Shattering Stars.Score

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SHATTERING STARS
F O R C O N C E R T B A N D
James Webb Space Telescope Series
J O N I G R E E N E
I N S T R U M E N T A T I O N
Flute 1
Flute 2
Oboe (optional)
Bassoon (optional)
Bb Clarinet 1
Bb Clarinet 2
Bb Bass Clarinet
Eb Alto Saxophone 1
Eb Alto Saxophone 2
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
French Horn
Trombone
Euphonium B.C.
Euphonium T.C.
Timpani (3 drums)
Percussion 1
Glockenspiel
Percussion 2
*Vibraphone (and/or Marimba & Piano)
Chimes (shared with Percussion 3)
Percussion 3
Xylophone
Chimes (shared with Percussion 2)
Percussion 4
Bass Drum
Triangle
Percussion 5
Small Triangle
Suspended Cymbal
Temple Blocks
Tuba
Grade 2
Duration = 3.00
ColorWorks Press 166 Diamond Wood Ct. Driftwood, Texas 78619
www.jonigreene.com/jonigreene@gmail.com

Commissioned by:
The Next Music Project, 2023
Antioch School District 34, Antioch, IL, Chris Bajek
Arbor Park Middle School, Oak Forest, IL, JJ Novak
Atlanta Youth Wind Symphony, Atlanta, GA, Scott Stewart
Arizona School for the Arts, Phoenix, AZ, Thomas Breadon
Blackhawk Middle School, Bensenville, IL, William Winters
Coal City Intermediate School, Coal City, IL, Andrew Brimm
Creekside Middle School, Woodstock, IL, Amanda Storer
Dundee Middle School, West Dundee, IL, Michael Kasper
East Middle School, Shakopee, MN, Carrie Beckler
Escanaba Junior/Senior High School, Escanaba, MI, Laura Robinson
Eudora Middle School, Eudora, KS, Damian Johnson
Falcon Ridge Middle School, Apple Valley, MN, Patrick Bents
Geneva North and South Middle Schools, Geneva, IL, Jason Flaks
Hadley Junior High School, Glen Ellyn, IL, Samantha Tribley & Chris Cooper
Hauser Junior High School, Riverside, IL, James Colombo
Hinsdale Middle School, Hinsdale, IL, Meghan Fulton and George Andrikokus
Holton Public Schools, Holton, KS, Jayme Molsom
Lombard School District 44, Lombard, IL, Chris Prohaska
Marlowe Middle School, Huntley, IL, Anthony Camarda
Mount Vernon Middle School, Mount Vernon, IA, Elise Rodenberg
North Prairie Junior High School, Winthrop Harbor, IL, Deirdre Cook
Oak Prairie Junior High School, Homer Glen, IL, William Rank
Oregon Middle School, Oregon, WI, Kati Seiter
Ottawa Elementary School District, Ottawa, IL, Becky Weiler
Sam Rotolo Middle School, Batavia, IL, Rob Buckley
South East Iowa Bandmasters Association Honor Band (SEIBA), Iowa City, IA, Drew Anderson
Sycamore Springs Middle School, Austin, TX, Jana Galloway
State University of New York Potsdam, Potsdam, NY, Brian Doyle
Traughber Junior High School, Oswego, IL, Rachel Maxwell
University of Southern Mississippi, Hattiesburg, MS, Eric Scott
Van Meter Middle School, Van Meter, IA, Kyle Pape

For Cameron and Bennett,
may you always be curious.

Performance Notes
Mallet Percussion Instrumentation: Percussion 2 offers flexibility so that band programs may
utilize either Vibraphone, Marimba, Piano, or any combination of the three.
Balanced Dynamics: Every effort has been made to create balanced dynamics considering
instrument tendencies. For instance, trumpets may be marked softer at times due to the
instrument’s pointed sound while flutes in the low to middle registers may be marked up. Mallet
percussion should play indicated dynamics to create a balanced sound. Glockenspiel and
Xylophone are often marked softer than Vibraphone/Marimba which do not project as loudly.
Optional Solo, measures 5‐6: The composer’s preferred option is solo flute with solo horn;
however, since player proficiency varies, multiple options are given to the conductor. These
featured measures may be played by one soloist in one section, or through multiple soloists (soli) in
Flute 1, Alto Sax 1, and Horn parts. Additionally, these measures may be played by an entire section
if solos are not preferable. Conductors are encouraged to assign music to best fit his/her ensemble,
even if offering a solo to a part without cues.
Stings and Fortepianos (fp): Stings occur when notes are accented with a softer dynamic such as in
measure 34. This harmonic “bell tone” should be heard clearly where the left edge of the note is
articulated with distinction and immediately followed by the indicated dynamic. Similar to
fortepiano (fp) spots, players should not play entrances too harshly and instead should focus on
clear entrances that “pop” out of the texture. When fortepiano (fp) is indicated, take care not to over
articulate.
Breath Mark Release at m. 33: All players should release before the following downbeat to create a
slight pause. A breath mark is given to each player to facilitate an even release.
Final cut‐off (m. 70): Allow ensemble to play a centered tone on the final quarter‐note then cut‐off.
Do not hold too long.
Textural Music/Color Music: As a composer with synesthesia, I often see colors when I hear
instruments. This multi‐sensory experience has shaped my writing process. I often think of
composing as organizing instrumental color. While I do use strict development techniques rooted in
melodic motive expansion, Shattering Stars is a work portraying atmosphere by moving ideas
throughout the ensemble in different combinations, often focused on creating thin or thick textures.
I have named the process of building crescendos with additional techniques, “textural crescendos”
or “textural decrescendos” when deconstructed. This concept achieves an additive effect using
instrument layering/exposure, ranges (high or low), instrument timbre, and dynamics.

The Musical Program: While all of my music may be appreciated without a programmatic
understanding, I find players are often able to “see” the imagery that inspires my music when they
understand the idea or story the work is based on. I would greatly appreciate it if students are given
access to the program notes, or a class conversation is provided. All program notes are available on
my website at www.jonigreene.com. When possible, please provide program notes to audience
members.
Errata: If you believe you have found an error or have a question, please don’t hesitate to reach out.
Others may have the same question! If an error is discovered, an errata list will be provided on my
website. www.jonigreene.com
Please contact me: I am a composer first and foremost to create music with musicians. I always
appreciate feedback and questions and love any ideas you may have towards collaboration as you
rehearse and perform my music. The best way to reach me is through email at
jonigreene@gmail.com. If you do not hear back from me within three days or within your expected
time frame, please feel free to send an additional email as they unfortunately sometimes get
overlooked.
Programs/Recordings: I love to receive PDF concert programs and recordings. You can also email
me your concert date.
Thank you for your support of new music and new perspectives!

Shattering Stars
Program Notes
Shattering Stars
is part of my “James Webb Space Telescope Series” which features music based
on images from the most advanced space observatory, the James Webb Space
Telescope (JWST). Orbiting 1 million miles from Earth, the JWST far surpasses
previous telescopes such as Hubble. Shattering Stars is a journey through the
lens of JWST towards the youngest supernova ever observed in our galaxy,
Cassiopeia A. At only 11, 000 light‐years from Earth, it contains supernova
materials of stardust and heavy elements.*
In order to present a soundscape illustrative of the process of a supernova, Shattering Stars explores
instrumental color and light. As a composer with synesthesia, I see light and color when I hear sound
creating a compositional process I call organized color. While it is common for compositions to feature
singable melodies and a hierarchy of ensemble section roles, Shattering Stars uses melodic fragments that
build upon each other and pass through the concert band. Everyone has an equal role to play as the idea of
shooting light from afar comes closer into view. As players progress through the work, light intensity is
portrayed through the stacking of short rhythmic and melodic ideas. As described by NASA, the JWST
captures “mottled filaments of bright pink studded with clumps and knots within the supernova.” In
Shattering Stars each instrument creates a unique color which when combined with a four‐note repeating
16 th note pattern, illustrates the idea of chasing light, which finally explodes, shattering its star by the final
measure.
What are some science questions that Cassiopeia may help answer?
Where does cosmic dust come from? Observations have found that even very young galaxies in the early
universe are suffused with massive quantities of dust. It’s difficult to explain the origins of this dust
without invoking supernovae, which spew large quantities of heavy elements (the building blocks of dust)
across space.
Supernovae like the one that formed Cassiopeia A are crucial for life as we know it. They spread elements
like the calcium we find in our bones and the iron in our blood across interstellar space, seeding new
generations of stars and planets.
*Information on Cassiopeia A found at www.nasa.gov
‐Joni Greene (January 4, 2024)

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enohpolyX
murD saB
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Transposed Score
1
Flute
2
Oboe
& b b
Pulled by Light = c. 92
& b b
& b b
4
4
4
For Cameron and Benne
Commissioned by the Next Music Project
Shattering Stars
for Concert Band
*optional solo
Ï - Ï k
Ï- Ïk
ú
Fl. 1 cue
*optional solo
-
Ï
Ïk
-
Ï
Ïk
ú
JONI GREENE
Bassoon
1
B♭ Clarinet
2
B♭ Bass Clarinet
1
E♭ Alto Sax
2
? b b
&
&
&
& #
& #
4
4
4
4
4
4
w w w
w
w
w
F Hn cue
*optional solo
w
w
Ï Ïk
Ï
Ïk
ú
B♭ Tenor Sax
E♭ Baritone Sax
1
B♭ Trumpet
2
French Horn
Trombone
Euphonium
Tuba
Timpani
Glockenspiel
Vibraphone/
Marimba/
Piano
Percussion 3
Percussion 4
Percussion 5
&
& #
&
&
w
w
w
w
w
w
Pulled by Light = c. 92
*optional solo
& b
Ï Ï Ï
4
k Ïk
ú
? w w w
b b
4
? b b
w w w
4
?
b b
4
w
w
w
II:B♭ III:E♭ IV:F
?
w
b b
ú
4
& b b
Pulled by
Ï Ï Light
Ï Ï = c. 92
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
4
& b b solo
tui
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
4
& b b
Always pedal and lift frequently.
4
4
4
4
4
4
4
Bass Drum
w
Small Triangle
Ï Ï Ï Ï Ï Ï
2 3 4 5 6
*See performance notes.
Copyright © 2024 Joni Greene/ColorWorks Press (BMI) - www.jonigreene.com - All Rights Reserved

2
Shaering Stars
8
Ï Ï Ï Ï Ï
Ï
Ï ( Ï ) ( Ï ) Ï w
Ï Ï Ï Ï . Ï . Ï .
ú
& b b
(tui)
k k k k
1
( )
Fl.
Ï Ï Ï
Ï Ï Ï Ï Ï w
& b b
k k k
Ï Ï Ï Ï . Ï . Ï . ú
2
( )
Ï Ï Ï Ï ú
Ï Ï Ï Ï
& b b
k k Ï
Ï w Ï Ï Ï Ï . Ï . Ï . Ï Ï Ï Ï Ï Ï
Ob. k
k
sub.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
Perc. 5
? b b úk w úk w úk
w
&
&
Ï Ï Ï Ï w Ï Ï Ï Ï. Ï. Ï. Ï Ï Ï Ï Ï Ï
k
Ïk
Ï Ï Ï
w Ï Ï Ï
Ï Ï Ï ú
&
ú
w ú
k
k
w
úk
w
Ï Ï Ï
& #
(tui)
k
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Ï Ï
Ï
w Ï Ï Ï Ï Ï Ï
sub.
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& # k
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Ï Ïk Ïk
Ï Ï
Ï
w
w
sub.
& úk
w
úk
w úk
w
ú
w ú
& # k
k
w
úk
w
8
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Ï Ï Ï
Ï Ï Ï Ï. Ï. Ï.
Ï
Ï Ï Ï Ï Ï Ï
&
k k k
Ï
Ï Ï Ï
Ï ú Ï Ï Ï
& k k
Ï. Ï. Ï.
w
(tui)
& b
Ï Ï Ï
Ï Ï Ï Ï
k
k k
Ï w
w
? ú
w
ú
w ú w
b b
k k k
? b b úk w úk w úk
w
?
b b
ú
w
ú
w
ú
w
k
k
k
? b b
w
Ï
& b b
8
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
& b b
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Xylophone
& b b
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
(Bass Dr.)
w
Ï
(Triangle)
Ï Ï Ï Ï Ï Ï
7 8 9 10 11 12
Ï

1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
15
ú Ï Ï Ï Ï Ï Ï ú
Ï Ï Ï Ï Ï Ï Ï Ï >
Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï
& b b
sub.
ú Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï > Ï Ï Ï Ï
& b b
> Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
sub.
Ï . Ï . Ï . ú Ï Ï Ï Ï > Ï Ï Ï Ï
& b b
> Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
?
Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï ú ú ú b b
nw
sub.
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> Ï Ï Ï Ï > Ï Ï Ï Ï
&
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& w
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Ï Ï
Ï
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Ï
Ï Ï Ï Ï
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&
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
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ú
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sub.
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ú Ï Ï Ï Ï ú
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ú ú ú Ï Ï Ï Ï
& #
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sub.
&
& #
&
&
Ï Ï Ï Ï Ï Ï
ú Ï Ï Ï Ï ú ú ú
#w
sub.
Ï Ï Ï Ï Ï Ï ú ú w
ú w
sub.
Ï. Ï.
Ï
Ï Ï Ï
15
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú ú > Ï Ï Ï Ï > Ï Ï Ï Ï
sub.
Ï Ï Ï Ï Ï Ï
ú
Ï Ï Ï Ï ú ú
& b Ï Ï Ï Ï Ï Ï ú
Ï Ï Ï Ï Ï Ï Ï Ï ú ú ú w
sub. sub.
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ú ú ú w
b b
sub.
?
Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï ú > ú ú b b
nw
sub.
?
b b
Shaering Stars
ú w
w
sub.
3
Timp.
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
? b b
Ï Ï Ï
& b b
Ï
& b b
Ï Ï Ï
& b b
secco
Ï
Ï
Ï
Ï
15
Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï
Perc. 5
To Temple Blocks
13 14 15 16

4
Shaering Stars
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
& b b
& b b
& b b
? b b
&
&
&
& #
& #
&
& #
&
&
& b
? b b
? b b
?
b b
? b b
( )
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
> Ï Ï Ï
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï
> Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
2 4 4 Ï Ï Ï Ï
w ú ú
2 4
4
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> Ï Ï Ï Ï > Ï Ï Ï Ï
2 4 4
Ï Ï 2
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Ï
Ï
Ï Ï
w 2 4
ú ú
4
w > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï > Ï Ï> > Ï Ï
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2 4
4
sub.
#w
Ï . Ï . Ï. Ï . Ï. Ï . Ï. Ï . 2 4
4
sub.
> Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï
Ï> > Ï
w 2 ú 4 4 ú
> Ï > Ï
Ï> > Ï > Ï > Ï
#w nú ú
Ï> > Ï
2 4 4
> Ï > Ï
Ï> > Ï > Ï > Ï
ú > Ï Ï Ï Ï 2 ú 4 ú Ï Ï Ï Ï Ï
4 Ï Ï Ï
( )
Ï.
2 4
4 4
2 4
4 4
lightly
2 4 4
Ï. Ï.
Ï. Ï.
Ï. Ï.
Ï.
Ï Ï Ï Ï
nw 2 ú 4 ú
4 Ï Ï Ï Ï
lightly
w ú ú
Ï
. Ï . Ï. Ï .
2 4 4
lightly
nw bú ú
Ï
. Ï . Ï. Ï .
2 4 4
2 4
4 4
w ú ú
2 4
4 4
lightly
lightly
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
& b b
& b b
& b b
(Xyl.)
(Bass Dr.)
Ï > Ï Ï Ï
Ï > Ï Ï Ï Ï > Ï Ï Ï
Ï > Ï Ï Ï
2 4
4 4
2 4
4 4
Ï Ï Ï Ï Ï Ï Ï Ï
2 4
4 4
Ï> Ï Ï Ï Ï> Ï Ï
Ï
Ï > Ï Ï Ï Ï Ï Ï Ï
2 4
4 4
Perc. 5
skcolB elpmeTTemple Blocks
Ï
Ï
Ï
Ï Ï
Ï
Ï
Ï
2 4 4 Ï
17 18 19 20
Ï
Ï
Ï

Shaering Stars
5
1
Fl.
2
& b b
& b b
>
Ï Ï Ï Ï > Ï Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï Ï
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï
Ï > Ï Ï Ï Ï
>
Ï Ï Ï Ï
Ï . Ï . Ï . Ï .
2 4
4 4
>
Ï Ï Ï Ï > Ï Ï Ï Ï Ï . Ï . Ï . Ï .
2 4
4 4
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
& b b
? b b
&
&
&
& #
& #
&
& #
w > Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï > Ï Ï Ï Ï Ï . Ï. Ï . Ï.
w
Ï . Ï . Ï. Ï . w ú
,
> Ï Ï Ï Ï
> Ï Ï Ï Ï Ï . Ï . Ï . Ï . Ï . Ï . Ï . Ï .
,
w Ï Ï Ï Ï w ú
Ï Ï Ï Ï
,
w
w
ú
w
> Ï > Ï
Ï> > Ï > Ï > Ï
Ï> > Ï w ú
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
w
Ï> > Ï > Ï > Ï > Ï > Ï > Ï > Ï w ú
Ï> > Ï > Ï > Ï Ï> > Ï ,
w
Ï > Ï w ú
w
Ï> > Ï > Ï > Ï
Ï> > Ï > Ï > Ï
w ú
,
2 4
4 4
2 4
4 4
2 4
4 4
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
lightly
Ï.
Ï. Ï.
Ï. Ï . Ï . Ï . Ï . Ï . Ï . Ï
&
. Ï .
Ï Ï Ï Ï
&
Ï.
Ï. Ï.
Ï. Ï . Ï . Ï . Ï . Ï . Ï. Ï . Ï.
Ï Ï Ï Ï
& b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï
Ï . Ï . Ï. Ï . Ï
. sub.
? Ï . Ï. Ï . Ï. Ï . Ï. Ï . b b
sub.
? w
Ï
. Ï . Ï. Ï . b b
Ï Ï Ï Ï ú
sub.
?
b b
? b b
w
Ï Ï Ï Ï Ï Ï Ï Ï
w
w
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
ú
2 4
4 4
,
,
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
>
Ï
>
& b b Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï> Ï Ï Ï > Ï Ï Ï Ï Ï> Ï Ï Ï Ï> Ï Ï
Ï
& b b
Ï Ï Ï Ï Ï Ï Ï Ï > Ï Ï Ï Ï
& b b
Ï Ï Ï Ï Ï> Ï Ï Ï Ï > Ï Ï Ï Ï Ï Ï Ï
w
Ï> Ï Ï Ï Ï Ï Ï Ï
sub.
2 4
4 4
2 4
4 4
Ï> Ï Ï Ï
2 4
4 4
2 4
4 4
Perc. 5
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï Ï
21 22 23 24
Ï
2 4
4 4
Ï
Ï

semihC oT Chimes To Xylophone Xylophone
labmyC dednepsuS oT
labmyC dednepsuS
6
Shaering Stars
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
25 Warm, Glowing
ú ú ú ú Ï> > Ï Ï> > Ï Ï> > Ï Ï> >
Ï
w
& b b
4
ú nú ú ú w Ï> > Ï Ï> > Ï Ï> > Ï Ï> > Ï
& b b
4
ú nú ú
& b b
ú
Ï
w
> > Ï > Ï > Ï > Ï > Ï > Ï > Ï
4
? ,
,
,
w w w w w w Ï Ï Ï Ï Ï Ï Ï Ï w w >
b b
4
k
k
sub.
,
,
&
w ú #ú ú ú w
4
w Ïk
Ï Ï Ï Ïk
Ï Ï Ï ú ú
,
&
w
w ú #ú ú ú
nw
4
Ïk
Ï Ï Ï Ïk
Ï Ï Ï
Ï
w
,
,
,
&
w
w w w w w Ïk
Ï Ï Ï Ïk
Ï Ï Ï
4
w
w
,
,
,
w w #w Ï Ï Ï Ï
w w
Ï Ï Ï Ï ú ú
ú>
& #
sub.
k
k
4
,
,
& # w w w w
Ï Ï Ï Ï Ï Ï Ï Ï ú ú >
k
k
Ï
4
,
,
,
w w w
&
w w w Ïk
Ï Ï Ï Ïk
Ï Ï Ï
4
w w
,
,
,
w w w w w w Ï Ï Ï Ï Ï Ï Ï Ï w w >
& #
sub.
4
k
k
sub.
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
25 Warm, Glowing
&
ú w
> Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï
4
&
& b
? b b
? b b
?
b b
? b b
4
4
4
4
4
4
#w nw
Ï Ï Ï Ï Ï Ï Ï Ï
,
,
,
w
w w w w w Ïk
Ï Ï Ï Ïk
Ï Ï Ï ú ú
ú
,
,
,
w w ú nú w w w Ïk Ï Ï Ï Ïk Ï Ï Ï w
> ú k
w w ,
,
,
w
w w w Ï Ï Ï Ï
Ï Ï Ï Ï w w
k
k
>
sub.
,
,
,
w w w
w w w Ïk
Ï Ï Ï
Ïk
Ï Ï Ï w w
sub.
ú Ï
Ïk
Ï Ï Ï Ïk
Ï Ï Ï w
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
Perc. 5
25
ú Ï ú
& b b
Warm, Glowing
4
& b b
& b b
4
4
To Chimes
ú Ï
¡
Chimes
Xylophone
ú
w Ï
Ï Ï
(Bass Dr.)
ú
4
to Sus. Cym.
Sus. Cym.
ú Ï ú
4
25 26 27 28 29 30 31 32 33 34
Ï

semihC
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
& b b
& b b
& b b
? b b
&
&
&
& #
& #
&
& #
&
&
& b
? b b
? b b
?
b b
? b b
ú> Ï
Ï
>
( )
36
Ï Ï Ï Ï Ï Ï Ï Ï > ú
> ú k
Ï Ï Ï Ï Ï Ï Ï Ï > ú Ï Ï Ï Ï
> ú bÏ Ï Ï Ï
> ú k
Ï Ï Ï nÏ > Ï Ï Ï Ï Ï > Ï bÏ Ï Ï
ú
ú Ï Ï Ï Ï Ï Ï Ï Ï > Ï bÏ Ï Ï Ï > ú
w
Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï
Ï Ï Ï
ú>
Ï
bÏ Ï Ï bÏ
bÏ Ï Ï Ï Ï
w
Ï Ï Ï Ï
ú
Ï Ï Ï Ï ú Ï Ï Ï bÏ
Ï Ï Ï Ï Ï Ï Ï Ï
ú
bÏ Ï Ï Ï > ú
ú > ú
Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï
bÏ Ï Ï Ï
ú> k
Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï
bÏ Ï Ï Ï
ú Ï Ï Ï Ï > ú k
Ï Ï Ï Ï > ú k
bÏ Ï Ï bÏ > ú k
ú
w > w sub.
nw
36
Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï ú
( )
Ï Ï Ï bÏ Ï
Ï Ï Ï Ï Ï
( )
Ï Ï Ï Ï bÏ Ï Ï Ï Ï
ú
Ï Ï Ï Ï Ï
Ï Ï Ï Ï
Ï Ï Ï bÏ ú
ú Ï Ï Ï Ï > ú k
Ï Ï Ï Ï > ú k
bÏ Ï Ï bÏ > ú k
ú Ï Ï Ï Ï > ú k
Ï Ï Ï Ï > ú k
bÏ Ï Ï bÏ > ú k
ú
Shaering Stars
w w bw
sub.
7
Glock.
Chimes
Perc. 3
Perc. 4
Perc. 5
& b b
& b b
& b b
Ï
Ï
Ï
Ï
36
Ï
Ï
Ï
Ï
Chimes
Ï>
Ï> > Ï
Ï
Ï > Ï Ï > Ï Ï > Ï
Ï
Ï> > Ï
Ï
Ï Ï
Ï
Ï Ï Ï
Ï Ï
Ï Ï
Ï
To Triangle
(Sus. Cym.)
Ï Ï
35 36 37 38
Ï
Ï
Ï
Ï
Ï

onaiP /abmiraM /enohparbiV oT
8
Shaering Stars
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
Glock.
Chimes
Perc. 3
Perc. 4
& b b
& b b
& b b
&
&
& #
&
ú>
ú>
ú>
Ï nÏ Ï Ï
Ï Ï nÏ Ï Ï Ï Ï Ï > rit.
ú nú > > = 66
ú k
ú> nú > úk núk
Ï nÏ nÏ Ï nÏ > > Ï > ú > ú nú > > ú k
ú> > ú úk núk
Ï nÏ nÏ Ï Ï Ï Ï Ï Ï Ï nÏ Ï > ú > ú > ú > ú k
ú> > ú úk núk
? Ï nÏ Ï Ï > ú nÏ > > Ï > ú w > > ú w > ú ú b b
k k k
Ï nÏ #Ï Ï Ï #Ï Ï Ï Ï Ï
# >
(# ú úk
ú)
( ú )
(# # ú ú>
) ( ú ú k úk
&
)
& #
& #
&
Ï #Ï Ï Ï nÏ
Ï Ï Ï Ï Ï Ï #Ï Ï #ú úk #ú úk úk
Ï nÏ Ï Ï
ú #Ï Ï
ú w w
úk
Ï nÏ #Ï Ï Ï Ï Ï Ï
Ï Ï #Ï Ï Ï Ï Ï Ï > ú > ú > ú
ú>
ú>
úk
k
ú> k
Ï nÏ #Ï Ï Ï Ï Ï Ï
#Ï > > Ï
ú ú
ú > úk
> ú #ú > úk
úk
Ï nÏ Ï Ï nú > k
Ï Ï Ï Ï Ï Ï #Ï Ï > ú > ú > ú k > ú ú> > ú k úk
#Ï > > Ï > ú w >
w w
úk
Ï #Ï Ï Ï Ï nÏ Ï Ï
rit.
Ï Ï #Ï Ï Ï Ï Ï Ï ú #ú ú
> = 66
ú ú> ú
k ( ú k
) úk
&
Ï nÏ #Ï Ï Ï #Ï Ï ú ú #ú úk
ú #ú > ú k
úk
>
& b
Ï nÏ Ï Ï Ï Ï Ï Ï Ï ú ú ú úk
úk
ú
ú
úk
?
Ï nÏ Ï Ï nú > nÏ > > Ï
ú w > ú w > ú ú b b k k k k
?
Ï nÏ Ï Ï > ú nÏ > > Ï
ú w > ú w > b b
k ú k
úk
?
b b
? b b
& b b
w
Ï
w
ú
ú
Ï nÏ > > Ï > ú rit.
nú > = 66
& b b > Ï
Ï
nÏ Ï > to Mallets
ú
Ï
Ï nÏ
Ï Ï
& b b
(Xyl.)
Perc. 5
39 40 41 42 43 44 45

onaiP /abmiraM /enohparbiV
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
46
& b b
& b b
& b b
? b b
&
&
&
& #
& #
&
& #
46
&
&
& b
? b b
? b b
?
b b
Shaering Stars
= c. 92
úk
úk
úk
Ï Ïk Ï
Ïk ú
Ïk
úk núk úk
Ï Ïk Ï
Ïk ú
Ïk
úk
núk
Ï Ïk
Ï Ï ú Ïk
k
Ïk
úk úk úk
Ï Ïk
Ï Ïk
Ï Ïk
Ïk
ú
#úk
úk
w
Ï Ïk
Ï Ïk
Ïk
ú
Ïk
úk
w
Ï Ïk
Ï Ïk
Ïk
ú
Ï Ïk
Ï Ïk
Ïk
ú
F Hn
Ïk
úk
Ïk
= c. 92
Cl. 2
úk
úk
ú
k
w
Ïk
úk
Ïk
ú
k
Ï Ïk Ï Ïk
Ïk
ú
Ï Ïk Ï
Ïk ú Ïk
Ïk
Ï
Ï
Ï
Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï Ï Ï
( ) Ï Ï
( )
Ï Ï
Ï Ï
Ï Ï
Ï Ï
Ï
Ï
Ï
Ï
9
Timp.
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
? b b
46
& b b
= c. 92
Ï ú
Ï Ï Ï Ï ú
& b b
& b b
Vibraphone/Marimba/Piano
Ï ú
Ï ú
Ï Ï Ï Ï ú
Ï Ï Ï Ï ú
Ï ú
Ï ú
Ï Ï Ï Ï ú
Ï ú
Ï Ï Ï Ï ú
Ï Ï Ï Ï ú
Perc. 5
46 47 48 49 50 51 52

elgnairT
10
Shaering Stars
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
Perc. 5
& b b
& b b
& b b
? b b
&
&
&
& #
& #
&
& #
&
w
w
w
55
>
ú
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï
>
ú
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï
ú
Ï Ï Ï nÏ
Ï Ï Ï Ï
Ï Ï Ï nÏ
Ï Ï Ï Ï
Ï Ï Ï nÏ
Ï Ï Ï Ï
w ú w w
w ú ú
#Ï > Ï Ï #Ï
#Ï > Ï Ï #Ï #ú
#Ï > Ï Ï Ï
w
#ú Ï
ú
Ï Ï #Ï #Ï
Ï Ï #Ï w
w ú w w
w ú > Ï Ï Ï #Ï > Ï Ï Ï Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï #w
>
w ú #Ï
Ï Ï #Ï Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > w >
w ú w
w
w ú w >
55
w ú #Ï Ï Ï Ï #Ï Ï Ï Ï
&
w ú
#w
& b w ú w
w
? w ú
w nw
b b
? w ú w w >
b b
?
b b
w
? b b w
& b b
& b b
& b b
(Xyl.)
ú
Ï
55
Ï Ï Ï Ï Ï Ï Ï Ï
Ï> Ï Ï nÏ
> Ï Ï Ï Ï
Ï> Ï Ï nÏ
> Ï Ï Ï Ï
Ï> Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï >
(Sus. Cym.)
w Ï
53 54 55 56 57
Triangle

Shaering Stars
11
1
Fl.
2
Ob.
Bsn
& b b
& b b
>
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï Ï
>
Ï Ï Ï nÏ >
Ï Ï Ï Ï
>
Ï Ï Ï nÏ >
Ï Ï Ï Ï
>
Ï Ï Ï nÏ >
Ï Ï Ï Ï
>
Ï Ï Ï nÏ >
Ï Ï Ï Ï
& b b
Ï Ï Ï nÏ
Ï Ï Ï Ï
Ï Ï Ï nÏ
Ï Ï Ï Ï
Ï Ï Ï nÏ
Ï Ï Ï Ï
Ï Ï Ï nÏ
Ï Ï Ï Ï
? b b w > w > > ú k
w >
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
&
&
&
& #
& #
&
& #
#Ï > Ï Ï#Ï
#Ï > Ï Ï#Ï
#Ï > Ï Ï#Ï
#Ï > Ï Ï#Ï
#Ï
Ï Ï#Ï w
#Ï
Ï Ï#Ï
#Ï
Ï Ï#Ï
w > w > ú k
w >
w > #w > > ú k
Ï> > Ï > Ï > Ï
Ï> > Ï > Ï > Ï
w > w > ú> k
Ï> > Ï > Ï > Ï
Ï> > Ï > Ï > Ï
w > w > ú k
w >
w > w > > ú k
w >
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
&
&
Ï> > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï w
Ï> > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï w
& b w > w > ú k
w
w > nw > > ú k
? b b
w >
? b b w > w > > ú k
w >
?
b b
Timp.
? b b
Glock.
Vib/Mba/
Pno
& b b
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï
Ï> Ï Ï nÏ >
Ï Ï Ï Ï
Ï> Ï Ï nÏ >
Ï Ï Ï Ï
& b b
Ï> > Ï
Ï> > Ï Ï> > Ï Ï> > Ï
Ï> Ï Ï nÏ >
Ï Ï Ï Ï
Ï> Ï Ï nÏ
Ï > Ï Ï Ï
Perc. 3
Perc. 4
Perc. 5
& b b Ï> Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
> Ï Ï Ï nÏ
> Ï Ï Ï Ï
> Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï
( )
58 59 60 61

12
Shaering Stars
1
nú > > Ï Ï Ï nÏ > Ï Ï Ï Ï bú > > Ï Ï Ï Ï > Ï Ï Ï Ï
ú>
& b b
66
>
Ï Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï
Fl.
2
& b b
w > w > Ï > Ï Ï nÏ Ï
> Ï Ï Ï ú > ú Ï > Ï Ï bÏ Ï
> Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï Ï
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
& b b
? b b
&
&
&
& #
& #
&
& #
w > w > Ï
Ï Ï nÏ Ï Ï Ï Ï ú> w
ú > ú ú w >
ú> #Ï > Ï Ï#Ï > ú nÏ > Ï ÏnÏ
#Ï > Ï Ï#Ï
n
> Ï Ï ÏnÏ > ú > ú
#ú
Ï
Ï Ï#Ï nú
ú>
ú>
#Ï Ï ÏnÏ
#Ï
Ï Ï#Ï nÏ Ï ÏnÏ
ú
ú
>
Ï Ï Ï#Ï > ú > Ï Ï ÏnÏ > Ï Ï Ï#Ï > ú > Ï Ï Ï nÏ > Ï Ï Ï Ï
Ï > Ï Ï#Ï ú > Ï > Ï ÏnÏ
Ï > Ï Ï#Ï ú > Ï > Ï >
Ï> Ï >
Ï > Ï >
w > w > > ú ú> ú w >
ú
w
Ï Ï Ï Ï Ï Ï Ï Ï
ú
Ï > Ï Ï Ï Ï
> Ï Ï Ï
Ï> Ï > Ï > Ï Ï Ï Ï
> Ï Ï Ï
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
&
&
& b
? b b
? b b
?
b b
w > w > w >
Ï Ï Ï#Ï Ï Ï Ï Ï > ú
Ï Ï Ï nÏ
Ï Ï Ï Ï > ú > ú > Ï > Ï > Ï > Ï > Ï > Ï > Ï > 66
Ï > ú > ú
Ï Ï Ï#Ï Ï Ï Ï Ï
ú Ï Ï Ï nÏ
Ï Ï Ï Ï ú ú Ï Ï > Ï > Ï > Ï > Ï > Ï > Ï
ú ú
nÏ ú
Ï
Ï#Ï Ï Ï Ï Ï ú bÏ
Ï ÏnÏ Ï Ï Ï Ï ú ú > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï
ú ú
w > w > w > w >
w > w >
w
Timp.
Glock.
? b b
& b b
Ï> Ï >
Ï > Ï >
Ï> Ï >
Ï > Ï >
Ï> Ï >
Ï > Ï >
Ï> Ï >
Ï > Ï >
Ï> Ï >
Ï> Ï >
Ï> Ï >
Ï> Ï >
66
ú
Ï
Vib/Mba/
Pno
& b b
Ï> Ï Ï nÏ
Ï > Ï Ï Ï
Ï> Ï Ï bÏ
Ï > Ï Ï Ï
ú> ú >
Ï> Ï Ï Ï Ï > Ï Ï Ï
Perc. 3
& b b
(Xyl.)
Ï> Ï Ï nÏ >
Ï Ï Ï Ï >
Ï Ï Ï bÏ >
Ï Ï Ï Ï >
Ï Ï Ï nÏ >
Ï Ï Ï bÏ >
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
Perc. 4
Perc. 5
(Triange)
To Bass Drum
Ï> > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï > Ï
(Sus. Cym.)
w
Ï
62 63 64 65 66

murD saB
Shaering Stars
13
1
Fl.
2
Ob.
Bsn
1
B♭ Cl.
2
B♭ Bass Cl.
1
E♭ A. Sax
2
B♭ T. Sax
E♭ Bar. Sax
1
B♭ Tpt
2
F Hn
Tbn.
Euph.
Tuba
Timp.
Glock.
Vib/Mba/
Pno
Perc. 3
Perc. 4
Perc. 5
& b b
& b b
& b b
&
& #
&
&
?
b b
& b b
>
Ï Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï Ï
? ú>
b b
k
&
úk
>
Ï Ï Ï Ï > Ï Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï Ï
ú>
ú>
>
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï Ï
>
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï Ï
w > Ï
w Ï
úk
ú w Ï
&
ú ú w Ï
> Ï Ï Ï Ï > Ï Ï Ï Ï
> Ï Ï Ï Ï > Ï Ï Ï Ï w > Ï
& #
sub.
& # >
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï w > Ï
&
ú> k
> ú > ú w > Ï
& b
úk
ú k
ú k
? ú>
b b
k
? ú>
b b k
? b b
& b b
ú> k
ú ú w Ï
Ï> Ï Ï Ï Ï > Ï Ï Ï
ú ú w > Ï
ú ú w Ï
ú ú w > Ï
ú> > ú w > Ï
> ú > ú
w > Ï
ú ú
w Ï
ú
Ï
w
Ï
Ï> Ï Ï Ï Ï > Ï Ï Ï
Ï> Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï >
Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï
& b b
Bass Drum
w
Ï
w
Ï
*See performance notes.
67 68 69 70
Ï> Ï Ï Ï Ï > Ï Ï Ï
Ï> Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï Ï > Ï Ï Ï
*
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4