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ASTY


C O L O P H O N<br />

This Studio Knowledge Object book is an exploratory journey<br />

throughout the studio Tasty Culture, designed by Stavros<br />

Giannoulakis at RMIT University in Melbourne, Australia<br />

on October 2019 for the “Tasty Culture”, a studio subject<br />

within the Bachelor of Design (Communication Design)<br />

program in the School of Media and Communication.<br />

Typesets: Berthold Akzidenz Grotesk, Druk<br />

Body text, Berthold Akzidenz Grotesk Regular 8/11 pt<br />

R E F E R E N C E S<br />

https://www.youtube.com/watch?v=-kboK01-OOk<br />

https://en.wikipedia.org/wiki/Creative_class<br />

https://en.wikipedia.org/wiki/Daddy_(slang)<br />

http://www.thepeoplehistory.com/1977.html<br />

https://en.wikipedia.org/wiki/<br />

Marie_Antoinette_(2006_film)


VISUAL REPR<br />

FOR TASTY CU


ESANTATION<br />

LTURE


WEEK 1


CO


OL


Cool, what is for us?<br />

Joel Dinerstein’s talk focuses on the concept<br />

of “cool,’ and draws from his book and popular<br />

culture exhibit, American Cool, as curated for<br />

the National Portrait Gallery of the Smithsonian<br />

Institution in 2014. He is the author of an<br />

award-winning cultural history of big-band<br />

jazz and industrialization entitled Swinging<br />

the Machine: Modernity, Technology, and<br />

African-American Culture, and he has worked<br />

as a consultant on jazz and popular music<br />

for Putumayo Records, HBO’s Boardwalk<br />

Empire, and the National Endowment for the<br />

Humanities (NEH).


Why cool matters<br />

Joel Dinerstein is the Clark Endowed Chair in<br />

American Civilization and the Director of American<br />

Studies at Tulane University. He is the author<br />

and curator of American Cool, a photography<br />

and popular culture exhibit at the National<br />

Portrait Gallery of the Smithsonian Institution that<br />

ran for the first half of 2014. He has been writing<br />

and lecturing on the concept of cool for more<br />

than a decade and for 15 years he has taught<br />

a course entitled, ”The History of Being Cool in<br />

America.” - TEDxNashville HBBoardwalk<br />

Empire, and the Nationathe<br />

Huma•itie.


INFLUENCED BY, INSP


IRED BY, COPIED BY


WEEK 2


NEW YORK<br />

1977


WEEK 3


WHY THEY WERE<br />

IMPORTANT<br />

Culture is a strong part<br />

of people’s lives.<br />

It influences their<br />

views, their values, their<br />

humor, their hopes,<br />

their loyalties, and their<br />

worries and fears.


CULTURALLY


WEEK 4


EXERCISE<br />

daddy cool<br />

Rock band<br />

Daddy Cool is an Australian rock band<br />

formed in Melbourne in 1970 with the<br />

original line-up of Wayne Duncan, Ross<br />

Hannaford, Ross Wilson and Gary Young.<br />

Daddy Who? Daddy Cool


A Daddy in gay culture is a slang term meaning an (typically)<br />

older man sexually involved in a relationship or wanting<br />

sex with a younger male. The age gap may differ, but the<br />

relationship involves the traditional parental hierarchy<br />

of father-son dynamics, the daddy providing emotional<br />

support and guidance along with sexual encouragement<br />

and nurturing to the inexperienced and vulnerable partner.<br />

Often these relationships are categorized as either “DADDY<br />

and boi” or “DAD and son,” although this is not absolute,<br />

and some relationships prefer no labels. Dad, or Daddy, are<br />

completely different from the similarly labeled sugar daddy,<br />

although this can sometimes lead to some confusion.<br />

Concept


PRESENTATION


WEEK 5


I may not always love you<br />

But long as there are stars above you<br />

You never need to doubt it<br />

I’ll make you so sure about it<br />

God only knows what I’d be without you<br />

If you should ever leave me<br />

Though life would still go on, believe me<br />

The world could show nothing to me<br />

So what good would living do me<br />

God only knows what I’d be without you<br />

God only knows what I’d be without you<br />

If you should ever leave me<br />

Though life would still go on, believe me<br />

The world could show nothing to me<br />

So what good would living do me<br />

God only knows what I’d be without you<br />

God only knows what I’d be without you<br />

God only knows what I’d be without you<br />

God only knows what I’d be without you<br />

God only knows what I’d be without you (God only knows)<br />

God only knows what I’d be without you (what I’d be without you)<br />

God only knows what I’d be without you (God only knows)<br />

God only knows what I’d be without you (what I’d be without you)<br />

God only knows what I’d be without you (God only knows)<br />

God only knows what I’d be without you (what I’d be without you)<br />

God only knows what I’d be without you (God only knows)<br />

God only knows what I’d be without you (what I’d be without you)<br />

God only knows what I’d be without you


7 STORIES THAT<br />

MOVIE


COVER EVERY<br />

OVERCOMING THE MONSTER<br />

RAGS TO RICHES<br />

THE QUEST<br />

VOYAGE AND RETURN<br />

REBIRTH<br />

COMEDY<br />

TRAGEDY


EXERCISE


CULTURAL IMPACT<br />

Why Clarice Starling is one of the most<br />

important female characters of all-time.<br />

For a long time, FBI agents and police detectives were roles that only went to men. Jodie Foster’s<br />

Oscar-winning turn as Clarice Starling in The Silence of the Lambs helped change all that.<br />

The FBI saw this film as a unique opportunity to recruit female applicants and so, in what was a rare<br />

act ofco-operation at the time.


WEEK 6


FILM S<br />

A FILM SCORE IS ORIGINAL<br />

MUSIC WRITTEN SPECIFICALLY<br />

TO ACCOMPANY A FILM FOR THE<br />

ACTORS.


CORE<br />

APPROPRIATE /<br />

INAPPROPRIATE<br />

EFFECTIVE / INEFFECTIVE<br />

SCORES


EXERCISE<br />

1989


2008


1926


1985


My goal was to capture in the design the way in which<br />

I imagined the essence of Marie Antoinette’s spirit...so the<br />

film’s candy colors, its atmosphere and teenaged music all<br />

reflect and are meant to evoke how I saw that world from<br />

Marie Antoinette’s perspective. - Sofia Coppola


WEEK 7


MUSIC AN


D BOOZE


GIN


OUZO


OUZO<br />

CYBERPUNK<br />

FUTURE


SOUTHERN<br />

COMFORT


ABSOLUT<br />

VODKA


JÄGERMEISTER


BRENNIVÍN


BRISTOL<br />

MILK<br />

STOUT


CRISTAL


WEEK 8


WEEK 9


1968


1997


TV SH


OWS


M


AD MEN


WEEK 10


WEEK 11


FASH


ION


RICK OWENS


WEEK 12


That’s a


ll folks!


TAV

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