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6 years ago

Bob Chilcott - Move him into the sun

  • Text
  • Oup
  • Wilfredowens
  • Bobchilcott
  • Choral
  • Choir
  • Oxford
for upper voices, SATB, and piano (with snare and tenor drums and solo cello) or chamber orchestra This profound setting of poems by Wilfred Owen explores the idea of the sun as a redemptive force. The sense of human connection and vivid imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, which is rich in highly effective word painting and melodies as visceral as the poetry itself. The first movement, 'Song of Songs', sets the tone for the work, balancing a sense of reverence and solemnity with hopefulness and optimism, and a poignant and moving setting of Futility is a powerful focal point. Chilcott supplements the choral texture to great effect, with snare and tenor drum creating a mood of expectancy in 'Spring Offensive' and a middle movement for tenor and cello soloists that inhabits a stark musical landscape that blossoms harmonically as the soldier tells of the 'fellowships' and 'beauty' they have found.

1 Great Clarendon

1 Great Clarendon Street, Oxford OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2018 Bob Chilcott has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the Composer of this Work First published 2018 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press Permission to perform this work in public (except in the course of divine worship) should normally be obtained from a local performing right licensing organization, unless the owner or the occupier of the premises being used already holds a licence from such an organization. Likewise, permission to make and exploit a recording of these works should be obtained from a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–341082–4 Music origination by Katie Johnston Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks. for online perusal only

Contents Texts iv 1. Song of Songs 8 2. Spring Offensive 20 3. Apologia pro Poemate Meo 33 4. Futility 38 5. Winter Song 51 Snare Drum part 62 Tenor Drum part 63 Solo Cello part 64 for online perusal only Composer’s note Wilfred Owen is known to many as the poet who died a young man, and who wrote so vividly and emotionally about the horror and futility of war. However, other passionate themes are ever-present in his poetry, the two principal ones perhaps being those of beauty and love, the latter not only for the natural world around him but also for his fellow human beings, comrades, and friends. In this piece the image of the sun, as a source of light, life, and energy, is the one that I have focused on. Portrayed here largely by the upper-voice choir, it ultimately becomes a source of redemption and an expression of feeling at one with life, articulated so beautifully in Owen’s poetry. Commissioned by the Trustees of the St Chad’s Music Festival and Shrewsbury Bookfest in memory of Wilfred Owen, the Shropshire soldier-poet who was born in Oswestry on 18 March 1893, lived in Shrewsbury from 1907, and was killed in action near Ors in Northern France on 4 November 1918. Duration: c.25 minutes An accompaniment for small orchestra (2fl, ob, cl, bsn, hn in F, timp, perc (2 players), pno, str) is available on hire/rental from the publisher or appropriate agent. For orchestral performances, the piano part available on hire/rental should be used, rather than the part in the vocal score. The parts for percussion in movement two and solo cello in movement three are identical in the vocal score and orchestral set.