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Compendium Volume 8 Australia

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From left: a look by NYC

From left: a look by NYC label Duckie Brown; Dryce Lahssan's iconic vinyl trench coat with Goossens-crafted gold buttons realised they already had the perfect retail environment – their studio. “We had all the email addresses of our core clients, and we were so bored of doing collection after collection, stuck in the traditional fashion loop.” Now the pair create what they see as “genderless garments” when it makes sense for them, or for special orders. “You can come to us and get a winter coat when it’s actually cold, when you need it, when the big stores are selling spring collections. And we can alter the proportions for you and offer archive pieces.” While much of the Duckie Brown styling is avant-garde, they are grounded in formality. “Some of what we make is based on my old school uniform,” says Cox. “We have something for everyone. We had a guy come in lately who was an older, larger man, and he ordered what we had designed as an oversized shirt, but we made it in flannel for him, so it became the perfect coat.” Violante Nessi, who makes sumptuous knits and vegan “leather” separates, often with distinctive ornate golden buttons, runs a similarly small and nimble independent business. She is involved in a modest amount of wholesale but keeps most of her product to sell via her home and salon in Chelsea, London. The whole place is the soothing, warm colour of a caffè latte, with a giant smiley teddy bear called Biba on the sofa. “Being here has helped me find who my customer is,” says Nessi. “I have mothers and daughters coming, buying things together. Interacting with the customer is so special to me because they have an infinite choice in London. We live in the era of the internet, and I wanted to bring back some of the elements of the classic couture experience. I want to help a woman find something that fits and suits them, not find the woman to fit a dress.” There’s something about the intimacy of engaging with a designer in their private home that makes owning the final garment particularly special. The couple behind the modernist British brand Pokit – Bayode Oduwole and Claire Pringle – originally had a tailoring and accessories store in Soho. Recently they moved to Dover, on the Kent coast, where initial fittings take place at their house. “Because we attract PHOTOS FROM LEFT: CHLOE HORSEMAN, © LAHSSAN 70

a distinctive clientele of people who are independently minded, it’s a bonus being tucked away. They prefer it being somewhat “inconvenient” and inaccessible. It’s exclusive by mentality not by cash. To see another person in a suit you recognise could only have been obtained by going on that same quest is instantly attractive.” At Pokit, luxury looks and tastes a little different. There’s no champagne when you visit. “We’ve invested in a great coffee machine for espresso martinis,” says Oduwole. The social element to private retail is what balances exclusivity with excitement. Dryce Lahssan has been a consultant for LVMH and Bulgari and described by Vogue as a “fashion whisperer”. Two years ago, he furnished a tiny space in Paris like a chic lounge, fragranced it with Santa Maria Novella’s purposely oldfashioned Melograno scent (soaked into an ornamental terracotta pomegranate) and sells just one design out of the space that isn’t even on display. It’s a vinyl trench coat, with gold buttons by Goossens, the jeweller to Chanel. “When I was at Goossens having them made,” he says, “they told me they’d only created them once before – a private order for Mr Saint Laurent and Pierre Bergé, for their own clothes.” There’s no branding on the façade of Lahssan’s store at 24 Rue Molière, and it’s often closed. But then, it’s often open … at night. “I might be having dinner at the Japanese restaurant close by, get talking to someone, then we end up back at the store and they want a coat,” he says. While unpredictability and unavailability are part of Lahssan’s strategy, the end result is what counts. “When I bring that one coat out, it’s like a kind of ceremony,” he says. “I hang it from the ceiling, and the person sitting there always says the same thing: ‘WOW!’” PHOTO OLLIE HARROP Pokit founders Bayode Oduwole and Claire Pringle 71

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