19.12.2012 Aufrufe

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Sculptures<br />

A »very important« project in his career is how Bullermann<br />

describes the »Venus Trap«, which was realised for EXPO 2000 in<br />

Hanover and now stands in the foyer of Europe House at the<br />

Federal Ministry for Economic Cooperation and Development<br />

(BMZ) in Berlin. Design and execution by »Atelier Iron Age« in<br />

cooperation with Pekka Lappalainen (Finland), Rasmus Frankel<br />

(Denmark), Jeroen Pacquée (Belgium), Robert Björk (Sweden),<br />

Tobias Willi (Switzerland), and the German colleagues Lavinia<br />

Giesen, Gerd Böhmann, Tobias Kessler, and Kathrin Meyer.<br />

As Bullermann explains, the »Venus Trap« is »a static structure<br />

fabricated using modern techniques, which forms the basis for<br />

the kinetic installation in three sections. The elements ‘Yo-Yo’,<br />

‘Transmission’ and ‘Free Spaces’ are interconnected – the way<br />

the ‘first’ and ‘third world’ depend on each other. When one of<br />

the elements is moved, the others shift as well: the shape of the<br />

overall installation changes. The finished piece is approx. 16 m<br />

long and 3.5 m tall. While modern techniques were used in<br />

addition to traditional ones, the design vocabulary of the concept<br />

and realisation is subject to individual and cultural influences.<br />

This coexistence is also found in many development projects,<br />

where techniques of craftsmanship or joining that were often<br />

nearly forgotten are preserved, improved, and put to use.<br />

Sustainability, the guiding principle of cooperative development,<br />

is realised in the reconstruction of the installation in the foyer<br />

of the BMZ Europe House and can communicate its messages<br />

even beyond the time of EXPO 2000,« Bullermann says<br />

195

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