R. Vaughan Williams - Job: A Masque for Dancing

106/75–7 Cl.: no

106/75–7 Cl.: no tenutos in aut 106/77 C.A., Bsn.: no tenutos in aut 106/80 Fl.: no tenutos in aut 106–7/80–2 Vln. I: no tenutos in aut 110/114–15 Ob. 1: the slur ends on b. 114, n. 1, not b. 115, n. 1; aut reading preferred 111/123–4 Bsn: no slur in aut 112/128–30 Picc., Fl. Ob.: one long slur in ps 114/139 Hrn. 4: n. 3 is D4 rather than C4 in ps Scene IX 120/18 Vcl.: the b is missing on the last note in aut 121/24–5 Ob.: nn. 5–6, slur is missing in aut for online perusal only xi

Appendix 1 Structural alterations in the autograph. Scene I Between bars 133 and 134 eight bars were removed that are identical to bars 149–56. The following two bars originally appeared between bars 147 and 148: ° Vln. I & bb c œ œ œ œ œ œ œ œ ˙ œ œ Vln. II & bb c œ j nœ œ j œ œ J œ j œ œ nœ œ œ œ Vla. Vcl. Cb. Bb b c [div.] n˙ œ bœ j ? b bcn˙ ? c ¢ b b ˙ unis. œ œ j œ œ œ œ j œ œ œ j œ œ œ œ œ œ œ œ œ œ J œ œ œ œ œ œ œ œ for online perusal only Scene VI Between bars 10 and 15 there were originally ten bars. The fifth bar of the following corresponds to bar 11 of the final version; the following three bars correspond to bars 12–14. Cues in the autograph for flute and clarinet, substituting for saxophone, are omitted here. B.Cl. A.Sax. Bsn. Vln. I Vla. Vcl. Between ° & # bars 10 and 11 # Œ bœ - Œ bœ Œ bœ - Œ œ - - Œ bœ - Œ œ - Œ œ Œ - œ Œ Œ - œ- œ - & # # # bœ nœ nœbœ œ# œ nœ nœ # œ bœ œ 3 J œ œ J bœ œ nœ œ nœ œ bœ nœ bœ J J œ œ J bœ bœ nœ œbœ œ J œ nœ J 3 3 Œ # œ - Œ ¢ œ - Œ # œ - Œ nbœ - Œ # œ - Œ nbœ - Œ bbœ Œ œ Œ - - œ Œ œ # - - ° [pizz.] & Œ Œ Œ Œ Œ Œ ∑ Œ Œ #œ œ #œ nœ #œ nœ œ œ B [pizz.] Œ œ Œ œ Œ Œ Œ Œ Œ œ bœ œ bœ œ Œ Œ Œ nœ #œ œ ? [pizz.] Œ # œ Œ œ Œ ¢ # œ Œ nœ Œ # œ Œ nœ Œ bbœ Œ œ Œ Œ œ #œ B ? B xii