Integrum. - All-Merciful Savior

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Psalmi Toni Invitatorii.et di-xi, semper hi errant cor-de :ipsi ve-ro non cognové-runtvi- as me- as, qui-bus ju-rá-vi in i-ra me-a : Siintro- í-bunt in ré-qui- em me- am.Integrum.Gló-ri- a Pa-tri et Fí- li- o : et Spi-rí-tu- i Sancto. Si-cute-rat in princí-pi- o et nunc et sem-per : et insé-cu-lse-cu-ló-rum. Amen.Altera. Integrum.44*
Psalmi Toni Invitatorii.Notes.1 Privatum. Stando. See AS:1; US:II-208.2 According to AS:1 and US:II-208, the Credo appears not to be said before any of the offices.3 This tone is also used for the Versicles that precede Lauds and Compline.4 OV:3 omits the flat at Alleluya.5These chants are reconstructed on the basis of ST in conjunction with LH, NR, AP and CIS.The verses of the Venite are sung only by the rulers of the choir, the full choir joining for therepetitions of the Invitatory.6 Tone I is closely related to NR:IV.D and to LH:IV*. AP gives the following incipit: CD DABBA A A; following verses DAB A A A. CIS is related to AP. The Roman secular rite has noVenite in Mode I.7 Tone II has two endings which alternate. The first is a form of the common ending as found inLH, NR and CIS; the second provides a connection to the second half of the antiphon. The bodyis based principally on CIS and NR.8 Tone III has two endings which alternate. The reconstruction is based on AP and CIS.9 Tone IV.i. is related to LH:IV* ad libitum.10 Tone IV.ii, in the absence of further evidence, has been modelled on LH:Tonus E ad libitum.11 Tone IV.iii. is based on NR:IV.g.12 Tone IV.iv. is based on LH:E. This tone has alternating endings.13 Tone IV.v. is based on NR:IV simplex, LH:IV, CIS:IV, and AP:minor.14 Tone V is related to LH, AP and NR. It does not appear in CIS.15 Tone VI.i. is related to NR:VI Solemnis. In this edition the ending of the first phrase “Domino”is altered. In ST the final notes are F, F.16 Tone VI.ii. is transposed to the fifth above to accommodate the whole-tone below the finalis. Itis related to LH:VI* and to AP:tonus major.17 Tone VI.iii. is based on CIS.18 Tones VII.i., ii., and iii., are all similar. Tone VII.i. has two alternating endings. Tone VII.ii.reverses the order of the endings. Tone VII.iii. uses only a single ending. Tone VII is similar toLH:VII, AP:VII, and NR:VII solemnis.i*
Page 1 and 2: MUSIC OF THE SARUM OFFICETOME D.Fas
Page 3 and 4: Ante horas dicendi.PSALTERIUM DAVID
Page 5 and 6: Psalmi Toni Invitatorii.PSALMI TONI
Page 7 and 8: Psalmi Toni Invitatorii.di- em tent
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Page 11 and 12: Psalmi Toni Invitatorii.Tercius Ton
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Page 45: Psalmi Toni Invitatorii.funda-vé-r

Integrum. - All-Merciful Savior

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