The Moorlands - James David
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T h e M o o r l a n d s<br />
Scherzo Fantastique for Wind Ensemble<br />
Commissioned by Dr. Rebecca Phillips for the 2016 South Carolina All-State Band<br />
Instrumentation:<br />
Piccolo<br />
4 Flutes<br />
2 Oboes<br />
2 Bassoons<br />
Contrabassoon (optional)<br />
4 Clarinets in B-flat<br />
Bass Clarinet<br />
B-flat Contrabass Clarinet<br />
2 Alto Saxophones<br />
Tenor Saxophone<br />
Baritone Saxophone<br />
4 Trumpets in B-flat<br />
4 Horns in F<br />
3 Tenor Trombones<br />
Bass Trombone<br />
Euphonium<br />
2 Tubas<br />
Timpani (4 drums)<br />
Percussion I: Marimba (4.3 8ve), Glockenspiel, Crotales (opt., one octave set)<br />
Percussion II: Vibraphone, Xylophone, Crotales (one octave set)<br />
Percussion III: Sm. Tambourine (mounted), Lg. Tambourine (held), Crash Cymbals, Hi-Hat, Sus. Cymbal<br />
Percussion IV: Splash Cymbal, China Cymbal, Suspended Cymbal, 2 Jam Blocks, Bongos, Timbales<br />
Percussion V: Concert Bass Drum, Suspended Cymbal, Tam-Tam, Piccolo Wood Block, Triangle, Cabasa<br />
Duration: ca. 5 minutes<br />
PROGRAM NOTES<br />
"<strong>The</strong> <strong>Moorlands</strong>: Scherzo Fantastique for Wind Ensemble" is a short, but intense work intended to evoke the mysterious and<br />
brooding moors of England, Scotland and Wales. Featured prominently in many works of fiction, including notable chase<br />
scenes in the works of Brontë, Tolkien, and Doyle, these desolate landscapes have inspired a sense of wonder, dread and<br />
excitement for generations. <strong>The</strong> scherzo seemed an appropriate vehicle for such places as it often combines an intense allegro<br />
with a sense of mischief or foreboding (i.e. Dukas and Mendelssohn). A syncopated rhythmic motive binds the work together<br />
which is interrupted by a nod towards an English folksong in the center section. <strong>The</strong> melody returns later to be united with the<br />
dominant syncopated motive as the chase winds towards its inevitable conclusion. This work was commissioned by Dr. Rebecca<br />
Phillips for the 2016 South Carolina All-Sate Band. (notes by the composer)<br />
COMPOSER BIOGRAPHY<br />
<strong>James</strong> M. <strong>David</strong> (b. 1978) is associate professor of composition and music theory at Colorado State University. His music has<br />
been hailed as "deserving of inclusion in the standard repertoire" (American Record Guide) and "quietly mesmerizing with joyous<br />
melodies" (Downtown Music Guide NYC). Among the distinctions <strong>David</strong> has earned as a composer are an ASCAP Morton<br />
Gould Award, national first-place winner in the MTNA Young Artists Composition Competition, two Global Music Awards,<br />
winner of the Dallas Wind Symphony International Fanfare Competition, and national first-place winner in the National<br />
Association of Composers (USA) Young Composers Competition. Commissions include projects for Joseph Alessi (New York<br />
Philharmonic), John Bruce Yeh (Chicago Symphony Orchestra), the Oasis Quartet, Blair Bollinger (Philadelphia Orchestra),<br />
<strong>The</strong> International Saxophone Symposium and Competition, and the Atlantic Coast Conference Band Directors Association. His<br />
works have been performed at more than fifty conferences and festivals throughout North America, Europe, and Asia. <strong>The</strong>se<br />
events include the Society of Composers National Conferences, the College Music Society National Conference, three World<br />
Saxophone Congresses, the Percussive Arts Society International Convention, and six International Clarinet Fests. His works for<br />
wind ensemble have been performed by many prominent professional and university ensembles such as <strong>The</strong> U. S. Army and Air<br />
Force Bands, the Dallas Wind Symphony, the Ohio State University, the University of North Texas, the World Youth Wind<br />
Symphony, the University of Alabama, and the University of Washington among many others. Dr. <strong>David</strong> graduated with honors<br />
from the University of Georgia and completed his doctorate in composition at Florida State University. His music is available<br />
through Murphy Music Press, C. Alan Publications, Potenza Music, and Lovebird Music and has been recorded for the Naxos,<br />
Albany, Summit, Luminescence, and MSR Classics labels. More info available at www.jamesmdavid.com