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The Moorlands - James David

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T h e M o o r l a n d s<br />

Scherzo Fantastique for Wind Ensemble<br />

Commissioned by Dr. Rebecca Phillips for the 2016 South Carolina All-State Band<br />

Instrumentation:<br />

Piccolo<br />

4 Flutes<br />

2 Oboes<br />

2 Bassoons<br />

Contrabassoon (optional)<br />

4 Clarinets in B-flat<br />

Bass Clarinet<br />

B-flat Contrabass Clarinet<br />

2 Alto Saxophones<br />

Tenor Saxophone<br />

Baritone Saxophone<br />

4 Trumpets in B-flat<br />

4 Horns in F<br />

3 Tenor Trombones<br />

Bass Trombone<br />

Euphonium<br />

2 Tubas<br />

Timpani (4 drums)<br />

Percussion I: Marimba (4.3 8ve), Glockenspiel, Crotales (opt., one octave set)<br />

Percussion II: Vibraphone, Xylophone, Crotales (one octave set)<br />

Percussion III: Sm. Tambourine (mounted), Lg. Tambourine (held), Crash Cymbals, Hi-Hat, Sus. Cymbal<br />

Percussion IV: Splash Cymbal, China Cymbal, Suspended Cymbal, 2 Jam Blocks, Bongos, Timbales<br />

Percussion V: Concert Bass Drum, Suspended Cymbal, Tam-Tam, Piccolo Wood Block, Triangle, Cabasa<br />

Duration: ca. 5 minutes<br />

PROGRAM NOTES<br />

"<strong>The</strong> <strong>Moorlands</strong>: Scherzo Fantastique for Wind Ensemble" is a short, but intense work intended to evoke the mysterious and<br />

brooding moors of England, Scotland and Wales. Featured prominently in many works of fiction, including notable chase<br />

scenes in the works of Brontë, Tolkien, and Doyle, these desolate landscapes have inspired a sense of wonder, dread and<br />

excitement for generations. <strong>The</strong> scherzo seemed an appropriate vehicle for such places as it often combines an intense allegro<br />

with a sense of mischief or foreboding (i.e. Dukas and Mendelssohn). A syncopated rhythmic motive binds the work together<br />

which is interrupted by a nod towards an English folksong in the center section. <strong>The</strong> melody returns later to be united with the<br />

dominant syncopated motive as the chase winds towards its inevitable conclusion. This work was commissioned by Dr. Rebecca<br />

Phillips for the 2016 South Carolina All-Sate Band. (notes by the composer)<br />

COMPOSER BIOGRAPHY<br />

<strong>James</strong> M. <strong>David</strong> (b. 1978) is associate professor of composition and music theory at Colorado State University. His music has<br />

been hailed as "deserving of inclusion in the standard repertoire" (American Record Guide) and "quietly mesmerizing with joyous<br />

melodies" (Downtown Music Guide NYC). Among the distinctions <strong>David</strong> has earned as a composer are an ASCAP Morton<br />

Gould Award, national first-place winner in the MTNA Young Artists Composition Competition, two Global Music Awards,<br />

winner of the Dallas Wind Symphony International Fanfare Competition, and national first-place winner in the National<br />

Association of Composers (USA) Young Composers Competition. Commissions include projects for Joseph Alessi (New York<br />

Philharmonic), John Bruce Yeh (Chicago Symphony Orchestra), the Oasis Quartet, Blair Bollinger (Philadelphia Orchestra),<br />

<strong>The</strong> International Saxophone Symposium and Competition, and the Atlantic Coast Conference Band Directors Association. His<br />

works have been performed at more than fifty conferences and festivals throughout North America, Europe, and Asia. <strong>The</strong>se<br />

events include the Society of Composers National Conferences, the College Music Society National Conference, three World<br />

Saxophone Congresses, the Percussive Arts Society International Convention, and six International Clarinet Fests. His works for<br />

wind ensemble have been performed by many prominent professional and university ensembles such as <strong>The</strong> U. S. Army and Air<br />

Force Bands, the Dallas Wind Symphony, the Ohio State University, the University of North Texas, the World Youth Wind<br />

Symphony, the University of Alabama, and the University of Washington among many others. Dr. <strong>David</strong> graduated with honors<br />

from the University of Georgia and completed his doctorate in composition at Florida State University. His music is available<br />

through Murphy Music Press, C. Alan Publications, Potenza Music, and Lovebird Music and has been recorded for the Naxos,<br />

Albany, Summit, Luminescence, and MSR Classics labels. More info available at www.jamesmdavid.com

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