œ œ œ œ Œ Ó bœ Œ œ Œ Ó { ° ¢ & 3 2 w œ Œ 3 2 4 Œ Œ 4 œbœ œ œ j ‰ œ bœ œ œ > œ œ œ œbœ r ≈ ‰ ‰ bœ æ b˙ æ˙ ff > fp ° B 3 3 2 ¢ 2 ∑ ? > 4 Œ Œ œbœ œ œ J ‰ œ bœ œ œ œ œ œ œ bœ 4 ∑ ff > > œ œbœ b > œ j ‰ Œ ? 3 3 2 2 ∑ 4 ∑ ∑ with wooden sticks j 4 bbœ ‰ Œ ∑ ° / 3 3 2 ∑ 4 ∑ 3 ¢ & 2 { 122 & ? 125 love. pp p Ú Ú 3 4 12 § Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nw 3 pp mp pp p p pp Vib. play if no vibraphone & bw - œ Œ Ó œ- œ ˙ Œ œ œbœ & ? Ó Ó Ó b˙ #˙ bb b˙ (Vib.) #˙ Ú bœ bœ bœ pp Watch-ing from be - yond the grave, he will see me just as I Vivace 13 & 3 3 2 Ó #% 4 ∑ ∑ ? 3 3 2 ∑ 4 ∑ ∑ bœ ∑ Ó # ˙˙ ∑ Ó # E Ó Œ ‰ bœ j b˙ n˙ p n˙ § Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ for online perusal only Ó # w p 3 3 3 12 b Ÿ~~~~~~~~~~~~ nœ- ˙ Ó ˙ œ- ˙ ˙ ˙ pp b Œ Ó ∑ Ó b˙ w ˙˙ nœ bœ w Œ ‰ bœ j b˙ mf Œ Œ S.D. œ œ œ œ 2 4 œ j ‰ Œ ∑ ∑ 2 4 ∑ ∑ 2 4 F♭ G♮ A♮ B♭ C♮ D♭ E♭ f p 2 4 f Ú Ú ˙ b˙ œbœ œ ˙ Œ œ œ bœ ‰ a piacere 5 œ œ œ œ œ œ œ bœ œ œ bœ œ œ œ Ó œ œ œ œ ∑ 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 POPOVA LUKA Pno. & 3 2 & { b˙ was ten. 3 - 2 œ œ œ j œ 4 œ ∑ 4 ∑ ∑ J ˙ ‰ be - fore he died ? 3 3 2 ∑ 4 ∑ ∑ Vivace 2 4 f marc. Œ ‰ œ j œ- bœ > 13 play if no vibraphone > > 3 2 1 3 2 1 3 2 œbœ œ œ œbœ œ 3 Ó 3 ? 2 2 b nw w 4 4 w œ Œ Œ Œ J œ bœ ‰ ‰ ‰ œ œ bœ ≈ œ œ œ œ œ œ œ ˙ ff ff p ? 3 3 > 2 2 4 4 w œ Œ Œ Œ œbœ œ œ J ‰ œ b œ ‰ œ œ > ‰ bœ œ ‰ b > bœ ‰ bœ ˙ œ Œ > In bœ - stead of talk-ing like 3 œ œ

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