The Oxford Book of Organ Music by Women Composers for online perusal only ANNE MARSDEN THOMAS AND GHISLAINE REECE-TRAPP
Great Clarendon Street, Oxford OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries This collection © Oxford University Press 2023 Each composer has asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Composer of their Works Anne Marsden Thomas and Ghislaine Reece-Trapp have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Editors of this collection Database right Oxford University Press (maker) First published 2023 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press Permission to perform this work in public (except in the course of divine worship) should normally be obtained from a local performing right licensing organization, unless the owner or the occupier of the premises being used already holds a licence from such an organization. Likewise, permission to make and exploit a recording of these works should be obtained from a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–356272–1 Music and text origination by Katie Johnston Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks. for online perusal only
52 60 & bb b b . { nœ œ # œ œ
54 - Gt. Prin. 4' & bb b b œ nœ #
56 { 151 & bb b b œ > ? b b b b œ
58 20 & bb b b { ? b b b b œ œ Ó
60 Sw.: Full to Mixtures, box open
62 30 ‰ n # œ & bb { cresc. poco
64 Sw.: Flute 8', Strings 8', box o
66 { 32 & # # # & # # # Gt. œ œœ
68 66 & { Sw. + Prin. 2' # œ œ œ
70 97 & # # # { & # # # œ œ œ œ
72 { { { { 21 & # # # # œ˙ œ œ
74 62 & # # # # œ ˙ œ œ œ œ
76 98 œ œ Œ œ œ œ˙ Œ œ œ
78 13 & { ? œ # œ œ œ œ œ œ
80 27 & # # { ? # œ œ œ œ œ œ
82 Communion Sw.: Flute 8', Strings
84 Sw.: Flute 8', Principal 4' Gt.:
86 & # #6 { 8 6 8 Spiritoso Gt. Tpt
88 Gen. 1 { { Sw.: Full, box open G
90 34 . & bb . . . . . . . . { ? b
92 75 & # # { ? # ‰ œ œ œ œ
94 13 & # { ? œ w # œ œ # œ œ
96 Sw.: Flute 8', Strings 8', box c
98 & bb b { & bb b { &b b b b { { 4
100 Sw.: Principal 8' or 4', Flute
102 Sw.: Principals 8', 4' Gt.: Pri
104 28 & # œ œ { ? # œ œ # œ
106 63 & # { ? # ≈ œ œ# œ ≈#
108 Celebration Sw.: Principals 8',
110 { œ & . . . . . . . . . œ œ#
112 { 3 & . . . > . . > . > > . . .
114 101 & { & ? 105 & { & ? œ . .
116 Introduction and Fugue ANN MOUN
118 16 œ œ œ œ œ œ œ ˙œ œ
120 48 & b { œbœ ? b b œ ˙ bœ
122 Variation 1 5 & { Più moto h =
124 Variation 3 5 & # . { ? # & # .
126 Variation 5 & # # # # { Sw. Str
128 & # { & # close box { Gt. mf Pr
130 46 & # . { ? # b . . . . . bœ
132 11 & # # # # { œ œ ˙ œ œ
134 19 rit. & # # # { ? # ‰ œ œ
136 62 & # # { & # # rit. ˙ ˙ ˙
138 Sw.: Flute 8', String 8', box o
140 Sonata Seconda I: Flute 8' II:
142 (7) & b { œ j œ œ œ œ œ
144 I: Principals 8', 4' II: Princi
146 Sw.: Principals 8', 4', 2', Flu
148 38 & # { nœ œ œnœ œ œ nœ
150 77 & bb { 81 Ch. [ mf ] & bb &
152 for Kunal Mixolydiance Sw.: Pri
154 31 & bb b b b b { ? b b b b b b
156 71 & bb b b b b { mf ? b b b b
158 Sw.: Principal 8', Flutes 8', 4
160 & b # { & b { Gt. &b n n n n #
162 51 & b { ? b ˙ œ œ ˙ œ œ
164 17 & bb b b Gt. { poco animato
166 Bell Toccata Sw.: Principals 8'
168 32 & # # # n n n œ n# n œ nœ
170 54 & bb b b b { & bb b b b { &b
172 4b 8 œ b œ b bœ b œ œ b œ
174 Sw.: Principal 8', Flute 8' Gt.
176 m œ œ œ œ œ œ œnœ œ
178 Moderato Sw.: Principal 8', Flu
180 35 & bb b { Sw. œ w œ œ œ
182 Intermezzo AMY SUMMERS (b. 1996
184 26 & bb b b { ˙ ˙ ‰ œ œ
186 > . > > . . # > n# œ # œ # ˙
188 34 3 3 œ œ # œ œ œ œ œ
190 58 & { 3 4 + Gt. 2' + Sw. Reeds
192 Polonaise from 18 Dances in Dif
194 Overture to Talestri Sw.: Reed
196 29 & # { & # ? # œ J œ œ œ
198 61 & # { Œ œ J ‰ œ J ‰
200 Sw.: Principal 8', Flute 8', bo
202 Andante and Fugue in C minor Sw
204 Sw.: Principals 8', 4', Flute 8
206 36 & bb b { ? b b b p Sw. ˙ œ
208 72 & bb b n œ { œ œ j œ n b
210 outset becomes a charming, lilt
212 organ playing with Marcel Dupr
214 Hermann Zenta. Holmès defied s
216 Mrs Philarmonica: Sonata Second
218 directly evolved from the first
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