download PDF READER - HULU-a Split
download PDF READER - HULU-a Split
download PDF READER - HULU-a Split
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PLATFORMA<br />
izlàgati<br />
(se)<br />
izlágati<br />
izlàgati<br />
(se)<br />
izlágati<br />
THE PLATFORM<br />
Središnja tema ovogodišnjega <strong>Split</strong>skog salona,<br />
bijenalne manifestacije suvremene umjetnosti,<br />
propitivanje je izložbe kao mjesta vlastite<br />
izloženosti i kao potencijalnog mjesta artikulacije<br />
laži kao legitimnoga sredstva galerijskog<br />
pripovijedanja.<br />
Jedan od zanimljivijih pojmova naspram kojih<br />
se relacionira život jest ‘laž’. Pritom činjenica<br />
semantičkog šuma što ga u hrvatskom jeziku<br />
generira približavanje dvaju glagolskih oblika:<br />
izlàgati (izreći laž) i izlágati /se/ (izložiti /<br />
se/), postaje iznimno provokativna. Upravo u<br />
tom šumu ogleda se platforma 37. splitskog<br />
salona. U obzir se uzimaju sve tematske<br />
mogućnosti, sva moguća istraživanja putova<br />
‘urbane laži’, negiranja ili iskrivljavanja istine,<br />
odnosno njezine manipulacije; od političkih,<br />
osobnih, rodnih i socijalnih impulsa do propitkivanja<br />
samoga sredstva umjetnosti i<br />
The central topic of this year’s <strong>Split</strong> Salon, a biennial<br />
event in contemporary art, is the querying<br />
of the exhibition as site of one’s own exposure<br />
and as potential site for the articulation of<br />
the lie as legitimate means of gallery narration.<br />
One of the interesting terms to which life is<br />
related is the lie. Provocative here is the fact<br />
of the semantic noise that is generated among<br />
the Croatian public by approximating two<br />
verbal forms: izlàgati (to tell a lie) and izlágati<br />
se (to exhibit or expose oneself).* The platform<br />
of the 37th <strong>Split</strong> Salon takes its cue from<br />
this noise. All thematic possibilities are taken<br />
into account, all possible investigations of the<br />
paths of the “urbane lie”, the negation or distortion<br />
of truth, or its manipulation; political,<br />
personal, familial and social impulses as well<br />
as querying of the actual means of art and the<br />
possibility it has of being manipulated. Nor