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Oxford Book of Organ Music by Women Composers

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The

The Oxford Book of Organ Music by Women Composers for online perusal only ANNE MARSDEN THOMAS AND GHISLAINE REECE-TRAPP

Great Clarendon Street, Oxford OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries This collection © Oxford University Press 2023 Each composer has asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Composer of their Works Anne Marsden Thomas and Ghislaine Reece-Trapp have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Editors of this collection Database right Oxford University Press (maker) First published 2023 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press Permission to perform this work in public (except in the course of divine worship) should normally be obtained from a local performing right licensing organization, unless the owner or the occupier of the premises being used already holds a licence from such an organization. Likewise, permission to make and exploit a recording of these works should be obtained from a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–356272–1 Music and text origination by Katie Johnston Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks. for online perusal only

  • Page 1: The Oxford Book of Organ Music by W
  • Page 5 and 6: CONTENTS IN GRADED ORDER Composer T
  • Page 7 and 8: for online perusal only
  • Page 9 and 10: 8 13 n ˙˙ ˙ ‰ œ œ œ n ˙
  • Page 11 and 12: 10 Perpetuum Mobile KRISTINA ARAKEL
  • Page 13 and 14: 12 39 & { 2 4 (Gt.) più f . . . .
  • Page 15 and 16: 14 Prelude on an Old Folk Tune Sw.:
  • Page 17 and 18: 16 { { & bb b b b b œ œ œ œ b˙
  • Page 19 and 20: 18 Pastorale sur un vieil air vend
  • Page 21 and 22: 20 35 & bb œœ œ œ { œ œ œ ?
  • Page 23 and 24: 22 68 & bb { œ ? b b œ œ œ œ
  • Page 25 and 26: 24 16 & # . { 21 & # # { 27 ? { C &
  • Page 27 and 28: 26 Slower 69 - Sw. to Gt. ˙œ œ C
  • Page 29 and 30: 28 128 & b { & b ? b 135 & b { & b
  • Page 31 and 32: 30 177 Fast 6 8 6 8 6 8 > œ œ j
  • Page 33 and 34: 32 16 & # # # # { 21 & # # # > # #
  • Page 35 and 36: 34 Andante grazioso Sw.: Principal
  • Page 37 and 38: 36 { 33 & bb close box + Sw. Fl. 4'
  • Page 39 and 40: 38 24 & # { ? ˙œ œ œ œ œ œ
  • Page 41 and 42: 40 Sw.: Flutes 8', 2' Gt.: Flutes 8
  • Page 43 and 44: 42 23 nw w œ # œ ˙˙ œ ˙ œ œ
  • Page 45 and 46: 44 Sw.: Principals 8', 4', Flute 8'
  • Page 47 and 48: 46 48 & # # # # { ? # # # Ó Ó nœ
  • Page 49 and 50: 48 99 & # # # { ? # # # ˙œ œ œ
  • Page 51 and 52: 50 19 & bb b b œ. œ œ nœ# œ
  • Page 53 and 54:

    52 60 & bb b b . { nœ œ # œ œ

  • Page 55 and 56:

    54 - Gt. Prin. 4' & bb b b œ nœ #

  • Page 57 and 58:

    56 { 151 & bb b b œ > ? b b b b œ

  • Page 59 and 60:

    58 20 & bb b b { ? b b b b œ œ Ó

  • Page 61 and 62:

    60 Sw.: Full to Mixtures, box open

  • Page 63 and 64:

    62 30 ‰ n # œ & bb { cresc. poco

  • Page 65 and 66:

    64 Sw.: Flute 8', Strings 8', box o

  • Page 67 and 68:

    66 { 32 & # # # & # # # Gt. œ œœ

  • Page 69 and 70:

    68 66 & { Sw. + Prin. 2' # œ œ œ

  • Page 71 and 72:

    70 97 & # # # { & # # # œ œ œ œ

  • Page 73 and 74:

    72 { { { { 21 & # # # # œ˙ œ œ

  • Page 75 and 76:

    74 62 & # # # # œ ˙ œ œ œ œ

  • Page 77 and 78:

    76 98 œ œ Œ œ œ œ˙ Œ œ œ

  • Page 79 and 80:

    78 13 & { ? œ # œ œ œ œ œ œ

  • Page 81 and 82:

    80 27 & # # { ? # œ œ œ œ œ œ

  • Page 83 and 84:

    82 Communion Sw.: Flute 8', Strings

  • Page 85 and 86:

    84 Sw.: Flute 8', Principal 4' Gt.:

  • Page 87 and 88:

    86 & # #6 { 8 6 8 Spiritoso Gt. Tpt

  • Page 89 and 90:

    88 Gen. 1 { { Sw.: Full, box open G

  • Page 91 and 92:

    90 34 . & bb . . . . . . . . { ? b

  • Page 93 and 94:

    92 75 & # # { ? # ‰ œ œ œ œ

  • Page 95 and 96:

    94 13 & # { ? œ w # œ œ # œ œ

  • Page 97 and 98:

    96 Sw.: Flute 8', Strings 8', box c

  • Page 99 and 100:

    98 & bb b { & bb b { &b b b b { { 4

  • Page 101 and 102:

    100 Sw.: Principal 8' or 4', Flute

  • Page 103 and 104:

    102 Sw.: Principals 8', 4' Gt.: Pri

  • Page 105 and 106:

    104 28 & # œ œ { ? # œ œ # œ

  • Page 107 and 108:

    106 63 & # { ? # ≈ œ œ# œ ≈#

  • Page 109 and 110:

    108 Celebration Sw.: Principals 8',

  • Page 111 and 112:

    110 { œ & . . . . . . . . . œ œ#

  • Page 113 and 114:

    112 { 3 & . . . > . . > . > > . . .

  • Page 115 and 116:

    114 101 & { & ? 105 & { & ? œ . .

  • Page 117 and 118:

    116 Introduction and Fugue ANN MOUN

  • Page 119 and 120:

    118 16 œ œ œ œ œ œ œ ˙œ œ

  • Page 121 and 122:

    120 48 & b { œbœ ? b b œ ˙ bœ

  • Page 123 and 124:

    122 Variation 1 5 & { Più moto h =

  • Page 125 and 126:

    124 Variation 3 5 & # . { ? # & # .

  • Page 127 and 128:

    126 Variation 5 & # # # # { Sw. Str

  • Page 129 and 130:

    128 & # { & # close box { Gt. mf Pr

  • Page 131 and 132:

    130 46 & # . { ? # b . . . . . bœ

  • Page 133 and 134:

    132 11 & # # # # { œ œ ˙ œ œ

  • Page 135 and 136:

    134 19 rit. & # # # { ? # ‰ œ œ

  • Page 137 and 138:

    136 62 & # # { & # # rit. ˙ ˙ ˙

  • Page 139 and 140:

    138 Sw.: Flute 8', String 8', box o

  • Page 141 and 142:

    140 Sonata Seconda I: Flute 8' II:

  • Page 143 and 144:

    142 (7) & b { œ j œ œ œ œ œ

  • Page 145 and 146:

    144 I: Principals 8', 4' II: Princi

  • Page 147 and 148:

    146 Sw.: Principals 8', 4', 2', Flu

  • Page 149 and 150:

    148 38 & # { nœ œ œnœ œ œ nœ

  • Page 151 and 152:

    150 77 & bb { 81 Ch. [ mf ] & bb &

  • Page 153 and 154:

    152 for Kunal Mixolydiance Sw.: Pri

  • Page 155 and 156:

    154 31 & bb b b b b { ? b b b b b b

  • Page 157 and 158:

    156 71 & bb b b b b { mf ? b b b b

  • Page 159 and 160:

    158 Sw.: Principal 8', Flutes 8', 4

  • Page 161 and 162:

    160 & b # { & b { Gt. &b n n n n #

  • Page 163 and 164:

    162 51 & b { ? b ˙ œ œ ˙ œ œ

  • Page 165 and 166:

    164 17 & bb b b Gt. { poco animato

  • Page 167 and 168:

    166 Bell Toccata Sw.: Principals 8'

  • Page 169 and 170:

    168 32 & # # # n n n œ n# n œ nœ

  • Page 171 and 172:

    170 54 & bb b b b { & bb b b b { &b

  • Page 173 and 174:

    172 4b 8 œ b œ b bœ b œ œ b œ

  • Page 175 and 176:

    174 Sw.: Principal 8', Flute 8' Gt.

  • Page 177 and 178:

    176 m œ œ œ œ œ œ œnœ œ

  • Page 179 and 180:

    178 Moderato Sw.: Principal 8', Flu

  • Page 181 and 182:

    180 35 & bb b { Sw. œ w œ œ œ

  • Page 183 and 184:

    182 Intermezzo AMY SUMMERS (b. 1996

  • Page 185 and 186:

    184 26 & bb b b { ˙ ˙ ‰ œ œ

  • Page 187 and 188:

    186 > . > > . . # > n# œ # œ # ˙

  • Page 189 and 190:

    188 34 3 3 œ œ # œ œ œ œ œ

  • Page 191 and 192:

    190 58 & { 3 4 + Gt. 2' + Sw. Reeds

  • Page 193 and 194:

    192 Polonaise from 18 Dances in Dif

  • Page 195 and 196:

    194 Overture to Talestri Sw.: Reed

  • Page 197 and 198:

    196 29 & # { & # ? # œ J œ œ œ

  • Page 199 and 200:

    198 61 & # { Œ œ J ‰ œ J ‰

  • Page 201 and 202:

    200 Sw.: Principal 8', Flute 8', bo

  • Page 203 and 204:

    202 Andante and Fugue in C minor Sw

  • Page 205 and 206:

    204 Sw.: Principals 8', 4', Flute 8

  • Page 207 and 208:

    206 36 & bb b { ? b b b p Sw. ˙ œ

  • Page 209 and 210:

    208 72 & bb b n œ { œ œ j œ n b

  • Page 211 and 212:

    210 outset becomes a charming, lilt

  • Page 213 and 214:

    212 organ playing with Marcel Dupr

  • Page 215 and 216:

    214 Hermann Zenta. Holmès defied s

  • Page 217 and 218:

    216 Mrs Philarmonica: Sonata Second

  • Page 219 and 220:

    218 directly evolved from the first

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