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Sculptures<br />
A »very important« project in his career is how Bullermann<br />
describes the »Venus Trap«, which was realised for EXPO 2000 in<br />
Hanover and now stands in the foyer of Europe House at the<br />
Federal Ministry for Economic Cooperation and Development<br />
(BMZ) in Berlin. Design and execution by »Atelier Iron Age« in<br />
cooperation with Pekka Lappalainen (Finland), Rasmus Frankel<br />
(Denmark), Jeroen Pacquée (Belgium), Robert Björk (Sweden),<br />
Tobias Willi (Switzerland), and the German colleagues Lavinia<br />
Giesen, Gerd Böhmann, Tobias Kessler, and Kathrin Meyer.<br />
As Bullermann explains, the »Venus Trap« is »a static structure<br />
fabricated using modern techniques, which forms the basis for<br />
the kinetic installation in three sections. The elements ‘Yo-Yo’,<br />
‘Transmission’ and ‘Free Spaces’ are interconnected – the way<br />
the ‘first’ and ‘third world’ depend on each other. When one of<br />
the elements is moved, the others shift as well: the shape of the<br />
overall installation changes. The finished piece is approx. 16 m<br />
long and 3.5 m tall. While modern techniques were used in<br />
addition to traditional ones, the design vocabulary of the concept<br />
and realisation is subject to individual and cultural influences.<br />
This coexistence is also found in many development projects,<br />
where techniques of craftsmanship or joining that were often<br />
nearly forgotten are preserved, improved, and put to use.<br />
Sustainability, the guiding principle of cooperative development,<br />
is realised in the reconstruction of the installation in the foyer<br />
of the BMZ Europe House and can communicate its messages<br />
even beyond the time of EXPO 2000,« Bullermann says<br />
195