Oxford Programming by Theme


Oxford University Press is proud to publish musical works by some of the most significant composers of the 20th and 21st centuries, with a catalogue that includes a broad range of choral, orchestral and chamber music.

Themes

Select a theme from the list below to view playlists and perusal scores.

Views
2 years ago

Gabriel Jackson The World Imagined

  • Text
  • Chorus and orchestra
  • Choral
  • Oratorio
  • Worldimagined
  • Jackson
  • Oxford
for T. solo, SATB (with divisions), and orchestra The World Imagined explores themes around the smallness of man, the apprehension of the divine in everything around us, and our ecstatic communion within that vastness. The powerfully evocative texts invite deep spiritual contemplation, and are drawn from diverse sources ranging from an early Latin hymn by St Ambrose to contemporary poems by Doris Kareva and Kenneth White. The work is structured in five continuous movements, with a tenor soloist joining the choir in the second, fourth (where they have a melismatic extended solo passage), and fifth. Profound words by Wallace Stevens—'How high that highest candle lights the dark. Out of this same light, out of the central mind, We make a dwelling in the evening air, In which being there together is enough.'—draw this monumental work to a close, with wind and strings leading us to a final chord that resounds with quiet, hopeful optimism at the end of this transformative musical experience.

33 679 pp ° & bb b w ˙

33 679 pp ° & bb b w ˙ ˙˙ ˙˙ ˙ ˙ ˙˙ lux lu - - - cis et 83 & bb b & ‹ b b b pp w ˙ ˙ ˙ ˙ ˙ ˙ lux pp lux lu lu - - - cis et w ˙ ˙ ˙ ˙ ˙ ˙ - - - cis et ? ¢ b b b { pp lux 33 & bb b Ó w ˙ ˙˙ ˙˙ ˙ ˙ ˙˙ mp Œ 5 lu œ œœ œ œ œ œ œ œ ˙ Ó Œ - - - cis et “” œ p œ. œ. œ. œ œ . . . œ œ œ œ œ œ œ 3 3 ? b b b ∑ ∑ ∑ œ j œœ œ Œ œ 3 for online perusal only 683 ° &b b b ˙ b ˙ w ˙ ˙ ˙ œ ‰ J fons lu - - - - - mi - nis, &b b b & ‹ b b b ˙ b˙ w b˙˙ ˙ ˙ œ j ‰ fons lu - - - - - mi - nis, ˙ ˙ w ˙ ˙ ˙ œ j ‰ fons lu - - - - - mi - nis, ? ¢ b b b &b b b { ˙ fons lu - - - - - mi - nis, < “ > œ œ œ œ œ œ œ œ œ œ œ œ œ 5 3 ? b b b ∑ b˙ w b˙ ˙ ˙ œ j ‰ œ Ó ‰ Ó œ œ bœ œ œ œ œ j ‰ Œ œ œ ˙ œ ∑ ∑ Ó

84 687 ° & bb b w ww ˙˙ ˙ ˙ ˙˙ lux lu - - - - - cis et & bb b & ‹ b b b w w ˙ ˙ ˙ ˙ lux lu - - - - - cis et w w ˙ ˙ ˙ ˙ lux lu - - - - - cis et ? ¢ b b b { &b b b w ww ˙˙ ˙ ˙ ˙˙ lux lu - - - - - cis et Ó mp Œ œ œœ œ œ œ œ œ œ ˙ Ó Œ 5 “” œ p . . . . œ œ. œ. œ œ œ œ œ œ œ œ œ 3 3 ? b b b ∑ ∑ ∑ œ j œœ œ Œ œ 3 for online perusal only 691 ° &b b b bw ˙ ˙ œ œ b ˙œj œ ˙ œ ‰ J fons lu - - mi - nis, &b b b & ‹ b b b bw ˙ b˙˙ œœ bœ ˙ ˙ œ j ‰ fons lu - - mi - nis, w ˙ ˙ œ œ ˙œj œ ˙ œ j ‰ ? ¢ b b b { fons lu - - mi - nis, bw ˙ b˙ œ bœ ˙ ˙ œ j ‰ fons lu - - mi - nis, < “ > &b b œ œ œ œ œ œ bœ œ œ œ œ œ œ œ b 5 3 ? b b b ∑ Ó ‰ Ó œ bœ œ œ œ œ œ œ j ‰ Œ œ ˙ œ ∑ ∑ Ó