- Page 2 and 3: General Editor: DAVID LLOYD-JONES C
- Page 4 and 5: CONTENTS Introduction - James Brook
- Page 6 and 7: Anyone taking this volume down from
- Page 8 and 9: ORGANIZATION OF THE CATALOGUE This
- Page 10 and 11: WILLIAM WALTON EDITION General Edit
- Page 12 and 13: ACKNOWLEDGEMENTS I am deeply indebt
- Page 14 and 15: Bibliographical abbreviations Add.M
- Page 16 and 17: SELECTIVE CHRONOLOGY 1866 11 Oct Lo
- Page 18 and 19: SELECTIVE CHRONOLOGY xix 1943 Feb o
- Page 20 and 21: SELECTIVE CHRONOLOGY xxi Nov Sympho
- Page 22 and 23: facsimiles For perusal purposes onl
- Page 24 and 25: facsimiles xxv For perusal purposes
- Page 26 and 27: facsimiles xxvii For perusal purpos
- Page 28 and 29: facsimiles xxix For perusal purpose
- Page 30 and 31: facsimiles xxxi For perusal purpose
- Page 32 and 33: facsimiles xxxiii For perusal purpo
- Page 34 and 35: List OF MAIN TITLES xxxv Romeo and
- Page 38 and 39: C1 A Li t a n y partsong in four pa
- Page 40 and 41: Nos. 1-3 Date of composition: July
- Page 42 and 43: C9 Th e Pa s s i o n a t e Sh e p h
- Page 44 and 45: 16. Valse (‘Daisy and Lily’) Th
- Page 46 and 47: Passengers Only: A Social Tragedy i
- Page 48 and 49: Eskdale (tpt), Willem de Mont (vc),
- Page 50 and 51: Façade 2: A Further Entertainment
- Page 52 and 53: First performance: 24 January 1922
- Page 54 and 55: C12g Ballet in One Act (Based on th
- Page 56 and 57: 1. Tango-Pasodoblé 2. Swiss Jodell
- Page 58 and 59: C13 To c c a t a C14 Fantasia Conce
- Page 60 and 61: C17 PORTSMOUTH POINT 23 Date of com
- Page 62 and 63: C18 Ro m e o an d Ju l i e t Ballet
- Page 64 and 65: C21 Si n f o n i a Co n c e r t a n
- Page 66 and 67: C22 Concerto for Viola and Orchestr
- Page 68 and 69: First performance: London, Royal Fe
- Page 70 and 71: From 17 April to 23 August 1948, I
- Page 72 and 73: Other early performances: London, S
- Page 74 and 75: C28 Es c a p e Me Ne v e r music fo
- Page 76 and 77: Faber, 1996), 187-8 • David Vaugh
- Page 78 and 79: OCB 299-2 Cue 21-22 [David playing
- Page 80 and 81: C32 Dr e a m i n g Li p s music for
- Page 82 and 83: Duration: 7 minutes Instrumentation
- Page 84 and 85: First London performance: Queen’s
- Page 86 and 87:
C37 Concerto for Violin and Orchest
- Page 88 and 89:
C37 Concerto for Violin and Orchest
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Publication: WWE vol. 3, pp. 1-99 (
- Page 92 and 93:
(b) Incidental music for Uncle Harr
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minute Galop (the right title under
- Page 96 and 97:
of the shelter to meeting; Barbara
- Page 98 and 99:
Division at this point, after he ha
- Page 100 and 101:
y John Burrell. Broadcast on 7 Octo
- Page 102 and 103:
Houldsworth Hall, 24 May 1943 (spec
- Page 104 and 105:
Other versions C46a Christopher Col
- Page 106 and 107:
A copy is also in the National Soun
- Page 108 and 109:
of added brass, percussion and pian
- Page 110 and 111:
First USA showings: Boston, Esquire
- Page 112 and 113:
C50 Henry V 75 C50g Passacaglia:
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1946, p .4; 26 April 1946, p. 16; T
- Page 116 and 117:
duel; Entry of the court (with fanf
- Page 118 and 119:
Dedication: To Diana and Griselda [
- Page 120 and 121:
y the BBC on television and radio);
- Page 122 and 123:
expressed a strong wish to dedicate
- Page 124 and 125:
Principals: Calkas, High Priest of
- Page 126 and 127:
(D. Drew); Opera 14 (June 1963), 41
- Page 128 and 129:
Bibliography: Opera Canada 49 (Sept
- Page 130 and 131:
C63b A Shakespeare Suite from Richa
- Page 132 and 133:
C65 C65 Concerto for Violoncello an
- Page 134 and 135:
C68 Symphony No. 2 97 Commissioned
- Page 136 and 137:
Bibliography: David Lloyd-Jones, WW
- Page 138 and 139:
Recordings: CD Bach Choir / David W
- Page 140 and 141:
C76 Variations on a Theme by Hindem
- Page 142 and 143:
Holograph: Beinecke: GEN MSS 601 (F
- Page 144 and 145:
Dedication: To André Kostelanetz.
- Page 146 and 147:
C82 Improvisations on an Impromptu
- Page 148 and 149:
C86 Five Bagatelles 111 This work w
- Page 150 and 151:
C89 Anniversary Fanfare 113 Recordi
- Page 152 and 153:
C93 Roaring Fanfare 115 with Ian Fo
- Page 154 and 155:
C99 A Birthday Fanfare 117 Publicat
- Page 156 and 157:
GENERAl bibliography Anson, H. ‘T
- Page 158 and 159:
Foss, H. J. ‘William Walton’, H
- Page 160 and 161:
Kennedy, M. ‘Walton’s Isle Full
- Page 162 and 163:
Riley, M., ed., British Music and M
- Page 164 and 165:
personalia ABERCONWAY, Lady Christa
- Page 166 and 167:
and 1930s. Commissioned Walton for
- Page 168 and 169:
which he founded in 1946. Married t
- Page 170 and 171:
Irish Academy of Music. Both the Sa
- Page 172 and 173:
Orb and Sceptre Arr. for military b
- Page 174 and 175:
First Shoot, The Arr. for orchestra
- Page 176 and 177:
INDEX OF AUTHORS OF TEXTS Arnold, M
- Page 178 and 179:
Lord, now lettest thou thy servant
- Page 180 and 181:
Mayer, (Lady) Dorothy Moulton Canti
- Page 182 and 183:
Bantock, (Sir) Granville 34 Barber,
- Page 184 and 185:
Cathedral Church of Christ Church,
- Page 186 and 187:
Elms, Simon 117 Emery, Terence 13 E
- Page 188 and 189:
Hastings, Municipal Orchestra 44 Ha
- Page 190 and 191:
Laurence Olivier Memorial Service (
- Page 192 and 193:
Nabokov, Vladimir 107 Naismith, Nor
- Page 194 and 195:
Rosen, Carole 48, 66 Rosenstock, Jo
- Page 196 and 197:
Tate, Ohyiils 129 Tausky, Vilem 11,
- Page 198 and 199:
Wymark, Patrick 107 Wyndham Lewis,
- Page 200 and 201:
allet choreographed by Lindsay Kemp
- Page 202:
Sonata for String Orchestra (Quarte
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