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This little book tells a big<br />

story of Hinemihi, a talking<br />

building. The tale she tells won’t<br />

be to everyone’s liking. But<br />

then having been shopped and<br />

shipped, chopped and chipped,<br />

her life hasn’t exactly been an<br />

English bed of roses. This is a<br />

story of the politics of power<br />

that a grass hut ignited. And so<br />

this is, amongst others, Dean’s<br />

book too. This is:<br />

decolonising conservation!


2016.<br />

2015.<br />

2012.<br />

2010.<br />

2007.<br />

Carvings<br />

removed<br />

Clandon fire<br />

Te Maru<br />

1st Maori<br />

architecture book<br />

Cutty Sark fire<br />

2


A long long time ago...<br />

1985.<br />

2006.<br />

1995.<br />

1979.<br />

<strong>072hin</strong><br />

DecoNZtructivism<br />

Rewi Thompson<br />

house<br />

Asteroids<br />

3


1953.<br />

1940.<br />

1915.<br />

1893.<br />

1892.<br />

1886.<br />

Everest<br />

28th Maori<br />

Battalion<br />

Gallipoli<br />

NZ women<br />

1st to vote<br />

Sold<br />

Tarawera<br />

eruption<br />

4


in a place far, far away...<br />

1880.<br />

1840.<br />

1769.<br />

1642.<br />

1300.<br />

Born<br />

Treaty<br />

signed<br />

Captain Cook<br />

Abel Tasman<br />

Aotearoa<br />

5


6


...lived a maori chief called<br />

Aporo Wharekaniwha and his<br />

(sub)tribe Ngati Hinemihi.<br />

Aa: ahuru / home<br />

7


th<br />

ne<br />

T<br />

b<br />

8


In<br />

e middle of their<br />

island was a lake and<br />

xt to the lake was<br />

a village called<br />

e Wairoa. My<br />

irthplace.<br />

Ee: ewe/ birthplace<br />

9


10<br />

My canoe is<br />

My island is<br />

My tribe is<br />

My subtribe is<br />

My community is<br />

My sea is<br />

My mountain is<br />

My name is


Te Arawa.<br />

Te Ika A Maui.<br />

Ngati Tarawhai.<br />

Ngati Hinemihi.<br />

Te Wairoa.<br />

Rotokakahi.<br />

Tarawera.<br />

Hinemihi O te Ao Tawhito*.<br />

Hh: hua / name * Hinemihi of the Old World<br />

11


Chief Aporo wanted<br />

me to be a singer<br />

and to entertain<br />

the tourists with<br />

my dancing. My<br />

legacy is today<br />

apparent in<br />

RotoVegas*: a<br />

small town of<br />

motels<br />

and neon<br />

lights.<br />

12<br />

Ii: iwi / tribe *Rotorua


13


14


One June day,<br />

in 1886, the<br />

mountain tired<br />

of my singing<br />

and turned my<br />

village into ash.<br />

I gave shelter<br />

to my carver,<br />

Tene Waitere.<br />

Kk: kino/ ruin<br />

15


16<br />

Six years later, the Guv’nor<br />

appeared looking for an exotic<br />

souvenir to take home and<br />

place next to his artificial lake.<br />

With one gaze I was transformed<br />

into a garden gnome.<br />

‘Sold’ for £50; receipt provided.


Mm: manatunga / souvenir<br />

17


koruru /<br />

tekoteko<br />

kakau<br />

manuae<br />

epa / tukutuku<br />

maihi<br />

pare<br />

amo<br />

kaho / tarawa<br />

tuanui<br />

pare<br />

taorangi<br />

poutouaroaro<br />

rauwhare<br />

wara<br />

apai<br />

18


I was “easily dismantled and<br />

transported”* but it seems I<br />

was not so easy to<br />

re-assemble.<br />

Nn: ngakungaku / dismantled<br />

*www.nationaltrust.org.uk<br />

heke<br />

19


I was now voyaging against the<br />

oceanic currents once believed<br />

to have brought a Great Fleet of<br />

canoes to NZ. Recently, I<br />

realised that this creation myth<br />

was spun by ethnographers to<br />

reconcile conflicting tribal<br />

traditions. The grass hut as<br />

noble savage.<br />

20<br />

NG ng: nga kaumoana / voyager


21


22<br />

Oo: ora / safe *misquoted from Macaulay’s New Zealander (1840)


Some traveller from NZ shall<br />

take her stand on a broken arch<br />

of London Bridge to sketch the<br />

ruins of St Paul’s.* I arrived in<br />

Britain paradoxically from the<br />

New World as NZ was considered<br />

a successor to the Empire<br />

which was in decline.<br />

23


24<br />

Hidden beneath foliage, obscured<br />

in shadow, I am the subservient<br />

hut to the masterful House*.<br />

*this image of Clandon House has been stretched. Still, better than chopped.


The recent fire to this Palladian<br />

Palace is really a mere smokescreen<br />

to deprioritise me.<br />

Pp: pokehe / misapprehend<br />

25


26<br />

Mike* said that the Maori<br />

comportment of ‘speaking to<br />

architecture’ is alien to Western<br />

thinking. Yet talking to<br />

buildings arises because a<br />

house is not like an ancestor, it<br />

is the ancestor. I, Hinemihi, am a<br />

talking building, because,<br />

I, Hinemihi, am living heritage.


Rr: reo / speech<br />

*Dr Michael Linzey “Speaking To and Talking About Maori Architecture”<br />

27


28


When I look at myself, I am<br />

reminded of Buster Keaton’s film<br />

‘One Week’. A 1920s black+white,<br />

the story is of a couple who receive<br />

a DIY house that can be<br />

‘easily’ built in 7 days. Except it<br />

couldn’t, and most houses can’t.<br />

Today I am 48sqm; the Conservateur<br />

thought I was 64sqm; yet<br />

if you looked at my old photos<br />

you can see I was 91sqm. Like<br />

the Bride of Frankenstein, I have<br />

Tt: tarepa / incomplete been cut in half :(<br />

29


30<br />

I fell into the embrace of Te<br />

Maru. They are my guardians,<br />

my pukinga.


Uu: ururoa / helper<br />

31


32<br />

I have had my portrait painted<br />

by numbers. Dean tells me that<br />

my archaeology of colour has<br />

seen me dressed to please the<br />

tourists: a native natural girl, in<br />

earthy colours. Fifty shades of<br />

brown. Yet beneath this costume<br />

I actually embraced the<br />

bolder artificial colours of<br />

orange and blue that were in<br />

fashion at the time.


Ww: whakauna / colours<br />

33


34


All I want to do is to be able to<br />

eat, sleep, poo-poo. To offer<br />

the hospitality of a cup of tea.<br />

Like a normal house.<br />

Why cannot a grass hut offer<br />

the hospitality of a Palladian<br />

palace? The politics of power<br />

has reduced this heritage<br />

project to: a toilet.<br />

Not The End.<br />

The Beginning.<br />

WH wh: whakahaura / reborn<br />

35


Page Maori English<br />

Aa<br />

Ee<br />

Hh<br />

Ii<br />

Kk<br />

Mm<br />

Nn<br />

NG ng<br />

Oo<br />

Pp<br />

Rr<br />

Tt<br />

Uu<br />

Ww<br />

Wh<br />

Ahuru<br />

Ewe<br />

Hua<br />

Iwi<br />

Kino<br />

Manatunga<br />

Ngakungaku<br />

Ngakaumoana<br />

Ora<br />

Pokehe<br />

Reo<br />

Tarepa<br />

Ururoa<br />

Whakauna<br />

Whakahaura<br />

Home<br />

Birthplace<br />

Name<br />

Tribe<br />

Ruin<br />

Souvenir<br />

Dismantled<br />

Voyager<br />

Safe<br />

Misapprehend<br />

Speech<br />

Incomplete<br />

Helper<br />

Colours<br />

Reborn<br />

Team:<br />

Anthony Hoete Magdalena Walek Natalia Sikora Deepthi Martinet


Book Specification<br />

Size<br />

Cover:<br />

Colour:<br />

Page:<br />

<strong>Pages</strong>:<br />

Front Font Size:<br />

Body Font Size:<br />

Caption Font Size:<br />

Date:<br />

Publisher:<br />

Printer:<br />

Square 180x180mm<br />

Soft cover with a Matt laminate<br />

FF6633<br />

Standard paper, 118gsm semi-Matt stock<br />

37<br />

EuropaGroNr1SHOP-Med white 120pt<br />

EuropaGroNr1SHOP-Med white / black 30pt<br />

EuropaGroNrSHOP-Med red / white 12pt<br />

December 2016<br />

WHAT_architecture<br />

Blurb<br />

WHAT_server specification<br />

Project:<br />

Name:<br />

Address:<br />

Folder Size:<br />

Items:<br />

<strong>072hin</strong>_<br />

Hinemihi<br />

Clandon Park, West Clandon, Guildford GU4 7RQ<br />

13020 MB<br />

8,985 items<br />

Eva Romero Paula Palmero Naz Atalay

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