Sarah Quartel - Mixed Voices Sampler

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170 9 49 B œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° ¢ ° ¢ V B V V unis. We 3 œ œ œ ‰ ‰ œ œ œ œ œ ‰ ‰ œ our-selves feel that what we are ‰ œ 3 do 3 - ing is We our - selves feel that what we are do - ing is Ó œ ‰ œ œ ‰ œ œ œ ‰ œ œ œ œ 3 3 3 œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ We our-selves feel what we are do - ing 3 3 3 Ó œ œ œ w ‰ œ œ œ œ ‰ ‰ We our-selves feel what we are do - ing 3 Ó œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ 3 3 V ‹ We our-selves feel what we are do - ing for online perusal only 53 B ° ¢ ° V B V V ¢ V ‹ œ œ œ mf mf just mf just 3 a œ œ 3 drop mp mp in the o a drop in the o mf 3 f 3 3 3 3 ‰ œ œ œ œ ‰ ‰ œ œ œ œ œ œ œ œ œ œ ‰ just a drop in the o - cean, the o - cean, the o - cean. mf f 3 3 3 3 3 ‰ œ œ œ œ ‰ ‰ œ œ œ œ œ œ œ œ œ œ ‰ just a drop in the o - cean, the o - cean, the o - cean. mf 3 f 3 3 3 ‰ œ œ œ w œ œ œ œ œ œ œ œ œ œ ‰ just œ œ a œ œ drop œ œ œ œ œ œ œ œ œ - - cean. cean. in œ œ œ the o - cean, the œ œ œ o œ œ œ - cean, the œ œ œ œ œ œ œ ‰ ‰ œ œ œ ‰ ‰ Œ mp ‰ œ ‰ œ ‰ œ œ œ œ ‰ ‰ ‰ Œ o - cean.
10 171 57 B œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° ¢ ° ¢ V ‹ ° ¢ ° ¢ V B V V 61 B V B V V mf mf f 3 3 3 œ œ ‰ ‰ œ œ œ œ œ ‰ ‰ œ We mf We our - selves feel that what ‰ œ œ our - selves feel that what f f 3 we are 3 do - ing is we are do - ing is mf f 3 3 3 œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ We our-selves feel what we are do - ing mf f 3 3 3 Œ œ œ œ œ w ‰ œ œ œ œ ‰ ‰ We our- selves feel what we are do - ing mf 3 f 3 3 œ Œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ just 3 3 Œ œ œ œ a We drop just our-selves feel what 3 just a drop in the o - cean. ‰ œ mf 3 3 3 œ œ ‰ œ œ œ œ œ œ 3 V ‹ just a œ œ œ ‰ œ œ ‰ œ œ œ ‰ œ œ œ œ for online perusal only œ œ œ a œ œ drop drop œ œ œ œ œ œ mf 3 3 in mf 3 in in the the mf o o we are do - ing f Œ ‰ ‰ œ œ - cean. But - cean, the o 3 - cean, the o 3 - cean, the 3 œ ‰ o - cean. mf 3 3 3 3 3 3 ‰ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ just a drop in the o - cean, the o - cean, the o - cean, the o - cean. mf 3 3 3 3 3 ‰ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ the œ œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ œ œ œ œ œ ‰ o ‰ œ - cean, the œ o œ œ œ œ - cean, the œ œ œ ‰ w o œ œ œ œ œ œ - cean, the œ œ o - cean. œ the
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Sarah Quartel Mixed Voices Choral S
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On this Silent Night SATB & piano M
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5 In memory of Kassidy Commissioned
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7 4 42 mp poco rit. ° & # # # #
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9 6 82 ° & # # # # ∑ ∑ ∑ ˙
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11 8 122 ° & # # # # ?# ¢ # # # &
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13 œ œ ˙ œ œ œ œ ˙ œ œ œ
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15 4 41 mf mp ° ¢ & bb b œ œ œ
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17 CH. S. A. T. B. 6 sub. p ° & bb
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19 8 88 ° ¢ & bb b ° & bb b & bb
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21 The Birds’ Lullaby E. Pauline
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23 5 21 ° & # & # & ‹ # w œ œ
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25 7 45 ° & # & # # & ‹ mp œ œ
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27 9 67 ° & # & # # & ‹ ? # ¢ 7
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SECULAR SATB and piano 29 2 for onl
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31 3 19 ° ¢ & b œ so un - kind A
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33 5 mf mp ° & b ˙ œ œ œ œ œ
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35 7 92 ° & b n œ œ œ œ˙ n œ
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SACRED SATB (with divisions) and or
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4
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6 41
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8 43
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10 45
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47 God will give orders/Sweet child
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49 4 ah 35 ° & bb an œ œ œœ œ
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51 6 59 ° & bb ˙ œ œ œ œ œ
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8 81 ° & bb œ # œ œ j J ˙ n œ
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55 10 97 ° & bb & bb ? ¢ b b / mp
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57 12 105 ° & bb œ œ œ œ œ œ
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59 14 111 ° & bb œ œ ˙ J œ œ
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61 16 115 ° & bb œ œ ˙ J œ I w
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SACRED SATB unaccompanied 63 2 for
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S. A. T. B. * 19 ° & bb ˙ out & b
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67 5 40 f , ° & bb ˙ œ ˙ œ œ
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69 7 61 ° & bb mp for mp ev - er,
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71 for Ely Consort ‘Hope’ is th
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4 13 ° T. ? ¢ b b B. b ∑ ∑ &
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75 6 31 ° & bb b Œ ˙ œ Œ ne ff
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77 8 44 ° & bb b & bb b & ‹ b b
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79 SOPRANO 3 & bb b b 4 How can I k
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81 4 24 ° & bb b b œ œ œ œ œ
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83 6 36 ° & bb b b & bb b b & b b
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85 8 48 ° & bb b b 4 & bb b b 4 &
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87 10 64 ° & bb b b & bb b b & b b
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89 12 74 div. ° & bb b b * œ œ
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91 SOPRANO ALTO TENOR BASS for rehe
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93 4 20 ° & # # # & # # # & ‹ #
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95 6 36 ° & # # # w nœ nœ œ bœ
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97 8 50 ° & # # # & # # # & ‹ #
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99 Commissioned by New Dublin Voice
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4 101
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103 6
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105 8
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10 107
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109 12
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14 111
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16 113
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115 18
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117 20
Page 119 and 120: 119
Page 121 and 122: 121 for online perusal only
Page 123 and 124: 123
Page 125 and 126: 125
Page 127 and 128: 127 for online perusal only
Page 129 and 130: voiceJunction SSATBarB unaccompanie
Page 131 and 132: 131 3 11 ° & bb b b b b œ Œ Œ
Page 133 and 134: 133 5 31 ° & bb b b b b ˙ ˙ ˙
Page 135 and 136: 135 7 51 ° & bb b b b b œ œ œ
Page 137 and 138: 137 9 72 ° & bb b b b b ∑ Œ œ
Page 139 and 140: 139 11 92 ° & bb b b b b ˙ ∑ œ
Page 141 and 142: 141 13 109 ° & bb b b b b œ œ be
Page 143 and 144: 143 15 S. 1 S. 2 A. T. BAR. B. 126
Page 145 and 146: 145 Dedicated to Matt Jones. Welcom
Page 147 and 148: S. A. T. B. 23 ° & # # # 4 & # # #
Page 149 and 150: 149 7 41 ° 2 4 3 œ œ œ 4 ˙ Œ
Page 151 and 152: SECULAR SATB (with divisions) and p
Page 153 and 154: 7 ° & bb b œ œ tide to the 153 p
Page 155 and 156: 155 5 23 ° & bb b 4 ˙˙ ˙˙ œ
Page 157 and 158: 157 34 ° & bb b a tempo mf ˙ œ
Page 159 and 160: S. A. T. B. &b b b { &b b b { 159 4
Page 161 and 162: 161 ff 58 f ° & bb j S. b œ j œ
Page 163 and 164: voiceJunction SATB (with SAT semi-c
Page 165 and 166: 4 165 9B ∑ ∑ ° ¢ ° V B V V m
Page 167 and 168: 6 167 25 B w œ A œ œ œ w œ œ
Page 169: 8 41 B ° ¢ ° V B V V p p Ka - ri
Page 173 and 174: 12 173 76 mf ° V ∑ ∑ ∑ ∑
Page 175 and 176: 14 175 94 B ° ¢ V B Œ f ‰œ
Page 177 and 178: CHRISTMAS 177 Soprano duet and SATB
Page 179 and 180: 4 7 a tempo & ˙ ∑ ∑ ∑ ∑
Page 181 and 182: 181 31 & ∑ ∑ mp ° S. & œ œ
Page 183 and 184: 183 8 53 & ° & & hea hea ∑ œ œ
Page 185 and 186: 185 10 75 ° & ˙ œ ˙ ˙ ˙ ˙ œ
Page 187 and 188: voiceJunction SATB unaccompanied wi
Page 189 and 190: 189 S. A. T. B. 10 / œ œ œ œ œ
Page 191 and 192: 36 / poco rit. 191 œ œ œ œ œ
Page 193 and 194: 66 All a - round is beau - ty brigh
Page 195 and 196: voiceJunction SSATBarB unaccompanie
Page 197 and 198: 5 ° & bb S.1 b ∑ ∑ ∑ ∑ mp
Page 199 and 200: 19 ° & bb b œ & bb b œ œ ˙ œ
Page 201 and 202: 201 œ ˙ (TUTTI) ° & bb 4 b ∑
Page 203 and 204: 203 9 ? ¢ b b b œ 2 & b b b { °
Page 205 and 206: 205 65 ° & bb b 11 (TUTTI) f œ œ
Page 207 and 208: 207 78 ° & bb b œ œ œ œ œ œ
Page 209 and 210: 209 87 ° & bb b œ œ œ œ j ‰
Page 211 and 212: SECULAR Two-part (or unison) voices
Page 213 and 214: 213 3 7 ° V : ‹ ; ¢ V : ‹ ; {
Page 215 and 216: 215 5 ° V : ‹ ; ¢ V : ‹ ; { #
Page 217 and 218: 217 7 44 ° V : ‹ ; ¢ V : ‹ ;
Page 219 and 220: 219 Commissioned by Luther College
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221 34 will mp ° & # # nœ nœ œ
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223 65 ° & # # S. A. n n n n n n n
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225 Commissioned by Gemischter Chor
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227 4 29 / œ Œ Ó œ œ œ œ œ
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229 6 42 / ° & # # # # # & # # # #
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231 ° & # # # # # ¢ 57 / p hoo p
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233 10 71 / ° & # # # # # œ Œ Œ
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235 12 97 / ° & # # # # # # & # #
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237 for Torin Chiles, Director of M
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4 22 ° & bb ∑ 239 mp Œ œ˙ œ
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6 241 42 ° mp & bb œ œ œ œj œ
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8 send - ing his 72 ° & bb œ œ
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SOPRANO ALTO Commissioned by the Am
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42 Out in the wid
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249 mf 7 8
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120 mf a
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11 154 unis. mp Fill - in
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255 Commissioned by the Fort Worth
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4 257
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6 259
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voiceJunction SATB and piano 261 Sa
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267
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SECULAR SATB (with divisions) and p
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271
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for online perusal only 281
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283 for online perusal only
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Sarah Quartel - Mixed Voices Sampler

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