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I. READING COMPREHENSION (15 MARKS) PART 1 (5 x 1 = 5 ...

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I. <strong>READING</strong> <strong>COMPREHENSION</strong> (<strong>15</strong> <strong>MARKS</strong>)<br />

<strong>PART</strong> 1 (5 x 1 = 5 marks)<br />

EOIDNA / I / 1º NA / PRUEBA MODELO<br />

You are going to read a newspaper article about the anniversary of the Thonet Chair<br />

No 14. For questions 1 - 5, choose the option (a, b or c) that best completes the<br />

statement, as in the example (0 - c).<br />

By Alice Rawsthorn<br />

No. 14: The chair that’s seated millions<br />

It consists of six pieces of wood – two circles, two sticks and a<br />

couple of arches – held together by 10 screws and two nuts. Together<br />

they make the wooden chair known as Thonet Model No. 14, which<br />

although no one has ever actually done the math, is thought to have<br />

seated more people than any other chair in history.<br />

The No. 14 was the result of years of technical experiments by<br />

its inventor, the 19 th -century German-born cabinetmaker Michael<br />

Thonet. His ambition was characteristically bold. Thonet wanted to<br />

produce the first mass-manufactured chair, which would be sold at an<br />

affordable price (three florins, slightly less than a bottle of wine). Many<br />

of his rivals had tried to make similar chairs, but failed and, at first, Thonet seemed<br />

doomed to failure too. (...)<br />

Eventually Thonet succeeded. When the No. 14 was launched in 1859, it was<br />

the first piece of furniture to be both attractive and inexpensive enough to appeal to<br />

everyone from aristocrats to schoolteachers. (…) Brahms sat on one to play his piano,<br />

as did Lenin while writing his political tracts, and millions of us have perched<br />

comfortably on them in cafés. (…)<br />

What makes the No. 14, which is to celebrate its <strong>15</strong>0 th birthday next year, so<br />

special? (…)<br />

First and foremost, [it] fulfils its designated function, as every well designed<br />

object must do.<br />

Second, it looks and feels great. “It’s one of the most beautiful chairs there is,”<br />

said the German furniture designer Konstantin Grcic. “And it has exactly the right<br />

weight. When you pick it up, it feels perfect. That’s an important aspect of chair design<br />

that’s often overlooked.”<br />

Third, it was startlingly innovative. Thonet perfected [the] process of bending<br />

wood into strong, smooth curves (…) [and] by making the chair from the fewest parts<br />

possible and standardising their shapes to help unskilled workers assemble them and<br />

pack them neatly in shipping crates, he devised a blueprint for efficient massproduction.<br />

Fourth, the No. 14 is timeless. It seems to suit every era, which is why Le<br />

Corbusier chose it to furnish some of his early 1920s modernist interiors. (…)<br />

Fifth, it improves with age. “As the screws and glue loosen, the structure<br />

becomes softer,” noted Grcic. “It’s a chair that becomes nicer and nicer to sit in as it<br />

ages. Most chairs feel odder when they’re older, (…) but the No. 14 just seems safer<br />

and more comfortable.” (…)<br />

What’s become of the No. 14 today? (…) The company has fragmented over<br />

the years. There are now three Thonets, each making slightly different versions of the<br />

original designs, based in Germany, Austria and the United States. The No. 14 is still in<br />

production, but has lost its populist credentials as its price has risen. The cheapest one<br />

is currently on sale at Moss [in Soho, New York] at $565. (…)<br />

(© International Herald Tribune.<br />

10/11/08)


0. The Thonet Model No 14 …<br />

a. had no screws.<br />

b. had only wooden pieces.<br />

c. has been the chair on which more people have sat.<br />

1. It was …<br />

a. a success since it was launched.<br />

b. manufactured the same year it was thought of.<br />

c. sold at a very competitive price.<br />

2. The Thonet Chair …<br />

a. appealed only to aristocrats.<br />

b. fulfilled the prospects for which it was created.<br />

c. weighed the same as any other chair.<br />

3. Its building process was simple because …<br />

a. the chair had few parts to be assembled.<br />

b. of the good quality of its wood.<br />

c. Thonet had the best skilled workers.<br />

4. We can say that …<br />

a. it gets more and more comfortable.<br />

b. the Thonet chair deteriorates easily.<br />

c. time has reduced its success.<br />

EOIDNA / I / 1º NA / PRUEBA MODELO<br />

5. Nowadays, The Thonet No. 14 …<br />

a. has plenty of versions, completely different from the original.<br />

b. is not as affordable as it was.<br />

c. is not produced any more.


<strong>PART</strong> 2 (5 X 1 = 5 marks)<br />

EOIDNA / I / 1º NA / PRUEBA MODELO<br />

You are going to read a web page from the British Railway. For questions 6 - 10,<br />

choose the option (a, b or c) that best answers the questions, as in the example<br />

(0 - b).<br />

SLEEPER SERVICES<br />

Information about long-distance trains running at night which offer sleeping<br />

accommodation.<br />

Introduction<br />

Sleepers enable you to make long distance journeys while having a relaxing night's<br />

sleep. You arrive early at your destination, saving a day's travel - or the early<br />

morning dash to the airport.<br />

Sleeper services operate nightly Sunday to Friday and link:<br />

• London Euston with most principal business and holiday locations in Scotland.<br />

• London Paddington with Southwest England and Cornwall.<br />

Customers joining at the starting point of the train may occupy cabins well before<br />

departure. At terminating stations customers may vacate cabins up to approximately<br />

08:00 on trains which arrive at an earlier time.<br />

Sleeping Berths<br />

These beds are known as sleeping berths. In the case of compartments with two<br />

berths, one is on top of the other in a double-bunk arrangement. These beds (the<br />

lower bed in a double-bunk arrangement) can also be folded away when the other<br />

is in use.<br />

Room Service<br />

Sleeper berth have full air-conditioning and fingertip temperature control. Each cabin<br />

has wall-to-wall carpet, mirror, shaver sockets, drinking water, soft towel - as well as<br />

hot water for the washbasin, and a comfortable bed. Steward(ess) service is available<br />

at the touch of a button throughout the journey .<br />

Sleeper Berth “Supplements”<br />

If you already hold a ticket for your journey, you can pay an additional<br />

'supplementary' fare in order to make use of a Sleeping Berth on board the train.<br />

• Holders of First Class tickets who purchase a sleeper berth supplement enjoy a<br />

single berth cabin to themselves.<br />

• Holders of Standard class tickets who purchase a sleeper berth supplement travel<br />

tickets travel in either a single or twin berth (sharing with someone else of the same<br />

sex) cabin on payment of the relevant Standard class supplement.<br />

The number of berths available to holders of discounted tickets may be restricted at<br />

any time.<br />

Sleeper Train Reservations<br />

To book rail tickets and reserve Sleepers, simply visit any main rail station or rail<br />

appointed travel agent. Alternatively you can book by phone using most credit/debit<br />

cards.<br />

• ScotRail Telesales: 08457 550033<br />

• First Great Western Telesales: 0845 700 0125 (…)<br />

Routes of Sleeper Trains<br />

• Caledonian Sleeper Service - linking London Euston with North England and Scotland.<br />

Reservations are compulsory on the following Caledonian Sleeper services:<br />

The Highland Sleeper<br />

• London to Aberdeen/Inverness/Fort William (Sunday to Friday, between<br />

20:00 - 21:<strong>15</strong>) Departs from London Euston calling at Crewe and Preston for<br />

boarding only. At Edinburgh (where no alighting is possible), the service separates<br />

into three trains for Aberdeen, Inverness and Fort William (known as 'The<br />

Deerstalker'), calling at intermediate stations. (…)<br />

(Taken from © www.nationalrail.co.uk)


0. Night trains operate …<br />

a. only at weekends.<br />

b. six days a week.<br />

c. the seven days of the week.<br />

6. At destination, you must leave your train …<br />

a. as soon as you arrive.<br />

b. by eight o’clock.<br />

c. whenever you like.<br />

7. All berths have …<br />

a. a double-bunk bed.<br />

b. heating.<br />

c. showers with hot water.<br />

8. Holders of standard tickets can …<br />

a. have a cabin seat.<br />

b. have a single berth.<br />

c. share a berth.<br />

9. You can book your tickets ...<br />

a. at any travel agent.<br />

b. by phone.<br />

c. using the net.<br />

10. You can take a train to Aberdeen ...<br />

a. at 9.30 pm.<br />

b. at Preston Station.<br />

c. every Saturday.<br />

EOIDNA / I / 1º NA / PRUEBA MODELO


<strong>PART</strong> 3 (5 x 1 = 5 marks)<br />

EOIDNA / I / 1º NA / PRUEBA MODELO<br />

You are going to read a magazine article about a girl mad about bags, in which<br />

some sentences are missing. For questions 11 – <strong>15</strong> choose the sentence from<br />

the list (A – H) that best fits in each gap in the text, as in the example (0 - E).<br />

There are two extra sentences that you do not need to use.<br />

The Bag Hoarder<br />

From the age of six I collected plastic bags. My mother brought me the first one<br />

from Paris and after that, whenever anyone went abroad, I asked for plastic bags and<br />

eventually acquired them from all over the world. My favourite was a Japanese<br />

shopping bag with writing on, (0) _____E_____ and paper ones with rope handles. By<br />

the age of nine I had about 90. I kept them in a huge box and used to show them to<br />

visitors. The whole lot were eventually lost in a house move (11) __________ .<br />

I buy all sorts of bags now. My habit has picked up again over the last six years<br />

and has become quite bad. I don’t need any more, but I keep buying them. I don’t own<br />

a Gucci or a Prada, (12) __________! I like bags that are more individual: anything<br />

lilac, sparkly or decorated with flowers. Practicality is a secondary consideration. I don’t<br />

even think about size, just the look.<br />

Although I’m an impulse buyer, I have used every single bag that I’ve bought,<br />

(13) __________ (that’s what I do with my Victorian sewing bag, which I found for £2).<br />

My Victorian evening purse, embroidered with glass beads, is 120 years old; I bought it<br />

in a market for £60. Lots of bags are too expensive. I’d never spend £400 on a bag,<br />

(14) __________. When I went to America, strangers were going mad over my beaded<br />

bags from Accessorize, which only cost £<strong>15</strong> each. The most I’ve ever spent on a bag is<br />

£<strong>15</strong>0. ( … )<br />

Once, in Selfridges, I spotted the bag: embroidered and beaded pink shantung<br />

silk by Shanghai Tang. I literally ran up the escalator, beside myself with excitement.<br />

My boyfriend ended up buying it for me -it cost around £120- and it’s my most<br />

treasured bag.<br />

Another time, in Paris, I stumbled upon this amazing shoe and bag shop. (<strong>15</strong>)<br />

__________ I didn’t realise the shop had a huge plate-glass front and just went<br />

crashing into the door. A very sexy French shopkeeper let me in, sat me down and put<br />

arnica on my face. He wouldn’t give me a discount on any bags but assured me that<br />

they would put a strip across the front of the shop, to prevent accidents like that<br />

happening again!<br />

(Adapted from © Red, December 2001)


SENTENCES<br />

A. ALTHOUGH I KNOW I’LL NEVER SEE THEM AGAIN<br />

B. ALTHOUGH I’D BE HAPPY TO ACCEPT THEM AS GIFTS<br />

C. AND I WAS DEVASTATED<br />

D. EVEN IF I COULD AFFORD IT<br />

EOIDNA / I / 1º NA / PRUEBA MODELO<br />

E. BUT MY COLLECTION ALSO EXTENDED TO NYLON GROCERY BAGS<br />

F. EVEN IF IT’S JUST TO STORE HAIR PRODUCTS IN<br />

G. I WAS SO HYPNOTISED BY THE DISPLAY<br />

H. I’D NEVER SEEN ANYTHING LIKE IT<br />

0 11 12 13 14 <strong>15</strong><br />

E

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