The Very Best of Urban Art - Opera Gallery
The Very Best of Urban Art - Opera Gallery
The Very Best of Urban Art - Opera Gallery
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<strong>The</strong> <strong>Very</strong> <strong>Best</strong> <strong>of</strong> <strong>Urban</strong> <strong>Art</strong>
POW!<br />
<strong>The</strong> <strong>Very</strong> <strong>Best</strong> <strong>of</strong> <strong>Urban</strong> <strong>Art</strong><br />
<strong>Opera</strong> <strong>Gallery</strong> and <strong>Art</strong> Walk bring a collection <strong>of</strong> the very<br />
best within urban art to Cannes. <strong>Art</strong> originally featured<br />
in city-landscapes and streets, rendering raw and fearless<br />
images , created by smart habitants <strong>of</strong> many subcultures.<br />
<strong>Urban</strong> art is whimsical, colourful and meaningful all at<br />
once. A POW! <strong>of</strong> modern reflection and artistic appeal.<br />
<strong>The</strong> pop up gallery in Cannes is an ongoing collaboration<br />
between Katinka Traaseth <strong>of</strong> <strong>Art</strong> Walk and the internationally<br />
spread and acclaimed <strong>Opera</strong> <strong>Gallery</strong> Group, founded in<br />
Paris and Singapore by Gilles Dyan in 1994. Together they<br />
<strong>of</strong>fer collectors and art devotees a diversity <strong>of</strong> art from all<br />
the corners <strong>of</strong> the globe. <strong>The</strong> pop up concept indicates the<br />
gallery stays on for a limited time only, making the art experience<br />
(and its location) fleeting and even more valuable.<br />
<strong>The</strong> Godfather <strong>of</strong> graffiti is SEEN. His nickname points to<br />
his main desire - which in fact is to be seen. And he has<br />
succeeded . Among his infamous stunts are spray painting<br />
the Hollywood sign and outnumbering commercial billboards<br />
with SEEN-artworks in New York City, in the 1980s.<br />
Today a few <strong>of</strong> his clever icons have found their way to canvases<br />
- lucky enough, for the art collector.<br />
Humor is an obvious part <strong>of</strong> street art. Ron English certainly<br />
has his intact, probably being the only artist to place the<br />
face <strong>of</strong> Mickey Mouse on to the breasts <strong>of</strong> Marilyn Monroe.<br />
And probably being the only artist to fuse Abraham Lincoln<br />
and Barack Obama into one portrait. Character-creatorgenius<br />
and one <strong>of</strong> the world’s most productive urban artists,<br />
English spins political and consumerist statements on to his<br />
canvases as well as city walls.<br />
Equally resourceful in his painted testimonials is Vitaly<br />
Rusakov . <strong>The</strong> imagery <strong>of</strong> this young Russian artist concerns<br />
communism, politics and freedom. His colour-use is<br />
powerful and his designs are brave. His work is spread<br />
through out the walls <strong>of</strong> Russia, and after being recognized<br />
as more than a street muralist, his raw reports can be<br />
witnessed in galleries as well.<br />
Mr. Brainwash became a street art starlet when Banksy<br />
filmed a documentary about him that premiered in 2010.<br />
<strong>The</strong> movie Exit Through the Gift Shop earned the street artist<br />
great success, and he has opened numerous sell-out shows<br />
since. His art is provocative and raw, and acts as a tribute to<br />
original, “Warholesque” pop art. Icons, prior pop art, and<br />
entertainment inspire his sneering yet wondrous concoctions.<br />
Mr. Brainwash has in fact become such a sensation,<br />
that Madonna herself asked him to create several album ,<br />
DVD and vinyl covers.<br />
While some street artists are taken with celebrity, others<br />
crave to leave their mark across the globe. <strong>Art</strong>ists participating<br />
in the movement <strong>The</strong> London Police have succeeded<br />
in doing so in 35 countries, and counting. Founders Bob<br />
Gibson and Chaz Barrison spread love and joy with their<br />
stickers, stencils and spray cans. <strong>The</strong>ir iconic LADS characters<br />
teamed with tight architectural backdrops make for<br />
feel-good, clever creations, on both brick and paper.<br />
<strong>The</strong> collagist, street artist, and found-art creative duo behind<br />
FAILE is Patrick McNeil and Patrick Miller. <strong>The</strong> duo has become<br />
famous for their innovative techniques <strong>of</strong> getting their<br />
passive and plain messages across to the impressed public.<br />
<strong>The</strong>ir mediums are many, and their images both colourful<br />
and very strong.<br />
Parisian artist C215 also projects deep meaning from his<br />
dreamy and mystical works. He is also a poet, but he relies<br />
on his piercing colours and strokes to express himself<br />
visually. He leaves his portraits (usually <strong>of</strong> locals, children or<br />
his daughter Nina) very open to the viewer, so it can tell its<br />
very own lyrical tale to each spectator.<br />
Speedy Graphito, TILT and Krito all draw great inspiration<br />
from advertising, brand-logos, cartoons, symbols and<br />
icons. <strong>The</strong>y have their whimsical and naive colour-use in<br />
common. This trifecta <strong>of</strong> artists construct mood-elevators,<br />
that still challenge the intellect, in each their individual way.<br />
Speedy Graphito is in fact a pioneer <strong>of</strong> French street art,<br />
and a master <strong>of</strong> pop culture references. TILT, also French,<br />
is a sworn server <strong>of</strong> basic graffiti, proving his old school and<br />
bubbly style is just as relevant today. Krito, who started out<br />
sketching cartoons to amuse children in the nursing home<br />
where he worked, soon became recognized for his markertalent.<br />
Now his bright figures are loved by urban art enthusiasts<br />
<strong>of</strong> all ages.<br />
Blek le Rat is considered the father <strong>of</strong> stencil graffiti. He is<br />
the artist that brought the street art scene <strong>of</strong> New York to<br />
France, but twisted it to his own Parisian tune. In the 80s<br />
he started out painting rats on walls, meaning they were<br />
a symbol <strong>of</strong> freedom just like urban art. Today he focuses<br />
on people, <strong>of</strong>ten life-size, paying extra attention to the<br />
actual figure . <strong>The</strong>re is no added distraction <strong>of</strong> complex<br />
backgrounds or thematic text. This is to further his goal <strong>of</strong><br />
bringing art to the conscience <strong>of</strong> the people.<br />
Welcome to POW!<br />
Enjoy the exhilarating urban art explosion.<br />
Gilles Dyan<br />
Founder and Chairman <strong>of</strong> <strong>Opera</strong> <strong>Gallery</strong> Group<br />
Katinka Traaseth<br />
Founder and Director <strong>of</strong> <strong>Art</strong> Walk<br />
Pop Up <strong>Gallery</strong> in Cannes<br />
11, square Mérimée, 06400 Cannes<br />
cannes@operagallery.com / +33 (0)4 97 06 53 86
Born in 1952 in Paris, Blek le Rat is the assumed name<br />
<strong>of</strong> Xavier Prou. Widely considered the father <strong>of</strong> stencil<br />
graffiti, Blek le Rat began his career by stencilling rats<br />
on the streets <strong>of</strong> Paris in the early 1980’s. Blek le Rat<br />
had initially been inspired by graffiti art in New York,<br />
but he soon served to establish a parallel French street<br />
art scene. His use <strong>of</strong> the stencil was a way <strong>of</strong> adapting<br />
American graffiti art to French culture by invoking its<br />
Latin roots.<br />
Blek le Rat focuses on the figure more than many other<br />
graffiti artists, with very little text appearing in his<br />
works. He stencils detailed images <strong>of</strong> common people<br />
as well as classical figures - including depictions <strong>of</strong><br />
Greco-Roman statues or historical icons. <strong>The</strong>se are set<br />
against a monochromatic or collage background executed<br />
in spray paint and acrylic. Hence his aesthetic<br />
is at once traditional and avant-garde, both contemporary<br />
and timeless.<br />
4 5
Violoniste, 2012<br />
Les Danseurs et le rat, 2013<br />
6 Stencil, spray paint and acrylic on canvas . 210 x 140 cm - 82.7 x 55.1 in.<br />
Stencil and mixed media on canvas . 116 x 89 cm - 45.7 x 35 in.<br />
7
Born in 1959 in Texas, Ron English is an American<br />
contemporary artist who explores popular brand<br />
imagery and advertising. His artistic signature style<br />
employs a mash-up <strong>of</strong> high and low cultural touchstones,<br />
including comic superhero, mythology<br />
and totems <strong>of</strong> art history, in order to create a visual<br />
language <strong>of</strong> evolution. He is also widely considered as<br />
a seminal figure in the advancement <strong>of</strong> contemporary<br />
art from traditional wild-style lettering into clever<br />
statement and masterful contemporary art.<br />
Work and inspiration: the artist was considered one <strong>of</strong><br />
the fathers <strong>of</strong> modern contemporary art.<br />
Culture jamming is one contemporary art aspect<br />
<strong>of</strong> his work, involving “liberating” commercial billboards<br />
with his own art messages. Frequent targets <strong>of</strong><br />
his work include Joe Camel, McDonald’s, and Mickey<br />
Mouse. Ron English can be considered the “celebrated<br />
prankster father <strong>of</strong> dollar-pop”, who wrangles<br />
carefully created corporates, and use them against<br />
the very corporation they are meant to represent.<br />
Contemporary artist Ron English is considered one <strong>of</strong><br />
the fathers <strong>of</strong> modern street art and has initiated and<br />
participated in illegal public art campaigns since the<br />
early eighties.<br />
8 9
Superman, 2007<br />
Yin Yang propaganda, 2010<br />
10 Oil on canvas . 91,5 x 61 cm - 36 x 24 in.<br />
Mixed media on canvas . 152,5 x 213,5 cm - 60 x 84 in.<br />
11
Dum English Astronaut Sculpture:<br />
Gasmask Mickey Sculpture<br />
12 Fiberglass and steel . Edition <strong>of</strong> 5 . Height: 122 cm - 48 in.<br />
Fiberglass and steel . Edition <strong>of</strong> 10 . Height: 122 cm - 48 in. . Signed and numbered by Ron English<br />
13
Born in 1973, C215 is the moniker <strong>of</strong> Christian Guémy,<br />
a French street artist hailing from Paris. His striking<br />
portraits <strong>of</strong> local people, children and especially his<br />
daughter Nina are expressive and distinctive in style.<br />
Although C215 has been writing and publishing<br />
poetry separately, the artist never adds text to his<br />
stencils, in order to give the viewer the full possibility<br />
<strong>of</strong> the interpretation. In his choice <strong>of</strong> backgrounds,<br />
layers <strong>of</strong> random, yet well-selected found objects<br />
speak <strong>of</strong> passing time, with an outcome that is both,<br />
aesthetical and meaningful.<br />
His elaborate stencils - if outside a gallery - appear in<br />
the streets <strong>of</strong> various cities all over the globe, such as<br />
New Delhi, London, Istanbul, Fez, Rome, Barcelona<br />
and Paris, lighting up the urban spaces they decorate.<br />
Every stencil has a reason to exist in its specific, wellthought-<strong>of</strong><br />
place and all his pieces are hand-cut and<br />
sprayed originals with a mix <strong>of</strong> found objects.<br />
14 15
Sufi, 2013<br />
Life on Mars, 2013<br />
16 Stencil on cardboard . 80 x 60 cm - 31.5 x 23.6 in.<br />
Stencil on wood . 100 x 150 cm - 39.4 x 59.1 in.<br />
17
Born in 1966, Thierry Guetta aka Mr. Brainwash,<br />
started his career as a French documentary filmmaker,<br />
transitioned into a rogue street artist, and has now<br />
emerged as one <strong>of</strong> the most prominent pop artists <strong>of</strong><br />
the today scene. This could be viewed as a cooping <strong>of</strong><br />
tradition by the street or an attack on pop art culture.<br />
<strong>The</strong> artist put together the largest scale <strong>of</strong> pop art happening<br />
Los Angeles has seen, rivalled only by Banksy’s<br />
2006 show held in downtown Los Angeles. In 2008,<br />
Mr. Brainwash’s L.A. solo exhibit Life is beautiful, combined<br />
images with installation; the show’s duration<br />
was extended from two weeks to three months due to<br />
popular demand, with thousands <strong>of</strong> visitors coming<br />
to appreciate his artwork. Two years later, in 2010, he<br />
opened his expansive solo exhibit Icons, in New York,<br />
closely followed by Icons Remix. <strong>The</strong> work <strong>of</strong> Mr. Brainwash<br />
is rooted in pop art. As Warhol looked to icons <strong>of</strong><br />
consumer culture and celebrity, Mr. Brainwash looks<br />
to art and entertainment as the subjects <strong>of</strong> his work.<br />
He includes artistic tradition and even prior pop art as<br />
the subject <strong>of</strong> his work.<br />
18 19
Tomato sprays, 2011<br />
Charlie Chaplin, 2011<br />
20 Stencil and mixed media on canvas . 122 x 162,5 cm - 48 x 64 in.<br />
Stencil and mixed media on canvas . 162,5 x 122 cm - 64 x 48 in.<br />
21
Born in 1961, the street artist, Richard Mirando aka<br />
Seen hails from the Bronx, New York. Seen’s career<br />
began at just twelve, when he started painting New<br />
York subway cars, soon gaining a reputation with<br />
fellow taggers in the collective, United <strong>Art</strong>ists, for<br />
covering whole cars.<br />
Rightfully called the “Godfather <strong>of</strong> Graffiti”, Seen<br />
has continued to exhibit his creativity ever since. He<br />
persevered in tagging on the New York subway in the<br />
1980’s, even after the Metropolitan Transit Authority<br />
had successfully pressured many other artists to<br />
stop. Early that decade, Seen had begun to produce<br />
works on canvas that were purchased and displayed<br />
internationally. Entering both museum and private<br />
collections, Seen’s artwork was displayed alongside<br />
that <strong>of</strong> art icons such as Jean-Michel Basquiat, Keith<br />
Haring and Andy Warhol (New York / New Wave in<br />
1981). Seen helped transform street art into an art<br />
genre recognized by the mainstream.<br />
Active for over four decades, Seen has not only<br />
changed the way we see street art, but also helped<br />
shape our definitions <strong>of</strong> art at large - he has imprinted<br />
his signature on the streets we walk as well as the world<br />
<strong>of</strong> contemporary art.<br />
22 23
Superman 02, 2009<br />
Wonder Woman 02, 2009<br />
24 Stencil and spray paint on canvas . 220 x 320 cm - 86.6 x 126 in.<br />
Stencil and spray paint on canvas . 220 x 320 cm - 86.6 x 126 in.<br />
25
Born in 1985, Vitaly Rusakov is a young artist from<br />
the Russian underground scene. He is mostly known<br />
for his Street <strong>Art</strong> murals in Russia, especially in<br />
Yekaterinburg, a city in the Ural Mountains at the<br />
border <strong>of</strong> Europe and Asia. In 1998-99, the artist first<br />
used his “magic” lead pencil on the walls <strong>of</strong> the city,<br />
starting with blocks <strong>of</strong> raw coal. Vitaly has participated<br />
in several street contests and shows throughout Russia<br />
and abroad, competitions in which he always stood<br />
out and received an award. He still belongs to the<br />
<strong>Art</strong>error group, which he founded.<br />
Selected in 2007 by the Montresso Foundation, he likes<br />
to focus on issues which are at the heart <strong>of</strong> Russian<br />
history. Noticed by <strong>Opera</strong> <strong>Gallery</strong>, a selection <strong>of</strong> his<br />
paintings is now exhibited in various international<br />
shows alongside the most reputed artists <strong>of</strong> the<br />
<strong>Urban</strong> <strong>Art</strong> movement. Vitaly Rusakov now works in<br />
Yekaterinburg and Marrakech where he is one <strong>of</strong> the<br />
permanent artists <strong>of</strong> the Montresso Foundation’s “Red<br />
Garden” studio.<br />
26 27
Russian forest 04, 2013<br />
Battle for freedom 09, 2013<br />
28 Acrylic on canvas . 146 x 114 cm - 57.5 x 44.9 in.<br />
Acrylic on canvas . 146 x 114 cm - 57.5 x 44.9 in.<br />
29
Born in 1961, graffiti artist Speedy Graphito (real<br />
name Olivier Rizzo) is one <strong>of</strong> the pioneers <strong>of</strong> French<br />
street art. He started working on the streets <strong>of</strong> Paris<br />
in the early 80’s. His iconic stencil work has gone on<br />
to inspire future generations, and remains as strong<br />
now as when he first started.<br />
His work is inspired by the world around us and in<br />
particular the barrage <strong>of</strong> advertising logos that are<br />
part <strong>of</strong> today’s consumer culture. Other influences<br />
include America in the “50’s, cartoons, Manga, and<br />
images from the Maya culture. His strong colours<br />
and juxtaposition <strong>of</strong> imagery is meant to make us<br />
question the iconic images he uses, and the popular<br />
culture it is taken from.<br />
Recently Speedy has been executing his street art in<br />
Los Angeles, and participated in the Dogtown <strong>Art</strong>ists<br />
United <strong>Art</strong> Crawl in 2011. His works are found in<br />
private and public collections throughout the world<br />
including London, New York, Los Angeles, Paris,<br />
Dubai, and Asia.<br />
30 31
Spray cash blue, 2010<br />
Le Baiser, 2009<br />
32 Acrylic on canvas . 180 x 150 cm - 70.9 x 59.1 in.<br />
Acrylic on canvas . 100 x 100 cm - 39.4 x 39.4 in.<br />
33
Born in Chelmsford, England in the 1970’s, <strong>The</strong><br />
London Police are Bob Gibson and Chaz Barrison. <strong>The</strong><br />
London Police started in 1998 when big English geezers<br />
headed to Amsterdam to rejuvenate the visually<br />
disappointing streets <strong>of</strong> the drug capital <strong>of</strong> the world.<br />
<strong>The</strong> motive was to combine travelling and making<br />
street art to create an amazing way <strong>of</strong> life not seen<br />
since the days <strong>of</strong> King Solomon. From 2002 onward<br />
TLP started sending missionaries into all corners <strong>of</strong><br />
the globe. Known for their iconic LADS characters and<br />
precision marking, TLP have recently celebrated 10<br />
strong years in the art world and their work has graced<br />
streets and galleries in 35 countries during this time.<br />
London Policemen have come and gone but founding<br />
members are still known to walk the streets <strong>of</strong> every<br />
city in the world spreading love with pens and stickers.<br />
Last year saw the return <strong>of</strong> Bob Gibson to <strong>The</strong> London<br />
Police after five years <strong>of</strong> touring with the indie band<br />
‘MOSS’. And so the original founding members are<br />
re-embarking on their quest to combine making artwork<br />
and travelling the globe to better themselves and<br />
spread artistic love through the world. <strong>The</strong> blueprint<br />
for this new phase was to produce solid back-to-basics<br />
black and white artworks collaborating the iconic<br />
LADS characters drawn by Chaz with the tight architectural<br />
and illustrative landscapes <strong>of</strong> Bob Gibson.<br />
34 35
Docking bay 94, 2013<br />
<strong>The</strong> Kessler run, 2013<br />
36 Indelible ink on canvas . 80 x 80 cm - 31.5 x 31.5 in.<br />
Indelible ink on canvas . 80 x 80 cm - 31.5 x 31.5 in.<br />
37
Born in 1973 in Toulouse, Tilt is a French graffiti artist<br />
recognized by the world. He is considered a “graffiti<br />
fetishist” because he learned his trade in the streets<br />
and on trains as a kid. From the moment he made<br />
his first drawings on a skate ramp in 1988, his career<br />
has been fuelled by numerous trips. Tilt left his mark<br />
on the walls <strong>of</strong> the United States, Hong Kong, Japan,<br />
Mexico, Thailand, Australia, New Zealand, Taiwan,<br />
China, Canada, the Philippines, Indonesia, Maldives<br />
and more than 12 countries across Europe.<br />
Tilt likes to show that basic, primitive graffiti is as<br />
strong as 3D lettering. It focuses on shapes, strong<br />
colours and also a reflection <strong>of</strong> its history. Similarly the<br />
use <strong>of</strong> sparkling shapes and curves refers to his obsession<br />
with beautiful women.<br />
38 39
Bleu pétrole 1, 2012<br />
Enjoy 2, 2012<br />
40 Mixed media on canvas . 200 x 200 cm - 78.7 x 78.7 in.<br />
Mixed media on canvas . 162 x 114 cm - 63.8 x 44.9 in.<br />
41
FAILE is the Brooklyn-based artistic collaboration<br />
between Patrick McNeil (b. 1975, Edmonton, CA)<br />
and Patrick Miller (b. 1976, Minneapolis, MN). Since<br />
its inception in 1999, FAILE has attained global<br />
recognition for their pioneering use <strong>of</strong> wheatpasting<br />
and stenciling in the increasingly established arena <strong>of</strong><br />
street art, and for their explorations <strong>of</strong> duality through<br />
a fragmented style <strong>of</strong> appropriation and collage.<br />
During this time, FAILE adapted its signature mass<br />
culture-driven iconography to a wide array <strong>of</strong> media,<br />
from wooden boxes and window pallets to more<br />
traditional canvas, prints, sculptures, stencils, multimedia<br />
installation, and prayer wheels. While FAILE’s<br />
work is constructed from found visual imagery, and<br />
blurs the line between “high” and “low” culture, recent<br />
exhibitions demonstrate an emphasis on audience<br />
participation, a critique <strong>of</strong> consumerism, and the incorporation<br />
<strong>of</strong> religious media and architecture into<br />
their work.<br />
42 43
Our romance<br />
Addicted & alone<br />
44 Acrylic and silkscreen ink on wood . Steel frame . 175,5 x 214,6 cm - 67.5 x 84.5 in.<br />
Acrylic and spray paint on wood . 79,4 x 93,3 cm - 31.2 x 36.7 in.<br />
45
Krito was born Vladimir Krutov in Krasnoyarsk,<br />
Siberia, in 1981. Nothing predisposed the artist<br />
to become a painter, except maybe his passion for<br />
Contemporary <strong>Art</strong>, which was quite inaccessible<br />
during the Soviet Union’s reign. As a curious young<br />
man, his obsession was researching endless subjects<br />
on art. Always very close to children, Krito worked<br />
as a hospital nurse where he decided to amuse<br />
young patients with his cartoon sketches <strong>of</strong> traditional<br />
Russian characters. His figures were always<br />
depicted with bright colours and encircled with heavy<br />
black markers. His sketches became more and more<br />
accomplished and earned the artist his very first art<br />
commissions as <strong>of</strong> 2008. His characters pleased both<br />
young and old from this period on, to the point where<br />
he now devotes all <strong>of</strong> his time to his art.<br />
Today, Krito divides his time between his native<br />
Krasnoyarsk and the art studios <strong>of</strong> the Montresso<br />
Foundation, where he leads a group <strong>of</strong> artists who<br />
work actively on collaborative projects. Krito also<br />
participates in several group exhibitions and Street <strong>Art</strong><br />
demonstrations throughout Europe, Asia, the United<br />
States (Miami, Florida) and Morocco (Casablanca and<br />
Azemmour).<br />
46 47
Acrylic on canvas . 100 x 100 cm - 39.4 x 39.4 in.<br />
48 49<br />
No. 32, 2013
Pop Up <strong>Gallery</strong> in Cannes<br />
11, square Mérimée, 06400 Cannes<br />
cannes@operagallery.com / +33 (0)4 97 06 53 86