Oxford Programming by Theme


Oxford University Press is proud to publish musical works by some of the most significant composers of the 20th and 21st centuries, with a catalogue that includes a broad range of choral, orchestral and chamber music.

Themes

Select a theme from the list below to view playlists and perusal scores.

Views
9 months ago

Cecilia McDowall - Good News from New England

This exciting work for choir and solo violin draws its title from Edward Winslow's 1624 chronicles, Good Newes from New England, in which he describes the Mayflower Pilgrims' settlement in the New World. The first movement sets William Bradford's account of the Pilgrims' arrival after their long, perilous journey. McDowall cleverly uses tonality to musically chart their voyage, with a gradually descending shift through keys. Bookended by folk-like violin passages, the second movement alludes to the Bay Psalm Book with its plain homophonic style, and McDowall introduces occasional dissonance to intensify the text's anguish. As its title, 'Thanksgiving', suggests, the final movement brings a sense of joyful release, with the violin in playful dialogue with the dance-like vocal lines. It closes with Henry Ainsworth's version of 'The Old Hundredth', which was sung on the Mayflower, and the audience is encouraged to join the choir in singing this hymn.

Cecilia

Cecilia McDowall Good News from New England for SSATB and solo violin vocal score

Great Clarendon Street, Oxford OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries This work © Oxford University Press 2023 Cecilia McDowall has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the Composer of this Work First published 2023 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press Permission to perform this work in public (except in the course of divine worship) should normally be obtained from a local performing right licensing organization, unless the owner or the occupier of the premises being used already holds a licence from such an organization. Likewise, permission to make and exploit a recording of this work should be obtained from a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–354055–2 Music origination by Anna Williams Text origination by Katie Johnston Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks.