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Naturaly,some instalations play with<br />
theelementofmirorandhumancenturies-longobsessionwithit.Thequestion<br />
ofthiskindofself-observationbecomes<br />
evenmoreintriguing intoday’stimesof<br />
selfieculture,andanincreasingexposure<br />
ofourlivesthroughalkindsofavailable<br />
channels.<br />
channels.<br />
qua’reKaraköyBoutiqueHotel<br />
AESTHETICS<br />
LIGHTING<br />
FUNCTIONALITY<br />
SCANDINAVIANDESIGNPRINCIPLES<br />
and ISTANBUL’SCOLOURS<br />
FACADES<br />
USERPROFILE<br />
Peoplewhofast-living,spontaneouslytraveling,social,enjoyable,lovingsurprises,<br />
usetechnologywel.<br />
BodyandSpacegivingshapetoeachothers;<br />
Limit<br />
Define<br />
Move<br />
Makecontactwith<br />
FOCUSHIERARCHY<br />
“UrbanTexture”isthemostimportantthinginspaceperceptioncontext.<br />
PLACE<br />
PERCEPTION<br />
FICTION<br />
4.DIMENSION(TIMEPERCEPTION)<br />
Sketchingon<br />
Karaköy<br />
toget<br />
designpoints<br />
Usingsketchtoplace<br />
intoprojectarea.<br />
SketchingonKaraköyUrban<br />
Context/TramlineandSea<br />
Relation.<br />
FIRSTFLOORPLAN<br />
+3.801/100<br />
TERRACEPLAN<br />
+18.001/100<br />
GROUNDFLOORPLAN<br />
+0.001/100<br />
3TH-5THFLOORSPLAN<br />
+6.60.+15.001/100<br />
BASEMENTPLAN<br />
-2.851/100<br />
LEFTVIEW<br />
1/100<br />
FRONTVIEW<br />
1/100<br />
2NDFLOORPLAN<br />
+6.601/100<br />
IMPORTANTCOMPONENTSINCREATINGSPACE;<br />
SOUND<br />
LIGHT<br />
COLOUR<br />
STRUCTURE