EQUAL_#1.0-SCORE

//////////////////////////////////////////isandro_ojeda-garcía_2017-2018
EQUAL_#1|||||||||||||||||||||||||||||||||||||||||||
__________________________complete_score

1
ABOUT_THE_SCORE
as a first point
you will find some videos about this peace in my youtube chanel https://www.youtube.com/user/isandroojedagarcia
second point
multiphonics_catalogue
21
17
17
02
25
23
15
https://www.baerenreiter.com/materialien/weiss_netti/saxophon/multiphonics.html
09
30
27 no_ref. 78
14 11 36 35 06 47 56 26 57 no_ref.
29
no_ref. 44 01 38 04 76 14 07 62 53 74 88
25
23 58 21 43 50 18 16 06 84
35
no_ref.
73
61
70
reference
sax_sop|
sax_alt|
sax_ten|
sax_bar|
score

2
This note head is used to indicate multiphonics. The number below indicates the multiphonic
which will be used throughout the piece, ordered by appearance. The absence of a number
directs you to play the multiphonic that previously appeared. Each multiphonic, from a
compositional point of view, has been considered as a sound object, itself. The priority, from
the point of the view of the instrumental technique, is to let the object sound as a block, a
rectangle, which starts and which finishes in an articulated and brusque way. The high
harmonics that sound while the multiphonic is played occupy a secondary place, the priority
should be focused on the density of sound produced and the mechanical character of the
sound image which is sought.
The waves drawn between the upper and central lines of the staff correspond to the voice
which should be projected into the saxophone while the performer plays a multiphonic. The
voice should, therefore, follow the curvature of the lines, keeping in mind that the upper line of
the staff corresponds to the high tessitura of the voice and the central to the low, respectfully. If
the angle is very open, the oscillation between the tessituras will be slow. If the angle is closed,
the oscillation will, then, be fast. All of the details concerning the voice are merely a proposition
towards a sonic exploration conducted by the interpreters, of which is already explained
above.
The written fingerings under the staff correspond to a change in fingerings without the
production of sound. However, sound will be realized by the speakers, placed on the bell of the
saxophone, which is then diffused by the electroacoustic sound.
The absence of a fingering indicates that you should use the previous fingering that appeared.
The lines with a rectangle and two superimposed curves on top of it indicates an aeolian sound
or air pitch effect where no harmonics are produced. The only sound that should be
perceptible is the air itself. This sound should last for the duration indicated by the subsequent
gray dots.
The Les lines hampes with qu'on a rectagle un rectagle and a Z avec on top un of lettre it indicates Z superpose a frullato un frullatto with aeolian qu'on sound produira -like soit the
example- pendant qu'on or with fait a un reed son armonic. eolian -comme This sound dans should l'example last qu'on for the voit duration a gauche, indicated soit pendant by the
subsequent qu'on joue un gray son lines. ultra aigu. Comme celui de l'example qui suit. Ce frullatto sera prolonge
pendant que la ligne gris discontinue se prolonge.
The lines with a rectangle and two superimposed curves on top of it indicates an aeolian sound
or air pitch effect where no harmonics are produced. The only sound that should be
perceptible is the air itself. This sound should last for the duration indicated by the subsequent
gray dots.
This gray rectangle indicates that a pedal change is necessary. As a precaution, the pedal may
change parameters associated with the electroacoustic sound or the video.

3
ABOUT_ELECTRONICS_&_VIDEO
4 meters min.
2 meters min.
screen or big white & smooth wall
ultra short throw
Beamer 1080 px
stage
soprano-sax
&
the speaker
on the bell
ampli
8 ohms
alto-sax
&
the speaker
on the bell
ampli
4 ohms
mic
MIDI-pedal
sutaine
RCA_IN RCA_IN RCA_IN
tenor-sax
&
the speaker
on the bell
ampli-stereo
4 ohms
baritonsax
&
the
speaker
on the bell
audience
1 2 3 4
4 out
1 in
sound-card
1
MIDI
interface
MacBook Pro
whit Max/MSP
i could send you my selfmade speakers & their amplis
all information about the patch and others you can contact me: isandroojedagarcia@gmail.com

Cc65321`
B654321`
v321`
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d
d
d
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P
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4
EQUAL_#1
for_sax-quartet
electronics_&_live-video
forEBM
isandro_ojeda-garcía
2017-2018
voice&symbols|
sax_sop|
°
4
voice
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#
1W
ff
multiphonic
2
4
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fingering without sound
B, ,,
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4
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3
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5
8
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voice&symbols|
sax_alt|
4
ff
voice
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#
1W
multiphonic
2
4
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fingering without sound
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4
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f
mm
5
8
voice&symbols|
sax_ten|
4
fff
voice
xxxmmmmmmmmwwwwwwwwwwwwwwwwwww
#
1W
multiphonic
2
4
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4
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fingering without sound
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4
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5
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pedal|
4
/ / / / / / / /
2
4
3
4
001 002 003 004 005 006 007 008
2
4
5
8
voice&symbols|
sax_bar|
¢
4
fff
voice
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2
4
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3
4
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fingering without sound
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2
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5
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5
7
voice&symbols|
sax_sop|
°
5
8
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B,c
2
4
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voice&symbols|
sax_alt|
5
8
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2
4
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voice&symbols|
sax_ten|
5
8
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pedal|
5
8
/ / / / / / / / /
2
4
009 010 011 012 013 014 015 016 017
5
8
2
4
sax_bar|
¢
5
8
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2
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BD65421`
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DB6541`
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6
13
voice&symbols|
sax_sop|
°
B, ,,
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B321, ,,
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ff
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#
5W
3
8
3
2
4
B,c
B, ,,
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B,c
3
4
3
5W B , c
f
2
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f
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3
3W 3
5W
3
4W 3 3
ff
f
B,c
B, ,,
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3
4
voice&symbols|
sax_alt|
B, ,,
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B321 ,,,
,
#
2W
ff
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3
8
3
2
4
B,c
B, ,,
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3
4
3
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f
2
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3
3W 3
2W
3
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ff
f
B,c
B, ,,
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3
4
voice&symbols|
sax_ten|
B, ,,
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B321, ,,
,
#
3W
ff
xxxx x
3
8
3
2
4
B,c
B, ,,
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B,c
3
4
3
3W B , c
f
2
4
f
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3
1W 3
3W
3
2W 3 3
ff
f
B,c
B, ,,
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3
4
pedal|
/ / / / / / / / /
3
8
2
4
3
4
018 019 020 021 022 023 024 025 026
2
4
3
4
sax_bar|
¢
B, ,,
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#
3W
ff
xxxx x
3
8
3
2
4
B,c
B, ,,
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3
4
3
3W B , c
f
2
4
f
mmmmwwwwwwwwwwwwwwwwwww
3
1W 3
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3
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f
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B, ,,
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3
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7
22
voice&symbols|
sax_sop|
°
3
4
B , c B, ,,
,456c
B321, ,,
, c
mmmwwwwwwwwwwwwxxxxx
3
4W
f
3
2W
3 3
4W 3 3
2W
ff
B,c
2
4
B, ,,
, 546c B321, ,,
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B , c B, ,,
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3
,,,
,
,,
voice&symbols|
sax_alt|
3
4
B , c B, ,,
,456c
B321, ,,
, c
f
mmmwwwwwwwwwwwwrrrrrrrrrrrrrrrrrr mmmwwwwwwwwwwwwwrrrrrrrrrrrrrrrrrrrr
3
3W
3
4W
3 3
3W 3 3
4W
ff
B,c
2
4
B, ,,
, 546c B321, ,,
, c
B , c B, ,,
, 23456c
3
,,,
,
,,
voice&symbols|
sax_ten|
3
4
B , c B, ,,
,456c
B321, ,,
, c
f
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3
2W
3
4W
3 3
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4W
ff
B,c
2
4
B, ,,
, 546c B321, ,,
, c
B , c B, ,,
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3
,,,
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pedal|
3
4
/ / / / / /
027 028 029 030 031 032
2
4
sax_bar|
¢
3
4
B , c B, ,,
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B321, ,,
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f
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3
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3
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B,c
2
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8
27
voice&symbols|
sax_sop|
°
ff
mmmmmmmmmmmmmm
#
4W
3 3
2W 3 3 5W
3
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3
4
3
6W
f
xxx
3
3
B,c
6W
ff
3
B,c
B6541`D `123456B `C12456
voice&symbols|
sax_alt|
#
3W
ff
mmmmmmmmmmmmmm
3 3
4W 3 3 2W
3
B , c 654321 ,,,
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3
4
3
5W
f
xxx
3
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B,c
5W
ff
3
B,c
65321`c `DB1456 `b12346
voice&symbols|
sax_ten|
#
2W
ff
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3 3
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3
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3
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B,c
4W
ff
3
B,c
pedal|
/ / / / / / /
033 034 035 036 037 038 039
3
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sax_bar|
¢
#
2W
ff
mmmmmmmmmmmmmm
3 3
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3
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3
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3
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3
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B,c
2W
ff
3
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tb654321`
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9
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32
voice&symbols|
sax_sop|
°
3 3
3
3
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3
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ff
3 3
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3
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3
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3 3
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fff
2
4
#
B,c
,,,
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voice&symbols|
sax_alt|
ff
3
3
3
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2
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#
B,c
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voice&symbols|
sax_ten|
ff
3
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2
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pedal|
/ / / / /
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2
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sax_bar|
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37
voice&symbols|
sax_sop|
°
B,c
3
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f
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3
4
ff
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2
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voice&symbols|
sax_alt|
B,c
3
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B,c
3
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3
2W
ff
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B,c
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2
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voice&symbols|
sax_ten|
B,c
3
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3
4
3
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2
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pedal|
/ / / / / / / /
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2
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sax_bar|
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11
43
voice&symbols|
sax_sop|
°
2
4
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2
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voice&symbols|
sax_alt|
2
4
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3
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2
4
voice&symbols|
sax_ten|
2
4
B, ,,
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,
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3
ff
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3
5W
3 3
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3
8
3 3 7W 3 3 4W
2
4
3 3
7W 3 3 4W 3 3 3
7W 3 3 4W
3 3
7W 3 3 4W
voice&symbols|
sax_ten|
wwwwwwwwwwwwwwmmmmmmmmwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwmmmmmmmwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwXXXXwwwwwwwww
3
8
3 3 3
1W
5321`6`12356c
2
4
3
8
3 3
2W 3 3 3
1W
2
4
3 3
2W
3 3 3 3
1W
3 3
2W
pedal|
3
8
/ / / / / /
2
4
3
8
167 168 169 170 171 172
2
4
sax_bar|
¢
mmmmmmmmmwwwwwwwwwwwwwwwwwwwmmmmmmmmmmmwwwwwwwwwwwwwwwwmmmmmmmmmmmwwwwwwwwwwwwwwwwm
3
8
2
4
3 3 3 3
1W 3 3
3
1W
3
8
2
4
3 3 3
1W 3 3
3
1W 3 3 3 3 3 3
1W 3 3
3
1W

25
voice&symbols|
sax_sop|
132
°
xxwwwwwwwwwwwwwwwwwmmmmmmmmwwwwwwwwwwwwwwwwwwmmmmmmmmwwwwwwwwwwwwwwwwwwwmmmmmmmmwwwwwwwwwwwwww
3 3
1W 3 #
4W
3 3
1W 3 #
4W
3 3
1W 3 #
4W
3 3
1W 3
voice&symbols|
sax_alt|
wwwwwwwwwwwwwwmmmmmmwwwwwwwwmmmmmwwwwwwwwwwwwwwwwwwwwmmwwwwwwwwwwwwwwwwwooowwwwwwwwwwwooowwwwwwwwwwwwwwwwwmmwww
3 3 3
7W 3 3 4W 3 3 7W 3 3 4W 3 3 3
7W 3 3 4W 3 3 7W 3 3 4W 3 3 3
7W 3 3 4W 3 3 7W 3 3 4W 3 3 3
7W 3 3 4W
voice&symbols|
sax_ten|
wwwwwwwwwwwwwwwwwwwwwmmmmmwwwwwwwwwwwwwwwwwwwwwwwwwwwmmmmmwwwwwwwwwwwwwwwwwwwwwwwwwwwmmmmmwwwwwwwwwwwwwwwwwwwwwwwwwwwm
3 3 3 3
1W 3
3 2W
3 3 3 3
1W 3
3 2W
3 3 3 3
1W 3
3 2W
3 3 3 3
1W
pedal|
/ / / / / / /
173 174 175 176 177 178 179
sax_bar|
¢
mmmmmmmmmmmwwwwwwwwwwwwxxxxxxxwwwwwwwwwwwmmmmmmmmmmwwwwwwwwwwwwmmmmmmm
3 3 3 3 3
1W 3 3
3
1W 3 3 3 3 3
1W 3 3
3
1W 3 3 3 3 3
1W 3 3
3
1W 3 3 3

,,,123456
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
26
voice&symbols|
sax_sop|
139
°
wwwwwwmmmmmmmmmmmmmm
#
4W
3
,,,
,
,,
B, c
, ,,
,
voice&symbols|
sax_alt|
wwwwwwwwwwwwwwwXXXwwwwwwwwwwwwwwwwwwww
3 3
7W
3 3
4W 3
,,,
,,
, B , c , ,,
, B , c , ,,
,
B, c , ,,
,
voice&symbols|
sax_ten|
mmmmmmmmwwwwwwwwwwwwwwwwwwwwwwwwww
3 3
2W
3
,,,
,
,,
B, c
, ,,
,
B,c
pedal|
/ / / /
180 181 182 183
sax_bar|
¢
mmmmwwwwwwwwwwwwwwwwwwwwwwmmmmm
3 3
1W 3 3
3
1W
3
,,,
,
,,
B,c
,,,
,
,,

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,,123456
,,
,,
27
voice&symbols|
sax_sop|
143
°
B, c , ,,
,
B, c , ,,
,
B, c , ,,
,
B, c , ,,
,
voice&symbols|
sax_alt|
B, c , ,,
,
B, c , ,,
, B , c , ,,
,
B, c , ,,
, B , c , ,,
,
B, c , ,,
, B , c , ,,
,
B, c , ,,
,
voice&symbols|
sax_ten|
,,,
,
,,
B, c , ,,
,
B, c , ,,
,
B, c , ,,
,
pedal|
/ / / / / / / /
184 185 186 187 188 189 190 191
sax_bar|
¢
B,c
,,,
,
,,
B,c
,,,
,
,,
B,c
,,,
,
,,
B,c
,,,
,
,,

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,,123456
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,
,,,123456
,,
28
voice&symbols|
sax_sop|
151
°
B,c
B, ,,
,54326c
4321, ,,
,
3
B,c
B, ,,
, 54326c , ,,
, B , c
B, ,,
, 54326c B , c
B, ,,
, 546c B , c
voice&symbols|
sax_alt|
B,c
voice&symbols|
sax_ten|
B,c
pedal|
/ / / / / /
192 193 194 195 196 197
sax_bar|
¢
B,c

,,
,,
,,,123456
,,
,,
,,,123456
,,
,,
,,
,,,123456
,,
,,
29
voice&symbols|
sax_sop|
160
°
3
8
2
4
B, ,,
, 54326c B, ,,
, 2356c
B, ,,
, 546c B , c
B, ,,
, 5326c , ,,
,
voice&symbols|
sax_alt|
3
8
2
4
,,,
,
,,
B, ,,
,546c
3
B,c
voice&symbols|
sax_ten|
3
8
2
4
,,,
,
,,
B,c
pedal|
/ / / / /
3
8
2
4
198 199 200 201 202
sax_bar|
¢
3
8
2
4

,,
,,,123456
,,
L
,,,123456
,,
L
L
L
L
,,
30
voice&symbols|
sax_sop|
170
°
B, ,,
,5326c
B,c
eolian sound
≈?
,,,
,,
3
4
, B , c
3
8
2
4
frull
‘?
B, ,,
,546c
voice&symbols|
sax_alt|
3
4
3
8
frull
2
4
‘?
,,,123456,
,,
voice&symbols|
sax_ten|
3
4
3
8
frull
2
4
‘?
,,,
,
,,
pedal|
/ / / /
203 204 205 206
3
4
3
8
2
4
sax_bar|
¢
3
4
3
8
frull
2
4
‘?
,,,123456,
,,

,,
,,
,,
,,
,,
,,
31
voice&symbols|
sax_sop|
178
°
≈? ‘? ≈? ‘?
3
4
2
4
voice&symbols|
sax_alt|
≈? P eolian sound
B, ,,
, 546c B321 ,,,
, c
‘?
,,,123456,
,,
3
4
2
4
voice&symbols|
sax_ten|
≈? P eolian sound
‘? ≈? ‘?
B, ,,
, 546c B321, ,,
, c
,,,123456,
,,
3
4
2
4
pedal|
/ / /
207 208 209
3
4
2
4
sax_bar|
¢
≈? P eolian sound
‘? ≈? ‘?
B, ,,
, 546c B321, ,,
, c
,,,123456,
,,
3
4
2
4

,,,123456
,,
32
voice&symbols|
sax_sop|
186
°
2
4
‘?
3
8
,,,
,
,,
2
4
B,c
voice&symbols|
sax_alt|
2
4
‘?
3
8
,,,
,
,,
2
4
voice&symbols|
sax_ten|
2
4
‘?
3
8
,,,
,
,,
2
4
pedal|
2
4
/ / / / /
210 211 212 213 214
3
8
2
4
sax_bar|
¢
2
4
‘?
3
8
,,,
,
,,
2
4

,,
,,,123456
,,
,,
33
voice&symbols|
sax_sop|
195
°
B, ,,
,546c
3
8
2
4
≈?
B,c
B321, ,,
,
voice&symbols|
sax_alt|
3
8
2
4
≈?
B321 ,,,
,
,,
voice&symbols|
sax_ten|
3
8
2
4
≈?
B321, ,,
,
,,
pedal|
3
8
2
4
/ /
215 216
sax_bar|
¢
3
8
2
4
≈?
B321, ,,
,
,,

,,,123456
,,
,,
,,
,,,123456
,,
34
voice&symbols|
sax_sop|
203
°
B , c B, ,,
, 456c 4321, ,,
, B , c
‘?
B321, ,,
,
,,
voice&symbols|
sax_alt|
‘?
B321 ,,,
,
,,
voice&symbols|
sax_ten|
‘?
B321, ,,
,
,,
pedal|
/ / / /
217 218 219 220
sax_bar|
¢
‘?
B321, ,,
,
,,

°
¢
208
voice&symbols|
sax_sop|
voice&symbols|
sax_alt|
voice&symbols|
sax_ten|
pedal|
sax_bar|
3
8
3
8
3
8
3
8
3
8
2
4
2
4
2
4
2
4
2
4
,,,1234
,,
,
B c
,,,123456
,,
,
,,,1234
,,
,
B c
,,,123456
,,
,
546c
B, ,,
,,
,
35

°
¢
214
voice&symbols|
sax_sop|
voice&symbols|
sax_alt|
voice&symbols|
sax_ten|
pedal|
sax_bar|
3
8
3
8
3
8
3
8
3
8
2
4
2
4
2
4
2
4
2
4
221
B321, ,,
,,
, B c
,,,123456
,,
,
,,,1234
,,
,
/
36

L
L
L
L
,,
,,
,,,123456
,,
37
voice&symbols|
sax_sop|
221
°
reed harmonics
1
pp
,,,
,
,,
3
4
1
‘?
pp
,,,123456,
,,
voice&symbols|
sax_alt|
reed harmonics
1
pp
B, ,,
,546c
3
4
1
‘?
pp
,,,123456,
,,
voice&symbols|
sax_ten|
reed harmonics
1
pp
3
4
B,c
1
‘?
pp
pedal|
/ / / / /
3
4
222 223 224 225 226
sax_bar|
¢
reed harmonics
1
pp
B, ,,
,546c
3
4
1
‘?
pp
,,,123456,
,,

,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
38
voice&symbols|
sax_sop|
227
°
1
pp
≈? ‘?
B, ,,
,546c
1 2
4
, ,,
pp
‘?
pp
3
4
, 1 B,c
B, ,,
,456c
B , c
2
4
voice&symbols|
sax_alt|
1
pp
1
≈? ‘?
B, ,,
,546c
pp
2
4
‘?
3
4
B , c B, ,,
,456c
B , c
2
4
voice&symbols|
sax_ten|
1
≈? ‘?
B, ,,
,546c
pp
2
4
‘?
3
4
B , c B, ,,
,456c
B , c
2
4
pedal|
/ / / / / / / /
227 228 229 230 231 232 233 234
2
4
3
4
2
4
sax_bar|
¢
1
pp
1
≈? ‘?
B, ,,
,546c
pp
2
4
‘?
3
4
B , c B, ,,
,456c
B , c
2
4

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
39
voice&symbols|
sax_sop|
231
°
2
4
,,,1234,
,,
B,c
4321, ,,
, B , c 4321, ,,
, B , c
B321, ,,
,
,,
voice&symbols|
sax_alt|
2
4
,,,1234,
,,
B,c
4321 ,,,
, B , c 4321 ,,,
, B , c
B321 ,,,
,
,,
voice&symbols|
sax_ten|
2
4
,,,1234,
,,
B,c
4321, ,,
, B , c 4321, ,,
, B , c
B321, ,,
,
,,
pedal|
2
4
/ / / / /
235 236 237 238 239
sax_bar|
¢
2
4
,,,1234,
,,
B,c
4321, ,,
, B , c 4321, ,,
, B , c
B321, ,,
,
,,

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
40
voice&symbols|
sax_sop|
234
°
,,,
,
,,
1
pp
3
8
2
4
‘?
B,c
voice&symbols|
sax_alt|
,,,
,
,,
1
pp
3
8
2
4
‘?
B,c
voice&symbols|
sax_ten|
,,,
,
,,
1
pp
3
8
2
4
‘?
B,c
1
pp
pedal|
/ / / / / / / / /
240 241 242 243 244 245 246 247 248
3
8
2
4
sax_bar|
¢
,,,
,
,,
1
pp
3
8
2
4
‘?
B,c

,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
41
voice&symbols|
sax_sop|
240
°
1
pp
1
‘? 3
3 2 ‘?
4
8
4 ,,,1234,
,,
B, c , ,,
,
4
voice&symbols|
sax_alt|
3
4
≈? 3
2 ‘?
8
4
B, ,,
,546c
,,,
,,
, B, ,,
, 456c
,,,1234,
,,
B, c , ,,
,
4
voice&symbols|
sax_ten|
B,c
3
4
≈? 3
2 ‘?
8
4
B, ,,
,546c
,,,
,,
, B, ,,
, 456c
,,,1234,
,,
B, c , ,,
,
4
pedal|
/ /
3
4
249 250
3
8
2
4
4
sax_bar|
¢
1
pp
B,c
3
4
≈? 3
2 ‘?
8
4
B, ,,
,546c
,,,
,,
, B, ,,
, 456c
,,,1234,
,,
B, c , ,,
,
4

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
42
voice&symbols|
sax_sop|
246
°
4
≈? ‘? ≈? ≈? 2 ‘?
4
B,c
4321, ,,
, B,c
B,c
4321, ,,
, B , c , ,,
,
,,,1234
,,
, B , c , ,,
,
voice&symbols|
sax_alt|
4
≈? ‘? ≈? ≈? 2 ‘?
4
B,c
4321 ,,,
, B,c
B,c
4321 ,,,
, B , c , ,,
,
,,,1234
,,
, B , c , ,,
,
voice&symbols|
sax_ten|
4
≈? ‘? ≈? ≈? 2 ‘?
4
B,c
4321, ,,
, B,c
B,c
4321, ,,
, B , c , ,,
,
,,,1234
,,
, B , c , ,,
,
pedal|
4
2
4
sax_bar|
¢
4
≈? ‘? ≈? ≈? 2 ‘?
4
B,c
4321, ,,
, B,c
B,c
4321, ,,
, B , c , ,,
,
,,,1234
,,
, B , c , ,,
,

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
43
voice&symbols|
sax_sop|
249
°
≈? ≈?
B,c
4321, ,,
, B , c , ,,
,
B,c
,,,
,,
, B , c 4321, ,,
,
B, c , ,,
,
3
8
3
B,c
2
4
voice&symbols|
sax_alt|
≈? ≈?
B,c
4321 ,,,
, B , c , ,,
,
B,c
,,,
,,
, B , c 4321 ,,,
,
B, c , ,,
,
3
8
3
B,c
2
4
voice&symbols|
sax_ten|
≈? ≈?
B,c
4321, ,,
, B , c , ,,
,
B,c
,,,
,,
, B , c 4321, ,,
,
B, c , ,,
,
3
8
3
B,c
2
4
pedal|
3
8
2
4
sax_bar|
¢
≈? ≈?
B,c
4321, ,,
, B , c , ,,
,
B,c
,,,
,,
, B , c 4321, ,,
,
B, c , ,,
,
3
8
3
B,c
2
4

,,,123456
,,
,,,123456
,,
,,,123456
,,
,,,123456
,,
,,
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,
,,,123456
,,
44
voice&symbols|
sax_sop|
255
°
2
4
,,,1234,
,,
B, c , ,,
,
leave your sax. & the stage
leave your sax. & the stage
voice&symbols|
sax_alt|
2
4
,,,1234,
,,
B, c , ,,
,
voice&symbols|
sax_ten|
2
4
,,,1234,
,,
≈? ‘? ≈? ‘?
B, c , ,,
, B , c 4321, ,,
, B , c , ,,
, B , c 4321, ,,
, B , c
pedal|
2
4
leave your sax. & the stage
sax_bar|
¢
2
4
,,,1234,
,,
B, c , ,,
,

,,,123456
,,
,,
,,,123456
,,
,,,123456
,,
,,
,,
45
voice&symbols|
sax_sop|
261
°
3
4
2
4
3
4
voice&symbols|
sax_alt|
3
4
2
4
3
4
voice&symbols|
sax_ten|
‘? ‘? ‘? 3
2 ‘?
4
4
,,,1234
,,
, B , c
4321, ,,
, B,c
,,,1234
,,
, B , c , ,,
, B321, ,,
,
3
4
pedal|
3
4
2
4
3
4
sax_bar|
¢
3
4
2
4
3
4

,,,123456
,,
,,
,,,123456
,,
,,
,,
,,,123456
,,
,,
,,,123456
,,
,,
,,,123456
,,
46
voice&symbols|
sax_sop|
266
°
3
4
3
8
3
4
3
8
voice&symbols|
sax_alt|
3
4
3
8
3
4
3
8
voice&symbols|
sax_ten|
3
4
B, c , ,,
,
‘? 3 3 ‘?
8 4
B,c
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leave your sax.
& the stage
B,c
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,
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pedal|
3
4
3
8
3
4
3
8
sax_bar|
¢
3
4
3
8
3
4
3
8