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wonk<br />
Q. Why are we so fascinated by vampires? What do<br />
vampire narratives reveal about us and our society?<br />
A. This is the question I ask my students at the end<br />
of the class. What we can say is that vampire stories are<br />
prominent in times of great change. This is when people<br />
come up with a vampire. It’s escapist, but it gives them the<br />
chance to deal with their fears.<br />
The vampire is a foil on which we can project all of our<br />
fears as a culture. It’s like a blank space: the vampire is<br />
fictional, so it’s safe to think about our fears in a fictional<br />
fantasy world. In the last 200 years, the vampire served to<br />
negotiate fears of immigration or of women who wanted<br />
the right to vote, so the vampire came in and killed only<br />
strong women. Fears of urbanization, industrialization—<br />
the vampire would stand in for all of these things. Every<br />
generation took the vampire as a signifier for another fear.<br />
And I think this is how it perpetuated itself as a story.<br />
The idea of blood as the carrier of life was an<br />
invention of English-language vampire stories of the early<br />
nineteenth century. Later, the heart was considered the<br />
life force—so we had monsters who ate the heart. Today<br />
zombies eat brains. This is because our culture determines<br />
death according to brain activity, so now the brain is the<br />
carrier of life force. The vampire, of course, is feeding off<br />
the life force. So blood is actually old-fashioned in that<br />
regard—but it has survived in the narratives, because blood<br />
continues to signify other key concepts, such as race,<br />
nationalism, and disease in today’s society.<br />
KATHARINA VESTER<br />
Department of History professor<br />
and director of the <strong>American</strong><br />
Studies Program, College of Arts<br />
and Sciences<br />
The vampire<br />
gives us unique<br />
access to the<br />
past, allows us to<br />
look at our fears<br />
as if through<br />
a magnifying<br />
glass and to<br />
understand<br />
something about<br />
a culture in a way<br />
that we cannot<br />
get through<br />
historical<br />
documents.<br />
14 AMERICAN MAGAZINE NOVEMBER <strong>2013</strong>