HUM 150 Week 5 DQ 1
Week 5 DQ 1 Imagine you are a character in a comedy. And also a romance. And yet again in a comedy-romance. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic, romantic, and comedy-romantic films. Name some other characteristics one finds; how do they contribute?
Week 5 DQ 1
Imagine you are a character in a comedy. And also a romance. And yet again in a comedy-romance. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic, romantic, and comedy-romantic films. Name some other characteristics one finds; how do they contribute?
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<strong>HUM</strong> <strong>150</strong> <strong>Week</strong> 5 <strong>DQ</strong> 1<br />
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<strong>Week</strong> 5 <strong>DQ</strong> 1<br />
Imagine you are a character in a comedy. And also a romance. And yet again in a<br />
comedy-romance. What sounds do you hear? What sounds do you not hear, but the<br />
audience does? From these, discuss how sound manipulates audience reaction in comedic,<br />
romantic, and comedy-romantic films. Name some other characteristics one finds; how<br />
do they contribute?
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