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Celebrating Twenty Years of the Alabama Folk Arts Apprenticeship ...

Celebrating Twenty Years of the Alabama Folk Arts Apprenticeship ...

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Wayne Heard<br />

Henagar<br />

Dobro<br />

Wayne Heard <strong>of</strong> Henagar learned to play <strong>the</strong><br />

dobro more than 65 years ago.<br />

Like many o<strong>the</strong>r Sand Mountain musicians,<br />

he learned from a relative, his uncle Marvin.<br />

Heard plays a large repertoire <strong>of</strong> traditional<br />

songs and tunes. He is a fine songwriter as<br />

well. Although he never played<br />

pr<strong>of</strong>essionally, he frequently made music<br />

with those who earned <strong>the</strong>ir living as<br />

musicians, including Charlie and Ira Louvin<br />

and Cast King. Now in his eighties,<br />

Mr. Heard has a deep knowledge <strong>of</strong> north<br />

<strong>Alabama</strong>’s traditional music. His student Matt<br />

Downer, who is his grandson, found this<br />

wealth <strong>of</strong> information just as important as <strong>the</strong><br />

style <strong>of</strong> playing he learned. Through <strong>the</strong><br />

<strong>Apprenticeship</strong> Program, grandfa<strong>the</strong>r and<br />

grandson continued <strong>the</strong> rich musical<br />

heritage <strong>of</strong> <strong>the</strong>ir region.<br />

David Ivey<br />

Huntsville<br />

Sacred Harp Singing<br />

David Ivey has played an important role in sustaining <strong>the</strong> tradition <strong>of</strong><br />

Sacred Harp singing in north <strong>Alabama</strong>. A singer since his childhood in<br />

Henagar, he attended singing schools under such notable singing<br />

masters as Hugh McGraw and Leonard Lacy. Through <strong>the</strong> <strong>Apprenticeship</strong><br />

Program, he taught singing schools in numerous <strong>Alabama</strong> communities<br />

for several years. Mr. Ivey <strong>of</strong>ten takes part in all-day singings around <strong>the</strong><br />

state, regularly “pitching” or “keying” music as a front bench tenor. He<br />

has held leadership positions with local and state singing conventions,<br />

<strong>the</strong> Sacred Harp Publishing Company, and <strong>the</strong> Sacred Harp Musical<br />

Heritage Association. He also co-founded and directs Camp Fasola, an<br />

innovative program in which children and adults learn Sacred Harp<br />

singing in a summer camp setting.<br />

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