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Scarica il catalogo del Reggio Film Festival 2011

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KATHARINA RINDERLEATERBALLETTOROMEO AND JULIETNata nel 1980 in Germania, dopo la laurea ha lavorato dal 1999 al 2006 per <strong>il</strong><strong>Festival</strong> <strong>del</strong> Cinema Max Ophuls come coordinatrice e presentatrice, giuratae curatore.Dal 2008 al 2010 ha studiato alla Hamburg Media School. In quel periodo haprodotto i cortometraggi S<strong>il</strong>ent Sea e Tomorrow is Another Day, realizzatida studenti <strong>del</strong>la Hamburg Media School. Entrambi i cortometraggi sono statiproiettati nel corso <strong>del</strong>la IX edizione <strong>del</strong> RFF e sono stati premiati in diversifestival internazionali. Quest’anno ha prodotto Grey Fox, sempre diretto dauno studente dalla HMS. Nel <strong>2011</strong> ha fondato una propria società di produzione,la LATEMAR FILM. è la rappresentante <strong>del</strong>l’HMS per <strong>il</strong> <strong>2011</strong>.Born on 1980 in Germany , aftre her graduation she worked between 1999and 2006 for the Max Ophuls f<strong>il</strong>m festival covering various roles.Between 2008 and 2010 studied at the Hamburg Media School. In those yearshe produced the shorts S<strong>il</strong>ent Sea and Tomorrow is Another Day, directed byHamburg Media School students. Both these were screened during the IXEdition of the RFF and won many awards in international festivals.In <strong>2011</strong> she produced the short Grey Fox, directed by a HMS studentIn the same year she founded the Latermar F<strong>il</strong>m production company andshe is the <strong>2011</strong> HMS representativeFILMOGRAFIA ESSENZIALEESSENTIAL FILMOGRAPHY:10 Sekunden (2008)assistant production managerSt<strong>il</strong>ler see (2009)writer, actress, producerMorgen ist auch noch ein Tagproducer, music supervisorGraue Füchse (<strong>2011</strong>)producer, casting director, producerDa un’idea di/An idea byMAURO BIGONZETTI e FABRIZIO PLESSICoreografia/Choreography MAURO BIGONZETTIScene e costumi/Set and costume FABRIZIO PLESSIMontaggio musicale da/Music montage based onSERGEI PROKOVIEFFLuci/Lighting design CARLO CERRIConsulenza musicale/Music consultantBRUNO MORETTISet realizzato da/Set realized by GENERAL DISPLAY srlTechnical gear by DAINESEIn co-produzione/co-produced withFondazione Nazionale <strong>del</strong>la Danza/Compagnia Aterballetto<strong>Reggio</strong> Em<strong>il</strong>ia Danza/<strong>Reggio</strong> Parma <strong>Festival</strong>Theater im Pfalzbau Ludwigshafen (Germany)Marella Gruppo MaxMaraCon <strong>il</strong> supporto di/with the support ofKuopio Dance <strong>Festival</strong> (Finland)Lucent Danstheater/Holland Dance Events (Holland)Broadcasted by 3sat/ZDFEditore Per L’Italia CASA RICORDI, M<strong>il</strong>anoNon esiste storia che, come questa di Romeo e Giulietta, non sia stata tanto narrata e diffusa da valicare i confini geografici,culturali o di classe. Nell’antica Grecia <strong>il</strong> mito, come un vento, come un fiume, attraversava territori e culture,mutando sì da racconto a racconto, ma sempre portando con sé <strong>il</strong> suo senso profondo. Così oggi, <strong>il</strong> mito di Romeo e Giuliettaattraversa tutte le possib<strong>il</strong>i categorie sociali <strong>del</strong>l’uomo occidentale, ed è probab<strong>il</strong>mente la storia più diffusa <strong>del</strong>lanostra cultura. Al di là dei suoi personaggi e <strong>del</strong>la sua ambientazione, sono i sentimenti che lo pervadono a determinarnela struttura portante, insinuandosi sino a colpire a fondo le nostre sensib<strong>il</strong>ità occidentali.Passione, Scontro, Destino, Amore, Morte.Ecco i cinque elementi di questo mito.Never has a story been narrated as often and has crossed as many geographic, cultural and class boundaries as Romeoand Juliet. In ancient Greece a myth, like the wind or a river, crossed lands and cultures, changing from story to story,but always carrying along its profound meaning. And so, in our day, the myth of Romeo and Juliet crosses all the possiblesocial categories of the western world. It probably is the most well-known story of our culture. Beyond the charactersand setting, it is the feelings which pervade the story and determine its main structure that strike our sensib<strong>il</strong>ity ofWesterners.Passion, Conflict, Destiny, Love, Death. These are the five divinities of this myth.

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