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53444 Katalog PDF - Menneske.dk

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THE SITE AND NEW VOICES<br />

Visual art of the present day avails itself of<br />

many different voices, but not in the manner<br />

of a gobbledygook of incomprehensibilities<br />

where each of the voices can only be<br />

interpreted by the speaker him/herself.The<br />

individual work, you see, possesses its own<br />

specific expression for a specific matter that,<br />

for the artist, is important to present.The art<br />

we are talking about here aims at involving its<br />

public as participants in an exchange of<br />

experiences and viewpoints. And what is<br />

demanded for the purpose, of course, is that<br />

the artist make use of a form of expression<br />

that not only potentializes but also, in the<br />

best instances, promotes such participation.<br />

An activating - and maybe nothing short of<br />

stimulating or even downright disturbing -<br />

confrontation between artwork and viewer is<br />

frequently assigned a high priority by the<br />

artist.<br />

As an artistic practice - in this connection -<br />

installation art is an ideal way of working to<br />

secure "the conversation", where one or<br />

more voices can be heard, visually and<br />

sensually.The installation's space-oriented way<br />

of unfolding itself in an architectonic interplay<br />

with the indoor - or maybe the outdoor -<br />

space and its plentiful possibilities for making<br />

use of almost all kinds of materials, video,<br />

photographs, light and sound is just perfect for<br />

engendering the utterly special place that not<br />

only surrounds the viewer but also allures<br />

him/her into an investigative ambling about.<br />

The shut down Knabstrup Brickworks now<br />

serves as the frame for an exhibition with<br />

artists who are working - to a considerable<br />

degree - with an installation praxis that opens<br />

up to many exciting possibilities, right on this<br />

very spot. The production of bricks and<br />

ceramics here came to its end more than ten<br />

years ago. But even today, many traces of<br />

these activities are still visible in the huge<br />

building facility and the ravishingly beautiful<br />

surroundings.What are most remarkable are<br />

the shelf arrangements, featuring a varied<br />

collection of the old casting moulds. But<br />

there are also other worn-down fixtures and<br />

all sorts of things that have been left behind<br />

in many of the rooms, while other rooms<br />

right now are standing empty, just waiting for<br />

the art's entry.<br />

The story of the brickworks is closely linked up<br />

with the people who have worked at the place<br />

and who undoubtedly carry a long chain of<br />

memories connected with the place. These<br />

people and their recollections comprise an<br />

important part of the narrative about<br />

Knabstrup Brickworks.A later chapter belongs<br />

to the story of industrialization when many<br />

brickworks were shut down because materials<br />

and new forms of production made these<br />

facilities superfluous.The many small individual<br />

stories are now woven together with - or<br />

confronted by - changes in the larger tale of<br />

society. Such a potential field can most certainly<br />

constitute a fertile ground for artistic efforts.

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