84 27 & bb b b ∑ ∑ { 3 & b w œ w ˙ œ 2 ˙ ˙ œ œ œ œœ ˙˙ Ó Œ ‰ that mp & bb b b ∑ œ œ œ Œ ‰ œ j œ œ œ Œ ‰ œ j He might just un - do the spell that œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & bb b b www w ww 30 rit. œ œ œ œ œ œ j ˙ Ó holds her cap-tive to her - self. œ œ œ œ œ œ j ˙ Ó holds her cap-tive to her - self. rit. > U w w œ œ œ œ œ œ œ œ ∑ w w p &b b b b w ˙ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w u> A little slower q = 76 34 p 3 &b œ œ œ Ó œ œ ˙ Œ 2 œ œ œ œ œ œ œ Ó Poor old Pip. Just stay true. To the song in - side of you. &b p œ œ 3 œ Ó œ œ ˙ Œ 2 œ œ œ œ œ œ œ Ó Poor old Pip. Just stay true. To the song in - side of you. & b A little slower q = 76 w w wœ ˙ 3 2 ˙ œ œ ˙ & bb b b { &b b b b ∑ ∑ U b &b b b b ∑ ∑ U b &b b b b { for online perusal only œ j b b 4 4 4 4
37 , , & b 4 œ ‰ œ J œ œ œ œ œ Œ œ œ œ œ ˙ œ And the night - in - gale could be fi - nal - ly, com - plete - ly “Free” ∑ 85 { , , & b 4 œ ‰ œ J œ œ œ œ œ Œ œ œ œ œ ˙ œ And the night - in - gale could be fi - nal - ly, com - plete - ly w , , & b 4 w w˙ ˙ w w ˙ ˙ & b 4 w˙ ˙ ẇ ˙ ẇ ˙ ˙˙ ˙˙ “Free” ∑ ∑ ∑ 42 &b WIT “Wake up, Pip.” WOO “Time to reflect ...” U ∑ for online perusal only WIT “... on what to keep ...” WOO “... and what to reject ...” U ∑ &b { U w &b ∑ u ∑ u U ww 44 &b WIT “Wake up, Pip.” WOO “Time to decide ...” U ∑ WIT “... on the dream ...” WOO “... that waits inside.” U ∑ & b U { & b w ∑ u U ww ∑ u
2 A musical drama for soloists, uni
3 Great Clarendon Street, Oxford OX
Dramatis Personæ Pip, a sparrow Hi
Charles Bennett (b. 1954) BIRDLAND
27 & mp œ œ J ˙ Ó Œ œ œ œ
5 8 ° ¢ & œ œ œ œ w let the d
18 ° ¢ & œ œ œ œ w Ó Œ ‰
9 31 ° 6 ¢ & ∑ 4 ∑ ° & œ 3
40 ° ¢ & ff œ œ j ‰ œ œ j
3. Feathered Perfection (Highnote,
Just one false note, one wrong step
8 ° 6 12 ¢ & bb b 8 8 œ œ œ j
28 f ° 6 12 ¢ & bb b b b b ∑
21 41 ° 6 12 ¢ & bb b ∑ ∑ 8
23 5. I have a song (Pip, Unison Ch
25 20 & ∑ 4 ∑ œ Œ Ó Ó œ œ
27 39 & 4 ∑ ∑ ∑ ° ¢ & 4 °
S. A. T. B. 8 & : ‹ ; b b b 3 2 &
25 & : ‹ ; b b b PIP “I’ll wo
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