GUITAR CHORD CHARTS/ACORDES DE GUITARRA - OCP
GUITAR CHORD CHARTS/ACORDES DE GUITARRA - OCP
GUITAR CHORD CHARTS/ACORDES DE GUITARRA - OCP
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<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA<br />
The following symbols are used in the<br />
guitar diagrams:<br />
Barre<br />
String not to be played<br />
Open String to be played<br />
Augmented chord<br />
Diminished chord<br />
Half diminished chord<br />
(includes a minor seventh)<br />
The number to the right of some of the<br />
diagrams indicates the fret at which the chord is<br />
to begin.<br />
The numbers which appear at the bottom of the<br />
diagram make reference to the left hand fingering.<br />
Some chord labels have a slash (/) in between<br />
two letters. The letter before the slash indicates<br />
the chord which needs to be played. The letter<br />
following the slash indicates the bass note<br />
which needs to be played, either as the lowest<br />
tone on the guitar or keyboard, or by the bass<br />
player. In the following example, C/G indicates<br />
that a C chord should be played with the note G<br />
sounding in the bass. Playing this as the bass<br />
note is not absolutely necessary, but is helpful<br />
for the voice leading of the piece.<br />
http://www.ocp.org<br />
1-800-LITURGY (548-8749)<br />
1<br />
2<br />
3<br />
4<br />
( Sol<br />
x<br />
o<br />
aug (<br />
ø<br />
+ ) aum<br />
dim (°) dis<br />
g<br />
(<br />
1 3 4 2<br />
dø\Sø¬<br />
c\g<br />
3 4 2 1<br />
3<br />
Símbolos que se utilizan en los acordes<br />
de guitarra:<br />
Cejilla<br />
Cuerda apagada (la cuerda indicada no se toca)<br />
Cuerda suelta (la cuerda se toca al aire)<br />
Acorde aumentado<br />
Acorde disminuido<br />
Acorde disminuido con séptima menor<br />
El número que se encuentra a la<br />
derecha de algunos diagramas indica el traste<br />
en que comienza el acorde.<br />
Los números que aparecen en la parte<br />
inferior del diagrama hacen referencia a la digitación.<br />
Rem/Sol<br />
D,\g<br />
3 2 4 1<br />
Algunos nombres de los acordes tienen una<br />
diagonal (/) entre dos notas. La nota a la<br />
izquierda de la diagonal indica el acorde que se<br />
debe tocar. La nota a la derecha de la diagonal<br />
indica la nota del bajo para el acorde que se<br />
debe tocar en la guitarra, el teclado o el bajo.<br />
Por ejemplo, en Do/Sol (C/G) se toca el acorde<br />
Do (C) sobre la nota de Sol (G) en el bajo.<br />
Aunque no es necesario tocar la nota del bajo,<br />
su ejecución ayuda a definir el movimiento de<br />
las voces de la estructura musical.<br />
http://www.spiritandsong.com
C<br />
+<br />
,<br />
cå∂∂9\g Csus2,4 Csus#4 Csus2,#4 c;';4<br />
csus4|a c•<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (2)<br />
c c\d c\e c\f c\g c|a c\b- c\b<br />
c6 c6\e c7 c7\f c7\g c7;';4 c7ߨß4\g c7_9<br />
c9\b<br />
(<br />
cå∂∂9\f<br />
Cm<br />
cµ7\f<br />
(<br />
C#<br />
c,./7 cµå∆7\d c,./7\g c,./7\b c,./9<br />
cµ<br />
(<br />
cµ7\b$<br />
c+<br />
4<br />
(<br />
c,\e_ cµ\f<br />
c,\g<br />
(<br />
3<br />
(<br />
c,\b_<br />
(<br />
(<br />
cå∂∂2<br />
c,6<br />
cµ9 cµ9(µå∆7) cº7 cª7<br />
Cº<br />
c+7<br />
4<br />
(<br />
(<br />
c=7\e=<br />
(<br />
c#(#11)<br />
(<br />
4<br />
(<br />
(<br />
cµ6\g<br />
c9<br />
(<br />
c2<br />
c9\b$<br />
cå∂∂9 cå∂∂9\d c.∂∂9|e<br />
c,7<br />
(<br />
cµ7\e$<br />
(
C#m<br />
c≠ª7<br />
D$<br />
D<br />
d6 D6,9 d6\f# d6|a<br />
d7;';4<br />
d.[[9\f+<br />
Dm<br />
d,7\f<br />
(<br />
c+,<br />
d_<br />
d9<br />
d.[[9|a<br />
d,7\g<br />
4<br />
(<br />
4<br />
(<br />
d d\e d\f+ d\g d|a<br />
4<br />
( (<br />
(<br />
(<br />
c#µ\a$<br />
(<br />
d_\f<br />
d9\f#<br />
d;';2<br />
d,7\c<br />
4<br />
(<br />
(<br />
(<br />
c#µ\b c#µ\b# c+,7<br />
d$\a$<br />
(<br />
d;';2\c<br />
d;';2,4<br />
Dsus4<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (3)<br />
d7 d7\f+ d7\g d7|a d7\c<br />
d9;';4 d13 d,./7 d,./7/A<br />
dµ7 å∂∂11<br />
(<br />
4<br />
d_\c<br />
(<br />
D,.∂∂9<br />
(<br />
d$6<br />
dº<br />
(<br />
(<br />
d\b d\c d\c+<br />
(<br />
d;';4|a<br />
d, d,\e d,\f d,\g d,|a d,\c<br />
4<br />
4<br />
(<br />
c+,7\b c#µ å∂∂11<br />
d$µå∆7<br />
(<br />
5<br />
(<br />
(<br />
d_.[[9<br />
d,./7\f=<br />
Dsus4\c<br />
dº7 dª7<br />
4<br />
Dadd6,9<br />
d,6 d,6|a<br />
(<br />
c≠º c+º7<br />
d.[[9\f+<br />
d (æø 3)<br />
d$sus2<br />
(<br />
d($6)<br />
d7($9)<br />
d.[[9<br />
d,7<br />
4<br />
(
D#<br />
E$<br />
e_9<br />
E<br />
5<br />
(<br />
d#•<br />
e_<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (4)<br />
e,|a e,\b e,\d e,\d= e,2 e,6<br />
e,6\g eµ6\c# e,7 e,7\g e,7|a e,7\b e,7\d e,9 e,11 e,.[[9<br />
eµ å∂∂11 eº<br />
3<br />
(<br />
e_,./7<br />
6<br />
(<br />
e_\f<br />
(<br />
E$m<br />
D#m<br />
e$\a<br />
e_,<br />
(<br />
eº7 eª7 e(æø3)<br />
6<br />
(<br />
(<br />
d#,<br />
6<br />
(<br />
e_\b$<br />
(<br />
e$µ6<br />
(<br />
e7\g+ e7|a e7\b e7\d e7(+9)<br />
eµå∆9\d#<br />
(<br />
Em<br />
4<br />
e<br />
e å∂∂6,9<br />
(<br />
e\f# e\g+<br />
(<br />
d+º7 d#º7\a d#ª7<br />
e$\c e-\d<br />
e$µ6\b$<br />
e.[[9 e;';2 e;';2,4 e;';4<br />
e, e,\f# e,\g<br />
7<br />
e_,7<br />
(<br />
6<br />
(<br />
e_7<br />
e|a e\b e\c# e\d<br />
(<br />
6<br />
(<br />
e_7;';4<br />
6<br />
(<br />
e_7/D-<br />
2 3<br />
e6 e7<br />
e7;';4 e9 e9\d eµå∆7 e,./9<br />
3<br />
(<br />
(
F<br />
f<br />
(<br />
f\g<br />
(<br />
f7\a f7\c f7sus4\c<br />
f,./9<br />
(<br />
f;u;4\c<br />
f,å∂∂9<br />
F#<br />
f+7\e<br />
(<br />
F#m<br />
f+,7|a<br />
(<br />
f,./9\c<br />
(<br />
Fm<br />
f,.[[11<br />
f=<br />
5<br />
(<br />
f#9<br />
(<br />
f å∂∂6,9<br />
fµ<br />
3<br />
(<br />
(<br />
f|a<br />
f9<br />
f.[[9<br />
(<br />
(<br />
fµ\a$<br />
f+|a+ f+\c+<br />
f#sus4<br />
(<br />
(<br />
f#µ<br />
(<br />
f#µ7\b<br />
(<br />
fº fº7<br />
f+,|a<br />
(<br />
f#µ7\c#<br />
(<br />
(<br />
(<br />
f\b$<br />
(<br />
f;';2<br />
(<br />
f\c<br />
f9\e$ f13<br />
fµ\c<br />
f#\d#<br />
(<br />
f+,\b f#,\c#<br />
(<br />
f#µ7\e<br />
(<br />
f(æø 3)<br />
(<br />
(<br />
(<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (5)<br />
(<br />
(<br />
f;u;2\a<br />
fµ6<br />
(<br />
(<br />
f#\e<br />
f+,\d<br />
(<br />
5<br />
f\e$<br />
(<br />
f;';2,#4<br />
f\e<br />
fsus4<br />
(<br />
(<br />
f6 f7<br />
f;u;4\g<br />
(<br />
f,./7 f,./7\g f,./7|a f,./7\c<br />
f,7<br />
(<br />
fµ7sus4<br />
(<br />
fµ7\a$<br />
(<br />
6<br />
f;u;4\b-<br />
(<br />
fµ7\e$<br />
(<br />
f+7 f+7sus4 f=7|a= f+7\c+<br />
f+º f+[],\e f+º|a f+º7 f+ª7 f+ª7\e<br />
f+,9<br />
(<br />
(<br />
f=(no3)<br />
(<br />
f#µ\e<br />
(<br />
(<br />
f#,6<br />
(<br />
f#µ6\c#<br />
(<br />
4<br />
f#µ7<br />
(
G$<br />
G<br />
g(no3)<br />
(<br />
G#m<br />
g g|a g\b g\c g\d<br />
g7\f g7;';2,4 g7;';4<br />
G#<br />
g+,<br />
(<br />
4<br />
(<br />
g,7\b_ gµ7\c<br />
g#<br />
4<br />
(<br />
(<br />
g+,\b g#,6<br />
g#\b# g#\d#<br />
4<br />
(<br />
gµ9<br />
g+,7<br />
9<br />
(<br />
4<br />
(<br />
4<br />
(<br />
gµ å∂∂9<br />
(<br />
g+7<br />
(<br />
g#µ7\d#<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (6)<br />
,<br />
g6|a g6\b g6\d g6,9 g6,9/D g6,9/E g7 g7|a g7\b g7\d<br />
g,./9 g,./9|a g,./9\b<br />
Solsus+4<br />
g;';#4<br />
2 1 3<br />
g_<br />
(<br />
gsus4\d<br />
g,6\b_ gµ7<br />
(<br />
g$\a$<br />
(<br />
Gm<br />
g_/D-<br />
( ,<br />
g9 g9\b<br />
(<br />
Solsus2<br />
g.[[2 g.[[9 g.[[9\b g å∂∂9\d g;';2<br />
g;';2,4 g;';4<br />
gµ<br />
3<br />
( (<br />
(<br />
gµ\a<br />
(<br />
3 2 1 4<br />
4<br />
(<br />
4<br />
g\e g\f g\f=<br />
gº gº\b_ gº7<br />
g+7\b+<br />
g+º7<br />
g#sus4<br />
(<br />
g+ª7<br />
4<br />
g#sus4\d#<br />
(<br />
5<br />
g6<br />
(<br />
g,./7 g,./7|a g,./7\b g,./7\d g,./7\f#<br />
g,\b_ gµ\c<br />
(<br />
2 1 3 4<br />
g,\d<br />
(<br />
g,\f<br />
(<br />
g,6<br />
gª\b$
A$<br />
a_,./7<br />
A<br />
a6\c#<br />
(<br />
a7(#9)<br />
(<br />
a;';2<br />
Am<br />
a,6 a,6\e a,6\g<br />
a,(,./7)<br />
5<br />
a_<br />
(<br />
a_,./7\e_<br />
aµ å∂∂6<br />
4<br />
(<br />
a<br />
(<br />
a;';2,4<br />
5<br />
(<br />
a_\c<br />
(<br />
a_,./9<br />
(<br />
a(no 3)<br />
4<br />
a$\d$<br />
(<br />
a_,./9\b_<br />
a\b a\c+<br />
a;';4<br />
(<br />
(<br />
a_\e_<br />
a$ å∂∂9<br />
a\d<br />
a, a,\c a,\d<br />
a,\b<br />
A#<br />
4<br />
(<br />
4<br />
5<br />
(<br />
a$\g<br />
(<br />
a$ßuß4<br />
(<br />
a,\e<br />
a≠º7<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (7)<br />
4<br />
a_2\c a$2\e<br />
(<br />
a\e a\g a\g+<br />
(<br />
a,\f= a,\g<br />
a,\g+<br />
a,7 a,7\c a,7\d a,7\g a,7.[[11 a, 9 a,9\e<br />
a$6<br />
(<br />
a$µ<br />
4<br />
(<br />
a6<br />
(<br />
a_13<br />
4<br />
(<br />
a_,\f<br />
a6\b<br />
(<br />
a7 a7\c+ a7\d a7\e a7\g a7;';2 a7sus2,4 a7;';4 a7;';4\e<br />
a9<br />
(<br />
a9\c+ a9;';4<br />
aº aº7 aª7<br />
a,11<br />
7<br />
a13<br />
(<br />
a,./7 a,./7\e a,./9\e<br />
(<br />
A$m<br />
(<br />
a.[[9 a.[[9\c#<br />
aµ2
B$<br />
b$6\c<br />
(<br />
b$sus4\c<br />
(<br />
B$m<br />
b_º7<br />
B<br />
b_<br />
(<br />
b<br />
(<br />
b7\e b7\f#<br />
Bm<br />
b$6\d<br />
(<br />
b$+<br />
b_,<br />
(<br />
(<br />
(<br />
b_\c b_\d b_\e_<br />
b$6\f<br />
(<br />
b\c# b\d+<br />
b7|a<br />
b_7<br />
( (<br />
4<br />
(<br />
b7($9)<br />
(<br />
(<br />
b-,\d- b$,\f b$µ\a$ b$µ4<br />
b|a b\a#<br />
b7;';4<br />
(<br />
b, b,\c# b,\d bµ\f# b,|a<br />
( (<br />
<strong>GUITAR</strong> <strong>CHORD</strong> <strong>CHARTS</strong>/<strong>ACOR<strong>DE</strong>S</strong> <strong>DE</strong> <strong>GUITAR</strong>RA, CONT. (8)<br />
b_\f b$\g<br />
7<br />
(<br />
b6<br />
(<br />
bsus2 b;';2|a b;';2,4<br />
b$\a$ b$\a<br />
b6\d#<br />
4<br />
(<br />
(<br />
b,7\f+ b,7\a b,9 bµå∂∂9 b,.[[g bº7 bª7 bª7|a<br />
(<br />
7<br />
(<br />
b_7;';2<br />
(<br />
(<br />
b$7sus4<br />
(<br />
(<br />
b_,./7<br />
(<br />
b$(#11)<br />
b$µ6 b_,7<br />
(<br />
b_.[[9<br />
b_,7\e_<br />
b7<br />
b;';4<br />
(<br />
b,6 bµ6\d b,7<br />
(<br />
(<br />
b(no3)<br />
6<br />
b$6<br />
(<br />
b_;';4<br />
(<br />
b$º<br />
b7\d+<br />
bsus4\f#<br />
b,7\e<br />
(<br />
b7(no3)
Original<br />
Chord<br />
Capo 1,<br />
play:<br />
Guide to Transposing Chords<br />
Capo 2,<br />
play:<br />
Capo 3,<br />
play:<br />
Capo 4,<br />
play:<br />
Capo 5,<br />
play:<br />
Capo 6,<br />
play:<br />
Capo 7,<br />
play:<br />
c b b_ a a_ g f# f<br />
c# (d_) c b b_ a a_ g f#<br />
d c# c b b_ a a_ g<br />
e_ (d#) d c# c b b_ a a_<br />
e e_ d c# c b b_ a<br />
f e e_ d c# c b b_<br />
f# (g_) f e e_ d c# c b<br />
g f# f e e_ d c# c<br />
a_ (g#) g f# f e e_ d c#<br />
a a_ g f# f e e_ d<br />
b_ (a#) a a_ g f# f e e_<br />
b b_ a a_ g f# f e<br />
NOTE: Remember that the chords on this chart also represent all the variables of each particular chord.<br />
For example, “C” also represents Cm, C6, C7, Cmaj7, Cm7, C9, Cmaj9, C7sus4, C11, C13, Cm6,<br />
and so forth. Be sure to add these designations to the principal form of the new chord you have<br />
found in transposing.
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