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COPY LINK DOWNLOAD ----------------------------------- https://family-friendly87.blogspot.com/?youre=1681374161 ----------------------------------- bExperience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war./b In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light.  The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It
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bExperience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war./b In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light.  The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It
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Diary of a Foreigner in Paris (New York
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Diary of a Foreigner in Paris (New York Review Books Classics)
bExperience postwar Europe through the diary of a fascinating and witty twentieth-century writer and
artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures
such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war./b
In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been
condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of
freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports
from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for
his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one
country that had always treated him well, the one country he had always loved, he was something of a
star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris
records a range of meetings with remarkable people—Jen Cocteau and a dourly unwelcoming
Albert Camus among them—an is full of Malaparte’scharacteristically barbed reflections on
the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure.
There is, for example, Malaparte’scurious custom of sitting out at night and barking along with the
neighborhood dogs—dos, after all, were his only friends when in exile. The French find it puzzling,
to say the least when it comes to Switzerland, it is grounds for prosecution!
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