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Carlos Motta - La buena vida

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about the good life general project<br />

installation<br />

description<br />

description<br />

Detalle de mural callejero, <strong>La</strong> Paz, Bolivia<br />

The Good Life is a multi-part video project<br />

composed of over 400 video interviews with<br />

pedestrians on the streets of twelve cities in<br />

<strong>La</strong>tin America shot between 2005 and 2008. The<br />

work examines processes of democratization as<br />

they relate to U.S. interventionist policies in the<br />

region.<br />

The conversations and dialogues recorded in<br />

Bogotá, Buenos Aires, Caracas, Guatemala, <strong>La</strong><br />

Paz, Managua, México City, Panamá, Santiago,<br />

San Salvador, São Paulo, and Tegucigalpa,<br />

cover topics such as individuals’ perceptions of<br />

U.S. foreign policy, democracy, leadership, and<br />

governance. The result is a wide spectrum of<br />

responses and opinions, which vary according<br />

to local situations and specific forms of<br />

government in each country.<br />

The Good Life is formed of an Internet Archive,<br />

a video installation and a series of commissioned<br />

texts and articles.<br />

internet archive<br />

description<br />

The Good Life (www.la-<strong>buena</strong>-<strong>vida</strong>.info) is<br />

an Internet Archive, a repository and search<br />

engine for several hours of video interviews<br />

shot between 2005 and 2008 throughout <strong>La</strong>tin<br />

America. This digital database provides public<br />

access to over 400 interviews. It also permits<br />

searching, sorting and viewing based on (but<br />

not restricted to) categories such as the type<br />

of question asked, and/or the city, gender, age<br />

group, occupation, and particular themes as<br />

expressed by the interviewees.<br />

The Internet Archive was produced as a<br />

commission of Art in General’s New Commissions<br />

Program, New York (2008).<br />

The Good Life’s installation component is<br />

presented at art institutions and museums.<br />

Viewers encounter a multi-channel video<br />

installation, where 12 monitors are mounted on<br />

a four-part, two-tiered wooden structure that is<br />

an abstracted formal reference to the Priene, the<br />

theater and the general space of the Athenian<br />

Agora, in which citizens were entitled to meet,<br />

debate, and participate in legislative and judicial<br />

decisions. The position of the monitors on the<br />

structure allows them to metaphorically function<br />

as speaking subjects—citizens—in the space,<br />

addressing their comments to a wider forum.<br />

A series of photographs arranged<br />

asymmetrically on the walls create a kind of<br />

enclosure to the environment. Hundreds of stills<br />

from the videos, arranged in different categories,<br />

including political graffiti, religious processions,<br />

and public monuments, demarcate an active<br />

relationship between, religious, cultural and<br />

ideological iconographies.<br />

The installation premiered at the Institute<br />

of Contemporary Art in Philadelphia (2008).<br />

Future solo presentations include, <strong>Carlos</strong><br />

<strong>Motta</strong>: <strong>La</strong> Buena Vida at <strong>La</strong> Fundación Alzate<br />

Avendaño, Bogotá, Colombia, at Smack Mellon,<br />

Brooklyn, New York, and at Fabbrica Europa,<br />

Florence, Italy (2009); and at the group exhibition<br />

FEEDFORWARD: Angel of History en <strong>La</strong>boral:<br />

Centro de Arte y Creación Industrial, Gijón, Spain<br />

(2009). Previous presentations were made at<br />

Democracy in America, Creative Time, New York<br />

(2008); The Lower Manhattan Cultural Council,<br />

Swing Space Program en New York (2007);<br />

Estudio Abierto, Palacio de Correos, Buenos<br />

Aires, Argentina (2006); and at rum46, Aarhus,<br />

Denmark (2006).<br />

chronology<br />

The following is a list of important events and<br />

news that were taking place locally when<br />

the video interviews for The Good Life were<br />

conducted. The chronology also includes the<br />

dates when I went to each city as well as<br />

production details, funding and exhibitions up to<br />

2009.<br />

2005<br />

AUGUST<br />

Video interviews in Mexico City, Mexico<br />

President Vicente Fox's popularity amongst<br />

the popular sector of society is very low during<br />

his last year in office as high rates of economic<br />

inflation are reported. Since June 19 until now,<br />

the EZLN (Ejército Zapatista de Liberación<br />

Nacional) declares a "red alert" in its territory.<br />

International observers are asked to leave and all<br />

work is suspended.<br />

SEPTEMBER<br />

Video interviews in São Paulo, Brazil<br />

President Luiz Inacio Lula da Silva’s leftleaning<br />

Worker’s Party is accused of buying<br />

congressional votes and setting up slush funds.<br />

A major scandal threatened to compromise<br />

Lula’s so far clean reputation.<br />

Video interviews in Buenos Aires, Argentina<br />

President Néstor Kirchner announces that his<br />

administration plans to pay off the country’s debt<br />

of U$S 9.810 million to the IMF in an attempt to<br />

achieve more autonomy and independence from<br />

that organization, whose pressures have had an<br />

effect on the economy, which is recovering from a<br />

massive crisis in 2001.<br />

DECEMBER<br />

Video interviews in Bogotá, Colombia<br />

Colombia is in the midst of difficult negotiations<br />

with The United States to sign the Free Trade<br />

Pact (FTP). The American congress is divided,<br />

democrats don’t consider that Colombia doesn’t<br />

have the necessary guarantees to respect<br />

human rights and offer security to union

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