Rapportskabelon – grafisk design - Mads Rahbek Hougaard ...

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stefan:nåmen det ser da meget lovende ud. Jeg ved ikke om jeg havde regnet med at den ville være mindre display-agtig… og der er stadig rune-associationer. Det kommer nok mest fra E’et mads: ja.. og F og A måske stefan:ja og måske A også stefan:Det er fedt at du bruger GANJA som test-ord :) mads: jeg ledte bare efter nogle ord, som havde flere af det samme bogstav i for at se om nogle bogstaver bliver “for meget”. Hvad synes du om X? stefan:X er måske lidt for.. turbulent. Jeg tror jeg ville lave krøllen knap så krøllet mads: det har skam været mere krøllet! Men altså.. ja, det er en balancegang: jeg vil gerne pille mindst muligt ved hvert bogstav. Men selvfølgelig skal det hænge sammen. Bevæggrundlaget må bare ikke forsvinde. stefan:nejnej. Eksperimenterende fremgangsmåde til skriftdesign Mads Rahbek Hougaard 08.03.2004 8
3 Jot blev designet af Jeffery Keedy til det amerikanske magasin Conde Naste, og er ikke i distribution. Skriften har ellers kun optrådt i NorthLight Books’ Cool Type fra 1997. Det har ikke været muligt inden deadline at finde ud af, hvorledes Keedys designproces ligner min. 26. februar kritik Jeg har de sidste par dage fået spredt det glade budskab til diverse fora på internettet. Her er hvad der er kommet tilbage: fra typophile.com (et forum for skriftdesignere – amatører såvel som professionelle) www.typophile.com/forums/messages/29/27087.html?1077730232 hrant h. papazian: »Mads, this is very interesting. Not only are you trying to distill the “essence” of handwring apparently, but it’s certainly a genial idea to base it on the handwriting of many other people!« ole sørensen: »Hi Mads. Nice work. Reminds me a bit of Keedy’s ol Jot face 3 although they are not that similar, but I would guess design process is similar. It is excellent. H is very unique but fits well with rest of glyphs. A is a bit too angular, although form is very nice. Maybe P should have a tad bigger bowl... Also alternates would be ideal so it does not look too computer generated when used.« fra hhv. alt.binaries.fonts og alt.design.graphics (her huserer en broget flok af fagfolk og entusiaster) dick margulis: »As biologists say, ontogeny recapitulates phylogeny. In other words, you are following the historical path that led to all modern typefaces, starting with the inspiration of handwritten letters. This is far preferable to the antihistorical practice of sign painters who find a font they like and copy it. They’ve got it backwards. You’ve got it right in terms of process. That said, I think it’s an interesting project and great student work, but I wonder if as you have moved toward regularizing the glyphs you have also started to move away from the calligraphic characteristic you started out looking for. Maybe when you go on to the next step, you’ll begin to recapture that. Overall, though, it’s quite lively and certainly legible, something I can’t claim about my own handwriting ;-)« tomas holm: »Inspiring! I think your approach is unique and interesting. Ambitious as well. But in my opinion your approach is the wrong one. The important thing isn’t how people write – it is how people read! And there lies the big difference. Eksperimenterende fremgangsmåde til skriftdesign Mads Rahbek Hougaard 08.03.2004 9
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Page 3 and 4: 1 I mit projekt har min udvælgelse
Page 5 and 6: 2 ...kombineret med den eskalerende
Page 7 and 8: Udsnit af majusklerne fra skrifttav
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Rapportskabelon – grafisk design - Mads Rahbek Hougaard ...

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