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Abbado, Michelangelo: "Il Contrabbasso" en Enciclopedia della Musica Ricordi, vol. 7,<br />

Milano 1963, pp. 526-528<br />

• Baines, Francis: "Der Brummende Violone" en "The Galpin Society Journal", vol. 23,<br />

1970, pp. 82-85<br />

• Baines, Francis: "What exactly is a violone?" en "Early Music", vol. 5 nº 2, April 1977,<br />

pp. 173-176<br />

• Benzi, Werther: "Il Contrabbasso" Edizioni Farfisa. Ancona 1963<br />

• Billè, Isaia: "Nuovo metodo per contrabbasso. Parte 1ª. I Corso teorico-pratico; II<br />

Corso pratico; III Corso pratico; IV Corso complementare. Parte 2ª. IV Corso normale; V<br />

Corso pratico; VI Corso pratico-Studi di concerto". Ricordi. Milano 1922<br />

• Billè, Isaia: "Gli strumenti ad arco e i loro cultori" Ausonia. Roma 1928<br />

• Bonta, Stephen: "Further Thoughts on the History of Strings", The Catgut Acoustical<br />

Society, Newsletter 26 (Nov. 1, 1976), pp. 21-26<br />

• Bonta, Stephen: "From Violone to Violoncello: A Question of Strings?" Journal of the<br />

American Musical Instrument Society, vol. III, 1977, pp. 64-99<br />

• Bonta, Stephen: "Terminology for the Bass Violin in Seventeeth-Century Italy" Journal<br />

of the American Musical Instrument Society, vol. IV, 1978, pp. 5-42<br />

• Borgir, Tharald: "The performance of the Basso Continuo in Seventeeth-century Italian<br />

Music" Diss. University of California, Berkeley 1971<br />

• Borgir, Tharald: "Violone (I)" The New Grove Dictionary of Musical Instruments, vol. III,<br />

pp. 814-815. London 1985<br />

• Brun, Paul: "Histoire des contrebasses a cordes" La flute de Pan. Paris 1982<br />

• Brun, Paul: "A History of the Double Bass" Published by the author. Villeneuve d'Ascq<br />

1989<br />

• Brun, Paul: "Variations in Playing Standards I, II, III" I.S.B. vol. XVI nº 1, Fall 1989, pp.<br />

45-48, 73-75 (I), vol. XVI nº 2, Winter 1990, pp. 65-71 (II), vol. XVI nº III, Spring 1990,<br />

pp. 67-71 (III)<br />

• Burnett, Henry: "The bowed string instruments of the baroque basso continuo" Journal<br />

of the Viola de Gamba Society of America, vol. 7 (1970), pp. 65-91; vol. 8 (1971), pp. 29-<br />

63<br />

• Busch, Achim: "Die Entwicklungsgeschichte des Kontrabasses", en Das Orchester nº<br />

8 (1960), pp. 351-353<br />

• Caimmi, Italo: "Metodo Moderno per Contrabasso" Casa Musicale Sonzogno. Milano<br />

1916<br />

• Candé, Roland de: "Contrabaixo" en "A música. Linguagem, estrutura, instrumentos"<br />

pp. 78-79. Ediçoes 70. Lisboa 1989<br />

• Carlin, Salvatore: "Il contrabbasso" Edizioni Bèrben. Ancona 1974<br />

• Cerny, Frantisek: "Moderní Skola pro Kontrabas", Bosworth & Co., Leipzig 1906<br />

• Cohen, Irving H.: "The Historical Development of the Double Bass", Diss. University of<br />

New York, 1967<br />

• Cruft, Eugene: "The Eugene Cruft School of Double Bass Playing" Joad Press.<br />

London 1980. (Reimpresión de la edición de 1966)<br />

• Cyr, Mary: "Basses and basse continue in the orchestra of the Paris Opera 1700-<br />

1764" en "Early Music", vol. 10 nº 2, April 1982, pp. 155-170<br />

• Dall'Aglio, Artemio: "Metodo per Contrabbasso a 4 Corde. Parte Iª e IIª" R. Fantuzzi.<br />

Milano (s.d. pero en todo caso entre 1895 y 1916, años en los que ejerció como<br />

profesor en Pesaro, sustitiyendo a Mengoli)<br />

• Dobrochotov, Boris Vasilievitch (recop.): "Kontrabas istorija i metodika" Izdatelstvo<br />

Muzyka. Moskva 1974<br />

• Double Bassist: Number 1, Spring/Summer 1996. Number 2, Autumn/Winter 1996.<br />

Number 3, Spring/Summer 1997. Number 4, Autumn/Winter 1997. Number 5, Spring<br />

1998. Number 6, Summer 1998.


• Dräger, Hans-Heinz: "Kontrabass" en "Die Musik in Geschichte und Gegenwart" vol. 4.<br />

Kassel 1955, col. 1518-1521<br />

• Echlin, F. A.: "The Multiform Double Bass", The Strad, Nov. 1938, pp. 302-304<br />

• Elgar, Raymond: "Introduction to the Double Bass" Stephen J. Fillo. Princeton 1987<br />

(reimpresión de la edición de 1960)<br />

• Elgar, Raymond: "More about the Double Bass" Stephen J. Fillo. Princeton 1987<br />

(reimpresión de la edición de 1963)<br />

• Focht, Josef: "Solo Music for the Viennese Double Bass and Mozart´s Compositions<br />

with Obbligato Passages for Double Bass" I.S.B. vol. XVIII nº2. Fall 1992<br />

• Gándara, Xosé Crisanto: "Algunas cuestiones relativas a la historia del contrabajo" en<br />

Quodlibet nº 5, Junio, pp. 19-25. Aula de Música de la Universidad de Alcalá de<br />

Henares. Alcalá de Henares 1996<br />

• Halfpenny, Eric: "A Note on the Genealogy of the Double Bass" en "The Galpin<br />

Society Journal", vol. 1, 1948, pp. 41-45<br />

• Halfpenny, Eric: "El contrabajo" en Baines, Anthony: "Historia de los instrumentos<br />

musicales" pp. 141-148. Taurus. Madrid 1988 (traducción del original inglés de 1961)<br />

• Hayes, Gerald R.: "The violone", "The double bass" en "The Viols and other Bowed<br />

Instruments" Oxford University Press. London 1930, pp. 18-19, 208-210<br />

• Henrique, Luís: "Contrabaixo" en "Instrumentos musicais" pp. 114-119. Fundaçao<br />

Calouste Gulbenkian. Lisboa 1988<br />

• Herrmann, Heinz: "Das Kontrabass-Spiel in unserer Zeit" VEB Friedrich Hofmeister.<br />

Leipzig 1958<br />

• Hertl, Frantisek: "Kontrabas jako nastroj komorní a koncertantní" Sborník Janáckovy<br />

akademie muzickych umeni, 1959/1, pp. 78-81<br />

• Hertl, Frantisek: "Skola hry na Kontrabas" Editio Supraphon. Praha 1962<br />

• Kment, Jan: "Nejhlubsí z rodu smyccu" Editio Supraphon. Praha 1988<br />

• Kunitz, Hans: "Kontrabass" en "Die Instrumentation, Teil 13" VEB Breitkopf & Härtel<br />

Musikverlag. Leipzig 1956<br />

• Labro, Charles: "Méthode de Contrebasse" Editions M. Combre. Paris (la edición<br />

original es de 1860)<br />

• Láska, Gustav: "Kontrabass-Schule, op. 50, Bd. I & II" Breitkopf & Härtel. Leipzig 1904<br />

...(continua<br />

Titolo: Re: Storia del contrabbasso.<br />

Inviato da enrico francioni in data 11.11.2007 alle 13:16:04<br />

• Malusi, Lauro: "Il violone e il suo impiego nei secoli passati", Nuova Rivista Musicale Italiana, vol. 3, 1979, pp. 603-608<br />

• Maravella, Emilio: "Método de Contrabajo" Manuscrito. Madrid (s.d. pero según el autor de principios de la década de los 80)<br />

• McClure, Theron: "The Violone" I,S.B. vol. III nº 1. Fall 1976<br />

• Meier, Adolf: "Konzertante Musik für Kontrabass in der Wiener Klassik" Schriften zur Musik Band 4. Musikverlag Emil Katzbichler. München 1979<br />

• Metz, Louis: "Strijkinstrumenten vroeger en nu" Broekmans & Van Poppel. Amsterdam 1979<br />

• Moens, Karel: "Entwicklung von Baumerkmalen im frühen Bassstreichinstrumentenbau" en "Kontrabass un Bassfunktion" Edition Helbling. Innsbruck 1986, pp. 33-50<br />

• Novosel, Josip: "Skola za Kontrabas (tri dijela)" Muzicka Akademija u Zagrebu. Zagreb 1984<br />

• Pelczar, Tadeusz: "Kontrabas od A do Z" Polskie Wydawnictwo Muzyczne. Kraków 1974<br />

• Piper, Towry: "Concerning Double Basses", The Strad, Febr. 1911, March 1911, April 1911, May 1911, June 1911, pp. 358-359 (I) pp. 93-94 (II), pp. 431-432 (III), pp. 19-21<br />

(IV), pp. 55-56 (V)<br />

• Planyavsky, Alfred: "Der Kontrabass in der Kammermusik" in: Österreichische Musikzeitschrift, 13 Jahrgang, 1958, Heft 2, pp. 57-63<br />

• Planyavsky, Alfred: "Der Kontrabass als Soloinstrument" in: Österreichische Musikzeitschrift, 15 Jahrgang, 1960, Heft 3, pp. 143-147<br />

• Planyavsky, Alfred: "Der Kontrabass" in: Instrumentenbau-Zeitschrift 20, 1966, pp. 122-132, 223-225, 299-302, 323-327, 402-404, Instrumentenbau-Zeitschrift 21, 1967, pp. 8-<br />

10, 138-142, 294-297<br />

• Planyavsky, Alfred: "Mozart's Aria With Contrabass Obligato" I.S.B. vol. II nº 4. Spring 1976<br />

• Planyavsky, Alfred: "The Contrabass At The Time of Handel and Bach" I.S.B. vol. IV nº 2. 1977-1978<br />

• Planyavsky, Alfred: "Bassgeigen zwischen M. Praetorius und J. Stainer" en "Jakob Stainer und seine Zeit" Edition Helbling. Innsbruck 1984, pp. 95-99<br />

• Planyavsky, Alfred: "Johann Hindle (1792-1862). Ein reisender Bassgeiger des Biedermeier" Jahrbuch des Vereins für Geschichte der Stadt Wien, vol. 40, 1984, pp. 89-121<br />

• Planyavsky, Alfred: "Violone und Violoncello im 17. Jahrhundert" Musicologica Austriaca, vol. 4, 1984, pp. 43-84<br />

• Planyavsky, Alfred: "Geschichte des Kontrabasses" Hans Schneider. Tutzing 1984<br />

• Planyavsky, Alfred: "Violone (II)" The New Grove Dictionary of Musical Instruments, vol. III, pp. 814-815. London 1985<br />

• Planyavsky, Alfred: "I.S.B. Salutes The Vienna State Opera and Vienna Philharmonic Double Bass Section" I.S.B. vol. XI nº 3. Spring 1985<br />

• Planyavsky, Alfred: "Zehn Jahre Wiener Kontrabassarchiv" en "Kontrabass und Bassfunktion" Edition Helbling. Innsbruck 1986, pp. 7-15<br />

• Planyavsky, Alfred: "Violone and Violoncello in the 17th Century" I.S.B. vol. XIII nº 2. Winter 1987<br />

• Planyavsky, Alfred: "Der Barockkontrabass Violone" Wiener Kontrabass-Archiv. Wien 1989<br />

• Planyavsky, Alfred: "Der Patriarch der Kontrabassisten. Der italienische Kontrabassist und Komponist Domenico Dragonetti (1763-1846)" en "Das Orchester, 6" Mainz 1993,<br />

pp. 666-671<br />

• Planyavsky, Alfred: "The empire strikes back" The Strad Double Bass Issue vol. 106 nº 1258. February 1995, pp. 157-160<br />

• Planyavsky, Alfred: "Kontrabass" en "Die Musik in Geschichte und Gegenwart" vol. 5. Kassel 1996, col. 581-596, Alfred: "The Baroque Double Bass Violone (translated by<br />

James Barket)" The Scarecrow Press. Lanham 1998<br />

• Prosenik, Milan: "Skola za kontrabas, I. dio, II. dio (I. svezak), II. dio (II. svezak) Muzicka Naklada. Zagreb 1951-1954<br />

• Ray, Sonia: "Catálogo de Obras Brasileiras Eruditas para Contrabaixo" Annablume. Sao Paulo 1996


• Riemann, Hugo: "Kontrabass" en "Riemann Musik Lexikon" Mainz 1967, p. 487<br />

• Robledo, Luis: "Vihuelas de arco y violones en la corte de Felipe III" en "Actas del congreso internacional: España en la música de Occidente", vol. II, pp. 63-76<br />

• Romano, Daniele: "Il Contrabbasso" Edizioni Poligraf. Palermo 1993<br />

• Rosengard, Duane: "Cremonese Double Basses" Editrice Turris. Cremona 1992<br />

• Sachs, Curt: "The History of Musical Instruments" Norton. New York 1940<br />

• Salmen, Walter (ed.): "Jakob Stainer und seine Zeit" Edition Helbling. Innsbruck 1984<br />

• Salmen, Walter (ed.): "Kontrabass und Bassfunktion" Edition Helbling. Innsbruck 1986<br />

• Sankey, Stuart (recop.): "Orchestra vs. Solo Tuning. A Forum" I.S.B. vol. I nº 4. Spring 1975<br />

• Schmid, Manfred Hermann: "Instrumentennamen und Stimmlagenbezeichnungen vom 16. bis 18. Jahrhundert" en "Kontrabass und Bassfunktion" Edition Helbling. Innsbruck<br />

1986, pp. 17-32<br />

• Schmid, Manfred Hermann: "Der Violone in der italianischen Instrumentalmusik des 17. Jahrhunderts" en "Studia Organologica. Festschrift für John Henry van der Meer zu<br />

seinem fünfundsechzigsten Geburstag" Hans Schneider. Tutzing 1987, pp. 407-436<br />

• Slatford, Rodney: "Double Bass" The New Grove Dictionary of Musical Instruments, vol. I, pp. 590-594. London 1985<br />

• Slatford, Rodney: "The bottom line" Calouste Goulbenkian Foundation. London 1985<br />

• Soyer, Adolphe: "La Contrebasse" en "Encyclopedie de la Musique et Dictionnaire du Conservatoire", pp. 1886-1891. Librairie Delagrave. Paris 1927<br />

• Stanton, David H.: "The String (Double) Bass" The Instrumentalist Company. Evanston 1982 (reimpresión de la edición de 1965)<br />

• The Strad: Double Bass Issue, February 1995<br />

• Vidal, Antoine: "La Contre-basse" en "Les instruments a archet. Tome premier" The Holland Press. Londres 1961, (reimpresión da edición de 1878), pp. 78-85<br />

(continua...)<br />

Titolo: Re: Storia del contrabbasso.<br />

Inviato da enrico francioni in data 11.11.2007 alle 13:16:53<br />

• Vidal, Antoine: "La Contre-basse" en "Les instruments a archet. Tome premier" The Holland Press. Londres 1961, (reimpresión da edición de 1878), pp. 78-85<br />

• Vondrak, Alois: "The tuning of the Double Bass", The Strad, June 1956, July 1956, Aug. 1956, Sept. 1956, Oct. 1956, pp. 54-60 (I), pp. 86-88 (II), pp. 116-118 (III), pp. 154-156<br />

(IV), pp. 192-196 (V)<br />

• Warnecke, Friedrich: "Das Studium des Kontrabass-Spiels", Louis Oertel, Hannover 1905<br />

• Warnecke, Friedrich: "Ad Infinitum: der Kontrabass. Seine Geschichte und seine Zukunft, Probleme und deren Lösung, zur Hebung des Kontrabasspiele" im Verlage des<br />

Verfassers. Hamburg 1909<br />

• Webster, James: "Violoncello and Double Bass in the Chamber Music of Haydn and his Viennese Contemporaries, 1750-1780" Journal of the American Musicological Society,<br />

vol. 29, 1976, pp. 413-438<br />

• Webster, James: "Bass" en "The New Grove Dictionary of Musical Instruments" vol. I. London 1985, p. 168<br />

• Weiller, Ernest: "Méthode complète de contrebasse" E. Gallet. Paris (s.d. pero según Brun es de 1913)<br />

• White, Adolphus C.: "The Double Bass" en "Proceedings of the Royal Musical Association XIII" London 1887, pp. 99-112<br />

White, Adolphus C.: "The Double Bass" Novello and Company. London (s.d. pero según Planyavsky de 1890)

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