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Benedict Sheehan A Christmas Carol

  • Text
  • Dickens
  • Wwwoupcom
  • Sheehan
  • Benedict
for narrator, SATB soloists, and SATB choir unaccompanied, with optional bones In this compelling work for narrator, soloists, and choir, Sheehan presents an engaging musical dramatization of Charles Dickens's A Christmas Carol. Dickens's text has been artfully abridged by Matthew Guard to facilitate concert performance, and the narration is seamlessly woven into Sheehan's richly diverse score. Suited to performance in a variety of settings, this work sees imaginative arrangements of traditional carols and vibrant and accessible original music combine to bring a familiar festive tale to life.

STAVE 1 SOPRANO ALTO

STAVE 1 SOPRANO ALTO TENOR BASS & & V ? Slow and remote; with child-like simplicity q = 108 p ˙ This ∑ ∑ SOLO ∑ for Matthew Guard and the Skylark Vocal Ensemble A CHRISTMAS CAROL ∑ ∑ œ œ œ œ œ is the truth sent ∑ 1. The truth from above Ó Ó ∑ œ œ ˙. ˙ mm œ from a - bove, The truth of God, the God of love, There- ∑ π English traditional adap. and arr. BENEDICT SHEEHAN ∑ œ œ ˙ œ œ œ œ œ œ ∑ ∑ w œ œ œ œ ˙. ∑ mm œ œ for rehearsal only & ? 4 2 4 2 4 2 4 2 4 2 4 2 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3 Slow and remote; with child-like simplicity q = 108 ∑ p ˙ ∑ œ œ œ œ œ Ó Ó œ œ ˙. ˙ œ œ œ ˙ œ œ œ œ œ œ w œ œ œ œ ˙. œ œ 6 & ∑ ∑ ∑ ∑ 4 & w. œ œ ˙ ˙ for online perusal only w œ œ œ œ w 4 V œ œ ˙ œ œ œ œ . ˙ - fore don’t turn me from your door, But heark - en all, both mm œ œ œ œ œ œ œ œ œ œ œ w rich and poor. 4 ? ∑ ∑ ∑ ∑ 4 & w. œ œ ˙ ˙ ˙ œ˙ œ œ œ œ œ w 4 ? œ œ ˙ œ œ œ œ ˙. œ œ œ œ Ó Ó œ œ œ w 4 © Oxford University Press 2022 Printed in Great Britain OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

2 10 A & 4 π Ó œ œ ˙ ˙. w œ œ ˙ ˙ œ oo oo & 4 œ Œ ˙ ˙ ˙. w. ˙ ˙. oo oo V 4 œ Œ ˙ œ œ œ œ œ œ œ w œ œ œ œ œ ? 4 Ó The π œ œ first thing which I ˙ ˙. do re - late w œ œ Is that God did ˙ ˙ œ oo oo & ? 4 4 œ œ Œ œ ˙ œ π Œ ˙œ œ ˙ ˙. œ˙ œ œ˙ œ œ Œ 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3 w œ w. œ wœ œ ˙. œ œ œ ˙ ˙. œ˙ œ œœ œ œ Œ Œ 14 & 3 2 w. œ ˙ œ œ œ œ œ ˙ ˙ w œ œ œ œ w 4 2 4 2 4 2 4 2 4 2 4 2 ah mm & 3 2 œ œ ˙ œ œ w. œ œ ˙ ˙ for online perusal only w œ œ œ œ w V 2 3 ah œ œ ˙. œ œ œ œ ˙ œ œ œ œ . ˙ man cre - ate In pa - ra - dise, there to re-main, But mm œ œ œ œ œ œ œ œ by his sin hath œ œ œ w man been slain. ? 2 3 w œ œ ˙ w ∑ div. ˙˙ w ˙˙ w . ah mm & 3 2 w œ . œ ( ˙) œ œ w. ˙ œ œ œ œ œ œ œ ˙ ˙ œ œ ˙ ˙ w œ œ ˙ œ œ œ œ œ œ œ w œ œ œ w ? 3 2 œ œ ˙. œ w œ œ Ó ˙ ˙ w œ œ œ œ ˙. ∑ ˙ œ œ œ œ Ó w ˙˙ w .

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