翰墨丹青—中國書畫專場 Refined Brushwork: Fine Chinese Paintings

SPRING REFINED BRUSHWORK: AUCTION FINE CHINESE 2018 PAINTINGS TAIPEI

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IMPORTANT NOTICE TO BUYERS
The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and
understand the following regulations:
1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion
of a registration form and the payment of a bidding deposit are required.
2. Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.
3. The bidding deposit must be transferred to Ravenel's specified Bank account prior to 30th May 2018, details as follow:
Beneficiary's Bank: HSBC BANK (Taiwan) Limited.
SWIFT Code: HSBCTWTP
Beneficiary's Name: Ravenel Ltd.
Beneficiary's Account No:001-234830-031(NT$) 或 001-234830-061(US$)
Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan
The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank
service fees.
4. After the 30th May 2018, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 31st
May to 1st Jun 2018). Acceptance will cease on 1st Jun by 6 pm (No other forms of payment will be accepted).
5. Telephone/written/internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid
through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified
Bank account before the 30th May 2018.
6. If the bidding deposit has been transferred prior to 30th May 2018, suitable proof or documentation is required. Once this information is verified, the
payer will be contacted for details of his/her/its paddle number.
7. If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal
identification (i.e. Identification Card, passport, etc.) for purposes of verification.
8. Return of the Security Deposit:
(1) Completed Transaction:
(a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be
deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a
wire transfer.
(b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the
bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund.
(c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's Premium, and
other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit.
(2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding
deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days
through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.
9. Successful bidder must settle the payment (hammer price with buyer's premium) prior to receiving the lot(s) on site. If the price exceeds the amount of
the bidding deposit, the successful bidder may settle the outstanding balance through the following means:
(1) A cash payment must not exceed NT$ 1,000,000.
(2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must
be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.
10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.
Ravenel 6

本 拍 賣 會 依 據 「 羅 芙 奧 股 份 有 限 公 司 業 務 規 則 」 舉 行 , 請 在 參 加 拍 賣 會 之 前 仔 細 閱 讀 , 充 分 理 解 以 下 規 則 :
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2. 競 投 保 證 金 : 新 台 幣 陸 拾 萬 元 或 貳 萬 美 金 。
3. 競 投 保 證 金 需 於 2018 年 5 月 30 日 以 前 完 成 匯 款 至 本 公 司 指 定 帳 號 如 下 :
銀 行 : 匯 豐 ( 台 灣 ) 商 業 銀 行 - 台 北 分 行
銀 行 代 碼 :0810016
戶 名 : 羅 芙 奧 股 份 有 限 公 司
帳 號 :001-234830-031( 新 台 幣 ) 或 001-234830-061( 美 金 )
地 址 : 台 北 市 基 隆 路 一 段 333 號 14 樓
匯 款 時 請 指 示 銀 行 本 公 司 需 實 收 競 投 保 證 金 全 額 , 銀 行 手 續 費 請 匯 款 人 負 擔 。
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2018 年 5 月 30 日 以 前 完 成 匯 款 至 本 公 司 指 定 帳 號 。
6. 如 於 2018 年 5 月 30 日 以 前 完 成 競 投 保 證 金 匯 款 , 請 提 供 我 方 可 證 明 已 匯 款 的 證 明 文 件 。 確 認 收 到 競 投 保 證 金 匯 款 後 , 我 們 將 與 競 投 者 聯
繫 並 與 之 確 認 其 競 標 牌 號 。
7. 拍 賣 當 天 已 繳 納 競 投 保 證 金 之 競 投 者 欲 領 取 所 登 記 的 牌 號 時 , 請 出 示 有 效 證 件 ( 如 : 身 份 證 明 、 護 照 …) 以 確 認 身 份 。
8. 競 投 保 證 金 退 還 方 式 :
(1) 有 成 交 :
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將 於 拍 賣 日 後 十 四 個 工 作 天 內 以 匯 款 方 式 退 還 給 買 家 。
(b) 競 投 保 證 金 以 「 現 金 」 方 式 完 成 者 , 扣 除 應 支 付 予 本 公 司 之 款 項 ( 包 含 落 槌 價 、 服 務 費 及 其 他 費 用 ) 後 , 若 有 餘 額 需 退 還 , 本 公 司
將 於 拍 賣 當 日 以 現 金 退 還 給 買 家 。
(c) 若 買 家 無 正 當 理 由 未 於 成 功 拍 賣 日 期 後 七 天 內 支 付 全 部 應 支 付 之 款 項 ( 包 含 落 槌 價 、 服 務 費 及 其 他 費 用 ) 予 本 公 司 , 買 家 不 得 請
求 返 還 競 投 保 證 金 。
(2) 未 成 交 : 若 競 投 者 未 能 購 得 拍 賣 品 且 對 本 公 司 無 任 何 欠 款 則 將 無 息 退 還 保 證 金 。 競 投 保 證 金 以 「 匯 款 」 方 式 完 成 者 , 本 公 司 將 於 拍 賣 日
後 十 四 個 工 作 天 內 以 匯 款 方 式 退 還 給 買 家 。 競 投 保 證 金 以 「 現 金 」 方 式 完 成 者 , 本 公 司 將 於 拍 賣 當 日 以 現 金 退 還 給 買 家 。
9. 若 成 功 得 標 買 方 欲 現 場 取 貨 , 買 方 之 應 付 款 項 ( 落 槌 價 與 佣 金 ) 金 額 超 過 競 投 保 證 金 金 額 時 , 買 方 得 以 下 列 方 式 結 清 帳 款 :
(1) 現 鈔 : 上 限 新 台 幣 壹 百 萬 元 。
(2) 信 用 卡 與 銀 聯 卡 : 刷 卡 上 限 為 新 台 幣 壹 百 萬 元 。 信 用 卡 與 銀 聯 卡 持 有 人 必 需 是 買 家 本 人 , 本 公 司 不 接 受 他 人 之 信 用 卡 。
10. 羅 芙 奧 股 份 有 限 公 司 有 權 在 發 生 任 何 不 可 預 見 的 糾 紛 或 矛 盾 的 狀 況 之 下 , 對 於 接 受 或 拒 絕 付 款 ( 包 含 競 投 保 證 金 ) 保 留 全 部 的 決 定 權 。

Ravenel 8

RAVENEL SPRING AUCTION 2018
Refined Brushwork: Fine Chinese Paintings
羅 芙 奧 2018 春 季 拍 賣 會
翰 墨 丹 青 — 中 國 書 畫 專 場
AUCTION
拍 賣 日 期 / 地 點
Saturday, 2 June 2018, 3:30 pm
Taipei Marriott Hotel 3F (Grand Space Hall)
No. 199 Lequn 2nd Road, Zhong Shan District, Taipei
2018 年 6 月 2 日 ( 六 ) 下 午 3:30
台 北 萬 豪 酒 店 三 樓 ( 博 覽 廳 )
台 北 市 中 山 區 樂 群 二 路 199 號 3 樓
PREVIEWS
預 展 日 期 / 地 點
Taichung
Saturday, 12 May 2018, 1:00 pm - 6:00 pm
Sunday, 13 May 2018, 11:00 am - 6:00 pm
Fong-Yi Art Gallery
B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung
台 中
2018 年 5 月 12 日 ( 六 ) 下 午 1:00 至 下 午 6:00
2018 年 5 月 13 日 ( 日 ) 上 午 11:00 至 下 午 6:00
豐 藝 館
台 中 市 西 區 五 權 西 路 一 段 110 號
Kaohsiung
Saturday, 19 May 2018, 11:00 am - 6:00 pm
Sunday, 20 May 2018, 11:00 am - 6:00 pm
J.P. Art Center
8F, No.63, Wufu 3rd. Rd., Qianjin Dist., Kaohsiung
高 雄
2018 年 5 月 19 日 ( 六 ) 下 午 11:00 至 下 午 6:00
2018 年 5 月 20 日 ( 日 ) 下 午 11:00 至 下 午 6:00
琢 璞 藝 術 中 心
高 雄 市 前 金 區 五 福 三 路 63 號 8 樓
Taipei
Thursday, 31 May 2018, 10:00 am - 6:00 pm
Friday, 1 June 2018, 10:00 am - 6:00 pm
Saturday, 2 June 2018, 10:00 am - 3:30 pm
Taipei Marriott Hotel 3F (Grand Space Hall)
No. 199 Lequn 2nd Road, Zhong Shan District, Taipei
台 北
2018 年 5 月 31 日 ( 四 ) 上 午 10:00 至 下 午 6:00
2018 年 6 月 1 日 ( 五 ) 上 午 10:00 至 下 午 6:00
2018 年 6 月 2 日 ( 六 ) 上 午 10:00 至 下 午 3:30
台 北 萬 豪 酒 店 三 樓 ( 博 覽 廳 )
台 北 市 中 山 區 樂 群 二 路 199 號 3 樓
As requested by the Buyer, we are delighted to offer the condition reports of all the auction items provided, however, such items will be sold “as
is”. In addition, the Buyer is requested to take note of the transaction agreement and the explanations of the provisions regarding the notice of
no-guarantee. This auction catalogue: NT$ 2,000 per copy

Arthur WANG
王 鎮 華
Chairman 董 事 長
Clara KUO
郭 倩 如
Vice Chairman 副 董 事 長
Wendy LEE
李 雅 欣
Chief Executive Officer 執 行 長
何 瑩 Vivi He
古 文 物 部 總 監
Director, Head of Department
周 媛 玲 Connie Chau
執 行 長 特 助
Executive Assistant
陳 砥 翰 Masa Chen
古 文 物 及 書 畫 部 經 理
Manager, Fine Chinese Works of Art
and Paintings Department
林 美 夆 Annika Lin
客 戶 發 展 部 經 理
Manager, Client Development Department
謝 幸 航 Roger Hsieh
古 文 物 及 書 畫 部 經 理
Manager, Fine Chinese Works of Art
and Paintings Department
臧 育 嫻 Angela Chang
業 務 助 理 台 北
Sales Assistant Taipei
朱 毅 Walter Zhu
業 務 代 表 北 京
Representative Beijing
李 政 希 Xiu Lee
業 務 代 表 上 海
Business Representative Shanghai
Ravenel 10

目 次 / Contents
4 給 予 買 家 的 重 要 通 知
IMPORTANT NOTICE TO BUYERS
8 羅 芙 奧 秋 季 拍 賣 會
SALE INFORMATION
10 羅 芙 奧 之 服 務
RAVENEL SERVICES
12 翰 墨 丹 青 - 中 國 書 畫
Refined Brushwork: Fine Chinese Paintings
71 委 託 競 投 表 格
ABSENTEE BID FORM
73 業 務 規 則
TRANSACTION AGREEMENT
78 畫 家 索 引
INDEX

RAVENEL STAFF AND SERVICES FOR THIS SALE
SPECIALISTS
Director, Head of Department
Vivi He
Tel: +852 2889 0859
Email: vivihe@ravenel.com
Masa Chen
Tel: +886 2 2708 9868 ext. 588
Email: masachen@ravenel.com
Roger Hsieh
Tel: +886 2 2708 9868 ext. 587
Email: rogerhsieh@ravenel.com
Annika Lin
Tel: +886 2 2708 9868 ext. 909
Email: annikalin@ravenel.com
Connie Chau
Tel: +886 2 2708 9868 ext. 908
Email: conniechau@ravenel.com
PHONE BIDS AND WRITTEN BIDS
Hong Kong, International
Vivi He
Tel: +852 2889 0859
Email: vivihe@ravenel.com
Taiwan
Angela Chang
Tel: +886 2 2708 9868 ext. 585
Email: angelachang@ravenel.com
Beijing
Walter Zhu
Tel: +86 10 8587 8099
Email: yizhu@ravenel.com
CATALOGUE SUBSCRIPTION
Taiwan
Angela Chang
Tel: +886 2 2708 9868 ext. 585
Email: angelachang@ravenel.com
Hong Kong, International
Eric Siu
Tel: +852 2889 0859
Email: ericsiu@ravenel.com
Beijing
Walter Zhu
Tel: +86 10 8587 8099
Email: yizhu@ravenel.com
Shanghai
Xiu Lee
Tel: +86 21 6228 2883
Email: xiulee@ravenel.com
The catalogues are available for subscription. For details
of subscription, please refer to the explanations of the catalogue
or contact the above persons.
COLLECTION AND SHIPPING
Taiwan
Tommy Wu
Tel: +886 2 2708 9868 ext.885
Email: tommywu@ravenel.com
Hong Kong, International
Eric Siu
Tel: +852 2889 0859
Email: ericsiu@ravenel.com
China
Walter Zhu
Tel: +86 10 8587 8099
Email: yizhu@ravenel.com
Remarks:
All the items auctioned may be collected upon receipt of
payments. The Buyers are requested to arrange for collection
as soon as possible to facilitate warehouse inventory
circulation and centralize management. We accept personal
and corporate checks, however collection may be made
only when such checks are honored. We apologize for no
acceptance of traveler's checks. Other items may be collected
at the Ravenel Ltd. The business hours are 9:30 am
to 6:30 pm, Monday to Friday.
Our professional administration department may make
recommendations of arrangement or the most appropriate
transportation for you.
Ravenel is glad to provide you with the condition report
of any of the items at the auction, however, the buyers
must note that all the items at the auction are sold “as is”.
Please refer to the Transaction Agreement at the back of
the catalogue. Please refer to the “Transaction Agreement
to the Buyers”.
Shanghai
Xiu Lee
Tel: +86 21 6228 2883
Email: xiulee@ravenel.com
Remarks:
If you are unable to attend the auction in person, you may
tender the bid by phone or you may use the absentee bid
forms attached at the back of the auction catalogue to tender
your bid. It is also possible to bid online for selected
lots. Please refer to ravenel.com for more information.
In view of the limited phone line services at the auction,
please inform us 24 hours prior to the auction for arrangements,
including any foreign language assistance for the
bidding.
ONLINE BIDS
Register at Invaluable
www.invaluable.com
Ravenel 12

2018
諮 詢 專 家
目 錄 訂 閱
取 貨 及 運 輸 事 宜
何 瑩
電 話 :+852 2889 0859
電 子 信 箱 :vivihe@ravenel.com
陳 砥 翰
電 話 :+886 2 2708 9868 轉 588
電 子 信 箱 :masachen@ravenel.com
謝 幸 航
電 話 :+886 2 2708 9868 轉 587
電 子 信 箱 :rogerhsieh@ravenel.com
林 美 夆
電 話 :+886 2 2708 9868 轉 909
電 子 信 箱 :annikalin@ravenel.com
周 媛 玲
電 話 :+886 2 2708 9868 轉 908
電 子 信 箱 :conniechau@ravenel.com
電 話 書 面 競 標 聯 絡 人
香 港 . 國 際
何 瑩
電 話 :+852 2889 0859
電 子 信 箱 :vivihe@ravenel.com
台 灣
臧 育 嫻
電 話 :+886 2 2708 9868 轉 585
電 子 信 箱 :angelachang@ravenel.com
台 灣
臧 育 嫻
電 話 :+886 2 2708 9868 轉 585
電 子 信 箱 :angelachang@ravenel.com
香 港 . 國 際
邵 俊 豪
電 話 :+852 2889 0859
電 子 信 箱 :ericsiu@ravenel.com
北 京
朱 毅
電 話 :+86 10 8587 8099
電 子 信 箱 :yizhu@ravenel.com
上 海
李 政 希
電 話 :+86 21 6228 2883
電 子 信 箱 :xiulee@ravenel.com
本 目 錄 開 放 各 界 訂 閱 , 詳 細 訂 閱 辦 法 , 請 參 照 目 錄 之
說 明 或 請 洽 上 述 聯 絡 人 。
台 灣
吳 博 峯
電 話 :+886 2 2708 9868 轉 885
電 子 信 箱 :tommywu@ravenel.com
香 港 . 國 際
邵 俊 豪
電 話 :+852 2889 0859
電 子 信 箱 :ericsiu@ravenel.com
中 國
朱 毅
電 話 :+86 10 8587 8099
電 子 信 箱 :yizhu@ravenel.com
註 一 : 所 有 拍 品 在 貨 款 結 清 後 , 即 可 取 貨 ; 買 家 請 儘
早 通 知 安 排 取 貨 事 宜 , 以 利 倉 庫 存 貨 流 通 和 集 中 安 排
辦 理 , 本 公 司 接 受 個 人 及 公 司 支 票 付 款 , 惟 需 在 兌 現
後 始 能 提 貨 。 恕 不 接 受 旅 行 支 票 付 款 。 其 他 各 項 貨 品
可 在 羅 芙 奧 辦 公 室 提 領 , 上 班 時 間 為 週 一 至 週 五 上 午
9:30 至 下 午 6:30。
註 二 : 我 們 的 專 業 行 政 部 門 可 為 您 建 議 或 安 排 最 適 當
的 運 輸 方 式 。
羅 芙 奧 樂 意 提 供 您 本 次 拍 賣 當 中 任 何 一 項 拍 品 的 狀 況
報 告 書 , 惟 準 買 家 需 注 意 拍 品 均 是 以 「 當 時 認 定 」 之
狀 況 賣 出 , 相 關 細 項 請 參 照 目 錄 後 之 業 務 規 則 。 請 參
照 買 家 需 注 意 事 項 。
北 京
朱 毅
電 話 :+86 10 8587 8099
電 子 信 箱 :yizhu@ravenel.com
上 海
李 政 希
電 話 :+86 21 6228 2883
電 子 信 箱 :xiulee@ravenel.com
註 一 : 如 您 無 法 親 臨 拍 賣 現 場 , 可 以 電 話 投 標 方 式 競
標 ; 亦 可 利 用 附 在 此 目 錄 後 面 之 委 託 競 投 表 格 ; 或 可
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Ravenel 14 | 14

REFINED BRUSHWORK:
FINE CHINESE PAINTINGS
翰 墨 丹 青 — 中 國 書 畫 專 場
Saturday, 2 June 2018
3:30 pm
Taipei Marriott Hotel
Lots 601 – 628

601
LUO FU
(Taiwanese, 1928-2018)
Poem in Running Script
Ink on paper, framed
107 x 23 cm (each)
Signed LUO FU in Chinese
With two seals of the artist
NT$ 40,000 – 80,000
HK$ 11,000 – 22,000
US$ 1,400 – 2,800
RMB 9,000 – 17,000
107 x 23 cm (each)
Ravenel 16

602
LUO FU
(Taiwanese, 1928-2018)
Poem in Running Script
Ink on paper, scroll
176.5 x 35.5 cm (each)
Signed LUO FU in Chinese
With three seals of the artist
ILLUSTRATED:
Works of Luo Fu, Huoke International Art Group, Taipei, 2001
NT$ 60,000 – 120,000
HK$ 16,000 – 32,000
US$ 2,100 – 4,100
RMB 13,000 – 26,000
176.5 x 35.5 cm (each)
2001

603
JI KANG
(Taiwanese, 1911-2007)
Lady
Ink and colour on paper, scroll
123 xw 44.5 cm
Signed JI KANG in Chinese
With two seals of the artist
NT$ 80,000 – 160,000
HK$ 22,000 – 43,000
US$ 2,800 – 5,500
RMB 17,000 – 35,000
123 x 44.5 cm
Ravenel 18

604
AU HO-NIEN
(Taiwanese, b.1935)
Birds and Wisteria
Ink and colour on paper, framed
44.5 x 30 cm
Signed HO-NIEN in Chinese
With two seals of the artist
NT$ 80,000 – 160,000
HK$ 22,000 – 43,000
US$ 2,800 – 5,500
RMB 17,000 – 35,000
44.5 x 30 cm

605
LIAO HORNG-SHING
(Taiwanese, b.1964)
Lady
1988
Ink and colour on paper, framed
136.5 x 69.5 cm
Signed HORNG-SHING in Chinese
With one seal of the artist
NT$ 130,000 – 220,000
HK$ 35,000 – 59,000
US$ 4,500 – 7,600
RMB 28,000 – 48,000
1988
136.5 x 69.5 cm
Ravenel 20

606
CHEN YUNG-MO
(Taiwanese, b.1961)
Heart Sutra ; Guanyin and Child
1990
Ink on paper, scroll
85 x 33 cm
Signed CHEN YUNG-MO in Chinese
With two seals of the artist
PUBLISHED:
The Paintings of Chen Yung-Mo, Ching Yun Gallery,
Taipei, 1992, Plate 23
NT$ 140,000 – 240,000
HK$ 38,000 – 65,000
US$ 4,800 – 8,300
RMB 30,000 – 52,000
1990
85 x 33 cm
1992 23

607
CHANG YUN-MING
(Taiwanese, b.1949)
River from the Sky
1986
Ink and colour on paper, framed
77 x 69.5 cm
Signed CHANG YUN-MING in Chinese
With two seals of the artist
ILLUSTRATED:
Reader's Digest, Taipei, April 1988
NT$ 110,000 – 220,000
HK$ 30,000 – 59,000
US$ 3,800 – 7,600
RMB 24,000 – 48,000
1986
77 x 69.5 cm
1988 4
Ravenel 22

608
CHEN TING-SHIH
(Chinese, 1916-2002)
Landscape
Ink on paper, framed
57 x 39 cm
Signed CHEN TING-SHIH in Chinese
With two seals of the artist
PROVENANCE:
Obtained from the collection of Ms Kuo Liang-hui
(Acquired from the artist)
NT$ 110,000 – 220,000
HK$ 30,000 – 59,000
US$ 3,800 – 7,600
RMB 24,000 – 48,000
57 x 39 cm
Ravenel 24

609
WANG JI-QIAN
(Chinese, 1906-2002)
Bamboo and Stone
1986
Ink and colour on paper, framed
48 x 62 cm
Signed WANG JI-QIAN in Chinese
With one seal of the artist
PROVENANCE:
Obtained from the collection of Mr William Suen
(the elder son of Ms Kuo Liang-hui)
NT$ 170,000 – 280,000
HK$ 46,000 – 75,000
US$ 5,900 – 9,600
RMB 37,000 – 61,000
1986
48 x 62 cm
Ravenel 26

1925-1985
9
19495
Lot 612
Ravenel 28

Lot 611 Lot 610
"Flower and Bird" is a prevalent genre among traditional Chinese painters. Each painter has their own characteristics. Among these artists
is Yu Chung-lin, a gifted and well-acclaimed gongbi painter among the collectors’ circle. Inspired by his uncle Xu Zhonghai, a famous
flower and bird painter, Yu started his practice early on. After the war in 1949, Yu moved to Taiwan and followed Jin Boqin. Since then,
he devoted his lifetime in painting and gained his well-deserved fame among the art community.
Yu once wrote, "…I put a lot of effort on flower and bird paintings. My strategy is to meticulously observe an object, understand every
detail of the subject matter, eg. the number of petals on a certain flower, its colour, its form in full bloom, its form in half bloom, the
shape of its leaf, etc. When these figures are sketched in detail, as time goes by, one would know how to draw the figure with ease.
Another way is to collect as many references of flower and birds from multifarious ways, such as through magazines. With regard to the
elegance of a painting, one has to study traditional paintings. These paintings carries a fascinating aura which cannot be easily imitated
and should be studied by learners. I have high respect to Song paintings, regardless of their landscape or their flower and bird paintings.
In my opinion, one shouldn’t copy these paintings, but to feel them personally and learn from them, so that one could eventually paint
with the aura."
There are a few points to note from Yu’s creative methodology: 1, Meticulously painting the details by observation; 2, Painstakingly
studying Song paintings; 3, Creatively transforming a painting by blending multitude skills learnt from old masters.
Structure of a painting and matching of colours had always been the core elements to YU Chung-lin. The artist once said, "Harmony in
colour scheme forms the core of the painting. Colour of flowers has always been the most eye-catching element, and with many flowers
cluttering together, the treatment of colours could be a challenge. If the painting needs to be an extravagant one, colour harmony might
not be the key. In this case, tonality is needed to highlight the subject matter; or emphasize the subject to make it stand out. This method
might not be said previously by old masters, but it is observed to be their usual practice. Ma Lin's painting in the National Palace Museum
is an example, with a boy in a very tiny scale at the corner, as he is not important to the painting. This method is a conventional yet
modern concept."
Yu’s tactful application of skills and his detailed observation lifted his fame as a gongbi painter among art lovers in Taiwan and beyond.

610
YU CHUNG-LIN
(Chinese, 1925-1985)
Chicks and Strawberries
1979
Ink and colour on paper, framed
49 x 32 cm
Signed CHUNG-LIN in Chinese
With two seals of the artist
PROVENANCE:
Acquired directly from the artist's daughter
ILLUSTRATED:
Elegance and Grace: A Commemorative Collection of
Flower and Bird Paintings by Yu Chung-Lin, National
Museum of History, Taipei, 2012, pp.112-113
1979
49 x 32 cm
: 88
2012 112-113
NT$ 130,000 – 220,000
HK$ 35,000 – 59,000
US$ 4,500 – 7,600
RMB 28,000 – 48,000
1979
Chicks and Strawberries was made in the early summer of 1979,
and is a perfect example of careful colour selection and Yu’s
typical pictorial structure. By putting two tiny subjects, chicks and
strawberries, at the top, the lower part of the painting is lightly
coloured in green. This structure forms a balance in visual elements,
creating harmony in the whole artwork. The interaction of the chicks
is depicted, as if they are discussing the flowers and the fruits. From
the different forms of flowers, one can see the artist's immense effort
on objects’ depiction, which echoes with his ideology of painting
objects through close observation.
Ravenel 30

611
YU CHUNG-LIN
(Chinese, 1925-1985)
White Lotus
1973
Ink and colour on paper, Framed
47 x 55 cm
Signed CHUNG-LIN in Chinese
With one seal of the artist
PROVENANCE:
Acquired directly from the artist's daughter
ILLUSTRATED:
Elegance and Grace: A Commemorative Collection of
Flower and Bird Paintings by Yu Chung-Lin, National
Museum of History, Taipei, 2012, pp.172-173
1973
47 x 55 cm
: 88
2012 172-173
NT$ 170,000 – 280,000
HK$ 46,000 – 75,000
US$ 5,900 – 9,600
RMB 37,000 – 61,000
Painted in mid-summer, White Lotus featured a huge lotus leaf
dominating the whole painting. The method of splash ink was
applied at the center, with a careful treatment of adjacent objects,
highlighting the smothering heat of summer. Using the contrast of
bright white petals against the dominant blue colour of its leaves,
the eye is dragged towards the edges, fully utilising the spaces of the
paintings. Same as the previous paintings, the flowers were carefully
depicted to display their different forms, adding character and
vibrancy to the painting.
Ravenel 32

612
YU CHUNG-LIN
(Chinese, 1925-1985)
Red-crowned Cranes beside Bamboo Forest
1966
Ink and colour on silk, framed
49 x 74 cm
Signed CHUNG-LIN in Chinese
With one seal of the artist
PROVENANCE:
Acquired directly from the artist's daughter
ILLUSTRATED:
Elegance and Grace: A Commemorative Collection of
Flower and Bird Paintings by Yu Chung-Lin, National
Museum of History, Taipei, 2012, pp.120-121
1966
49 x 74 cm
: 88
2012 120-121
NT$ 240,000 – 360,000
HK$ 65,000 – 97,000
US$ 8,300 – 12,400
RMB 52,000 – 78,000
In this painting, the structure of this painting was well-planned,
with cranes and bamboo as the main theme. Yu used the contrast
of colours to highlight the white cranes, and the colour structure
echoes with the ideology of the artist. The two cranes were painted
meticulously in detail, without neglecting their characters, one
tidying its feathers, and the other looking at the audience. The
layered structure of bamboos at the background brings the eye from
the cranes to the bamboos, finally to the rocks at the bottom. This
painstaking treatment of layering and colour harmony highlight the
style of Yu's paintings with an auspicious greeting.
Ravenel 34

613
SUN YUNSHENG
(Chinese, 1918-2000)
Landscape
1990
Ink and colour on paper, framed
54 x 91 cm
Signed SUN YUNSHENG in Chinese
With four seals of the artist
NT$ 160,000 – 260,000
HK$ 43,000 – 70,000
US$ 5,500 – 9,000
RMB 35,000 – 56,000
1990
54 x 91 cm
Ravenel 36

大 隱 於 市 . 陋 巷 中 的 將 軍 : 余 承 堯
1898-1933194556
1966Rockefeller Foundation
Ravenel 38

A Retired General and Great Hermit Artist: Yu Cheng-Yao
Yu Cheng-yao (1898-1933) began his art practice at the age of 56 and participated in exhibitions in the US
for two years. In his retired life, he gained an accomplished fame in music research, thus becoming one of the
few literati who excelled in poems, calligraphy, paintings and music.
The paintings featured in this Sale are depicted with Yu's typical style and structure. Despite Yu's deviances
with traditional painting practices, the mountainous characteristics carry the same idealistic qualities as
traditional Chinese paintings.

614
YU CHENG-YAO
(Chinese, 1898-1993)
Poem in Cursive Script
1989
Ink on paper, framed
69.5 x 28.5 cm
Signed YU CHENG-YAO in Chinese
With one seal of the artist
NOTE:
The paper of this artwork was given to the
artist by Mr Chang Tsong-zung, Johnson
PROVENANCE:
Han Tang Arts & Culture Center, Taipei
Private Collection, Asia
NT$ 90,000 – 180,000
HK$ 24,000 – 49,000
US$ 3,100 – 6,200
RMB 20,000 – 39,000
1989
69.5 x 28.5 cm
Ravenel 40

A Retired General and Great Hermit Artist: Yu Cheng-Yao
615
YU CHENG-YAO
(Chinese, 1898-1993)
Poem in Cursive Script
1990
Ink on paper
44.5 x 142 cm
Signed YU CHENG-YAO in Chinese
With one seal of the artist
PROVENANCE:
Han Tang Arts & Culture Center, Taipei
Private Collection, Asia
1990
44.5 x 142 cm
NT$ 130,000 – 220,000
HK$ 35,000 – 59,000
US$ 4,500 – 7,600
RMB 28,000 – 48,000
Lot 614Lot 615
Yu studied calligraphy early on during the Japanese occupation. His
calligraphy paintings (Lot 614, Lot 615) possess great variances in
brushworks enhancing the vibrancy which echoes with old calligraphy
masters Huaisu from Tang dynasty. Yu had great interest in stone
rubbings, which enhances his expression with lines and space.

616
YU CHENG-YAO
(Chinese, 1898-1993)
Landscape
Ink on paper, framed
47 x 60 cm
With one seal of the artist
PROVENANCE:
Han Tang Arts & Culture Center, Taipei
Private Collection, Asia
47 x 60 cm
NT$ 320,000 – 480,000
HK$ 86,000 – 129,000
US$ 11,000 – 16,500
RMB 69,000 – 104,000
This work plays with the diversity of space. Using the overlapping
lines and colours to lead the eye from afar, the painting opens up to
the audience with details of the landscape. The multifarious forms of
ink adds vibrancy to painting, breakthrough from traditional Chinese
ink paintings.
Ravenel 42

A Retired General and Great Hermit Artist: Yu Cheng-Yao

617
YU CHENG-YAO
(Chinese, 1898-1993)
Landscape
1970s
Ink and colour on paper, framed
68 x 30 cm
With one seal of the artist
PROVENANCE:
Han Tang Arts & Culture Center, Taipei
Private Collection, Asia
1970
68 x 30 cm
NT$ 340,000 – 550,000
HK$ 92,000 – 148,000
US$ 11,700 – 18,900
RMB 74,000 – 119,000
collage
Using a close shot of the hilly relief, the drops of red and intersecting
lines of this painting add vividness of the layering of mountains,
reflecting Yu Chung-lin’s deep appreciation towards the Nature.
Enhanced with the concept of collage, Yu tried to enhance the visual
impact, bringing a new visual experience in ink paintings.
Ravenel 44

A Retired General and Great Hermit Artist: Yu Cheng-Yao

618
YU CHENG-YAO
(Chinese, 1898-1993)
Landscape
1970s
Ink and colour on paper, framed
83 x 43.5 cm
With one seal of the artist
PROVENANCE:
Han Tang Arts & Culture Center, Taipei
Private Collection, Asia
1970
83 x 43.5 cm
NT$ 600,000 – 900,000
HK$ 162,000 – 243,000
US$ 20,700 – 31,000
RMB 130,000 – 195,000
In this painting, the criss-crossing lines accentuate the texture
of rocks at the front and lightly depict the forms of the distant
mountains. The traversing lines and the use of colour reflect the
humble character of the artist and a true appreciation of nature,
which truly reflects the character of a Chinese literati.
Ravenel 46

A Retired General and Great Hermit Artist: Yu Cheng-Yao

619
HUANG CHUN-PI
(Chinese, 1898-1991)
Mountain and River at Sunset
1975
Ink and colour on paper, framed
53 x 90.5 cm
Signed HUANG CHUN-PI in Chinese
With three seals of the artist
PROVENANCE:
Acquired directly from the artist's family
by the present owner
ILLUSTRATED:
The Paintings of Huang Chun-Pi,
National Museum of History, Taipei, 1984, p.65
NT$ 500,000 – 800,000
HK$ 135,000 – 216,000
US$ 17,200 – 27,600
RMB 108,000 – 174,000
1975
53 x 90.5 cm
1984 65
Ravenel 48

1898-1991
1883-1937
2017
2017638
1960
160
220192
Lot 6191975
Ravenel 50

In the competitive world of Chinese Paintings, Huang Chun-pi
championed, along with Pu Hsin-yu and Chang Da-Chien, as one of
the top three Taiwanese painters.
At his early age, Huang followed a strict apprenticeship with Li
Yao-Ping (1883-1937), a famous painter in Guangdong, under
the Lingnan school of painting. The ideology promoted by Li and
this School is to revive the essence of Chinese classical paintings
and to stand firmly against Western practices. Thus, in his early
practice before arriving in Taiwan, Huang's paintings were inclined
to meticulously follow the Chinese traditional painterly style in his
landscape, portrait and flower and bird painting genres. With the
increasing number of visits to the majestic mountains and valleys and
the encounters with art fellows, Huang began to refine his belief and
skills which made him a well-acclaimed artist.
Since his arrival in Taiwan, Huang devoted his career in art education
and influenced deeply in the development of Taiwanese modern
art. With his numerous travel around the globe, Huang transformed
his traditional art skills and focused on depicting the grandiosity of
nature. Prof. Fu Shen once praised the artist, Huang has a rich
knowledge of both Chinese and Western art. His art gathers the
essence of both Northern and Southern art schools. Under Huang's
proficient painterly skills and his strong observation of nature,
his landscape paintings created a unique Taiwanese style in art
development of the late 20th Century.
Created in 1975, this painting Landscape at Sunset (Lot 619) depicts
the richness of the autumn hills at sunset. A sensual pleasure of
landscape is elevated as the eye moves from the gentle slopes and
cottages on the lower left, through to the waterfall on the top right
of the painting. As the mist of the waterfall uncovers the distant
mountains, the red maple trees scattered in the mountains echoing
with the diffused glow of the setting sun.
As the caption writes,
“Heavy mist envelopes the pleasure of nature,
As the greenery highlights the soggy hills,
Autumn highlighted by the lofty cliffs,
As the red maples dance under the gentle beams of the setting sun.”
Echoing with the caption, the painting unveils the blissful enjoyment
of a Chinese literati in a scholarly manner.
Figure in a Mountainous Landscape by the same artist was sold at
Ravenel (Lot 638 in 2017 Spring Sale). The year of the painting was
deemed to be 1960, based on the poetry and the style of painting.
The painting featured three scholars hiking after the rain and
watching the waterfalls from the sky. In terms of structure, layers of
mountains lead the eye from afar, and tonality enriches the layering.
The whole painting was highlighted by two dark trees on the cliff.
This structure opens up to the mountainous view with a traditional
style, highlighting the majestic waterfall. This painting is undoubtedly
the work of Huang Chun-pi at the peak of his career. This work was
eventually sold for TWD1,920,000.
82 x 47 cm
2017 638
TWD1,920,000
HUANG JUNBI, Figure in a Mountainous Landscape,
Ink on paper
Ravenel Taipei, Spring Sale 2017, Lot 638
Sold Price: TWD1,920,000

620
RAN IN-TING
(Taiwanese, 1903-1979)
Taroko Landscape
1966
Ink and colour on paper, framed
136 x 45 cm
Signed RAN IN-TING in Chinese
With two seals of the artist
NT$ 600,000 – 900,000
HK$ 162,000 – 243,000
US$ 20,700 – 31,000
RMB 130,000 – 195,000
1966
136 x 45 cm
Ravenel 52

Ravenel 54
Details

1903-1979
Born in Luodong, under
the turbulence of Japanese
Occupation, Ran In-Ting
was heavily influenced by
both the Taiwanese and
Japanese culture. Ran
followed the apprenticeship
of Ishikawa Kin'ichiro, a
famous watercolour master,
and perfected his skills
in watercolour paintings
and sketches. With the
predominant subject matter
of Taiwanese landscape,
Ran later combined the skills
of Chinese paintings, thus
created his unique style.
With the guidance of
Ishikawa, Ran refined his watercolour painting techniques of ink and
brushwork to form light and shadow, depicting majestic landscapes.
In this painting, by adding tiny figures, a storyline was formed,
enhancing the pleasure of art appreciation. As Ran always said,
“Paintings need to be vibrant. This determines a painting’s aesthetic
value.”
Ran loved the countryside of Taiwan. As Taroko is one of the
landmarks in Taiwan, it naturally became the subject of Ran’s
painting. Featuring Zhuilu Old Trail, Ran uses an elevation perspective
to lead the eye from hikers to the soaring cliffs and finally to the
majestic waterfall.
Figures’ gestures carefully depicted, as it was deemed as a major
pictorial element to echo with the audience. Tiny hikers were
portrayed against the lofty landscape in the background. As the
hikers take their careful steps of their arduous journey, the scene
gradually reveals the grandiose waterfall. Ran not only highlighted
the monumental landscape, but also the struggle and fatigue of
hikers and, finally, the core fulfillment that lives in every hiker.

621
LIN ZEXU
(Chinese, 1785-1850)
Calligraphy in Running Script (A set of four)
Ink on paper, scroll
135 x 33 cm
Signed SHAOMU, LIN ZEXU and SICUN in Chinese
With two seals of the artist and two seals of two collectors
NT$ 1,100,000 – 1,800,000
HK$ 296,000 – 485,000
US$ 37,900 – 62,000
RMB 239,000 – 390,000
135 x 33 cm
Ravenel 56

1785-1850
1807-1884
1866-1921
191893
281902
201868-1943
19311228
1926
Ravenel 58

Lin Zexu (1785-1850) was a respected figure in Chinese history. He was a
political figure in Mid-/Late-Qing dynasty, an advocate, a calligrapher and a
poet. Born in Fujian province, Lin was a viceroy of Huguang, Shangan and
Yungui and was renowned for his campaign to suppress opium consumption.
LIN Zexu (1785-1850)
As a respected literati, Lin was lauded for his running and cursive script, which
took reference from a famous Buddhist scripture by Wang Xizhi. His calligraphy
was precise and powerful in the application of brushwork. Guo Boyin once
said, Calligraphy is priced for the concrete brushstroke, the saturation of
ink. Such calligraphy heavily demands the technique of the wrists and intense
concentration of the calligrapher. Any defect would fail the whole work.
Lin was persistent in his calligraphy practices, taking references from traditional
old masters. In this work (Lot 621), each brushstroke was acclaimed to
have carried the preciseness of Jin masters, the spirit of Tang masters, the
generous strokes of Su Dongbo, the bold strokes of Nangong and the candid
strokes of Zhaodong.
The four panels has two collectors's seals, namely Xiao Fuzheng and Lin
Sen. Xiao Fuzheng (1866-1921) was a wealthy businessman in Late Qing
dynasty with a vast collection of Chinese paintings. Lin Sen (1868-1943)
was a renowned political figure, elected as the President of the Nationalist
Government in 1931.
It was known in 1926, the vast collection of Xiao was looted and sold in a
bookstore. It was estimated that Lin Sen later acquired the four works and
passed on to other collectors.
LIN Sen (1868-1943)

622
XU BEIHONG
(Chinese, 1895-1953)
Old Man under Cypress Trees
1944
Ink and colour on paper, framed
73.6 x 61 cm
Signed BEIHONG in Chinese
With one seal of the artist
PROVENANCE:
Sotheby's Hong Kong, Autumn Sale 1992, Lot 937
Sotheby's Hong Kong, Autumn Sale 1988, Lot 85
NT$ 3,600,000 – 5,000,000
HK$ 970,000 – 1,348,000
US$ 124,000 – 172,200
RMB 781,000 – 1,085,000
1944
73.6 x 61 cm
1992 937
1988 85
Ravenel 60

畫 藝 精 絕 成 祭 酒 ‧ 悲 鳴 鴻 雁 終 高 飛
1895-1953
École Nationale Supérieure des Beaux-arts de Paris
1927
1944
1940
1936
III2013 214
Ravenel 62

In the past decade of traditional Chinese art development, Xu
Beihong (1895-1953) was undoubtedly one of the most important art
educator and artist, who excelled in multiple genres from portraits,
flower and bird and animal paintings. The artist carefully combined
the skills from Chinese and Western paintings, ink and oil paintings,
giving character to his works. In terms of aesthetic values, he was a
prominent art advocate who built milestones in Chinese modern art
development.
Xu Beihong learnt poems and paintings from his father then later
pursued his studies in Japan and France at the École Nationale
Supérieure des Beaux-arts de Paris. Art development was at its peak
during this period of his stay. After returning to China in 1927, he
took up major roles in art institutions and universities including the
Peking University, the National Central University and the Beiping
Art School, bringing Western art values to Chinese art teaching. He
revolutionized traditional aesthetic values of Chinese paintings, and
advocated the belief of incorporating Western values into Chinese
art, which could be easily observed in his paintings.
Xu believed that way of depiction in traditional Chinese paintings
was the weakest element, thus he emphasized the importance of
observation and live drawings, to capture light and shadow through
lines and colours. Numerous of sketches of his typical horse paintings
reflected his persistence in observation and live drawings, allowing his
horse paintings to spring to life in their multifarious forms. However,
one cannot limit his prodigy to his horse paintings.
Old Man under Cypress Trees was painted in 1944. The old cypress
are thick and aged, soaring into the sky. Despite of its age, the
trees are green with vivid colours, reflecting its liveliness, as if they
have witnessed history. An elderly man is picking woods near the
cypress trees. The trees were depicted with thick ink and rough lines,
highlighting the loftiness and thick humidity of the forest. Xu’s skills
reflect a traditional aesthetic values of Chinese traditional paintings
and Western art depiction, enriching the value of this work.

623
LI CHI-MAO
(Taiwanese, b.1925)
A Painting of Hundred Deers
Ink and colour on paper
70 x 400 cm
Signed LI CHI-MAO in Chinese
With two seals of the artist
PROVENANCE:
Acquired directly from the artist by the present owner
70 x 400 cm
NT$ 380,000 – 550,000
HK$ 102,000 – 148,000
US$ 13,100 – 18,900
RMB 82,000 – 119,000
Ravenel 64

Details

624
CHAO SHAO-AN
(Chinese, 1905-1998)
Flower and Bird
Ink and colour on paper, framed
80 x 32.5 cm
Signed SHAO-AN in Chinese
With two seals of the artist
NT$ 360,000 – 550,000
HK$ 97,000 – 148,000
US$ 12,400 – 18,900
RMB 78,000 – 119,000
80 x 32.5 cm
( ) ( )
Ravenel 66

625
WU HSUEH-JANG
(WU Xue-rang, Taiwanese, 1923-2013)
Origin
1984
Ink and colour on paper, framed
135 x 34 cm
Signed TUI-BO in Chinese
With one seal of the artist
ILLUSTRATED:
A Memorial Exhibition of Wu Xue-Rang Paintings and Calligraphy,
National Museum of History, Taipei, 2015, p.107
Linearity.symbols.eastern Geometry: Wu Hsueh-Jang art exhibition,
National Taiwan Museum of Fine Arts, Taichung, 2017, p.126
EXHIBITED:
A Memorial Exhibition of Wu Xue-rang Paintings and Calligraphy,
National Museum of History, Taipei, Taiwan, May 8-June 14, 2015
Linearity.symbols.eastern geometry: Wu Hsueh-Jang art exhibition,
National Taiwan Museum of Fine Arts, Taichung, Taiwan,
February 18-May 7, 2017
NT$ 320,000 – 480,000
HK$ 86,000 – 129,000
US$ 11,000 – 16,500
RMB 69,000 – 104,000
1984
135 x 34 cm
2015 107
2017 126
2015 5 8 6 14
2017 2 18 5 7

626
ZHANG GUANGBIN
(Taiwanese, 1915-2016)
Autumn Landscape
1993
Ink and colour on paper, scroll
232 x 53 cm
Signed ZHANG GUANGBIN in Chinese
With three seals of the artist
NT$ 320,000 – 480,000
HK$ 86,000 – 129,000
US$ 11,000 – 16,500
RMB 69,000 – 104,000
1993
232 x 53 cm
Details
Ravenel 68

627
TAI JINGNONG
(Taiwanese, 1902-1990);
CHANG GU-NIEN
(Taiwanese, 1905-1987)
Poem and Narcissus by the Rock
1959
Ink on paper, framed
21 x 32 cm; 69 x 31 cm
Signed CHANG GU-NIEN in Chinese
With four seals of the artists
NT$ 70,000 – 140,000
HK$ 19,000 – 38,000
US$ 2,400 – 4,800
RMB 15,000 – 30,000
;
1959
21 x 32 cm; 69 x 31 cm
Ravenel 70

628
JU MING
(Taiwanese, b.1938)
Rooster
1986
Ink and colour on paper, framed
34 x 44 cm
Signed JU MING in Chinese
With one seal of the artist
1986
34 x 44 cm
86
NT$ 30,000 – 60,000
HK$ 8,000 – 16,000
US$ 1,000 – 2,100
RMB 7,000 – 13,000

委 託 競 投 表 格
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姓 名
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拍 賣 名 稱 : 羅 芙 奧 2018 春 季 拍 賣 會
翰 墨 丹 青 — 中 國 書 畫 專 場
拍 賣 編 號 :TC1801
拍 賣 日 期 :2018 年 6 月 2 日 ( 星 期 六 ) 下 午 3:30
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者 含 參 仟 貳 佰 萬 元 以 20% 計 算 ;(2) 落 槌 價 於 新 台 幣 參 仟 貳 佰 萬 元 以 上 者 分 為 二 級 , 其 中 新 台 幣 參 仟 貳 佰 萬 元 以 20% 計 算 , 超 過 新 台 幣 參 仟 貳
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73

ABSENTEE BID FORM
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the auction begins. The bid forms may be faxed to:
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Bidder’s Details
Name
ID number
Address
Auction RAVENEL SPRING AUCTION 2018
Refined Brushwork: Fine Chinese Paintings
Date Saturday, June 2, 2018, 3:30 pm
Sale No. TC1801
Location Taipei Marriott Hotel
Address Grand Space, 3rd Floor, No. 199, Lequn 2nd Rd.,
Zhongshan Dist., Taipei
Post code
Tel: (Daytime)
(Evening)
Fax
Email
Signature
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Invoice cannot be changed after they have be printed.)
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that may be provided for certain items.
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Title
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Tel: +886 2 2708 9868 Fax: +886 2 2701 3306
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74

業 務 規 則
下 述 規 則 , 為 羅 芙 奧 股 份 有 限 公 司 ( 下 稱 「 本 公 司 」) 與 賣 家 訂 立 合 約 , 亦
作 為 賣 家 之 代 理 人 與 買 家 訂 立 合 約 之 條 款 。 準 買 家 、 買 家 及 賣 家 務 須 細 讀
各 項 規 則 並 完 全 同 意 遵 守 本 業 務 規 則 。 準 買 家 、 買 家 請 特 別 留 意 第 二 條 第 5
項 , 其 對 本 公 司 之 法 律 責 任 作 了 限 定 。
一 、 本 業 務 規 則 所 用 詞 彙 之 定 義
在 下 列 規 定 中 , 某 些 常 用 詞 彙 需 加 以 解 釋 。 此 等 詞 彙 定 義 如 下 :
1. 「 買 家 」: 指 本 公 司 所 接 受 之 出 價 最 高 之 自 然 人 或 法 人 。
2. 「 準 買 家 」: 指 任 何 有 意 參 加 本 公 司 舉 辦 拍 賣 之 任 何 自 然 人 或 法 人 。
3. 「 賣 家 」: 指 將 拍 賣 品 獨 家 委 託 本 公 司 於 本 公 司 舉 辦 之 拍 賣 會 參 與 拍 賣
之 自 然 人 或 法 人 。
4. 「 拍 賣 品 」: 指 交 予 本 公 司 以 供 拍 賣 出 售 之 物 品 , 尤 其 在 任 何 目 錄 內 以
任 何 編 號 描 述 之 一 項 或 多 項 物 品 。
5. 「 落 槌 價 」: 指 本 公 司 就 某 一 拍 賣 品 而 接 受 之 最 高 出 價 之 價 款 。
6. 「 買 家 服 務 費 」: 指 買 家 按 落 槌 價 之 某 一 百 分 比 而 支 付 本 公 司 之 費 用 ;
收 費 率 如 第 二 條 第 4a 項 所 列 。
7. 「 底 價 」: 指 本 公 司 與 賣 家 協 定 之 最 低 價 格 , 拍 賣 品 不 能 以 低 於 該 價 之
價 格 售 出 。
8. 「 膺 品 」: 指 拍 賣 品 構 成 模 仿 , 而 模 仿 之 原 構 想 及 其 整 體 執 行 均 具 有 欺
詐 意 圖 , 以 就 拍 賣 品 之 作 者 、 來 歷 、 年 代 、 時 期 、 文 化 或 來 源 進 行 欺
騙 , 而 對 此 等 事 項 之 正 確 描 述 並 未 在 目 錄 之 描 述 上 反 映 出 來 , 而 拍 賣 品
在 拍 賣 當 日 之 價 值 , 遠 低 於 按 照 目 錄 之 描 述 所 應 有 之 價 值 。 按 此 定 義 ,
任 何 拍 賣 品 均 不 會 因 為 有 任 何 損 壞 及 / 或 任 何 形 式 之 修 整 ( 包 括 重 新 上
漆 ) 而 成 為 膺 品 。
9. 「 保 險 值 」: 指 本 公 司 不 時 按 其 絕 對 決 定 權 認 為 拍 賣 品 所 應 購 買 之 保 險
之 價 值 ( 不 論 保 險 是 否 由 本 公 司 安 排 購 買 )。
10. 「 賣 家 服 務 費 」: 指 賣 家 應 支 付 本 公 司 之 費 用 。
二 、 買 家
1. 本 公 司 作 為 賣 家 代 理 人
本 公 司 作 為 賣 家 代 理 人 之 身 分 行 事 。 除 另 行 協 定 外 , 在 本 公 司 之 拍 賣 中
成 功 拍 賣 之 物 品 , 即 產 生 賣 家 通 過 本 公 司 之 代 理 與 買 家 達 成 之 合 約 。
2. 拍 賣 前
a. 鑑 定 物 品
本 公 司 鄭 重 建 議 , 準 買 家 應 於 拍 賣 進 行 之 前 親 自 鑑 定 其 有 興 趣 競 投 之
物 品 。 本 公 司 就 任 何 拍 賣 品 及 相 關 證 明 文 件 之 真 偽 , 均 不 對 買 家 作 任
何 保 證 。
b. 拍 賣 品 狀 況 之 重 要 注 意 事 項
請 準 買 家 注 意 , 在 可 能 的 範 圍 內 , 目 錄 中 對 於 拍 賣 品 特 性 上 之 描 述 ,
皆 已 提 及 顯 著 的 損 壞 , 惟 不 包 括 所 有 的 缺 陷 、 瑕 疪 與 不 完 整 。 對 任 何
拍 賣 品 之 描 述 亦 不 應 視 作 表 示 其 無 經 過 重 整 或 修 理 , 亦 不 應 視 作 對 拍
賣 品 狀 態 或 保 存 情 況 的 陳 述 或 保 證 。 在 目 錄 中 若 有 狀 態 陳 述 的 缺 乏 或
損 害 鑑 定 的 缺 乏 , 並 不 代 表 拍 賣 品 是 為 良 好 狀 態 。 本 公 司 鄭 重 建 議 ,
準 買 家 在 拍 賣 進 行 之 前 , 對 於 有 興 趣 競 投 之 拍 賣 品 狀 況 應 經 由 親 自 檢
閱 , 不 應 依 據 目 錄 中 的 描 述 或 陳 述 , 因 為 任 何 在 目 錄 中 所 列 出 的 描 述
或 陳 述 是 為 純 粹 本 公 司 的 主 觀 意 見 , 並 非 提 供 聲 明 或 擔 保 。 準 買 家 知
悉 並 瞭 解 所 有 拍 賣 品 均 以 「 現 狀 」 售 出 , 本 公 司 對 於 任 何 拍 出 之 拍 賣
品 狀 態 不 作 任 何 承 諾 或 保 證 。
c. 符 號 表 示
以 下 為 本 目 錄 所 載 符 號 之 說 明
o 保 證 項 目
拍 賣 品 編 號 旁 註 有 o 符 號 者 , 表 示 賣 家 已 取 得 本 公 司 保 證 , 可 在 一 次
或 一 連 串 拍 賣 中 得 到 最 低 出 售 價 格 。 此 保 證 可 由 本 公 司 、 第 三 方 或 由
本 公 司 與 第 三 方 共 同 提 供 。 保 證 可 為 由 第 三 方 提 供 之 不 可 撤 銷 競 投 之
形 式 做 出 。 若 保 證 拍 賣 品 成 功 售 出 , 提 供 或 參 與 提 供 保 證 之 第 三 方 可
能 會 取 得 財 務 利 益 ; 惟 銷 售 不 成 功 時 , 則 可 能 會 產 生 虧 損 。 若 提 供 或
參 與 保 證 之 第 三 方 成 功 競 投 保 證 拍 賣 品 時 , 他 們 仍 需 支 付 全 額 的 買 家
服 務 費 。
d. 目 錄 說 明
本 公 司 於 目 錄 或 鑑 定 意 見 書 內 對 任 何 拍 賣 品 及 其 證 書 之 作 者 、 來 歷 、
日 期 、 年 代 、 尺 寸 、 材 質 、 歸 屬 、 真 實 性 、 出 處 、 保 存 狀 況 或 估 計 售
價 之 陳 述 , 或 另 行 對 此 等 方 面 之 口 頭 或 書 面 陳 述 , 均 僅 屬 意 見 之 陳
述 , 不 應 依 據 為 確 實 事 實 之 陳 述 。 目 錄 圖 示 亦 僅 作 為 指 引 而 已 , 不 應
作 為 任 何 拍 賣 項 目 之 依 據 , 藉 以 決 定 其 顏 色 或 色 調 , 或 揭 示 其 缺 陷 。
拍 賣 價 格 之 估 計 , 不 應 依 據 為 拍 賣 品 會 成 功 拍 賣 之 價 格 或 拍 賣 品 作
其 他 用 途 之 價 值 陳 述 。
許 多 拍 賣 品 基 於 其 年 代 或 性 質 , 使 其 未 能 有 完 美 之 狀 況 , 目 錄 內 有
些 說 明 或 鑑 定 意 見 書 會 提 述 拍 賣 品 之 損 壞 及 / 或 修 整 資 料 。 此 等 資
料 僅 作 為 指 引 而 已 , 如 未 有 提 述 此 等 資 料 , 亦 不 表 示 拍 賣 品 並 無 缺
陷 或 修 整 , 如 已 提 述 特 定 缺 陷 , 亦 不 表 示 並 無 其 他 缺 陷 。
e. 買 家 之 責 任
有 關 拍 賣 品 之 狀 況 以 及 目 錄 說 明 所 提 述 之 事 項 , 買 家 有 責 任 自 行 查
明 並 瞭 解 , 並 就 拍 賣 品 為 自 己 獨 立 之 判 斷 及 評 估 , 並 確 使 自 己 感 到
滿 意 。
3. 拍 賣 時
a. 估 價
目 錄 內 及 拍 賣 當 日 所 提 供 之 美 金 等 貨 幣 估 價 , 僅 為 參 考 依 據 。 本 拍
賣 會 須 以 新 台 幣 結 算 , 買 家 如 須 以 新 台 幣 之 外 其 他 貨 幣 繳 付 , 須 依
拍 賣 日 現 場 公 佈 之 匯 率 , 折 合 所 繳 付 之 等 值 貨 幣 計 算 。
b. 拒 絕 入 場
拍 賣 於 本 公 司 之 場 地 進 行 , 或 於 本 公 司 為 拍 賣 而 具 有 控 制 權 之 場 地
進 行 , 本 公 司 具 有 完 全 之 決 定 權 , 可 行 使 權 利 拒 絕 任 何 人 進 入 拍 賣
場 地 或 參 與 拍 賣 。
c. 競 投 之 前 作 出 登 記
每 一 準 買 家 在 作 出 競 投 之 前 , 必 須 填 妥 及 簽 署 登 記 表 格 , 並 提 供 身
分 證 明 。 準 買 家 應 注 意 , 本 公 司 通 常 會 要 求 對 買 家 作 出 信 用 核 查 。
d. 競 投 保 證 金
競 投 者 , 應 在 領 取 競 投 號 牌 前 繳 納 競 投 保 證 金 , 競 投 保 證 金 的 金 額
由 本 公 司 在 拍 賣 日 前 公 佈 。
(1) 若 競 投 者 未 支 付 競 投 保 證 金 , 本 公 司 有 權 不 接 受 其 競 投 。 若 競
投 者 未 能 購 得 拍 賣 品 且 對 本 公 司 無 任 何 欠 款 則 將 無 息 退 還 保 證
金 。
(2) 若 競 投 者 成 為 買 家 , 則 本 公 司 有 權 將 此 保 證 金 自 動 轉 化 為 已 成
交 拍 賣 品 購 買 款 項 之 一 部 ( 包 含 落 槌 價 、 服 務 費 或 運 費 等 相 關
費 用 ), 若 尚 有 餘 款 須 退 回 給 買 家 ; 若 買 家 無 正 當 理 由 未 於 成
功 拍 賣 日 期 後 七 天 內 支 付 全 部 應 支 付 之 成 交 拍 賣 品 購 買 款 項
( 包 含 落 槌 價 、 服 務 費 或 運 費 等 相 關 費 用 ) 予 本 公 司 , 買 家 不
得 請 求 返 還 競 投 保 證 金 。
e. 競 投 者 為 買 家
競 投 者 將 被 視 為 買 家 而 須 承 擔 個 人 法 律 責 任 , 除 非 登 記 時 已 經 與 本
公 司 書 面 協 定 , 競 投 者 僅 為 第 三 人 之 代 理 人 , 且 該 第 三 人 復 為 本 公
司 所 接 受 者 。
f. 委 託 競 投
如 準 買 家 使 用 印 於 目 錄 說 明 之 後 之 表 格 指 示 本 公 司 代 其 競 投 , 本 公
司 將 盡 適 當 努 力 代 其 競 投 , 但 代 為 競 投 指 示 須 於 拍 賣 前 送 抵 本 公
司 。 如 本 公 司 就 某 一 拍 賣 品 而 收 到 多 個 委 託 競 投 之 相 等 競 投 價 , 而
在 拍 賣 時 此 等 競 投 價 乃 該 拍 賣 品 之 最 高 競 投 價 , 則 該 拍 賣 品 會 歸 其
委 託 競 投 最 先 送 抵 本 公 司 之 人 。 委 託 競 投 之 承 擔 受 拍 賣 時 之 其 他 承
諾 所 限 , 而 拍 賣 進 行 之 情 況 可 能 使 本 公 司 無 法 代 為 競 投 。 由 於 此 項
承 擔 乃 本 公 司 為 準 買 家 按 所 述 條 款 提 供 之 免 費 服 務 , 如 未 能 按 委 託
作 出 競 投 , 本 公 司 將 不 負 任 何 法 律 責 任 。 準 買 家 如 希 望 確 保 競 投 成
功 , 應 親 自 出 席 競 投 。
g. 電 話 競 投
如 準 買 家 於 拍 賣 前 與 本 公 司 作 好 安 排 , 本 公 司 將 盡 適 當 努 力 聯 絡 競
投 者 , 使 其 能 以 電 話 參 與 競 投 , 但 在 任 何 情 況 下 , 如 未 能 聯 絡 或 無
法 參 加 電 話 競 投 , 本 公 司 對 賣 家 或 任 何 準 買 家 均 不 負 任 何 責 任 。
h. 透 過 Invaluable 進 行 網 上 競 投
若 準 買 家 未 能 出 席 拍 賣 會 , 或 可 透 過 Invaluable 網 上 競 投 服 務 於 網 上
競 投 屬 意 拍 品 , 而 承 擔 買 家 獨 立 責 任 。 此 項 服 務 乃 免 費 及 保 密 。 有
關 透 過 Invaluable 網 上 競 投 服 務 登 記 , 進 行 網 上 競 投 之 詳 情 , 請 參 閱
本 公 司 網 頁 ravenel.com。 使 用 Invaluable 網 上 競 投 服 務 之 準 買 家 須 接
受 透 過 Invaluable 網 上 競 投 服 務 進 行 即 時 網 上 競 投 之 附 加 條 款 ( 可 參
閱 網 站 ), 以 及 適 用 於 該 拍 賣 之 業 務 規 則 所 規 範 , 本 公 司 得 隨 時 修
改 該 業 務 規 則 。
i. 匯 率 轉 換 顯 示 板
拍 賣 會 中 , 本 公 司 會 使 用 匯 率 轉 換 顯 示 板 。 匯 率 轉 換 顯 示 板 僅 供 參
考 , 不 論 是 顯 示 板 所 示 之 拍 賣 品 編 號 或 是 新 台 幣 競 投 價 之 相 等 外
匯 , 其 準 確 程 度 均 可 能 會 出 現 非 本 公 司 所 能 控 制 之 誤 差 。 買 家 因 依
賴 匯 率 轉 換 顯 示 板 ( 而 非 因 以 新 台 幣 競 投 ) 所 導 致 而 蒙 受 之 任 何 損
失 , 本 公 司 概 不 負 責 。
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j. 錄 映 影 像
在 有 些 拍 賣 中 會 有 影 像 投 射 , 但 其 操 作 或 會 出 現 錯 誤 。 不 論 影 像 是
否 與 成 功 拍 賣 之 拍 賣 品 相 配 合 , 或 是 翻 版 影 像 之 質 素 , 本 公 司 對 買
家 均 不 負 任 何 責 任 。
k. 拍 賣 官 之 決 定 權
拍 賣 官 具 有 絕 對 決 定 權 , 有 權 拒 絕 任 何 競 投 、 以 其 決 定 之 方 式 推 動
出 價 、 將 任 何 拍 賣 品 撤 回 或 分 批 、 將 任 何 兩 件 或 多 件 拍 賣 品 合 併 ,
以 及 如 遇 有 誤 差 或 爭 議 , 將 拍 賣 品 重 新 拍 賣 。 拍 賣 官 會 於 拍 賣 開 始
前 或 於 相 關 拍 賣 品 競 標 前 對 注 意 事 項 作 出 通 告 , 準 買 家 須 負 責 自 行
注 意 所 有 於 拍 賣 會 場 發 表 之 通 告 。 建 議 使 用 即 時 網 上 競 投 服 務 參 與
競 投 的 準 買 家 , 於 拍 賣 開 始 前 登 入 , 以 確 保 準 買 家 得 知 拍 賣 開 始 前
所 作 出 之 通 告 。
l. 成 功 競 投 在 拍 賣 官 之 決 定 權 下 , 下 槌 即 顯 示 對 最 高 競 投 價 之 接 受 ,
亦 即 為 賣 家 與 買 家 合 意 依 落 槌 價 拍 定 拍 賣 品 , 視 為 成 功 拍 賣 合 約 之
訂 立 。
4. 成 功 拍 賣 後
a. 買 家 支 付 每 件 拍 賣 品 之 服 務 費 費 率
()
()
b. 稅 項
買 家 應 付 予 本 公 司 之 款 項 , 如 須 另 行 支 付 貨 物 、 服 務 稅 或 其 他 稅 則
時 ( 不 論 由 台 灣 政 府 或 別 處 所 徵 收 )。 買 家 須 負 責 按 有 關 法 律 所 規
定 之 稅 率 及 時 間 , 自 行 繳 付 稅 款 。
c. 付 款
成 功 拍 賣 後 , 買 家 須 向 本 公 司 提 供 其 真 實 姓 名 及 永 久 地 址 。 如 經 本
公 司 要 求 , 買 家 亦 須 提 供 付 款 銀 行 之 詳 情 , 包 含 但 不 限 於 付 款 帳
號 。 買 家 應 於 拍 賣 日 期 後 七 天 內 悉 數 支 付 應 支 付 予 本 公 司 之 款 項
( 包 含 落 槌 價 、 服 務 費 或 運 費 等 相 關 費 用 )。 即 使 買 家 希 望 將 拍 賣
品 出 口 並 需 要 ( 或 可 能 需 要 ) 出 口 許 可 證 , 此 一 付 款 條 件 亦 適 用 。
買 家 如 未 向 本 公 司 支 付 所 欠 之 全 部 款 項 , 則 不 能 取 得 拍 賣 品 之 所 有
權 , 即 使 本 公 司 已 將 拍 賣 品 交 付 予 買 家 亦 然 。 如 支 付 予 本 公 司 之
款 項 為 新 台 幣 以 外 之 貨 幣 , 須 依 拍 賣 日 現 場 公 佈 之 匯 率 ( 台 灣 銀
行 ), 並 以 本 公 司 就 此 兌 換 率 而 發 出 之 憑 證 為 準 。
d. 領 取 已 購 拍 賣 品
除 非 本 公 司 另 有 特 別 相 反 協 定 , 否 則 本 公 司 將 暫 時 保 留 已 成 功 拍 賣
之 拍 賣 項 目 , 直 至 欠 本 公 司 之 款 項 已 悉 數 支 付 為 止 。 已 購 拍 賣 品 在
暫 時 保 留 期 間 , 由 成 功 拍 賣 日 後 起 算 七 天 將 受 保 於 本 公 司 之 保 險 ,
如 屆 時 拍 賣 品 已 被 領 取 , 則 受 保 至 領 取 時 為 止 。 七 天 期 滿 後 或 自 領
取 時 起 ( 以 較 早 者 為 準 ), 已 購 拍 賣 品 之 風 險 全 由 買 家 承 擔 。
e. 介 紹 裝 運 及 運 輸 公 司
本 公 司 之 貨 運 部 門 在 買 家 要 求 下 , 可 為 買 家 介 紹 運 輸 公 司 、 安 排 付
運 及 購 買 特 定 保 險 , 但 本 公 司 在 此 方 面 不 負 任 何 法 律 責 任 。 買 家 必
須 預 先 繳 付 運 輸 費 用 。
f. 不 付 款 或 未 有 領 取 已 購 拍 賣 品 之 補 救 辦 法
如 買 家 並 未 在 成 功 拍 賣 日 後 起 算 七 天 內 付 款 , 本 公 司 即 有 權 行 使 下
述 一 項 或 多 項 權 利 或 補 救 辦 法 :
(1) 在 成 功 拍 賣 日 後 起 算 超 過 七 天 仍 未 付 款 , 則 按 不 超 過 台 灣 銀 行 基
本 放 款 利 率 加 收 10% 之 年 利 率 收 取 整 筆 欠 款 之 利 息 。 此 外 本 公 司
可 同 時 按 日 收 取 依 成 交 價 ( 含 落 槌 價 、 服 務 費 )1% 計 算 之 違 約
金 。 本 公 司 亦 得 自 行 選 擇 將 買 家 未 付 之 款 項 , 用 以 抵 銷 本 公 司
或 其 他 關 係 企 業 在 任 何 其 他 交 易 中 欠 下 買 家 之 款 項 , 買 家 絕 無
異 議 。
(2) 對 任 何 屬 於 買 家 所 有 而 因 任 何 目 的 ( 包 含 但 不 限 於 其 他 交 易 ) 而 由
本 公 司 管 有 之 已 購 拍 賣 品 行 使 留 置 權 , 並 在 給 予 買 家 有 關 其 未
付 之 欠 繳 之 十 四 天 通 知 後 , 安 排 將 該 物 品 出 售 並 將 收 益 用 以 清
償 該 未 付 之 欠 款 。
(3) 如 買 家 因 多 項 不 同 之 交 易 而 欠 下 本 公 司 數 筆 款 項 , 將 所 付 之 款 項
用 以 清 償 已 購 拍 賣 品 就 任 何 特 定 交 易 而 欠 下 之 任 何 款 項 , 而 不
論 買 家 是 否 指 示 用 以 清 償 該 筆 款 項 。
(4) 在 將 來 的 任 何 拍 賣 中 , 拒 絕 買 家 作 出 或 由 他 人 代 其 作 出 之 競 投 ,
或 在 接 受 其 任 何 競 投 之 前 先 收 取 買 家 一 筆 保 證 金 。 如 買 家 未 有
在 三 十 五 天 內 付 款 , 本 公 司 除 上 述 辦 法 外 , 另 有 權 為 下 述 一 項
或 多 項 權 利 或 補 救 辦 法 :
(a) 代 賣 家 針 對 買 家 進 行 法 律 程 序 , 以 追 討 整 筆 欠 款 , 連 同 此 項 以 悉
數 賠 償 為 基 準 之 法 律 程 序 訴 訟 費 。
(b) 取 消 同 一 次 或 任 何 其 他 拍 賣 中 買 家 競 投 得 之 拍 賣 品 或 任 何 其 他 售
予 買 家 之 拍 賣 品 交 易 。
(c) 安 排 將 拍 賣 品 公 開 或 私 下 重 售 , 如 重 售 所 得 價 格 較 低 , 就 差 額 連
同 因 買 家 未 有 付 款 而 引 致 之 任 何 費 用 一 併 向 買 家 索 償 。
g. 未 有 領 取 已 購 拍 賣 品
如 已 購 得 之 拍 賣 品 未 有 在 成 功 拍 賣 日 後 起 算 七 天 內 領 取 , 則 不 論 是
否 已 付 款 , 本 公 司 將 安 排 貯 存 事 宜 , 費 用 由 買 家 承 擔 。 而 買 家 在 付
清 所 引 起 之 貯 存 、 搬 運 、 運 輸 、 保 險 及 任 何 其 他 費 用 , 連 同 欠 本 公
司 之 所 有 其 他 款 項 後 , 方 可 領 取 已 購 拍 賣 品 項 目 。
h. 出 口 許 可 證
除 本 公 司 另 有 書 面 同 意 外 , 買 家 希 望 申 請 出 口 許 可 證 , 並 不 影 響 買
家 在 成 功 拍 賣 日 後 起 算 七 天 內 付 款 之 責 任 , 亦 不 影 響 本 公 司 對 延 遲
付 款 收 取 利 息 之 權 利 。
如 買 家 要 求 本 公 司 代 為 申 請 出 口 許 可 證 , 本 公 司 有 權 向 其 收 取 與 此
項 申 請 有 關 之 款 項 及 零 碎 開 支 連 同 任 何 有 關 之 稅 則 。
如 買 家 不 需 要 出 口 許 可 證 而 作 出 付 款 , 本 公 司 並 無 責 任 退 還 買 家 因
此 而 引 致 之 任 何 利 息 或 其 他 開 支 。
5. 本 公 司 之 法 律 責 任
本 公 司 僅 在 第 二 條 第 6 項 所 列 之 情 況 下 , 得 退 還 款 項 予 買 家 。 除 此 之
外 , 不 論 賣 家 或 本 公 司 , 或 本 公 司 任 何 僱 員 或 代 理 人 , 對 任 何 拍 賣 品 之
作 者 、 來 歷 、 日 期 、 年 代 、 歸 屬 、 真 實 性 或 出 處 之 陳 述 , 或 任 何 其 他 說
明 之 誤 差 , 任 何 拍 賣 品 之 任 何 瑕 疵 或 缺 陷 , 均 不 負 有 任 何 責 任 。 賣 家 、
本 公 司 、 本 公 司 之 僱 員 或 代 理 人 , 不 論 是 明 示 或 暗 示 均 無 就 任 何 拍 賣 品
作 出 任 何 保 證 。 任 何 種 類 之 任 何 擔 保 , 均 不 包 含 在 本 條 之 內 。
6. 膺 品 / 贓 物 之 退 款
本 公 司 之 拍 賣 品 , 經 本 公 司 書 面 認 可 之 專 業 鑑 定 機 構 出 具 鑑 定 報 告 證 實
為 膺 品 、 贓 物 或 涉 及 不 法 情 事 者 , 則 交 易 將 取 消 , 已 付 之 款 項 於 交 付 賣
家 前 將 退 還 予 買 家 。 但 如 :
a. 在 拍 賣 日 發 出 之 目 錄 說 明 或 拍 賣 場 通 告 符 合 當 時 學 者 或 專 家 普 遍 接 納
之 意 見 , 或 清 楚 表 明 有 牴 觸 當 時 學 者 或 專 家 普 遍 接 納 之 意 見 。
b. 或 證 明 拍 賣 品 為 膺 品 或 贓 物 之 方 法 , 只 是 一 種 在 目 錄 出 版 前 仍 未 普 遍
獲 接 納 使 用 之 科 學 程 序 , 或 是 一 種 在 拍 賣 日 仍 屬 昂 貴 得 不 合 理 或 並
不 實 際 或 很 可 能 會 對 拍 賣 品 造 成 損 壞 之 程 序 , 則 本 公 司 無 論 如 何 並
無 責 任 退 還 任 何 款 項 。 此 外 , 買 家 只 在 滿 足 下 述 條 件 下 方 可 獲 得 退
款 :
(1) 買 家 必 須 在 拍 賣 日 起 十 日 內 以 書 面 通 知 本 公 司 , 說 明 買 家 認 為 有
關 拍 賣 品 乃 膺 品 或 贓 物 之 詳 細 理 由 及 證 據 。
(2) 且 買 家 需 於 書 面 通 知 後 十 四 天 內 將 拍 賣 品 送 還 本 公 司 , 而 其 狀 況
應 維 持 與 拍 賣 當 日 相 同 , 不 得 有 任 何 損 壞 。
(3) 送 還 拍 賣 品 後 , 買 家 須 盡 快 出 示 證 據 , 足 以 使 本 公 司 確 信 拍 賣 品
乃 膺 品 或 贓 物 ( 本 公 司 保 有 最 終 及 不 可 異 議 之 決 定 權 ), 買 家 並 可
將 拍 賣 品 之 完 整 所 有 權 及 相 關 權 利 轉 讓 予 本 公 司 , 而 與 任 何 第
三 人 之 索 償 無 涉 。 在 任 何 情 況 下 , 本 公 司 均 毋 須 向 買 家 支 付 多
於 買 家 就 有 關 拍 賣 品 而 支 付 之 款 項 , 而 買 家 亦 不 能 索 取 利 息 。
本 擔 保 之 利 益 不 能 轉 讓 , 完 全 屬 於 拍 賣 品 成 功 拍 賣 時 獲 本 公 司 發 給 正 本
發 票 之 買 家 所 有 ( 該 買 家 名 稱 被 記 載 於 發 票 上 ), 該 名 買 家 並 須 自 拍 賣 後
一 直 保 持 拍 賣 品 擁 有 人 之 身 分 , 而 且 並 無 將 拍 賣 品 之 任 何 利 益 讓 予 任 何
第 三 人 。 本 公 司 有 權 依 據 任 何 科 學 程 序 或 其 他 程 序 確 定 拍 賣 品 並 非 膺 品
或 贓 物 , 不 論 該 程 序 在 拍 賣 當 日 是 否 已 使 用 或 已 在 使 用 , 如 本 公 司 驗 證
拍 賣 品 是 否 屬 於 贗 品 或 贓 物 結 果 與 買 家 出 示 證 據 相 衝 突 者 , 應 以 本 公 司
驗 證 結 果 為 準 。
賣 方 業 務 規 則 請 參 閱 羅 芙 奧 網 站
http://ravenel.com
http://ravenelart.com.cn
76

TRANSACTION AGREEMENT
The following provisions are entered into by and between Ravenel Ltd., as the
auctioneer, (hereinafter referred to as the “Company”),and the Seller (hereinafter
referred to as the "Seller"). This Agreement is also entered into by and between
the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer").
The Prospective Buyer, the Buyer and the Seller must carefully review and completely
agree all provisions hereunder and any revisions from time to time. The
Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5
which provides limitations as to the legal responsibilities of the Company.
ARTICLE 1.DEFINITION
Some of the phrases commonly seen herein are defined as follows:
1. "The Buyer" shall mean highest bidder accepted by the Company.
2. "The Prospective Buyer" shall mean any potential bidder willing to attend
the auction sale hosted by the Company.
3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint
the Company as its exclusive agent to sell the Lot at the Auction and
participate, and cooperate, in exhibitions prior to the Auction if so required
by the Company.
4. "The Lot" shall mean the item delivered to the Company to be sold in an
auction, especially the single or multiple pieces of items numbered in the
catalogue.
5. "Hammer price" shall mean the highest bid with respect to one particular
Lot accepted by the auctioning party.
6. The " Buyer's Premium" shall mean the fee based on a certain percentage of
the Hammer price paid to the Company by the Buyer; the percentage shall
be as prescribed in Article 2, Section 4a.
7. "The Reserve Price" shall mean the lowest price agreed by the Company
and Seller. The Lot cannot be sold at a price lower than such price.
8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept
of the imitation and its overall execution result in fraud to cause deception
in connection with the author, history, year, age, culture or origin of the
Lot, for which the accurate description is not reflected in the catalogue and
the value of the Lot on the auction day is far less than the value it should
have according to the description in the catalogue. Therefore, no auction
item will become a counterfeit as a result of any damage and/or any repairing
in any manner (including repaints).
9. "Insured amount" shall mean the value of the insurance purchased for the
Lot which the Company considers necessary under its absolute power from
time to time (regardless whether such insurance is purchased by the Company).
10. The "Seller Service Fee” shall mean the fee is paid to the Company by the
Seller.
ARTICLE 2.THE BUYER
1. The Company as the Agent of the Seller
The Company, shall act as the agent of the Seller. Except otherwise provided,
items successfully sold in the auction held by the Company shall be
bound by the agreement made by and between the Seller, through the agency
of the Company, and the Buyer.
2. Prior to the Auction
a. Authentication
We strongly recommend that the Prospective Buyers conduct their own
authentication for the items they are interested in bidding prior to the
auction. The Company provides no guarantee to the Buyer including but
without limitations whether the Lot is a counterfeit or the authentication
of the Lot and related certificates.
b. Important Notice
Attention, the Prospective Buyers: As far as possible, the descriptions of
auction items will mention obvious defects of the items; however, they
do not necessarily include all flaws, defects, or incomplete aspects. The
description of the auction items also do not imply and guarantee that the
items have not gone through readjustment or repair or allude anything
about the current state or storage conditions of the items. Any omission in
the catalogue description regarding the current condition or the appraisal
of defects in the items by no means represent that those items are in good
condition, function normally. We strongly recommend the Prospective
Buyers shall personally view the items for which they plan to bid before
the auction. Any description in the catalogue or any statement provided
by the Company is purely the Company's subjective opinion and not a
statement of fact, not for representations or warranties. The Prospective
Buyer completely understands and acknowledges that all of the items
on auction are being sold in "as is" condition. The Company does not
provide any representation or guarantee as to the condition of any of the
items.
c. Symbol Key
The following key explains the symbol you may see inside this catalogue.
○ Guaranteed Property
The Seller of the Lots with this symbol next to the Lot number has been
guaranteed a minimum price from one auction or a series of auctions.
This guarantee may be provided by the Company, by a third party or
jointly by the Company and a third party. A guarantee may be in the form
of an irrevocable bid provided by a third party. Third parties providing or
participating in a guarantee may benefit financially if a guaranteed Lot is
sold successfully and may incur a loss if the sale is not successful. If third
parties providing or participating in a guarantee is the successful bidder
for the guaranteed Lot, they should be required to pay the full Buyer's
Premium.
d. Catalogue Explanations
Any statement of the author, history, date, year, size, material, ownership,
authenticity, origin, condition of preservation or estimated selling
price of any of the Lot and certificates thereof shown in the catalogue or
the authentication opinion made by the Company, or any other verbal or
written statements made separately shall be solely statements of opinions
and shall not be deemed the basis for the statements of actual fact. The
photographs shown in the catalogue shall serve as reference only and
shall not be deemed as the basis for determining the color or tone of any
Lots or disclosure of the defects of such item. The estimates of the auction
price shall not be deemed the price at which such item will be successfully
sold or the statement of the value of the item for other purposes.
Many Lots fail to maintain their perfect condition because of time and
other environmental factors. Some of the explanations in the catalogue
or the authentication opinions will state defects and/or the repair background
of the Lots. Such information is meant for reference only. Missing
information in the statements does not mean the Lot has no defects
or has not been repaired. Any statement of one particular defect does not
mean there is no any other defect.
e. Responsibility of the Buyer
The Buyer is responsible for clarifying and satisfying himself about the
condition of the items and any related matters stated in the catalogue
descriptions and making his/her/its own judgment or estimation independently
regarding the Lots.ing his/her own judgment or estimation
independently regarding the Lots.
3. In the Auction
a. Estimates
The prices in US dollars or other currencies reproduced in the auction
and this catalogue are for reference only. The Buyer is requested to pay
by New Taiwan dollars or other foreign currencies in its equivalency
based on the exchange rate announced by the Company on the day of
auction.
b. Refusal of Admission
The auction is held at the premises of the Company or any location where
the Company has control of for the auction. The Company has full discretion
to exercise the right to refuse entry to the premises for the auction
or to prevent participation in the auction.
c. Registration Prior to the Bidding
Prospective Buyers must fill in and sign the registration forms prior to the
bidding and provide personal identification. Prospective Buyers should
also note that the Company may request to conduct credit checks against
Buyers.
d. The Bidding Deposit
The bidder shall pay the bidding deposit before receiving the bidding
number. The Company will announce the amount of the bidding deposit
before the auction day.
(1) If the bidder fails to pay the bidding deposit in advance, the Company has
the right to refuse the bid. If the bidder is not able to purchase any Lot and
has no outstanding debts to the Company, the Company will return the
bidding deposit to the bidder.
(2) If the bidder becomes the Buyer, the Company has the right to transfer the
bidding deposit into the payment (including but without limitation, Hammer
price, Buyer's Premium, Costs and expenses for shipping and related
costs ) of the Lot for which transaction is concluded. And the Company
will return the balance of the deposit to the Buyer (if any). If the Buyer
,without any good cause, fails to pay any and all payment (including but
without limitation, Hammer price, Buyer's Premium, Costs and expenses
for shipping and related costs) of the Lot to the Company within 7 days
after the auction date ,the Buyer shall not claim for the return of the bidding
deposit.
e. The Bidder is the Buyer
Unless a written agreement has been made upon registration that the bidder
will be the agent who acts on behalf of a third person and such third
person is accepted by the Company, the bidder will be deemed as the
Buyer who will bear individual legal responsibilities.
f. Commission Bids
The Company will make the proper effort to bid for the Prospective
Buyers who instruct us to bid on their behalf by using the provided forms
attached to the explanations of the catalogue; however, bid commission
instructions must be delivered to the Company prior to the auction. If
the Company receives several commission bids for one particular item,
with all bid prices being equal and of the highest bid price at the auction,
priority shall be given to the Buyer whose bid commission is delivered
to the Company first. Commission bids are subject to auction conditions.
The situation at the auction may prevent the Company from making the
bid as commissioned. This is a free service provided by the Company
to the Prospective Buyers pursuant to the provisions prescribed. The
Company will not be held legally liable if it fails to make the bid as commissioned.
The Prospective Buyers should attend the auction in person if
they wish to ensure a successful bid.
g. Bid by Phone
The Company will make proper effort to contact the bidder so he/she
can participate in the auction by phone if the Prospective Buyer make
arrangements with the Company prior to the auction. However, the Company
will bear no responsibilities to the Seller or any prospective Buyer
if no contact is made or any failure to participate in the auction by phone
under any circumstances.
h. Online Bids via Invaluable
If the bidder cannot attend the auction, it may be possible to bid online
via Invaluable for preferred Lots to bear individual buyer's responsibilities.
This service is free and confidential. For information about registering
to bid via Invaluable, please refer to Ravenel.com. The Bidders using
the Invaluable online bidding service are subject to the additional terms
and conditions for online bidding via Invaluable, which can be viewed at
Ravenel.com and be revised by the Company from time to time.
i. Exchange Rate Conversion Board
There will be an exchange rate conversion board operating in auctions.
Nonetheless, the auction will still be conducted in NT dollars. The exchange
rate conversion board is not absolutely reliable and for the reference
only. The accuracy of either the Lot numbering shown on the board
or the equivalent of the bid price in any foreign currency is not within the
control of the Company. The Company will not be responsible for any
losses caused by the reliance of the Buyer on the exchange rate conversion
board.
77

j. Recorded Images
There is image projection in some auctions; however, errors may occur
during the operation. The Company is not liable for the color accuracy
of the reproduced image and whether the projected image corresponds to
the item being auctioned.
k. Determining Power of the Auctioneer
The auctioneer has the absolute power to reject any bid, push for bids
at his/her discretion, withdraw any auction items, separate or combine
two or more auction items, and if there is any error or dispute, re-auction
the items. If the auctioneer announces the points for attention before the
auction or the bidding, the Prospective Buyers shall pay attention for any
announcement as its own responsibility. We recommend the Prospective
Buyers using Online Bids Services to log in the system prior to the commencement
of the auction, to ensure the timely awareness of any notices
or announcements made prior to the auction.
l. Successful Bids
Under the discretion of the auctioneer, the fall of the hammer indicates
the acceptance of the highest bid price, i.e., the Seller and the Buyer enter
into a successful auction agreement on Hammer Price.
4. Following the Auction
a. The Buyer's Premium of Each Lot
(1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium
to the Company. For hammer price below NT$ 32,000,000 (inclusive),
the Buyer's Premium should be calculated at 20% of the hammer price.
(2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's
Premium should be that the first NT$ 32,000,000 of the hammer price
should be calculated at 20% and the rest of the amount of the hammer price
should be calculated at 12% of the hammer price.
b. Taxes
All the payments payable by the Buyer to the Company do not include
any commodity or service taxes or any other value added taxes (whether
imposed by the Taiwanese government or elsewhere). The Buyer should
be responsible for paying any applicable taxes as required by the law.
c. Payment
The Buyer should provide his/her/its true name and permanent address
to the Company upon the successful bid. Relevant bank information,
including but without limitations the payment account, should also be
provided upon the company request. All payments due (including the
hammer price, the Buyer's Premium and any freights or other expenses)
should be paid within 7 days following the auction date. The aforesaid
provision also applies if the Buyer intends to export the Lot and (may)
need the export permit.
If the Buyer fails to pay to the Company all the payments due, the Buyer
will not acquire the ownership of the Lot even if the Company has delivered
such item to the Buyer. If the payment to the Company are made in
any currency other than NT dollars, the exchange rate of the payments
to the Company should be the exchange rate reported by the Bank of
Taiwan to the Company on the auction date and should be based on the
certificates issued by the Company according to such exchange rate.
d. Collection of the Lot Sold
Unless otherwise agreed by the Company, the Company will hold temporarily
the successfully sold Lots until all payments to the Company are
made in full. The Lot will be covered by the insurance of the Company
from the auction date for 7 days during the temporary holding period.
The insurance coverage will terminate upon earlier collection of such
item. The Buyer should be responsible for all risks following expiration
of the said 7-day period or the collection (whichever is the earlier).
e. Referral of Packaging or Transportation Companies
The shipping department of the Company may introduce the forwarder,
assist in the arrangement of delivery, or purchase particular insurance
upon the Buyer's request. The Company will not be held liable for any legal
responsibilities in this regard. And the Buyer shall prepay the freight
charges. Costs and expenses for shipping and insurance shall be paid in
advance.
f. Remedies for Non-Payment or Non-Collection of Items Sold
The Company is entitled to exercise one or more of the following rights
or remedies if the Buyer fails to make payment within 7 days following
the auction date:
(1) An interest at the annual rate of no higher than 10% plus the base interest
rate of Bank of Taiwan will be imposed on all of the payment due if
payment is not made within 7 days following the auction date. Besides,
we have the right of charging also 1% selling price (including of hammer
price and Buyer's Premium) multiplied by the number of delayed days as
fine for the default. The payment to be made by the Buyer may offset any
payment owed by the Company or its subsidiaries to the Buyer for any
other transactions upon the Company's sole decision.
(2) To exercise lien of any items owned by the Buyer and held by the Company
for any purpose including but without limitations other transactions.
The Company may arrange to sell such items after serving a 14-day notice
to the Buyer about his/hers/its non-payment. The proceeds shall make
up for the payment due.
(3) If the Buyer owes the Company several payments as a result of different
transactions, the payments will set-off any payments due in any particular
transaction, regardless of whether the Buyer specifies to setoff such payments.
(4) Refuse the Buyer to make, or to make on behalf of others, bids in any
future auctions and/or to require a security deposit from the Buyer before
accepting any future bids from him/her/it. If the Buyer fails to make payment
within 35 days, the Company is entitled to exercise one or more of
the following rights in addition to the aforementioned:
(a) To bring legal proceedings against the Buyer on behalf of the Seller to
claim the entire payment due and the legal fees and attorney fees resulting
from such proceeding based on a total claim.
(b) Cancel the transaction of Lots bid by the Buyer or any other auction items
sold to the Buyer at the same or any other auctions.
(c) To arrange a public or private re-sale of the Lot. If the re-selling price is
lower, the difference will be claimed against the Buyer together with any
cost incurred as a result of the non-payment by the Buyer.
g. No Collection of the Lot Sold
The Company will arrange for the storage of the Lot if such item sold is
not collected within 7 days following the successful auction, regardless
of payment. Such storage cost will be borne by the Buyer. Only when the
storage, handling, shipping, insurance cost and any other expenses together
with any other payments due to the Company are paid in full can
the sold Lot be collected.
h. Export Permit
Except where otherwise agreed in writing by the Company, the fact that
the Buyer's wishes to apply for an export permit does not affect the Buyer's
responsibility to make the payments in 7 days following the auction
date; nor does it affect the Company's right to impose interest on delayed
payments.
If the Buyer requests that the Company applies for the export permit on
his/hers/its behalf, the Company is entitled to collect monies made in
connection with such an application and any miscellaneous expenses together
with any relevant value added taxes.
If the Buyer makes the payment regardless of the fact that an export permit
is needed, the Company is not responsible for returning to the Buyer
any interest or other expenses incurred therefrom.
5. The Legal Responsibility of the Company
The Company is responsible for returning payment to the Buyer pursuant
to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any
employees or agents of the Company will not be held liable for any statements
of the author, history, date, year, ownership, authenticity or origin
of any auction item or any errors with respect to any explanations and
any flaws or defects of any auction item. The Seller, the Company, the
employees or the agents of the Company make no guarantee impliedly
or explicitly with respect to any auction items. Any warranty of any kind
shall not be included herein.
6. Return of Payments for Counterfeits or stolen goods
The transaction will be cancelled and payments made before remit to
the Seller will be returned to the Buyer if the Lot of the Company is
confirmed to be a counterfeit or stolen goods, or involved in obvious illegality
by the professional appraisal party agreed and recognized by the
Company in writing. However, if:
a. The catalogue explanations or the notice at the auction distributed on
the auction day corresponds to the opinions generally accepted by the
academic or professional fields or explicitly indicates it conflicts with the
opinions generally accepted by the academic or professional fields.
b. Or the method used to prove that the Lot is a counterfeit or stolen goods
is a scientific procedure not generally accepted for use before the publication
of the catalogue or a procedure unreasonably expensive on the
day of the auction, or impractical, or may cause damage to the Lot; the
Company is not liable for the return of any payment under any circumstances.
In addition, the Buyer's payment can only be refunded when the
following terms are met:
(1) The Buyer must notify the Company in writing within 10 days following
the auction day that he/she considers the relevant auction item a counterfeit
or stolen goods.
(2) The Buyer must return the Lot to the Company within the following 14
days and the condition of the item must be the same as on the auction day
without any damage.
(3) Upon returning the Lot, the Buyer must present evidence as soon as
possible to convince the Company that the Lot is a counterfeit or stolen
goods (The Company has the final and sole discretion and decision and
such decision shall not be objected in this regard). The Buyer may also
assign the good ownership of the Lot to the Company, which shall not
concern any third party claim. Under no circumstances is it necessary for
the Company to pay the Buyer an amount more than what the Buyer pays
in connection with the Lot and the Buyer cannot claim interests.
The interests of the warranty cannot be assigned and belong solely to the Buyer
who receives the original invoice on which such Buyer's name is recorded from
the Company when the Lot is sold. Such Buyers shall remain the owner of the
auction Lot and cannot assign any interest of the Lot to any other person. The
Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods
based on a scientific procedure or any other procedure, regardless of whether
such procedure is being used on the day of the auction. If the result of appraising
and verifying whether the Lot is a counterfeit or stolen goods by the Company
conflicts with the evidence provided by the Buyer, the Company's said result
shall prevail over the evidence provided by the Buyer.
Please refer to our website for seller’s Transaction Agreement.
http://ravenel.com
http://ravenelart.com.cn
78

ARTIST INDEX
Lot 604
Lot 627
Lot 607
AU Ho-nien (Taiwanese, 1935)
Born in Guangdong province, AU Ho-nien took
apprenticeship with ink master Chao Shaoan, and
his works have strong influence from the Lingnan
School of Art. He promotes creativity from the
basis of traditional Chinese paintings. Thus, his
works obtained the essence of traditional Chinese
painting with a hint of style from Japanese art.
Au's works have been welcomed within and
beyond Taiwan, and have participated in various
cities around the world. Au also devotes his life in
art education and is currently a professor in the
Chinese Culture University in Taiwan.
CHANG Gu-Nien (Taiwanese, 1905 - 1987)
Born in Jiangsu, CHANG Gu Nien was an
apprentice of Feng Chaoran and Wang Tongyu in
Paintings and Poems. Chang excelled in landscape
paintings and calligraphy. He practiced calligraphy
by copying old masters from Ming and Qing
dynasty. His skills were praised widely early at the
age of 16. Chang has rich contribution in the art
field. He taught in universities and established the
Seven Friends' Art Group with his fellow artists.
CHANG Yun-Ming (Taiwanese, 1949)
Born in Taiwan, CHANG Yun-ming has graduated
from the National Taiwan University of Arts and
earned a Master degree at the Lindenwood
University in the US. Chang’s works reflect
flashbacks of his daily life and his inner feelings,
expressed through lines and depiction in both
Chinese and Western techniques. His unique
creative style allowed his works to be included in
permanent collection of national institutions, such
as the National Taiwan
1935
1905 - 1987
( 1949
2000
Lindenwood
1995
80

Lot 624
Lot 608
Lot 619
CHAO Shao-An (Chinese, 1905 - 1998)
Born in Guangdong Panyu, CHAO Shao-an was
a famous artist who followed the apprenticeship
with Gao Qifeng, the primary advocator of Lingnan
School of Art. Chao promoted the belief of the
School and incorporated the essence of Japanese
and Western paintings into traditional Chinese
paintings. Chao was a gifted artist who excelled
in all categories including landscape, flower and
bird, portrait, fish and animal. Chao emphasized
the use of brushwork instead of a depiction of
objects. As an art educator, he devoted his lifetime
in art education and established an institute for the
Lingnan School of Art.
CHEN Ting-shih/CHEN Ting-shi
(Taiwanese, 1916 - 2002)
Born in Fujian, China. Chen lost his hearing at
an early age but possessed sharp his artistic
abilities. On the contrary, he managed to focus on
his art and has come to be known, fittingly, as a
"complete artist". Chen left for Taiwan in 1948 and
has participated in various artistic circles such as
Fifth Moon, the Modern Graphic Art Association
and the Modern Eyes Group. He often exhibited
as part of the Salon de Mai, on top of regular
solo shows. Chen's lithographs, iron sculptures,
calligraphy and acrylic paintings are influenced by
the Chinese literati's school of thought and have
left a lasting impression on 20th-century Chinese
modern art. His works found in major museums
such as the Rockefeller Foundation, the Cincinnati
Museum, and the National Taiwan Museum of Fine
Arts.
HUANG Chun-Pi/Junbi
(Taiwanese, 1898 - 1991)
Born in Guangdong, HUANG Chun-Pi was a
reputable painter named “the Three Overseas
Master Painters” along with CHANG Da-chien and
PU Hsin-yu. Devoted to painting at a very young
age, Huang learnt painting from ancient relics.
He believed that Chinese paintings should follow
the traditional way and rejected Lingnan art style,
thus dedicated most of his times to studying old
masterpieces. At the age of 26, Huang held his first
solo exhibition. At the age of 40, he devoted his
lifetime as an artist, a professor, a scholar and an
art collector.
( 1905-1998
1916 - 2002
19161948
1970
IBM
1898 - 1991
2640
50
81

ARTIST INDEX
Lot 603
Lot 628
Lot 623
JI Kang (Taiwanese, 1911 - 2007)
Born in Shanghai, JI Kang was raised in a literati
family and moved to Taiwan in 1947. Since an early
age, Ji learnt from ancient paintings and excelled
in three dominant genres: lady, horse and flower
and bird. Artist comrades in Shanghai included PU
Hsin-yu, CHANG Da-chien, LANG Jingshan. After
his arrival in Taiwan, he took dominant roles in art
education, such as Professor of Art at the Chinese
Culture University, Committee members in the
Department of Education of Art etc. His works were
kept as permanent collection of major museums
including the National Palace Museum in Taiwan.
JU Ming (Taiwanese, 1938)
Ju Ming was born in Miaoli, Taiwan. He
developed his unique artistic style through various
apprenticeships with mentors including master
sculptor Yuyu Yang (1926-1997), who advised
Ju to take up Taichi. Studying this martial art
subsequently inspired Ju’s distinctive Taichi series.
Ju’s other sculptural series include the ‘Nativist’ and
‘Living World’ series. Following his 1976 exhibition
at the Natural Museum of History in Taipei, Ju
received a number of accolades including one
of ten prestigious Outstanding Young Persons
from Taiwan awards and an Arts Award from the
Chinese Cultural and Arts Association. The Juming
Museum, where much of his work is housed, was
established in Chin-shan, Taipei County in 1999,
under Ju’s direction. He continues to work in
Taiwan and became the second Taiwanese artist to
receive the Fukuoka Art and Culture Award in 2007.
LI Qimao (Chinese, 1925)
Born in Anhui Province, LI Qimao practised
calligraphy with his father and followed mentor
LU Huashi in genres including flower and bird,
landscape and animals, portraits and Buddhist
paintings. Li was active in revolutionary paintings
for his political party. Li devote his lifetime in
art creating and education, focusing on Eastern
and Western techniques, to promote Taiwan ink
development in a new level.
1911 - 2007
1938
1953-1957
1968-19761926-1997
199712
1999
2007
1925
1949
82

Lot 605
Lot 621
Lot 601 Lot 602
LIAO Horng-Shing (Taiwanese, 1964)
Born in Shengane, Taichung. At an early age
he was influenced by his literati grandfather LU
Chung-tu and cultivated a liking for literature and
art. When he was a student in Chinese Culture
University, he was taught by various famous artists
including AU Ho-nien, CHIANG Chao-shen, WU
Hsueh-jang and WONG Lui-sang and therefore
had a firm groundwork experience while being able
to capture the modern atmosphere. In addition
to color mixtures, he sometimes used contrasting
colors or primary colors. He used to won the AU
Ho-nien special prize and the first prize of the
Chinese Culture University art exhibition, Hwuagang
Art Exhibition, Artistic Creation Award of
the Department of Education, Asia Art Exhibition
in Japan, Olympics Memorial Art exhibition and
so on. He has already held nine personal art
exhibitions after graduating from graduate school.
Meanwhile he also had personal art collection
published.
LIN Zexu (Chinese, 1785 - 1850)
LIN Zexu was a respected figure in Chinese history.
He was a political figure in Mid-/Late-Qing dynasty,
an advocate, a calligrapher and a poet. Born in
Fujian province, Lin was a viceroy of Huguang,
Shangan and Yungui and was renowned for his
campaign to suppress opium consumption.
LUO Fu (Taiwanese, 1928 - 2018)
Born in Hunan province, LUO fu was a well
respected Chinese poet. Throughout his lifetime,
Luo was devoted to foreign language studies and
translation. He also actively took up important
roles in teaching foreign language in various
institutions including Soochow University in
Taiwan and Beijing Normal Universities. His poems
received high recognition and he was ranked first
among Taiwan's Top 10 poets in 2001, and earned
a Lifelong Honorary Recognition medal from the
Chinese Writer's & Artist's Association.
1964
1785 - 1850
1928 - 2018
2001
2003
83

ARTIST INDEX
Lot 620
Lot 613
Lot 627
RAN In-ting (Taiwanese, 1903 - 1979)
Born in Yilan, Taiwan. Ran studied watercolor
painting from his mentor, Ishikawa Kinichiro.
Then he went to Japan and had been invited to
many exhibitions in Tokyo and Taiwan. In 1929,
he was named honorary member of the British
Royal Watercolor Association and was invited as a
guest lecturer in Europe, North America and Asia.
He then became the editor of Taiwan Pictorial
Magazine and Good Harvest Magazine. Ran was
selected as one of the top ten watercolor artist
in the world by the critics in 1971. He served as
president of China Television System in 1973 and
passed away in 1979. Ran specialized in portraying
the local people's life and combining the technique
of Chinese Calligraphy and watercolor together to
achieve his unique expression of pictorial space.
SUN Yunsheng (Chinese, 1918 - 2000)
Born in Hebei Ninghe, Sun Yunsheng was regarded
as the most distinguished apprentice of CHANG
Da-chien. Since 1936, he followed Chang and
had the most comprehensive training in terms of
landscape, characters, flowers and birds paintings.
Since the age of 9, Sun practiced art with his
uncle, learning ancient calligraphy of WANG Xizhi,
OUYANG Xiu, SU Shi, etc., later became apprentice
of WANG Xuetao, QIN Zhonglin and WU Peiheng.
TAI Jing-nong (Taiwanese, 1902 - 1990)
Born in Anhui Province, TAI Jing-nong devoted
his lifetime in writings and calligraphy. Tai received
recognition from great literati Lu Xun and devoted
his life in research and education in this area. He
was praised by Chang Da-chien as the only person
who could bring justice to Ni Yuanlu's calligraphy
in Running Script calligraphy, and received high
recognition in terms of achievement in literature
and calligraphy.
1903 - 1979
1929
1971
1973
1979
1991
1998
1918 - 2000
1936
1902 - 1990
84

Lot 606
CHEN Yung-Mo (Taiwanese, 1961)
Born in Taiwan and graduated from the Chinese
Cultural University in Taiwan, CHEN Yung-Mo is a
talented artist, well-trained in different areas of arts.
Chen had training under Ren Bonian and Chen
Hongshou in Gongbi and Wu Ping for calligraphy
and Li You for writing poems. His literati upbringing
enriched his artistic creation, allowing his work
to be appreciated by collectors from around the
world, including Taipei, Hong Kong and Singapore.
Chen devote his life in art education and is
currently a professor at the Tunghai University in
Taiwan.
Lot 609
WANG Ji-Qian/C. C. WANG
(Chinese, 1906 - 2002)
Wang Jiqian was born in Suzhou, China. A
renowned art collector in New York, Wang was
esteemed worldwide as an expert connoisseur
and scholar of Chinese paintings and calligraphy
art. Records of his interviews were translated into
Chinese and published under the title, C.C Wang
Reflects on Paintings. The National Palace Museum
Taipei published the dialogues in a series of 16
articles in the National Palace Museum Journal
from 1984 to 1985, which received tremendous
feedbacks.
Wang came from a family of artists and scholars
and grew up with an extensive collection of arts.
Beyond his family influence, Wang studied painting
with renowned painters, GU Linshi, at an earlier
age, and WU Hufan during his years as a law
student at Soochow University, Shanghai. Wang
devoted over 75 years of his life to studies and
collection of Chinese paintings and calligraphy
works and several decades ago he conferred part
of his collection to the Metropolitan Museum of
Art, New York.
Lot 625
WU Hsueh-Jang/Xue-rang
(Taiwanese, 1923 - 2013)
As known as Tui-Bo, Wu Xue-rang graduated from
National Academy of Art (now known as China
Academy of Art), was a school fellow of SHIY
De-jinn, and a student of LIN Fengmian, PAN
Tiansou, and LI Keran who were the masters of
Modern Chinese paintings. Wu was master at the
traditional Chinese ink painting, however he began
his own unique modern ink and water painting
path under the influence of modern art stream
from the Western during the 1960s, in which we
see the artist acquired the lines from the Chinese
calligraphy and developed his peculiar style. He
tried to explore the relationship between the
society, families, and the contemporaries through
his works which somehow reveal a sense of naivety
and romantic. After the 1990s, he dismissed
Chinese bronze inscriptions into his paintings
and created an atmosphere of contemporary art
language. He taught in many universities such ad
Chinese Culture University, Tunghai University and
National Taipei University of Education (now known
as University of Taipei), and held a numerous
exhibitions both in Taiwan and the overseas, and
he was also a jury to many art competitions.for
publishing by the Zhonghua Book Company.
1961
1906 - 2002
1984198516
1923 - 2013
1967
1990
85

ARTIST INDEX
Lot 622
XU Beihong (Chinese, 1895 - 1953)
Born in Jiangsu, XU Beihong was a respected
modern Chinese painter and a prominent art
educator in China. Xu was trained by his father
in poems, calligraphy and paintings, and studied
overseas in Japan and France. Xu excelled in
Western oil paintings, Chinese ink paintings and
live drawings. Xu promoted a combination of
both Western and Chinese techniques in art, with
dominant genres including horse, flower and bird,
landscape and animals, focusing on capturing
their vibrant moves. Xu took up major roles in art
education and had important contributions to art
development.
Lot 614/Lot 615/Lot 616/Lot 617/Lot 618
YU Cheng-yao (Taiwanese, 1898 - 1993)
Born in 1898 in Yongchun, Fujian, Yu went to
Waseda University in japan to study economics
in 1920. The following year, he transferred to the
Japanese Army Officers' Academy. In 1923, he
returned to China to teach at the Whampoa Military
Academy. In 1946, he retired from military service
at the rank of lieutenant-general. In 1949, he came
to Taiwan. In 1977, he held his first overseas solo
exhibition at New York Chinese Cultural Center. In
1986, at the advanced age of eighty-eight, he held
his first solo exhibition at the Hsiung-shih Gallery in
Taiwan. In 1987, his held a solo exhibition at Hong
Kong City Hall. In 1988, the National Museum
of History held a retrospective exhibition of his
works; in the same year, Hanart Gallery Taipei also
held his exhibition “Recent works by YU Chengyao”.
YU Cheng-yao only started painting at the
age of fifty-six. Because in his early years he had
been in the military and traveled extensively, his
style of painting was more of a recapitulation from
memory. He was a successful self-taught painter,
calligrapher and poet.
Lot 610/Lot 611/Lot 612
YU Chung-lin/Zhonglin (Chinese, 1925 - 1985)
Born in Shandong, Yu Chung-Lin was a reputable
Master of Flowers and Birds. The admiration
for paintings was influenced by his family. As an
apprentice of JIN Qinbo, Yu learnt Song’s Gongbi
Style and continued refining his skills by studying
Japanese Flowers and Birds paintings. Yu yearned
for perfection and studied every object in every
detail, so that objects can be painted in minutest
detail and with extraordinary care. His persistent
in this refinement made his works one of the best
paintings in Gongbi style.
1895 - 1953
1898 - 1993
18981920
1923
19461949
1977
1986
1987
1988
1925 - 1985
19491956
86

Lot 626
ZHANG Guangbin (Taiwanese, 1915 - 2016)
ZHANG Guangbin was born in 1915 in Sichuan.
He spent his childhood emerged in the beautiful
landscape of Sichuan and the impressive experience
became the fountain of his creativity in art. Zhang
learnt from masters such as FU Baoshi, LI Keran,
HUANG Chun-Pi, PAN Tianshou, FENG Zikai and
KAO Hungchin. Zhang’s research covers clerical script
and tablet inscriptions of the Northern Wei Dynasty.
Furthermore, his cursive script captures the spirit of
Bada Shanren.
After coming to Taiwan at the age of 53 years old,
Zhang worked in Department of Painting and
Calligraphy at the National Palace Museum and was
responsible for the discipline of calligraphy education.
The artist issued dozens of vital essays related to
Chinese art history during that time. Moreover, Zhang
got The 29th National Culture Award of R.O.C. (Taiwan)
in 2010 which testifies to his important role as a
contemporary painting and calligraphy artist. Zhang
held exhibitions in Taipei Fine Art Museum, National
Taiwan Museum, and National Museum of History. His
paintings were also collected by many magnificent art
institutions such as National Museum of History, China
Academy of Art and Kaohsiung Museum of Fine Arts.
( 1915 - 2016
1915
53
201029
()
1990
2004
2010
87

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1975 91.5 x 208.5 cm
2017 687
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