Sarah Quartel - Mixed Voices Sampler

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30 ° & bb b b & bb b b & ‹ b b b b ? ¢ b b b b & b b b b { ? b b b b 33 ° &b b b b &b b b b & ‹ b b b b ? ¢ b b b b & bb b b { ? b b b b 5 œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ J J J œ hear its mu - - sic ring - ing. It sounds an e - - cho œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ How can I keep from sing-ing, how can I keep from sing -ing! How can I keep from sing- ing, œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ How can I keep from sing-ing, how can I keep from sing -ing! How can I keep from sing- ing, œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ How can I keep from sing-ing, how can I keep from sing -ing! How can I keep from sing- ing, œ œ ‰ œ œ œ œ œ j œ œ œ œ j œ œ œ œ œ œ œ ‰ j œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ mf œ œ œ œ œ j œ œ œ œ œ œ J œ ˙ in my soul, how can I keep from sing-ing? mf œ œ œ œ œ œ œ œ ‰ œ œ œ œ ‰ œ œ œ œ œ œ œ how can I keep from sing - ing! How can I keep from, how can I keep from sing - ing, mf œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ œ œ how can I keep from sing - ing! How can I keep from, how can I keep from sing - ing, mf œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ œ œ how can I keep from sing - ing! How can I keep from, how can I keep from sing - ing, œ œœ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œj œ œ ˙ ‰ œ œ œ œ œ œ mf œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ œ œ œ for online perusal only 82
83 6 36 ° & bb b b & bb b b & b b b b ‹ ? ¢ b b b b ∑ f How how can I keep from sing - ing, how how can I keep from sing - ing, how how can I keep from sing - ing, how œ œ J œ œ œ œ ˙ œ ‰ f f f can I keep from sing - ing! While œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ ˙ œ ‰ can I keep from sing - ing! œ œ œ œ œ œ œ œ œ J œ œ œ œ ˙ œ ‰ œ œ œ œ œ can I keep from sing - ing! œ œ œ œ œ œJ œ œ œ œ ˙œ œ œ ‰ can I keep from sing - ing! œ j for online perusal only & b b b b { ? b b b b œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ J œ œ œ œ œ ˙˙ œ œ œ œ œ œ œ œ f œ œ œ œJ œ œ œ œ ˙ œ œ ‰ œ j J œ œ ‰ 39 ° &b b b b &b b b b œ œ œ œ œ j œ œ œ œ œ j œ œ œ œ œ J though the tem - pest loud - ly roars, I hear the truth, it œ œ j œ œ œ œ J œ œ œ œ J œ œ Though tem - pests roar loud - ly, I hear the & ‹ b b b b œ œ J œ œ œ œ J œ œ œ œ J œ œ ? ¢ b b b b Though tem - pests roar loud - ly, I hear the œ œ œ œJ œ œ œ œ œ J œ œ œ œ œ J Though tem - pests roar loud - ly, I hear the & bb b b { ? b b b b œ œ œ œ œ J œ œ œ œœ œ œ œ œ œ œJ œ œ j œ œ œ œ œ œ J œ œ œ J œ œ œ œ J œ œ œ œ œ J œ œ œ œ œ j
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Sarah Quartel Mixed Voices Choral S
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On this Silent Night SATB & piano M
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5 In memory of Kassidy Commissioned
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7 4 42 mp poco rit. ° & # # # #
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9 6 82 ° & # # # # ∑ ∑ ∑ ˙
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11 8 122 ° & # # # # ?# ¢ # # # &
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13 œ œ ˙ œ œ œ œ ˙ œ œ œ
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15 4 41 mf mp ° ¢ & bb b œ œ œ
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17 CH. S. A. T. B. 6 sub. p ° & bb
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19 8 88 ° ¢ & bb b ° & bb b & bb
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21 The Birds’ Lullaby E. Pauline
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23 5 21 ° & # & # & ‹ # w œ œ
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25 7 45 ° & # & # # & ‹ mp œ œ
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27 9 67 ° & # & # # & ‹ ? # ¢ 7
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SECULAR SATB and piano 29 2 for onl
Page 31 and 32: 31 3 19 ° ¢ & b œ so un - kind A
Page 33 and 34: 33 5 mf mp ° & b ˙ œ œ œ œ œ
Page 35 and 36: 35 7 92 ° & b n œ œ œ œ˙ n œ
Page 37 and 38: SACRED SATB (with divisions) and or
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Page 41 and 42: 6 41
Page 43 and 44: 8 43
Page 45 and 46: 10 45
Page 47 and 48: 47 God will give orders/Sweet child
Page 49 and 50: 49 4 ah 35 ° & bb an œ œ œœ œ
Page 51 and 52: 51 6 59 ° & bb ˙ œ œ œ œ œ
Page 53 and 54: 8 81 ° & bb œ # œ œ j J ˙ n œ
Page 55 and 56: 55 10 97 ° & bb & bb ? ¢ b b / mp
Page 57 and 58: 57 12 105 ° & bb œ œ œ œ œ œ
Page 59 and 60: 59 14 111 ° & bb œ œ ˙ J œ œ
Page 61 and 62: 61 16 115 ° & bb œ œ ˙ J œ I w
Page 63 and 64: SACRED SATB unaccompanied 63 2 for
Page 65 and 66: S. A. T. B. * 19 ° & bb ˙ out & b
Page 67 and 68: 67 5 40 f , ° & bb ˙ œ ˙ œ œ
Page 69 and 70: 69 7 61 ° & bb mp for mp ev - er,
Page 71 and 72: 71 for Ely Consort ‘Hope’ is th
Page 73 and 74: 4 13 ° T. ? ¢ b b B. b ∑ ∑ &
Page 75 and 76: 75 6 31 ° & bb b Œ ˙ œ Œ ne ff
Page 77 and 78: 77 8 44 ° & bb b & bb b & ‹ b b
Page 79 and 80: 79 SOPRANO 3 & bb b b 4 How can I k
Page 81: 81 4 24 ° & bb b b œ œ œ œ œ
Page 85 and 86: 85 8 48 ° & bb b b 4 & bb b b 4 &
Page 87 and 88: 87 10 64 ° & bb b b & bb b b & b b
Page 89 and 90: 89 12 74 div. ° & bb b b * œ œ
Page 91 and 92: 91 SOPRANO ALTO TENOR BASS for rehe
Page 93 and 94: 93 4 20 ° & # # # & # # # & ‹ #
Page 95 and 96: 95 6 36 ° & # # # w nœ nœ œ bœ
Page 97 and 98: 97 8 50 ° & # # # & # # # & ‹ #
Page 99 and 100: 99 Commissioned by New Dublin Voice
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Page 103 and 104: 103 6
Page 105 and 106: 105 8
Page 107 and 108: 10 107
Page 109 and 110: 109 12
Page 111 and 112: 14 111
Page 113 and 114: 16 113
Page 115 and 116: 115 18
Page 117 and 118: 117 20
Page 119 and 120: 119
Page 121 and 122: 121 for online perusal only
Page 123 and 124: 123
Page 125 and 126: 125
Page 127 and 128: 127 for online perusal only
Page 129 and 130: voiceJunction SSATBarB unaccompanie
Page 131 and 132: 131 3 11 ° & bb b b b b œ Œ Œ
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133 5 31 ° & bb b b b b ˙ ˙ ˙
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135 7 51 ° & bb b b b b œ œ œ
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137 9 72 ° & bb b b b b ∑ Œ œ
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139 11 92 ° & bb b b b b ˙ ∑ œ
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141 13 109 ° & bb b b b b œ œ be
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143 15 S. 1 S. 2 A. T. BAR. B. 126
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145 Dedicated to Matt Jones. Welcom
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S. A. T. B. 23 ° & # # # 4 & # # #
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149 7 41 ° 2 4 3 œ œ œ 4 ˙ Œ
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SECULAR SATB (with divisions) and p
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7 ° & bb b œ œ tide to the 153 p
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155 5 23 ° & bb b 4 ˙˙ ˙˙ œ
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157 34 ° & bb b a tempo mf ˙ œ
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S. A. T. B. &b b b { &b b b { 159 4
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161 ff 58 f ° & bb j S. b œ j œ
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voiceJunction SATB (with SAT semi-c
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4 165 9B ∑ ∑ ° ¢ ° V B V V m
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6 167 25 B w œ A œ œ œ w œ œ
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8 41 B ° ¢ ° V B V V p p Ka - ri
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10 171 57 B œ œ œ œ œ œ œ œ
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12 173 76 mf ° V ∑ ∑ ∑ ∑
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14 175 94 B ° ¢ V B Œ f ‰œ
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CHRISTMAS 177 Soprano duet and SATB
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4 7 a tempo & ˙ ∑ ∑ ∑ ∑
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181 31 & ∑ ∑ mp ° S. & œ œ
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183 8 53 & ° & & hea hea ∑ œ œ
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185 10 75 ° & ˙ œ ˙ ˙ ˙ ˙ œ
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voiceJunction SATB unaccompanied wi
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189 S. A. T. B. 10 / œ œ œ œ œ
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36 / poco rit. 191 œ œ œ œ œ
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66 All a - round is beau - ty brigh
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voiceJunction SSATBarB unaccompanie
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5 ° & bb S.1 b ∑ ∑ ∑ ∑ mp
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19 ° & bb b œ & bb b œ œ ˙ œ
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201 œ ˙ (TUTTI) ° & bb 4 b ∑
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203 9 ? ¢ b b b œ 2 & b b b { °
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205 65 ° & bb b 11 (TUTTI) f œ œ
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207 78 ° & bb b œ œ œ œ œ œ
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209 87 ° & bb b œ œ œ œ j ‰
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SECULAR Two-part (or unison) voices
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213 3 7 ° V : ‹ ; ¢ V : ‹ ; {
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215 5 ° V : ‹ ; ¢ V : ‹ ; { #
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217 7 44 ° V : ‹ ; ¢ V : ‹ ;
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219 Commissioned by Luther College
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221 34 will mp ° & # # nœ nœ œ
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223 65 ° & # # S. A. n n n n n n n
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225 Commissioned by Gemischter Chor
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227 4 29 / œ Œ Ó œ œ œ œ œ
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229 6 42 / ° & # # # # # & # # # #
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231 ° & # # # # # ¢ 57 / p hoo p
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233 10 71 / ° & # # # # # œ Œ Œ
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235 12 97 / ° & # # # # # # & # #
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237 for Torin Chiles, Director of M
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4 22 ° & bb ∑ 239 mp Œ œ˙ œ
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6 241 42 ° mp & bb œ œ œ œj œ
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8 send - ing his 72 ° & bb œ œ
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SOPRANO ALTO Commissioned by the Am
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42 Out in the wid
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249 mf 7 8
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120 mf a
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11 154 unis. mp Fill - in
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255 Commissioned by the Fort Worth
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4 257
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6 259
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voiceJunction SATB and piano 261 Sa
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263
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265
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267
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SECULAR SATB (with divisions) and p
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271
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273
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275
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277
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279
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for online perusal only 281
Page 283 and 284:
283 for online perusal only
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For more information about any of t
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Sarah Quartel - Mixed Voices Sampler

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