LOVETT/CODAGNONE John Lovett 1962 lebt in ... - Laura Mars Grp.
LOVETT/CODAGNONE John Lovett 1962 lebt in ... - Laura Mars Grp.
LOVETT/CODAGNONE John Lovett 1962 lebt in ... - Laura Mars Grp.
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>LOVETT</strong>/<strong>CODAGNONE</strong><br />
<strong>John</strong> <strong>Lovett</strong><br />
<strong>1962</strong> <strong>lebt</strong> <strong>in</strong> New York<br />
Alessandro Codagnone<br />
1967 <strong>in</strong> Italien geboren, <strong>lebt</strong> <strong>in</strong> New York<br />
Ausbildung:<br />
<strong>Lovett</strong> 1988-89 School of Visual Arts, New York<br />
1986-88 MBA, Drexel University, Phila-delphia<br />
1980-84 BA <strong>in</strong> Psychology and F<strong>in</strong>e Arts,<br />
Dick<strong>in</strong>son College, Carlisle<br />
Codagnone 1993-94 Whitney Museum Independent Study Program, New York<br />
1989-92 Goldsmiths’ College, London<br />
1988-89 Chelsea School of Art, London<br />
E<strong>in</strong>zelausstellungen (Auswahl):<br />
2003 <strong>Laura</strong> <strong>Mars</strong> <strong>Grp</strong>, Berl<strong>in</strong>.<br />
TRANS>AREA, New York.<br />
Participant Inc., New York<br />
2001 Brent Sikkema Gallery (Performance), New York<br />
MicroMuseum for contemporary art and culture (Performance), Palermo<br />
Centro d’Arte Contemporanea Tic<strong>in</strong>o, Bell<strong>in</strong>zona<br />
Galleria Emi Fontana, Mailand<br />
Galerie Praz-Delavallade, Paris<br />
2000 Air De Paris, Paris<br />
Thread Wax<strong>in</strong>g Space, New York<br />
1998 XL/Xavier LaBoulbenne, New York<br />
Artforum Berl<strong>in</strong> 98, XL/Xavier LaBoulbenne<br />
Gruppenausstellungen (Auswahl):<br />
2003 Video Fuori dalla scena, Galleria Civica di Arte Moderna “Moneteverg<strong>in</strong>i”, Syracus.<br />
A Song for You, Anthology Film Archives, New York.<br />
Decade, Shroeder-Romero, New York.<br />
Imperfect Marriages, Galleria Emi Fontana, Milan.<br />
2002 20 th TFF (Tor<strong>in</strong>o Film Festival), Palazzo del L<strong>in</strong>gotto, Tur<strong>in</strong> (catalogue).<br />
Videolab, Special Section, The International Fair of Contemporary Art Artissima 9, 2002,<br />
Tur<strong>in</strong>.<br />
HANS: Interspecies Love, Gallery Oni, Boston.<br />
Fruit Farm Film Festival, McM<strong>in</strong>nville, Oregon (catalogue).<br />
Charley, P.S.1 Contemporary Art Center, New York.<br />
Gallery’s Artists, Galerie Praz-Delavallade, Paris<br />
Palais de Tokyo, Paris.<br />
Power Ballads, Rupert Goldsworthy Gallery, New York.<br />
2001 Heads or Tails, Galerie Praz-Delavallade, Paris.<br />
Video Art Plastique, Centre d’Art Contempora<strong>in</strong> de Basse-Normandie, Hérouville Sa<strong>in</strong>t-Clair,<br />
(catalogue).
My generation. Video art from the 70’s to the present day, The Atlantis Gallery, London.<br />
Contemporary Utopia - Musdienu Utopjia, Latvian Centre of Contemporary Art, Riga Latvia.<br />
(catalogue).<br />
Hops! Ambienti,L<strong>in</strong>k project, Bologna.<br />
Bl<strong>in</strong>d date, Brent Sikkema Gallery, New York.<br />
2000 Death Race 2000, Thread Wax<strong>in</strong>g Space, New York.<br />
Kentric Sex, Cargo, London.<br />
Collector’s choice, Exit Art, New York.<br />
Espacio Marica, Institute of Civilian Disobedience, Oslo, Norway.<br />
TWO by Two, The Rachofsky House, Dallas.<br />
1999 Non Solo fotografia, Centro d’Arte Contemporanea Tic<strong>in</strong>o, Bell<strong>in</strong>zona.<br />
Artissima 99, Castello di Rivoli/Palazzo Nervi, Tur<strong>in</strong>.<br />
Videotheque Mobile 90-2000, Palazzo delle Papesse,<br />
Centro d’Arte Contemporanea, Siena.<br />
1998 Remix, Musee des Beaux Arts, Nantes (catalogue).<br />
Group Show, Galleria Emi Fontana, Milan.<br />
He swam down, away, Audiello F<strong>in</strong>e Art, New York.<br />
Videostore! Bricks and Kicks, Wien.<br />
Bathroom, Thomas Healy Gallery, New York.<br />
#4, XL/Xavier LaBoulbenne, New York.<br />
Transatlantico, Centro Atlantico De Arte Moderna, Las Palmas.<br />
Interferencias, Canal De Isabella II, Madrid, travell<strong>in</strong>g to Centro Andaluz De Arte<br />
Contemporaneo, Sevilla; Universidad De Salamanca.<br />
Edify<strong>in</strong>g Sappho and Socrates, Darl<strong>in</strong>ghurst Station<br />
Sidney,travell<strong>in</strong>g to Torch Gallery, Amsterdam.<br />
Il Motore della Moda, Stazione Leopolda, Firenze, curated by Emi Fontana.<br />
1997 A Home Show:Sitt<strong>in</strong>g up Erected or Recl<strong>in</strong><strong>in</strong>g.<br />
Artforum Berl<strong>in</strong> 97, XL/Xavier LaBoulbenne<br />
Domestic Bliss, DNA Gallery, Prov<strong>in</strong>cetown.<br />
New Museum of Contemporary Art Benefit, New York.<br />
Health Crisis Emergency, Pat Hearn Gallery, New York.<br />
1996 The Male Gaze from y to z, Galerie Jennifer Flay, Paris.<br />
Mona Hatoum, <strong>Lovett</strong>/Codagnone, Marilyn M<strong>in</strong>ter, XL<br />
Xavier LaBoulbenne, New York.<br />
Video Sans Titres, Galerie Froment Putman, Paris.<br />
Family Nation Tribe Community Shift, Haus der Kulturen der Welt, Berl<strong>in</strong>, Organized by NGBK<br />
(catalogue).<br />
White Columns benefit, White Columns, New York.<br />
Open Your Heart, Leo Castelli Gallery, New York.
BIBLIOGRAPHY<br />
Charley 01, May 2002, page 236 (Fig.)<br />
“Hops!”, Flash Art, February/March 2001, p.72 (Fig.).<br />
“Hops!”, Metropoliemilia Arte, January 2001, (Fig.).<br />
“Tutti i segni del duemila”, Il Resto del Carl<strong>in</strong>o, 25 January 2001(Fig.).<br />
Codognato Mario, “Palermo. Il Micromuseum nasce come spazio non profit aperto a tutte le discipl<strong>in</strong>e”,<br />
Il Sole 24 ore, 20 Mai 2001, p.XI.<br />
Fanti Silvia, “Hops! Ambienti”, Ziczero+, 19 January 2001.<br />
Iannessa Simona, “Hops! Cambia i connotati dell”ambiente”, Il Domani, 25 january 2001, p. 13.<br />
Naldi Paola, “Vedrete pittori fare il deejay e archetetti pensanti <strong>in</strong> video”, La Repubblica, 25 January 2001.<br />
Nyeborg Pierre-Emmanuel, “Expositions. Paris”, l”agenda de Têtu n°4, Têtu n°53, February 2001, p. 17<br />
(Fig.).<br />
Sossai Maria Rosa, “Sconf<strong>in</strong>amenti”, Flash Art, February/March 2001, pp. 108-111 (Fig.).”Food for Thought”,<br />
Self Service, pr<strong>in</strong>temps/été 2000, p.46 (Fig).<br />
“Cultivat<strong>in</strong>g the Collection”, Gehman Geoff., Morn<strong>in</strong>g Call, 23 April 2000, pp. E1-E2.<br />
“Il Fasc<strong>in</strong>o Discreto del Quotidiano”, Spada Sab<strong>in</strong>a, Arte, Août 2000, p. 128 (Fig.).<br />
“House & Garden”, Sles<strong>in</strong> Suzanne, Mai 2000, p.138.”It Hurts, NewYork art from Warhol to Now”, Coll<strong>in</strong>gs<br />
Matthew, 21 Publish<strong>in</strong>g London, 1999, p.29 (Fig.).<br />
“Transatlantico: Celebration of Dispersion”, Mart<strong>in</strong>ez Rosa, Flash Art, March/April 1999, p.54.<br />
“Nantes casse les clichés”, Servant Jean Christophe, Remix, March 1999, p.72 (Fig.).<br />
“Une oeuvre de mensonges”, Patrick Théven<strong>in</strong>, Tétu, January/February 1999, p.19.<br />
“Remix”, Jean-Marc Huitorel, Art Press, January/February1999, pp.72-74 (Fig.).<br />
“Au-delà du gay”, Dustan Guillaume, Les Inrockuptibles, 20 January 1999, p.25 (Fig.).”Blue Jeans e Visioni”,<br />
Flash Art, February/March 1998, p.41 (Fig.).<br />
“Out of Bounds”, Zaya Octavio, Flash Art, Eté 1998, pp.126-129 (Fig.).<br />
“Blow-up dolls”, Burns Nora, PAPER, June 1998, p.34 (Fig.).<br />
Saltz Jerry, Time Out New York, 2-9 April 1998 (Fig.).<br />
“Simon Says #2”,Watson Simon, April 1998 (Fig.).<br />
“Nueve formas de usoradical de la camara”, Falces Manuel, El Pais, 1er April 1998.<br />
“Carreteras secundarias”, Sierra Rafael, El Mondo, 1er April 1998, p.47 (Fig.).<br />
Aletti V<strong>in</strong>ce,The Village Voice, 18 March 1998.<br />
“Arte, Motore della Moda”, Vettese Angela, Il Sole 24 Ore, 11 January 1998, p.35.<br />
Cattelan Maurizio & Gonzalez-Foerster Dom<strong>in</strong>ique, “Permanent Food”, # 3, 1998, (Fig.).<br />
“Interferencias”, Guardiola Juan, Shangay, April 1998, p.28 (Fig.).<br />
“Imag<strong>in</strong>g desire”, Kelly Mary, The MIT Press, 1997, p.206 (Fig.).<br />
“Fuera de los limites/Out of Bounds”, Zaya Octavio, Papel Alpha, N°3, 1997, pp.39-48 (Fig.).<br />
“Arbeit an der Identitat”, Quappe Andreas, Der Tagesspiegel, October 1997.<br />
“Unter geschwungenen Dachern”, Kempkes Anne, Texte zur Kunst, Pr<strong>in</strong>temps 1997, pp.158-163.<br />
Sebastiano Umberto, L”Unita, 7 June 1997 (Fig.).<br />
“On George W.S. Trow and Daniel Harris”, Indiana Gary, Artforum, April 1997 (Fig.).<br />
“<strong>Lovett</strong>/Codagnone” art <strong>in</strong> town, Ciocca Sabr<strong>in</strong>a, ZERO2, June 1997, p.13.<br />
“Party L<strong>in</strong>es”, Verzotti Giorgio, Artforum, été 1997, p.49.”Family Nation Tribe”, Gohlke Gerrit, Spr<strong>in</strong>ger,<br />
December 1996 (Fig.).<br />
Arn<strong>in</strong>g Bill, Time Out New-York, 14-21 November 1996 (Fig.).<br />
Rimanelli David, The New Yorker, 18 November 1996.<br />
“Chelsea”s Work <strong>in</strong> Progress”, Smith Roberta, The New York Times, 29 November 1996.<br />
“A Chelsea Afternoon”, Wilk<strong>in</strong>son Jeanne, Review Art, 1er November 1996.<br />
Aletti V<strong>in</strong>ce, The Village Voice, 16 October 1996.<br />
“Urwuchsige Geme<strong>in</strong>schaft”, Die Welt, 16 September 1996.<br />
“Pornography con Humor”, D´Agnolo Giulia, Il Manifesto, 1er September 1996 (Fig.).<br />
“Heterotopia, Pornograhi, Kunst og Gravgarder”, Asdam Knut, Hyperfoto, N°2, 1996.<br />
“Psychesthenia # 2, Brev fra New York”, Asdam Knut, Hyperfoto N°3, 1996.<br />
“Vater, Mutter, K<strong>in</strong>d-e<strong>in</strong> Auslaufmodell”, Boker Carmen, Berl<strong>in</strong>er Zeitung, 13 September 1996.<br />
“Saubere, asexuelle Akte”, Sch<strong>in</strong>dler Christian, Generalanzeiger Oranienburg, 19 September 1996.<br />
“Exportierte Glueckseligkeit”, Werneburg Brigitte, Tageszeitung, 16 September 1996.<br />
“Virilitat, Erotik und Social-Hygiene”, Werner Gabrielle, Aktuell, N°17, 1996, pp.22-24 (Fig.).<br />
“Interview”, D”Agnolo Giulia, Virus # 8, June 1996, pp.32-33(Fig.).
“New Humanist Photography”, Adams Brooks, The Pr<strong>in</strong>t Collector”s Newsletter, Mai-June 1996, pp.54-56.<br />
“Family Ties”, Peck Dale, Out Magaz<strong>in</strong>e, Mai 1996, p.48 (Fig.).<br />
“Arte Estrema”, Savoca Giuseppe, Castelvecchi Editore, 1996, pp.148-152 (Fig.).<br />
Neue Visionen”, Der Tagesspiegel, 25 September 1996.<br />
“Urwuchsige Geme<strong>in</strong>schaft”, Die Welt, 16 September 1996.<br />
“Ist das der neue Mensch?”, BZ, 14 September 1996.”Crystal Blue Persuasion”, Rimanelli David, The New-<br />
Yorker, 2 October 1995.<br />
“Witness: An Exquisite Corpse”, XXX Fruit, Eté 1995, pp.46-47 (Fig.).<br />
“Lesbian and Gay Wahtzis”, Atk<strong>in</strong>s Robert, The Village Voice, 20 June 1995, pp.71-72.<br />
“I Didn”t Do It”, Honcho, December 1995, pp.35-41 (Fig.).