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This little book tells a big<br />
story of Hinemihi, a talking<br />
building. The tale she tells won’t<br />
be to everyone’s liking. But<br />
then having been shopped and<br />
shipped, chopped and chipped,<br />
her life hasn’t exactly been an<br />
English bed of roses. This is a<br />
story of the politics of power<br />
that a grass hut ignited. And so<br />
this is, amongst others, Dean’s<br />
book too. This is:<br />
decolonising conservation!
2016.<br />
2015.<br />
2012.<br />
2010.<br />
2007.<br />
Carvings<br />
removed<br />
Clandon fire<br />
Te Maru<br />
1st Maori<br />
architecture book<br />
Cutty Sark fire<br />
2
A long long time ago...<br />
1985.<br />
2006.<br />
1995.<br />
1979.<br />
<strong>072hin</strong><br />
DecoNZtructivism<br />
Rewi Thompson<br />
house<br />
Asteroids<br />
3
1953.<br />
1940.<br />
1915.<br />
1893.<br />
1892.<br />
1886.<br />
Everest<br />
28th Maori<br />
Battalion<br />
Gallipoli<br />
NZ women<br />
1st to vote<br />
Sold<br />
Tarawera<br />
eruption<br />
4
in a place far, far away...<br />
1880.<br />
1840.<br />
1769.<br />
1642.<br />
1300.<br />
Born<br />
Treaty<br />
signed<br />
Captain Cook<br />
Abel Tasman<br />
Aotearoa<br />
5
6
...lived a maori chief called<br />
Aporo Wharekaniwha and his<br />
(sub)tribe Ngati Hinemihi.<br />
Aa: ahuru / home<br />
7
th<br />
ne<br />
T<br />
b<br />
8
In<br />
e middle of their<br />
island was a lake and<br />
xt to the lake was<br />
a village called<br />
e Wairoa. My<br />
irthplace.<br />
Ee: ewe/ birthplace<br />
9
10<br />
My canoe is<br />
My island is<br />
My tribe is<br />
My subtribe is<br />
My community is<br />
My sea is<br />
My mountain is<br />
My name is
Te Arawa.<br />
Te Ika A Maui.<br />
Ngati Tarawhai.<br />
Ngati Hinemihi.<br />
Te Wairoa.<br />
Rotokakahi.<br />
Tarawera.<br />
Hinemihi O te Ao Tawhito*.<br />
Hh: hua / name * Hinemihi of the Old World<br />
11
Chief Aporo wanted<br />
me to be a singer<br />
and to entertain<br />
the tourists with<br />
my dancing. My<br />
legacy is today<br />
apparent in<br />
RotoVegas*: a<br />
small town of<br />
motels<br />
and neon<br />
lights.<br />
12<br />
Ii: iwi / tribe *Rotorua
13
14
One June day,<br />
in 1886, the<br />
mountain tired<br />
of my singing<br />
and turned my<br />
village into ash.<br />
I gave shelter<br />
to my carver,<br />
Tene Waitere.<br />
Kk: kino/ ruin<br />
15
16<br />
Six years later, the Guv’nor<br />
appeared looking for an exotic<br />
souvenir to take home and<br />
place next to his artificial lake.<br />
With one gaze I was transformed<br />
into a garden gnome.<br />
‘Sold’ for £50; receipt provided.
Mm: manatunga / souvenir<br />
17
koruru /<br />
tekoteko<br />
kakau<br />
manuae<br />
epa / tukutuku<br />
maihi<br />
pare<br />
amo<br />
kaho / tarawa<br />
tuanui<br />
pare<br />
taorangi<br />
poutouaroaro<br />
rauwhare<br />
wara<br />
apai<br />
18
I was “easily dismantled and<br />
transported”* but it seems I<br />
was not so easy to<br />
re-assemble.<br />
Nn: ngakungaku / dismantled<br />
*www.nationaltrust.org.uk<br />
heke<br />
19
I was now voyaging against the<br />
oceanic currents once believed<br />
to have brought a Great Fleet of<br />
canoes to NZ. Recently, I<br />
realised that this creation myth<br />
was spun by ethnographers to<br />
reconcile conflicting tribal<br />
traditions. The grass hut as<br />
noble savage.<br />
20<br />
NG ng: nga kaumoana / voyager
21
22<br />
Oo: ora / safe *misquoted from Macaulay’s New Zealander (1840)
Some traveller from NZ shall<br />
take her stand on a broken arch<br />
of London Bridge to sketch the<br />
ruins of St Paul’s.* I arrived in<br />
Britain paradoxically from the<br />
New World as NZ was considered<br />
a successor to the Empire<br />
which was in decline.<br />
23
24<br />
Hidden beneath foliage, obscured<br />
in shadow, I am the subservient<br />
hut to the masterful House*.<br />
*this image of Clandon House has been stretched. Still, better than chopped.
The recent fire to this Palladian<br />
Palace is really a mere smokescreen<br />
to deprioritise me.<br />
Pp: pokehe / misapprehend<br />
25
26<br />
Mike* said that the Maori<br />
comportment of ‘speaking to<br />
architecture’ is alien to Western<br />
thinking. Yet talking to<br />
buildings arises because a<br />
house is not like an ancestor, it<br />
is the ancestor. I, Hinemihi, am a<br />
talking building, because,<br />
I, Hinemihi, am living heritage.
Rr: reo / speech<br />
*Dr Michael Linzey “Speaking To and Talking About Maori Architecture”<br />
27
28
When I look at myself, I am<br />
reminded of Buster Keaton’s film<br />
‘One Week’. A 1920s black+white,<br />
the story is of a couple who receive<br />
a DIY house that can be<br />
‘easily’ built in 7 days. Except it<br />
couldn’t, and most houses can’t.<br />
Today I am 48sqm; the Conservateur<br />
thought I was 64sqm; yet<br />
if you looked at my old photos<br />
you can see I was 91sqm. Like<br />
the Bride of Frankenstein, I have<br />
Tt: tarepa / incomplete been cut in half :(<br />
29
30<br />
I fell into the embrace of Te<br />
Maru. They are my guardians,<br />
my pukinga.
Uu: ururoa / helper<br />
31
32<br />
I have had my portrait painted<br />
by numbers. Dean tells me that<br />
my archaeology of colour has<br />
seen me dressed to please the<br />
tourists: a native natural girl, in<br />
earthy colours. Fifty shades of<br />
brown. Yet beneath this costume<br />
I actually embraced the<br />
bolder artificial colours of<br />
orange and blue that were in<br />
fashion at the time.
Ww: whakauna / colours<br />
33
34
All I want to do is to be able to<br />
eat, sleep, poo-poo. To offer<br />
the hospitality of a cup of tea.<br />
Like a normal house.<br />
Why cannot a grass hut offer<br />
the hospitality of a Palladian<br />
palace? The politics of power<br />
has reduced this heritage<br />
project to: a toilet.<br />
Not The End.<br />
The Beginning.<br />
WH wh: whakahaura / reborn<br />
35
Page Maori English<br />
Aa<br />
Ee<br />
Hh<br />
Ii<br />
Kk<br />
Mm<br />
Nn<br />
NG ng<br />
Oo<br />
Pp<br />
Rr<br />
Tt<br />
Uu<br />
Ww<br />
Wh<br />
Ahuru<br />
Ewe<br />
Hua<br />
Iwi<br />
Kino<br />
Manatunga<br />
Ngakungaku<br />
Ngakaumoana<br />
Ora<br />
Pokehe<br />
Reo<br />
Tarepa<br />
Ururoa<br />
Whakauna<br />
Whakahaura<br />
Home<br />
Birthplace<br />
Name<br />
Tribe<br />
Ruin<br />
Souvenir<br />
Dismantled<br />
Voyager<br />
Safe<br />
Misapprehend<br />
Speech<br />
Incomplete<br />
Helper<br />
Colours<br />
Reborn<br />
Team:<br />
Anthony Hoete Magdalena Walek Natalia Sikora Deepthi Martinet
Book Specification<br />
Size<br />
Cover:<br />
Colour:<br />
Page:<br />
<strong>Pages</strong>:<br />
Front Font Size:<br />
Body Font Size:<br />
Caption Font Size:<br />
Date:<br />
Publisher:<br />
Printer:<br />
Square 180x180mm<br />
Soft cover with a Matt laminate<br />
FF6633<br />
Standard paper, 118gsm semi-Matt stock<br />
37<br />
EuropaGroNr1SHOP-Med white 120pt<br />
EuropaGroNr1SHOP-Med white / black 30pt<br />
EuropaGroNrSHOP-Med red / white 12pt<br />
December 2016<br />
WHAT_architecture<br />
Blurb<br />
WHAT_server specification<br />
Project:<br />
Name:<br />
Address:<br />
Folder Size:<br />
Items:<br />
<strong>072hin</strong>_<br />
Hinemihi<br />
Clandon Park, West Clandon, Guildford GU4 7RQ<br />
13020 MB<br />
8,985 items<br />
Eva Romero Paula Palmero Naz Atalay