Roc k Re p o r t 4 4 4 4 4 4Freshman Interns With Missouri CongressmanFreshman ZachWerkowitchis getting abehind-the-sceneslook into how the governmentoperates.Twice a week, Werkowitchspends his afternoonsinterning at the office ofRep. Emanuel CleaverII, from Missouri’s fifthCongressional district. Hisresponsibilities includetalking with constituentson the phone and findingand organizing newspaperand journal articles thatdiscuss congressional issuesor feature the congressman.Although Werkowitchhas yet to determine hisprofessional goals, he istaking this opportunityto explore his interestin politics. From thisexperience he has learneda great deal about thecurrent issues confrontingCongress, as well as theresponsibility of voters inthe democratic process.“I didn’t realize howmuch constituents had arole in a congressperson’sdecisions,” said Werkowitch.“Every call or letter ore-mail that is received isaccounted for and thecongressman hears aboutit. When people call, theirvoice is heard. It is veryuplifting.”The internship hasgiven Werkowitchan insider’s perspectivethat has allowedhim the opportunityto explore and assessCleaver’s policies.“I really think thecongressman is trying todo the right thing for thecountry,” said Werkowitch.“He stands strongly forspeaking for those whodon’t have much of a voice.”In addition to hisinternship and a full classschedule, Werkowitchvolunteers at OperationBreakthrough as a tutorand is a member of theexecutive board of <strong>Rockhurst</strong><strong>University</strong>’s socialjustice group, VOICES forJustice. He is consideringmajors in both philosophyand history.An internship withRep. Emanuel Cleaver IIis giving freshman ZachWerkowitch an insideperspective into politics.Research on African-American Theater Earns FellowshipYou may have studied the work of early blackplaywrights in theater or literature classes, butyou’ve probably never considered it from areligious perspective. That’s because scholarsof religion have paid a lot of attention to African-American music and dance but have virtually ignoredthe theatrical tradition in African-American cultures.That’s about to change, thanks to the work of CraigPrentiss, Ph.D., associate professor of theology andreligious studies. Prentiss has been awarded a NationalCraig Prentiss, Ph.D., earned a fellowship from theNational Endowment for the Humanities for his researchon African-American theater.4 Ro c k h u r s t4s p r i n g 2008
4 4 4 4 4 4 4 4Nursing Students Learn From Older AdultsMaking scrapbooks, discussing current events,sharing stories over a bagel breakfast, playingbingo. Such activities are hardly the substanceof serious nursing school coursework, right? Think again.For the students enrolled in Gale Hickenlooper’s OlderAdult Health Practice course, these may be some of themost important lessons they will learn in preparation fortheir nursing careers. Hickenlooper is assistant professorin the Research College of Nursing, which partners with<strong>Rockhurst</strong> to offer a bachelor of science degree in nursing.Each semester Hickenlooper accompanies her class ofjunior nursing students to Village Shalom, a full-serviceretirement community in Overland Park, Kan. They spendtwo hours once a week with residents in various levels oflong-term care, sharing activities, hearing their stories andgetting to know them as people, not merely as names ona medical chart.“The students have heard Holocaust survivors tell theirstories and found it very moving. And they’ve assistedresidents in their weekly bingo games,” said Hickenlooper.“They’ve learned how important communication is,nonverbal as well as verbal, and that you have to get eyeto eye with the patient. This is a different level of learningfor the nursing students.”Village Shalom residents (from left) Vern Shelton andLillian Sokoloff collected their memories and mementosfor a scrapbooking session with juniors Katie McKinnis,Stephanie Dunn and Kelsey Buckles.Her students echo her sentiments.“We didn’t do hands-on nursing, but we’ve learnednursing strategies,” said senior Meredith Moore. “The waywe communicate and connect with our patients sets thegroundwork for everything we do.”Endowment for the Humanities Fellowship, whichwill allow him to focus full time on the book he iswriting on the topic. The fellowship extends fromAugust 2008 to July 2009.Prentiss is focusing his research on a periodspanning the 1850s through World War II, when livetheater was a huge part of American culture. Blackplaywrights wrote about all sorts of topics — from thelight-hearted to the serious. From the surface, theseworks dealt with topics such as race and gender.Prentiss says when you look more closely, importantreligious issues are so deeply ingrained within thestory lines that they are a critical component — andbarely noticed by contemporary scholars and critics.“If you read these plays, you’ll find that religiousthemes are constant in, I would guess, 70 percentof them,” he says. “You cannot make sense ofAfrican-American theater without taking religioninto account.”Prentiss’ fellowship also has been designated asa special NEH “We the People” project, which isawarded to encourage scholars to explore significantthemes and events in the nation’s history and culture.“My hope is that my research will lead othersto look at these sources and at theater as a form oftheological debates, not just in classrooms, but everyday when individuals present their truths aboutGod,” says Prentiss.Ro c k h u r s t4s p r i n g 2008 5